"Home Alone 2: Lost in New York" is a John Hughes and Chris Columbus collaboration following the first "Home Alone" movie, which took place in the Chicago suburbs. 

In "Home Alone 2," Kevin McCallister, played by Macaulay Culkin, is heading out for the holidays with his family. After a series of mistakes, McCallister ends up on the wrong plane — it's flying to NYC instead of Miami, where the rest of his family is headed.

Once he lands, McCallister explores the city solo and eventually runs into Harry and Marv, the same bad guys from the first movie, played by Joe Pesci and Daniel Stern.

The movie was released in 1992. More than 30 years later, many of the scenes look similar to NYC today.

"Home Alone 2" is filled with plenty of famous — and not so famous — New York destinations. 

I rewatched the classic Christmas movie to see how the film holds up to reality. 

After mistaking a man in a tan jacket for his father, McCallister arrives in NYC with the cityscape on full display in the background.

Initially feeling defeated, McCallister quickly realizes that a solo trip to New York City could be a fun adventure.

Maybe it's because I'm always in a frantic rush to get to the airport on time, but the views from LaGuardia Airport's windows have yet to impress me as they did in the movie. 

After the shock and worry of what just happened, McCallister decides to make the most of his stay in NYC.

Fortunately, he has his father's carry-on bag, complete with his dad's credit card, cash, and a Polaroid camera.

He hails a cab and crosses into Manhattan, where his adventure begins. 

In the movie, McCallister rides in a now-outdated taxi. Today, most taxis are modern cars, although they've kept their iconic yellow color. 

When it comes to the Ed Koch Queensboro Bridge, it hasn't changed. The only difference I spotted is that in 2010, "Ed Koch" was added to the front of the bridge's title after former Mayor Edward I. Koch.

These scenes go by quickly as McCallister visits neighborhoods and iconic spots sprinkled across the entire island.

The movie takes place during the holiday season. I was surprised there weren't more people in the background of this scene, which takes place in Midtown Manhattan, a neighborhood that is typically bustling with tourist activity.

Come wintertime, Radio City Music Hall typically teems with people eager to spot a Rockettes performance. 

The short scene features McCallister crossing paths with a Santa on stilts outside the Empire Diner.

The diner at 210 10th Avenue in New York's Chelsea neighborhood opened in 1976. 

Since then, the diner has closed and reopened a few times with new owners. Today, it's led by executive chef Jestin Feggan. 

The diner looks the same as it did in the movie, but behind it is a colorful mural painted by Eduardo Kobra. The mural features Frida Kahlo, Andy Warhol, Keith Haring, and Jean-Michel Basquiat.

Quong Yuen Shing & Co. on Mott Street opened in 1891 in the heart of Chinatown and sold everything from salted duck eggs to medicinal herbs.

In the "Home Alone 2" script, it also sold firecrackers, which McCallister stuffs into his backpack as he exits the store. 

In the mid-1980s, the store received a new name, 32 Mott Street General Store, and in 2003, it closed in the aftermath of September 11, 2001, The New York Times reported.

While visitors can no longer stop at this specific spot, they can head to Chinatown in Lower Manhattan to explore its history and discover delicious eats.

McCallister looks out into the water and spots the Statue of Liberty. Surprisingly, this will be the only time we see this iconic landmark in the two-hour movie. 

The Battery, a 22-acre public park, is one of my favorite parks in Manhattan thanks to its water and greenery. 

For the most part, I think the movie gets it right. By that, I mean that the Statue of Liberty is far enough to need binoculars for a close-up view. However, you'll have to bring your own since the coin-operated ones no longer exist in the park.

The World Trade Center was comprised of seven buildings. McCallister makes his way up 110 stories to view the city from one of the Twin Towers.

On September 11, 2001, both Twin Towers collapsed in a terrorist attack, destroying the observation deck McCallister visits.

The closest thing to McCallister's view today is the One World Observatory.

The experience is 102 stories high, compared to McCallister's 110 stories. It's also enclosed, unlike the Twin Towers' outdoor observation deck.

This scene is Harry and Marv's entrance to the movie. The two have escaped from prison and are spotted in New York in the back of a fish delivery truck. They've traveled to NYC to steal money. 

The fish market is portrayed as a bustling place in the movie. 

Today, the fish market is entirely different than the one pictured in "Home Alone 2."

Opened in 1822, the market existed at South Street Seaport for over a hundred years. In 2005, it moved to an enclosed space in the Bronx.

Tourists and buyers arrive early — the market opens at 2 a.m. on most days.

While it might look drastically different from the movie, I can guarantee it has the same smell.

The Pigeon Lady will become an essential character later in the movie, but upon their first encounter, she scares McCallister.

McCallister runs away and heads to The Plaza Hotel, aka "New York's most exciting hotel experience," which is how McCallister refers to it while reciting a commercial he watched in the movie.

Standing in the southeast corner of Central Park, visitors can get a complete picture of the famous building. 

Its exterior hasn't changed much. The iconic hotel is still one of New York's most famous hotels. It was built in 1907, and in 1969, it was designated an official landmark by the New York City Landmarks Preservation Commission. 

The statue points McCallister in the direction of the hotel.

The general is known for helping Argentina, Chile, and Peru gain independence from the Spanish, according to NYC Parks.

Today, it looks the same as it did in the movie and can be spotted at Central Park South and Avenue of the Americas.

Once McCallister finally makes it to the hotel, he explores the extravagant lobby. It's decorated for the holiday season, and pots are filled with poinsettias.

In the lobby, McCallister runs into Donald Trump, who is playing himself — the owner of The Plaza Hotel. As Business Insider previously reported, Trump, who no longer owns the hotel, insisted on having a cameo in the film. 

Later in the scene, McCallister uses a fake voice to call and make a reservation for a suite. 

McCallister enjoys the hotel's pool and orders an ultimate room service experience.

Since 1992, the hotel has updated some of its interior and offerings, but the essence and luxury of the experience remain the same.

My guess is that it's much more expensive compared to when McCallister would've stayed. According to the hotel's website, rooms are priced between $1,000 and $33,000 for a night this January. 

This scene is where the duo gets the idea to rob a toy store. 

I've watched plenty of children — and adults — take a tumble at Wollman Rink.

The ice skating rink opened in 1950. Each November, it opens to the public for skating. In the summer, the area is a popular pickball court location.  

Here, McCallister sets foot into a store brimming with stuffed animals, musical instruments, and toys for all ages.

Lonely Planet said that Duncan's Toy Chest is based on the real New York City toy store, FAO Schwarz.

The actual store wasn't used for filming. Instead, filming took place in Chicago, with exterior shots from Chicago's historic The Rookery and interior scenes filmed in The Uptown Theater, The Sun reported.

I've stopped at FAO Schwarz once or twice and spotted the same joy and excitement depicted in the film.

However, many physical elements have changed. The store temporarily closed in 2015 and moved locations, and in 2018, it reopened at 30 Rockefeller Plaza. 

In the time since the movie came out, many of the store's current toys are different from the ones seen in the movie.  

As McCallister hops into the back of a horse-drawn carriage to escape Harry and Marv, the audience learns that this isn't the first, and likely won't be the last time McCallister visits the famous park.

In fact, McCallister wanders through Central Park a handful of times throughout the film. It's where McCallister spots the Plaza Hotel, stows away in a horse-drawn carriage, and befriends the Pigeon Lady. 

Throughout the film, McCallister is spotted across Manhattan's largest park. 

Yes, people still feed pigeons, and horse-drawn carriages still exist. 

As with any film shot decades ago, things will look different, but the crowds, and lack thereof, remain true.

I've explored areas of the 840-acre park that are both eerily quiet and swarmed with people. Overall, the film's depiction of the park is pretty accurate, based on my experience. 

McCallister makes his way to Times Square, which has some of the heaviest foot traffic in all of NYC.

I find Times Square to typically be pure chaos with crowds of tourists, business people, and performers filling the streets.

I was surprised to see it so empty in the movie. 

At the end of the movie, McCallister reunites with his mother in the plaza, who flew to New York to search for her son.

In the movie, the plaza is entirely empty. 

During my first winter in New York, I thought it would be fun to celebrate the holiday season by admiring the city's lights, window displays, and music, but I instantly regretted visiting Rockefeller Plaza.

The plaza was packed, and I remember having to push my way through the crowds to catch a glimpse of the tree. 

In fact, I doubt the plaza is ever as empty as it is in "Home Alone 2." 

While I'm glad I checked it off my bucket list, I have no desire to go back.

There's no place like NYC, especially during the holidays.

Watching "Home Alone 2: Lost in New York" is still a reminder of the magic the city has each winter, no matter how much has changed since the movie came out. 

I wasn't sure if I'd really taste much of a difference between the coffee drinks, so I also brought along a friend who has received training in discerning tastes from a professional sommelier and recipe developer.

He found the 2% latte boring and lacking "personality." Adding sugar made the taste more interesting, but he didn't think he'd order it again.

I've been drinking lattes made with 2% milk for years, and I wouldn't buy one (sometimes two) daily if I didn't like the taste.

This was almost like the experiment's control group for me — something to compare the others to.

Although it didn't end up being the best of the bunch, it's a good choice for purists like me.

When I was drinking non-dairy lattes, soy milk was my preferred alternative. I was really looking forward to seeing if it was as tasty as I remembered.

Luckily, it didn't disappoint — I knew I was onto something back then.

My friend described the drink as smoky with chocolate notes. Although I hadn't noticed that before, I'm starting to think the hints of flavor may be why I'm drawn to it.

Sugar detracted from the taste of this one for me, which is also a plus since I'd rather not add it.

I strongly associate coconut with tropical drinks, so I wasn't sure how I'd feel about a coconut-milk latte. However, I was pleasantly surprised.

In my friend's words, the coconut milk had a dry, caramel taste with a slight acidity.

Adding sugar really brought out the coconut flavor, which can be a good thing or a bad thing, depending on your tastes.

For me, a stronger coconut taste was welcome. However, my friend isn't a big fan of coconut and preferred this drink without sugar.

I like snacking on almonds and was looking forward to a latte with a nutty taste.

Unfortunately, I didn't like it.

There was a distinct almond quality, but it felt a bit watered down. I didn't think the milk added much flavor to the latte, and my friend agreed.

We both thought that adding sugar would dramatically improve the taste, it didn't.

I enjoy Starbucks' iced brown-sugar oak-milk shaken espresso on warm days, so I was looking forward to seeing how oat milk translates into a hot drink.

Unfortunately, I was a little underwhelmed.

My friend said the oat-milk latte almost had a "cigar-smoke flavor," and neither of us liked that very much.

When I added sugar, the flavor was much better — mostly because it largely covered up the oat milk, making it taste closer to a 2% latte.

Although I'll still order it occasionally, the 2%-milk latte is no longer my go-to at Starbucks. After just one sip, I knew I'd be going right back to soy.

The delicious — perhaps chocolaty — flavor is perfect without any added sweetener.

Even though the coconut-milk latte wasn't my favorite drink, it was a close second. The tropical, caramelly flavors really work.

With sugar added, the oat-milk drink was also OK, but I didn't like the almond-milk latte and won't be ordering it again.

Chipotle cheddar crackers are Garten's go-to homemade appetizer for any gathering, and we think they're perfect for a holiday party.

"I just like to make one thing and then buy the rest," Garten told Bon Appétit when discussing how she constructs a cocktail hour or appetizer spread. She said these crackers are typically the only thing she'll make.

We loved how the crackers tasted like a Cheez-It combined with the texture of a biscuit.

Get the full recipe for Ina Garten's chipotle cheddar crackers here.

If you're looking for an easy main dish or a last-minute protein, Garten's lemony and herby turkey breast recipe is here to save the day.

It was relatively easy to prepare, and it requires much less time and prep work than a full-size bird, making it a great option for day-of cooking.

Get the full recipe for Ina Garten's herb-roasted turkey breast here.

Our favorite part of the turkey breast recipe was the wet rub that seasons the poultry. We used it to flavor our green beans and boost the brightness of our potatoes, and we put the rest in a bowl for the perfect dipping sauce.

If you're looking for a citrusy, fresh, herby way to tie multiple dishes in your hosting spread together, it's worth pulling it out of the turkey recipe — even if you're not making the bird.

Get the full recipe for Ina Garten's lemony, herby turkey rub here.

This recipe is both flavorful and comforting. It would be perfect for a cold and rainy winter day but also ideal for a cozy holiday meal served on the floor or on the couch by the fireplace.

The only hangup is that this one takes a few hours to make — but we think it's worth it.

Plus, if you're cooking for less than five people, you'll have plenty of leftovers for days and weeks ahead.

Get the full recipe for Ina Garten's chicken in a pot with orzo here.

This recipe isn't simple, but it's delicious and would be a great way to show yourself some love this holiday season. Nothing says holiday decadence like putting in some work to create an indulgent, satisfying, soul-warming meal for yourself.

With three types of cheese and thick-cut bacon, it tastes like a sophisticated version of the lunch we ate as a kid.

While there are several steps, Garten's recipe is precise with measurements and easy to follow, which can help even a timid home cook successfully complete it.

Get the full recipe for Ina Garten's grilled cheese here.

The Barefoot Contessa's giant chocolate-chip cookies are a great way to close out any holiday meal. They're sweet and salty, with a texture that manages to be crispy, flaky, crunchy, and gooey all at once.

The characteristic that sets these cookies apart is that they ripple out from the center to the edges, thanks to the Barefoot Contessa's tip of banging the tray on your counter every few minutes while baking. This can feel like a hassle, but it's worth the extra effort.

Get the full recipe for Ina Garten's giant crinkled chocolate-chip cookies here.

Garten's delicious corn bread is the perfect balance of sweet and savory. Its salty and crunchy crust gives way to a moist and fluffy filling that everyone loves.

The recipe is also easy and foolproof, even for novice bakers. And with such a stunning golden color, it's a showstopper at the dinner table.

Get the full recipe for Ina Garten's corn bread here.

Garten has a plethora of potato recipes that are great for the holidays, including her rosemary roasted potatoes and Parmesan mashed potatoes. But the "Barefoot Contessa" star's potato-fennel gratin is our favorite.

The gratin is a creamy dream. The combination of Gruyère cheese and heavy cream is so comforting, and the potatoes come out perfectly cooked every single time. The sautéed fennel also adds a lovely mild sweetness that cuts through all the cheesiness.

Garten's potato-fennel gratin also pairs well with everything, making it the perfect side dish for any holiday protein. It can also be made ahead of time and reheated, giving you some much-needed oven space on a busy cooking day.

Get the full recipe for Ina Garten's potato-fennel gratin here.

Garten's recipe requires you to warm up the store-bought mashed potatoes, throw in sour cream, unsalted butter, and freshly grated Italian Parmesan cheese, then season with salt and pepper.

It might sound too good to be true, but these potatoes wowed us. The Parmesan cheese infused the dish with a delicious richness, and the sour cream added so much creaminess that no one even realized the mashed potatoes were store-bought!

Get the full recipe for Ina Garten's elevated store-bought mashed potatoes here.

We've made nearly a dozen Ina Garten pastas, but one of our absolute favorites is the penne alla vodka.

Garten's trick is to roast the vodka sauce in the oven, which infuses the tomatoes with so much delicious flavor that it truly takes this dish to another level.

Plus, it's such a visually stunning pasta. There's no doubt you'll hear everyone say "wow" when you bring this to the dinner table.

Get the full recipe for Ina Garten's penne alla vodka here.

Garten said her rigatoni with sausage and fennel pasta is one of her "all-time go-to dinners" — and it's perfect when you've got a big group.

The one-pot pasta is packed with delicious ingredients, including sweet Italian sausages, chopped fennel, freshly grated Italian Parmesan cheese, dry white wine, and heavy cream.

The dish is rich and creamy, and we loved how the sweetness of the sausage worked together with the saltiness of the Parmesan cheese. As we brace ourselves for a chilly holiday season, this one-pot pasta is sure to warm you up (without filling the sink with dishes).

Get the full recipe for Ina Garten's one-pot rigatoni with sausage and fennel here.

Garten's garlic bread with a twist features a French baguette, freshly grated Parmesan cheese, butter, parsley, lemon zest, and plenty of garlic.

And the "outrageous" garlic bread lives up to its name in the best way. Each piece was delightfully crunchy, with a zingy brightness from the lemon zest and parsley. One of our friends declared that she "could have eaten an entire baguette's worth."

Get the full recipe for Ina Garten's "outrageous" garlic bread here.

While pumpkin pie might dominate the Thanksgiving dessert table, we get to be a bit more creative in December. And who doesn't love some chocolate cake after dinner?

Garten said her Beatty's chocolate cake recipe is "the most fabulous chocolate cake that I've ever made." The delicious dessert features a secret ingredient — one cup of hot brewed coffee — which enhances the chocolate flavor.

We were blown away by how fluffy and moist the cake tasted. It's packed with chocolate, but the texture is still light as air — an incredible feat. The cake is huge, so there's plenty to go around if you've got a big guest list. And it still tastes fresh days later, so everyone gets to enjoy some leftovers.

Get the full recipe for Ina Garten's Beatty's chocolate cake here.

Garten's bourbon chocolate pecan pie features a store-bought crust, and she told The New York Times that it tasted even better than one made from scratch. Since the frozen crust is less buttery, it doesn't distract or compete with the rich bourbon-chocolate filling.

The recipe features diced pecans, semisweet chocolate chips, vanilla, and some good bourbon. And the pie couldn't be easier to assemble. After chopping some pecans and mixing everything together, it was ready to go in the oven — talk about a stress-free holiday dessert!

We loved all the texture and flavor in Garten's bourbon chocolate pecan pie. There's the crunchiness from the pecans, the creaminess from the chocolate chips, and those sweet notes of caramel from the bourbon. It also tastes fantastic with a scoop of vanilla ice cream.

Get the full recipe for Ina Garten's bourbon chocolate pecan pie here.

Whispers of a feud started on social media after it became clear that Baldoni, who both directed and starred in "It Ends With Us," wasn't doing press with the rest of the cast. Then, internet sleuths discovered that while Baldoni follows the entire cast on Instagram, none follow him back.

Over the summer, reports emerged that there were two cuts of the movie: one approved by Baldoni and another done by editor Shane Reid, who has worked with Lively and her husband, Ryan Reynolds, which Lively commissioned, according to The Hollywood Reporter.

Rumbles of a feud continued as Lively began getting called out for how she promoted the movie. Baldoni hired Melissa Nathan, a seasoned crisis PR manager, as this happened. Nathan is known for working with Johnny Depp during the Amber Heard trial.

After a quiet few months, their rift returned to the headlines when Lively sued Baldoni for sexual harassment in December 2024 and said that he worked with Nathan and his publicist, Jennifer Abel, to start a smear campaign against her.

Baldoni's lawyer, Bryan Freedman, said in a statement, "It is shameful that Ms. Lively and her representatives would make such serious and categorically false accusations against Mr. Baldoni, Wayfarer Studios and its representatives, as yet another desperate attempt to 'fix' her negative reputation."

Lively's representative directed Business Insider to a statement she shared with The New York Times: "I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted."

Celebrities have begun to support Lively publicly, including her "Sisterhood of the Traveling Pants" costars and "It Ends With Us" author Colleen Hoover. According to The Hollywood Reporter, Baldoni has been dropped by his agency, WME.

Rumors about Wilde and Pugh not getting along began in July 2022, when Page Six reported that Pugh was "displeased" about Wilde's relationship with "Don't Worry Darling's" other costar (and pop music sensation) Harry Styles. Wilde and Styles have since broken up.

Eagle-eyed fans noticed that Pugh did little to no promotion of "Don't Worry Darling" on social media. Pugh also was not involved in any of the film's events besides its premiere at the Venice Film Festival (notably missing the much-memed press conference) and declined to comment about Wilde in a profile on the director in Variety.

At the premiere itself, fans seemed convinced that Pugh refused to make eye contact with Wilde, didn't stand next to her in any photos, and generally seemed unbothered.

Add in the "Miss Flo" comments from a leaked video of Wilde sent to Shia LaBeouf, and we had all the makings of a feud.

"As for all the endless tabloid gossip and all the noise out there, the internet feeds itself. I don't feel the need to contribute; I think it's sufficiently well-nourished," said Wilde during the Venice press conference.

Mounting tensions on the set of 1999's "Three Kings" reportedly led to a physical fight between the film's star, Clooney, and its director, Russell.

According to one of the film's producers, Charles Roven, Clooney was tired from working on both "ER" and "Three Kings" simultaneously, and Russell was experiencing budget pressure from the studio. Reportedly, when Clooney saw Russell yelling at a crew member, it was the final straw. The two engaged in a "tussle," per The Hollywood Reporter.

In a 2000 interview with Playboy, Clooney said Russell's aggression was a widespread problem on set, and that the director also made the script supervisor cry, physically pushed an extra, and embarrassed a camera-car driver. 

After the reports about Harvey Weinstein came out in 2017, stories surfaced about Russell, with former co-workers accusing him of on-set abuse, as reported by Vulture.

It's been 25 years since "Three Kings," but the bad feelings have not disappeared. In an August 2024 GQ profile, Clooney said it was "not worth it" to work with a "miserable" person like Russell, who made every person on set's life difficult.

A video leaked a few years ago shows Russell screaming at Tomlin while filming 2004's "I Heart Huckabees." 

The video is profanity-laden: After Tomlin complains to Russell about his constant re-writing of lines and scenes, he has a complete meltdown. Russell shoves and knocks items over on the set as crew members flee. 

But the episode did not harm Russell and Tomlin's relationship for more than a few hours. She told The Hollywood Reporter in 2015, "We've overcome it. It dissipates and it's gone." The two have said they would gladly work together again.

Schumacher told Entertainment Weekly in 1996 that the two even "had a physical pushing match" on set.

"He was badly behaved, he was rude and inappropriate. I was forced to tell him that this would not be tolerated for one more second. Then we had two weeks where he did not speak to me, but it was bliss," he continued.

Kilmer was eventually replaced in the sequel by George Clooney.

Time did not heal this wound, though — in 2019, 24 years after the film, Schumacher doubled down on their beef. In an interview with Vulture, he called Kilmer "psychotic," though he did admit that he was a "fabulous Batman."

It's unknown if the two reconciled before Schumacher's death in June 2020.

McGregor and Boyle were close friends due to Boyle casting McGregor in his directorial debut "Shallow Grave" and his follow-up, the critically acclaimed "Trainspotting" in 1996.

However, when it came time for Boyle to direct "The Beach" in 2000, he chose Leonardo DiCaprio to be his leading man, instead of McGregor. According to a 2021 interview between McGregor and The Hollywood Reporter, this fractured their relationship for years.

McGregor said the two did not speak for "a long time" and even sat together in a first-class cabin on a transatlantic flight "without exchanging a single word."

"It wasn't handled very well. There was probably both sides to it," McGregor said. "I was upset. But at the same time, it's part of life, it's just part of growing up."

Boyle has said he felt "great shame" about what happened, even admitting that he had given McGregor the impression that the role in "The Beach" would be his.

"I handled it very, very badly, and I've apologized to you," Boyle told McGregor on "The Graham Norton Show" in 2017. "I felt a great shame about it. I was not proud of the way I handled it," Boyle added.

Eventually, the two reconciled and worked together again on the 2017 sequel "T2 Trainspotting."

Dunaway and controversial director Polanski apparently clashed on the set of 1975's "Chinatown."

At one point during filming, Polanski was upset by a stray piece of Dunaway's hair that was ruining his shot, so he walked up to Dunaway and yanked it out of her head. One urban legend even said that Polanski's refusal to allow Dunaway bathroom breaks led to her throwing a cup of her own urine at the director.

Dunaway vehemently denied the urine incident to The Guardian but did tell the Sabotage Times that "the friction between Roman and me began from the start" of filming.

French director Clouzot was well-known in the horror genre during the '50s and '60s. While filming "La Vérité" ("The Truth") in 1960, he wanted his lead actor, Bardot, to realistically fall asleep and drool for a scene. 

So he apparently gave Bardot sleeping pills, claiming that they were painkillers, The Guardian reported. Bardot took too many and ended up having to get her stomach pumped as a result.

After the fact, Bardot called Clouzot "a negative being, forever at odds with himself and the world around him," according to the outlet.

This was just one of many incidents for Clouzot, however, as he reportedly slapped Suzy Delair while filming "Quai des Orfèvres" in 1947.

"The Shining" is one of the most iconic films in American history — and the reported feud between  Duvall and Kubrick is just as infamous.

Kubrick's masterpiece took 13 months to shoot, and every bit of it seems to have been torture for lead actor Shelley Duvall. A perfectionist, Kubrick apparently nitpicked her performance, re-shooting scenes and lines and reaming her in front of the crew for missing cues, reported Rolling Stone. To get real desperation out of Duvall, he apparently filmed one emotionally taxing scene 127 times.

After "The Shining" was released in 1980, Duvall said to critic Roger Ebert, "Going through day after day of excruciating work. Almost unbearable ... in my character I had to cry 12 hours a day, all day long, the last nine months straight, five or six days a week."

Later in her career, though, Duvall celebrated the director. In a video posted to X by the Shelley Duvall Archive, Duvall (who died in July 2024) said she "wouldn't trade the experience" of shooting the film "for anything" because of Kubrick. "It was a fascinating learning experience," she said.

"American History X" got off to a rough start: Controversial British director Kaye didn't even want to hire Norton to play the lead, but he told The Guardian in 2002 that he "couldn't find anyone better."

Norton and Kaye reportedly began to clash when the film was being edited. Kaye's 95-minute cut was not favorably received by New Line Cinema and Norton, who both began to offer Kaye some notes — and he did not take the suggestions well, reported Den of Geek.

Entertainment Weekly reported in 1998 that Kaye was so furious with Norton that he punched a wall and broke his hand. Kaye also threatened to replace his director's credit with the name Humpty Dumpty. Kaye even called Norton "a narcissistic dilettante" to the outlet.

Norton has never spoken publicly about Kaye.

Bay and Fox openly slammed each other in the press, and the animosity seems to have started on the set of "Transformers" in 2007.

In a 2009 interview with Wonderland magazine, Fox said of her director, "[Bay] wants to create this insane, infamous mad-man reputation. He wants to be like Hitler on his sets, and he is ... He has no social skills at all. It's endearing to watch him. He's so vulnerable and fragile in real life and then on set, he's a tyrant."

Members of Bay's "Transformers" crew retaliated by writing an open letter that year that called Fox "the queen of talking trailer trash and posing like a porn star," reported Deadline.

Fox was then fired from the "Transformers" franchise in 2011 and replaced with Rosie Huntington-Whiteley.

The two eventually buried the hatchet, and Fox starred in Bay's "Teenage Mutant Ninja Turtles" film in 2014.

"I've always loved Michael," Fox told Entertainment Weekly that year. "We've had our battles in the past but even when I've been really outspoken about difficulties we've had, I've always followed up by saying that I have a particular affinity to him."

Hedren ascended to stardom after scoring lead roles in Hitchcock's "The Birds" and "Marnie." But Hedren later told Variety that the director made unwanted sexual advances on her throughout the filming of "The Birds" in 1963 — and threatened her career if she didn't comply. 

Hedren repeatedly rebuffed his advances. She said, "When he told me that he would ruin me, I just told him to do what he had to do. I went out of the door and slammed it so hard that I looked back to see if it was still on its hinges."

According to Hedren, the inappropriate behavior continued on the set of "Marnie." At one point, Hitchcock and Hedren were in the back of a limousine, and she said he lunged at her, begging her to kiss him.

"It was absolutely awful, and as soon as the movie 'Marnie' was over, I was out of there," Hedren said. "That was the end of the Hitchcock relationship."

In a now-infamous Vanity Fair interview from 2008, Heigl insulted her "Knocked Up" director, Apatow, by calling the movie "a little sexist." 

Heigl went on to express discontent with her character's personality in the film: "It paints the women as shrews, as humorless and uptight," she told the magazine. "It paints the men as lovable, goofy, fun-loving guys."

Both Apatow and Heigl's costar, Seth Rogen, did not take this critique well. Apatow commented on Heigl's lack of an apology on "The Howard Stern Show" in 2009, saying, "[You'd think] at some point I'll get a call saying, 'Sorry, I was tired ...' and then the call never comes." 

The incident dampened Heigl's career, leading her to apologize (via the press) in 2016. In 2017, Apatow told Vulture he still hasn't spoken to Heigl since the Vanity Fair interview came out a decade ago.

In 2021, Heigl spoke to The Washington Post about being branded as "difficult" in Hollywood after her "Knocked Up" comments.

"I may have said a couple of things you didn't like, but then that escalated to 'she's ungrateful,' then that escalated to 'she's difficult,' and that escalated to 'she's unprofessional,'" she said. "What is your definition of difficult? Somebody with an opinion that you don't like?"

Smith discussed the making of the 2010 film "Cop Out" on an episode of "WTF with Marc Maron" in 2011, almost a year after its release. He told the comedian that one of the stars of the film wouldn't sit for a poster photo shoot — and once Maron pressed the director for a name, he let loose.

The "Mallrats" director confirmed that it definitely wasn't Tracy Morgan," who he called "a dream" and said he would "lay down in traffic for."

"Were it not for Tracy, I might've killed myself or someone else in the making of that movie," Smith said. "It was difficult. I've never been involved in a situation like that where one component is not in the box at all." He added it was "soul-crushing."

Wills, for his part, kept it simple in his response. "Poor Kevin. He's just a whiner," he told Time Out in 2013.

However, the two seem to have squashed their beef. Almost a decade later, in 2019, Smith told a story on his podcast, "Fatman Beyond," about the action star texting him to ask for his address, as Willis had some pictures he wanted to send Smith.

"Reach out to an old friend or to someone you never thought would be a friend again. You never know what bridges you can mend," said Smith.

In 2022, Willis' family announced the actor was stepping back from acting after he was diagnosed with aphasia, and the director had some kind words to say on X. "Long before any of the Cop Out stuff, I was a big Bruce Willis fan - so this is really heartbreaking to read," he wrote. He also expressed regret for his previous comments.

Murray and Ramis were longtime friends and "Ghostbusters" costars, but they had a bitter falling out on the set of Ramis' 1993 film "Groundhog Day."

Murray was the star of the film, and, according to Ramis' daughter Violet's book "Ghostbuster's Daughter: Life With My Dad, Harold Ramis," his behavior became increasingly erratic while shooting —  he was repeatedly late to set and threw many a tantrum. The issue came to a head when Ramis, at one point, is said to have grabbed Murray by the collar and shoved him against a wall.

Ramis' daughter also wrote that "Bill was going through a difficult time in his personal life, and he and my dad were not seeing eye to eye on the tone of the film."

She added, "Eventually, Bill just completely shut my dad out ... for the next 20-plus years."

Ramis became terminally ill in 2010, and it was then that Murray extended an olive branch, arriving at Ramis' house with a police escort and a dozen doughnuts. The two were friends until Ramis' death in 2014.

Kinski was known for being a difficult actor to work with, and this seemed to prove true for director Herzog on the set of "Aguirre: The Wrath of God" in 1972. 

Kinski and Herzog began to disagree about how Kinski should play his character, and Kinski became defiant. He reportedly threw wild tantrums on set and constantly threatened to quit the production. In one of the latter instances, Herzog is said to have held Kinski at gunpoint in order to make him stay, reported Indiewire.

The two went on to work together four more times, and Herzog made a documentary about their mercurial, decadeslong friendship called "My Best Fiend" in 1999.

Both Björk and von Trier won many awards and accolades for their 2000 indie film "Dancer in the Dark." But in light of the #MeToo movement, Björk claimed in 2017 that von Trier made unwanted sexual advances at her during filming. 

In a series of Facebook posts, Björk alleged that von Trier made "unwanted whispered sexual offers from him with graphic descriptions," and he threatened to "climb from his room's balcony in the middle of the night with a clear sexual intention." 

Von Trier denied the claims, saying that sexual harassment was "not the case. But that we were definitely not friends, that's a fact," reported The Guardian.

Carney blasted Knightley in a 2016 interview with The Independent after their film "Begin Again" was released, calling her a "supermodel" who was unable to capture the essence of her musician character.

Carney said, "Keira's thing is to hide who you are and I don't think you can be an actor and do that ... being a film actor requires a certain level of honesty and self-analysis that I don't think she's ready for yet, and I certainly don't think she was ready for on that film." 

Directors rallied to defend the Oscar-nominated actor on Twitter (now X), calling her "utterly spectacular" and "a joy" to work with. Carney then issued an apology on X in 2016, saying, "Keira was nothing but professional and dedicated during that film and she contributed hugely to its success." 

In 2019, Knightley revealed in an interview with the Irish Times that Carney had privately apologized to her, and she had accepted it.

"It was a very difficult shoot. We didn't get on. It's just a thing that happens sometimes and I say that with no blame. It takes two to tango," she said. "I think we can both be very proud of ourselves for the film that we made because it's difficult when a lead actor and director don't get on. And I don't think you could tell that from watching the film."

Anderson hit it big with his critically adored second film, "Boogie Nights," in 1997. But Reynolds, who won a Golden Globe for his performance, never saw the film.

Reynolds told GQ in 2015 that he and Anderson clashed on set, personality-wise. He found Anderson to be too pleased with his own ability, saying they butted heads "mostly because he was young and full of himself. Every shot we did, it was like the first time [that shot had ever been done]." 

Anderson extended an olive branch by offering Reynolds a part in his next film, "Magnolia," but Reynolds told The Guardian he declined the offer, saying, "I'd done my picture with Paul Thomas Anderson; that was enough for me."

Basinger spoke to The New York Times in 1986 about the grueling experience of shooting the erotic drama "9 1/2 Weeks."

Basinger was reportedly bullied by director Lyne, who also convinced costar Mickey Rourke to completely ignore Basinger off-camera in order to add to the duo's intensity on-screen. Lyne said to the Times, "In order for her to be angry I would rage at her and she would rage back at me."

It wasn't until after "9 1/2 Weeks" was released that Basinger realized the level of manipulation that was happening on set. She reflected, "Mickey was egging me on — I hated him sometimes. I got confused. I didn't know who I was after a while. My husband [Ron Snyder] and I had a bad time during this movie."

Even though Basinger said there were times she was ready to quit the movie, she holds firm that the experience — and the final product — were worthwhile.

Though the scene depicting the rape of Schneider's character was in the script for "Last Tango in Paris," director Bertolucci created a disturbing last-minute addendum.

Bertolucci and actor Marlon Brando had the idea of using a stick of butter as a lubricant for the scene, but they apparently didn't warn Schneider beforehand because Bertolucci wanted "her reaction as a girl, not as an actress," he said in 2013.

In 2007, a few years before her death in 2011, Schneider told The Daily Mail that the scene felt real to her. "Marlon said to me: 'Maria, don't worry, it's just a movie,' but during the scene, even though what Marlon was doing wasn't real, I was crying real tears," she said.

Bertolucci said Schneider hated him for years after the film, and "Last Tango In Paris" received renewed media attention in 2016 before the #MeToo movement, as celebrities — both actors and actresses — rallied to defend Schneider on X.

Outlets have reported in October and November — before it was public what the film would be — that several A-listers were in the frame for Nolan's next project.

Deadline and The Hollywood Reporter said, citing unnamed sources, that Matt Damon and Anne Hathaway, who starred in Nolan's "Interstellar," would feature.

Hathaway confirmed the casting when speaking to Women's Wear Daily in early December.

"I have so many feelings about it that I don't even know how to articulate. It fills me with so much joy, and I don't know how to talk about it," she said. "I love Chris and Emma Nolan so much, and to be invited into their world is, I mean, I know from experience it's one of the best places you can find yourself. Getting to be invited twice really felt like something, three felt like it would've been greedy, so I never let myself hope that that would happen, and that it has makes me emotional, to be perfectly honest. It makes me feel like I'm doing something right."

Nobody has said which role Hathaway — or any of the actors — might play.

Penelope, Odysseus' wife, is the most significant woman in the source material, along with Athena, the goddess of wisdom who watches over Odysseus.

Deadline and THR also reported, citing unnamed sources, that another Nolan veteran, Robert Pattinson, who starred in "Tenet," will also star in the film.

The publications also said Zendaya, Tom Holland, Lupita Nyong'o, and Charlize Theron would be in the cast.

Major characters include Odysseus himself, the legendarily cunning hero, as well as his son Telemachus, the beguiling witch Circe, the monstrous one-eyed cyclops, and Poseidon, the sea god who wants Odysseus to suffer.

On December 18, Holland said on an episode of the "Dish" podcast that he is in the film but doesn't "know anything about" the plot, which was at the time a secret.

"I'm super excited. Everything is very hush-hush. I met with him it was awesome. He kind of loosely pitched what it was, and I'm sure when he's ready, he'll announce what it is," he said.

He seemed to confirm that Pattinson, Zendaya, and Damon would be part of the cast with him.

This would be the first film Zendaya and Holland had worked together on since 2021's "Spider-Man: No Way Home."

Homer is known for two epic poems, "The Iliad" and "The Odyssey," both of which tell the story of the Trojan War.

"The Iliad" narrates the end of the war, while "The Odyssey" tells of the ten-year struggle by Odysseus to return to his island home, Ithaka.

During the journey, Odysseus and his crew fight against a man-eating cyclops, powerful giants, and the sirens. They defeat witches and sea monsters, and anger the Zeus and Poseidon. But Odysseus has Athena on his side, trying to help him get home.

Meanwhile, a band of suitors are trying to take over Odysseus' kingdom on Ithaka, supplanting his son Telemachus and convincing Penelope to marry one of them.

In a dramatic conclusion, Odysseus sneaks back to the island and slaughters the suitors, reclaiming his family and kingdom.

This will be Nolan's first film about Greek mythology, breaking away from his regular sci-fi and war films. Nolan will be writing the script for the movie.

Several filmmakers have brought Homer's work to screen over the years, including the Oscar-winning directing sibling duo the Coen Brothers and Oscar-nominated German director Wolfgang Petersen.

Petersen's "Troy," which premiered in 2004 starring Brad Pitt and Orlando Bloom, was based on Homer's "The Illiad." It was the most commercially successful Homer adaptation, grossing $497 million worldwide, but received a lot of criticism that it didn't translate Homer's story well.

Pitt told The New York Times Magazine in 2019 that he was "disappointed" by the film, and the experience made him pivot toward "quality stories" for the rest of his career.

The Coen Brothers' "O Brother, Where Are Thou" and the 2004 "The Spongebob Squarepants Movie" are two other Hollywood movies loosely based on "The Odyssey."

Homer's work has also been adapted into multiple TV series, including the 1997's "The Odyssey," which starred Christopher Lee and Vanessa Williams.

On December 24, Ryan Seacrest will turn 50.

Two years ago, Seacrest celebrated his birthday with a family gathering and playing games with balloon animals, according to Instagram.

Ricky Martin's 53rd birthday is on December 24, 2024.

To get into the Christmas spirit, Martin voiced a character in the Netflix holiday film "Jingle Jangle: A Christmas Journey."

The most famous expert on infectious diseases, Dr. Anthony Fauci, will turn 84 on Christmas Eve.

Fauci was born on December 24, 1940 — and while he might not have been a huge celebrity for the first seven decades of his life, Decade No. 8 is shaping up to be his busiest ever.

Louis Tomlinson's 33rd birthday is on Christmas Eve.

Tomlinson is the oldest member of One Direction, and the oldest of seven siblings.

Jimmy Buffett would have celebrated his 78th birthday on December 25, 2024.

Buffett died in September 2023 at the age of 76.

Of the many, many, albums Buffett released over his decadeslong career, he put out two Christmas albums: 1996's "Christmas Island" and 2016's "'Tis the SeaSon."

"Twilight" author Stephenie Meyer will celebrate her 51st birthday on Christmas Eve.

In 2020, Meyer released the eighth installment in the "Twilight" saga, "Midnight Sun," a re-telling of the first "Twilight" book from Edward's perspective.

Lee Daniels turns the big 6-5 on December 24 this year.

The Oscar-nominated director is celebrating his 65th birthday this year, 19 years after his directorial debut, "Shadowboxer."

Barbara Mandrell's 76th birthday is this Christmas Day.

The iconic country singer released a Christmas album in 1984, "Christmas at Our House."

Jeremy Strong was born 46 years ago on Christmas Day, 1978.

The "Succession" star has a few things to celebrate this year. He's been receiving awards buzz for his performance as Roy Cohn in "The Apprentice" and won a Tony for his role in "An Enemy of the People."

Sissy Spacek's 75th birthday is on Christmas Day.

The Oscar winner starred in the 2008 Christmas rom-com "Four Christmases."

On December 25, Canadian Prime Minister Justin Trudeau turns 53.

At 43 years old, Trudeau was the second-youngest prime minister in Canadian history when he was elected in November 2015.

Dido will also turn 53 on Christmas Day this year.

The British singer takes a page out of Paddington Bear's book to celebrate her birthday — since Christmas is already a holiday, she celebrates her birthday on June 25, according to The Guardian.

Annie Lennox's 70th birthday is on Christmas Day.

The "Walking on Broken Glass" singer released her first and only Christmas album, "A Christmas Cornucopia," in 2010.

Danish supermodel Helena Christensen will turn 56 on December 25, 2024.

Christensen first gained mainstream recognition 35 years ago when she starred in the music video for Chris Isaak's "Wicked Game."

There have been four movies set in the world of "Mad Max," a postapocalyptic future where the entire planet looks like a desert and society has almost completely broken down — and we can't get enough.

The 2015 installment, "Mad Max: Fury Road," introduced audiences to Imperator Furiosa (played by Charlize Theron), a general who fights against the tyrannical Immortan Joe (played by Hugh Keays-Byrne) to free his enslaved wives.

As "Fury Road" is technically a "Mad Max" movie, we spend more time with Max (played by Tom Hardy in "Fury Road" and originally played by Mel Gibson in the first three), but everyone left the theater wanting more Furiosa.

While "Furiosa" may not have been a hit at the box office, it was still so great to be back in the world created by director George Miller. Anya Taylor-Joy did a solid job as Furiosa, but it was Chris Hemsworth's performance as Dementus that we couldn't stop thinking about.

"The Godfather Part II," released in 1974, is both a sequel and a prequel to 1972's "The Godfather." The film simultaneously follows Al Pacino's Michael Corleone as he assumes the role of don in the Corleone crime family after the death of his father Vito, and tells viewers the origin story of a young Vito (played by Robert De Niro) as he immigrates to New York City from Italy.

Comparing and contrasting Vito and Michael at similar ages is a fascinating look into each of their personalities, and the film keeps viewers equally invested in both as they rise to power.

The less we say about "The Godfather Part III," the better.

In our opinion, "Mamma Mia! Here We Go Again," released in 2018, is far superior to the 2008 original film. Why? Because it somehow follows "The Godfather Part II's" playbook and is both a sequel and a prequel.

While we watch a grown-up Sophie (Amanda Seyfried) struggle to finally open her mother Donna's hotel in the present, we also get to look back at how a young Donna (played by the effervescent Lily James) met the three very handsome men, any one of whom could be Sophie's father.

It shouldn't work, but it does. All we know is that — even if it doesn't make sense — we need both James and Meryl Streep back for the rumored third film.

"The Good, the Bad and the Ugly," released in 1966, was the third and final film of director Sergio Leone's "Dollars Trilogy," which began with 1964's "A Fistful of Dollars."

But "The Good..." is actually a prequel, as it depicts Clint Eastwood's character (known simply as The Man with No Name) gaining the iconic items of clothing he wears in the other two films, and it explicitly takes place during the Civil War, while the others seem a bit more modern.

However, you don't need to see "Fistful" or its 1965 sequel to understand why "The Good, the Bad and the Ugly" rules. It's a staple of the spaghetti Western genre, Eastwood is as good as he's ever been, and the film's theme is still iconic almost 60 years later.

Yes, "Temple of Doom," released in 1984, takes place before 1981's "Raiders of the Lost Ark," even though characters from "Temple of Doom" (e.g. Ke Huy Quan's Short Round or Kate Capshaw's Willie Scott) are not mentioned in "Raiders" or "Last Crusade."

Instead, "Temple of Doom" is a rip-roaring adventure following archaeologist/treasure hunter Indiana Jones (Harrison Ford) as he goes up against a religious sect that uses enslaved children and rips out human hearts while trying to save a rural village that's been cursed.

"Temple of Doom" has not aged well in all aspects (its depiction of Indian food and culture is abysmal), and it doesn't really provide any context about Indy's early life — you'd have to watch the prologue of "Last Crusade" to see River Phoenix playing a younger version of the character — it's still worth the watch for the mine car chase, Ford's delivery of "We are going to die," and the ludicrous plane-crash scene. 

"Rogue One" is a prequel that explains exactly one plot point from the first "Star Wars" movie, originally released in 1977. Almost 40 years later, in 2016, fans finally got the answer to this question: How did the Rebels get access to the schematics of the Death Star?

Now we know: The daughter of an Empire engineer, Jyn Erso (Felicity Jones), teamed up with a ragtag crew comprised of a spy named Cassian Andor (Diego Luna), a reprogrammed Imperial droid named K-2SO (Alan Tudyk), a blind believer in the Force and his best friend (Donnie Yen and Jiang Wen), and a former Imperial pilot who turned good (Riz Ahmed), to steal the plans from an Imperial base on a suicide mission.

"Rogue One" is such an effective prequel because it almost immediately gets you invested in these characters, and you already know the stakes because of the original trilogy — the fate of the galaxy is at stake.

If that wasn't enough prequel action for you, don't fret. The Disney+ series "Andor" is itself a prequel to "Rogue One."

It all led to this: "Revenge of the Sith," released in 2005, finally showed "Star Wars" fans how exactly Jedi prodigy Anakin Skywalker (Hayden Christensen) turned into one of the most terrifying villains of all time, Darth Vader.

The final confrontation between Anakin and his erstwhile mentor, Obi-Wan Kenobi (Ewan McGregor), has basically become a meme at this point, but when you rewatch the movie, it still hits. These two actors are both operating at the top of their game, and you really feel the heartbreak coming from both of them.

This film almost makes the mediocre first two films in the prequel trilogy (more on them later) worth it.

After the truly mind-boggling events of 2017's "Transformers: The Last Knight," which introduced the Knights of the Round Table and Merlin to the mythology, it was time to take the franchise back to basics.

And one year later, they did by releasing "Bumblebee," which takes the story back to 1987 and focuses on 18-year-old Charlie (Hailee Steinfeld). Charlie, who has just lost her father, finds Bumblebee in a scrapyard and begins to bond with him.

The stakes are a little lower, the lore is a lot more digestible, and Steinfeld is easily the best protagonist the franchise has ever seen.

In 2023, "Rise of the Beasts" was released. It's a bigger story than "Bumblebee" but not as incoherent as "Last Knight" or "Dark Side of the Moon." It also has a way more compelling cast of characters, led by Anthony Ramos as Noah Diaz, Dominique Fishback as Elena Wallace, and Pete Davidson as Mirage.

Again, this movie is a prequel to the original films, taking place mainly in 1994 and largely ignoring the events of both "Bumblebee" and the later films.

It's a fun time at the movies for anyone who simply likes to turn off their brain and watch giant robots beat each other up.

In 2024, audiences were treated to yet another movie focusing on the Transformers; this time it was an animated prequel about the origins of Optimus Prime, voiced by Chris Hemsworth, his best-friend-turned-archnemesis Megatron, voiced by Brian Tyree Henry, and Bumblebee, voiced by Keegan-Michael Key.

To put it plainly: This movie rocks. The voice casting is impeccable, the animation is beautiful, and the story is genuinely compelling.

The "X-Men" franchise has one of the most complicated chronologies in movie history — and much of that is made even more confusing with the events of 2014's "Days of Future Past," which sees characters from the original "X-Men" film go back in time to link up with the characters introduced in 2011's "X-Men: First Class" to change the future and hopefully save all of mutant-kind.

But even with that complicated setup, this movie is a lot of fun.

Seeing Hugh Jackman's Wolverine interact with the younger version of his mentor Professor X (played by James McAvoy) and his arch-enemy Magneto (Michael Fassbender) is entertaining, and the happy ending they manage to pull off for almost everyone feels earned.

"Monsters University" was released in 2013, 12 years after we last saw Sulley and Mike, our resident scarers (and later comedians).

The ending of "Monsters, Inc." should never be touched — it's perfect — so when it was announced that another film in this universe was coming, fans were a bit nervous. But the filmmakers managed to avoid ruining the end of "Monsters, Inc." by instead showing us how best friends Mike (Billy Crystal) and Sulley (John Goodman) met while they were attending Monsters University.

Fans get some genuine insight into how this world works, how Mike and Sulley were able to bond even though they're total opposites, and even how their beef with Randall (Steve Buscemi) started.

And before you ask: No, "Lightyear" isn't a prequel.

The world of "Alien" is a big one — that's why there have been seven movies, with a TV show on the way next year.

While 2012's "Prometheus" takes place in the same universe as "Alien," its 2017 sequel "Alien: Covenant" directly ties into the events of the earlier films by essentially retelling the events of 1979's "Alien." But this time, it explains how the horrifying xenomorphs were actually created by the evil Weyland-Yutani Corporation and how learning to control these creatures has always been their plan.

Also, we have to shout out Michael Fassbender, whose dual performance as Walter and David is the highlight of this movie. Creepy androids are an important part of the "Alien" franchise, and he knocked it out of the park.

"The Wizard of Oz" remains one of the greatest films of all time, even though it was released 85 years ago. That's probably enough of a reason to leave this story alone, but instead, there have been many attempts to create a worthy sequel of the film — none of them have lived up to the original.

Sadly, neither does 2013's prequel "Oz the Great and Powerful," starring James Franco as the titular Oz. Part of the fun of "The Wizard of Oz" is that you don't really know how the Wizard got to Oz, and that mystery adds to the fantastical vibes of the land of Oz.

But if you watch "Oz," you'll learn all about Oscar's career as a scam artist, how he manipulated everyone around him, and how he inadvertently created the Wicked Witch of the East.

It's not a horrible movie, but it kind of diminishes the magic of the original film, and for that, it's unnecessary.

We know that anti-heroes are all the rage, but did Disney really expect us to start siding with a woman who wanted to skin 101 Dalmatian puppies for a coat? This 2021 film gives Cruella de Vil, the villain of the 1961 animated film, a convoluted back story in which she clashes with a legendary fashion designer known only as the Baroness (Emma Thompson).

It is fun to watch Stone and Thompson face off, the fashion is to die for, and it's overall a solid movie ... but there's no reason for it to exist. We didn't need to know any more about Cruella — and we definitely don't need a sequel.

Simply put: "The Hobbit" films (2012's "An Unexpected Journey," 2013's "The Desolation of Smaug," and 2014's "The Battle of the Five Armies") are slow. While the first three "Lord of the Rings" movies are based on a 1,200-page tome, "The Hobbit" films are based on a 300-page novel (that's downright cute in comparison).

Maybe "The Hobbit," which starred Martin Freeman as Bilbo Baggins, would've worked as a single film, but there was no reason for the story to be stretched out across three films — especially when we know exactly how it ends thanks to Bilbo's appearances in "Fellowship of the Ring" and "The Return of the King," as played by Ian Holm.

We'll see if "The Hunt for Gollum" is a more worthy prequel — the jury's still out on "The War of the Rohirrim."

"300," the 2006 historical epic, isn't exactly a work of cinematic art, but it is entertaining, and spawned many a meme and much interest in ancient Sparta.

However, "Rise of an Empire," released in 2014, is both a prequel and a sequel and also takes place during the events of "300." You could argue it bites off more than it can chew. Plus, in our opinion, Sullivan Stapleton does not hold the screen the same way Gerard Butler does.

As The New York Times' Nicolas Rapold put it, "Rise of an Empire" "[lacks] the momentum and bombastic je ne sais quoi of '300.'"

The 1982 John Carpenter classic "The Thing" was negatively reviewed upon its release, but it has since been reappraised as one of the best sci-fi/horror films of all time. The special effects alone remain horrifying 42 years later.

The 2011 prequel, also called "The Thing," leads viewers right up to the first moments of the 1982 film, which completely removes the stakes — you know that everyone in the film is toast.

As many critics noted, the 2011 version also didn't really deviate from the source material. NME's Owen Nicholls wrote, "The real mess lies in the fact that from Plot Point One until Act III we're treading over all-too-familiar snow prints."

Just watch the original.

Think back to 1999 — the first "Star Wars" movie in 16 years is about to be released. You can't wait to see how director George Lucas is going to show fans how the Jedi chosen one, Anakin Skywalker, became the space fascist known as Darth Vader.

You sit down with popcorn to view "The Phantom Menace" ... and you watch a movie that's about track blockades, contains a scientific explanation for the Force, and portrays the future Darth Vader as a whiny kid.

Three years later, in 2002, you sit down once again to see "Attack of the Clones." Maybe they've course-corrected — but no. Now you have a whiny teenage Anakin Skywalker, the Jedi acting even more incompetently than they did in "Phantom Menace," and a movie that's just as boring. There's not a Han Solo-level character to be found.

Skipping to "Revenge of the Sith" is the best way to view "Star Wars," trust us.

"The Scorpion King" is just a bad movie. The CGI is bad, the Rock hasn't mastered his on-screen persona yet (read: he does not have a personality in this movie), and there's really no reason we needed to see the Scorpion King's origin story: There's a scene dedicated to his origin story in "The Mummy Returns," and that tells us everything we need to know.

It's a testament to Johnson's charisma because if this had been anyone else's first leading role, their career would've been over.

Prequels like this are tricky to pull off — we know that Taka will turn into the villainous Scar, who will one day push his brother off a cliff to his death, an act that traumatized so many '90s and 2000s kids. So, it's hard to get invested in him as a cute cub when we know what his future holds.

Similarly, it's hard to get invested in the action when we know that basically every character on screen will be fine. There are so many scenes where Mufasa almost falls off a cliff, which is supposed to be foreshadowing but also has no dramatic tension since we know he will be OK (for now).

The animation is better than in 2019's "Lion King" remake. However, it's still somewhat in the uncanny valley zone, and it's always going to be easier animating a cartoon lion to have expressions than a photorealistic one. If you're really in need of a "Lion King" sequel, check out "The Lion King II: Simba's Pride."

Garten's easy turkey lasagna is a simple take on the standard recipe with a few surprising ingredients — namely, goat cheese for the filling.

Her recipe calls for sweet Italian turkey sausage, but since I had trouble finding that at any grocery stores near me, I used regular ground turkey and seasoned it with Italian seasoning, red-pepper flakes, and a bit of sugar.

After seasoning the ground turkey, making the sauce was pretty straightforward.

When I simmered onion, fresh herbs, canned crushed tomatoes, and tomato paste together, I had a pretty standard, meaty sauce to work with.

I'd never made lasagna with goat cheese, but Garten's recipe meant I stirred 3 to 4 ounces of it into 15 ounces of ricotta.

The combination was tart and flavorful. The flavors of the goat cheese stood out in the dish, especially with the lightness of the ground turkey.

I really liked that Garten's recipe included fresh mozzarella cheese.

So many lasagnas lean on grated or shredded mozzarella, so slicing up a fresh log was a nice touch.

Garten's cheese-laden lasagna was a dairy lover's dream.

The goat cheese gave that layer some extra tang and flavor, and the fresh mozzarella provided layers of thick, cheesy goodness that made for a great cheese pull.

De Laurentiis' classic Italian lasagna made me question the standard recipe I've been following for years.

I'm used to ground meat, cheeses, and tomato sauce. But De Laurentiis' recipe requires 20 ounces of frozen spinach and a mixture of white béchamel sauce and homemade tomato sauce.

De Laurentiis' method puzzled me, but who am I to argue with a master of Italian cuisine?

I made a béchamel sauce and a standard tomato sauce to assemble the chef's lasagna and stirred the two together.

De Laurentiis also said to keep the ground beef separate, layering it into the dish on its own.

Before assembling, I followed the instructions and stirred together three large eggs and 1 ½ pounds of ricotta cheese.

I'm not a fan of a lasagna that's heavy on the egg flavor, but her recipe wasn't overly eggy in the end.

De Laurentiis' recipe had a lot of spinach, and there wasn't much seasoning to add flavor.

The spinach was my least favorite ingredient in any of the lasagna recipes, and I'm usually a big fan of the leafy green.

De Laurentiis' lasagna disappointed me, mostly because it wasn't very flavorful.

I don't think the many steps of the complicated recipe paid off in the end.

Drummond, better known as The Pioneer Woman, doesn't mess around with protein-filled meals.

Her simple lasagna recipe calls for 2 pounds of ground beef and a pound of hot breakfast sausage.

The chef also included cottage cheese instead of traditional ricotta and tons of fresh herbs, such as basil and parsley.

I eat a high-protein diet, so I was immediately drawn to Drummond's meat-heavy lasagna sauce.

Like Garten, Drummond's recipe relies on canned tomatoes and tomato paste to make up the rest of the sauce, along with lots of chopped, fresh herbs.

Cottage cheese is a staple for meeting my daily protein goals, but I'd never had it in lasagna.

Drummond completely did away with traditional ricotta, and in the end, I enjoyed the flavor the cottage cheese brought to the meal.

My son, the picky eater, didn't even notice the switch.

Tossing 3 pounds of meat into a lasagna felt like overkill, but I ended up loving it.

Lasagna can be carb- and dairy-heavy, so I liked how protein-packed Drummond's version was.

Drummond's meaty lasagna was my favorite.

I would make her recipe again — it just might replace the family recipe I always default to.

Drummond's lasagna was perfectly cheesy and flavorful, had the right ratio of sauce to noodles, and was incredibly simple to assemble.

Best of all, it was a hit with my entire family.

This story was originally published on December 21, 2023, and most recently updated on December 24, 2024.

Macarons are small French cookie sandwiches made from meringue and almond flour, and they often come in bright colors.

However, while you've probably seen these desserts at least once or twice, many people mispronounce them by calling them "macaroons," which are actually a different kind of cookie made from shredded coconut.

Incorrect pronunciation: mah-kuh-ROON

Correct pronunciation: mah-kuh-RON

Popular in Paris and New Orleans, these fried doughnut-like desserts come with powdered sugar. While you may want to pronounce the "g" in this dessert's name, that's incorrect.

Incorrect pronunciation: beg-NAY or beg-NET

Correct pronunciation: ben-YE

Derived from the Latin word for curled — "crispus" — the accent in the word "crêpes" actually tells you exactly how to pronounce the "e": with an "eh" sound rather than an "ay" sound.

Incorrect pronunciation: KRAYPS

Correct pronunciation: KREHPS

Dulce de leche is popular across the world, but you still might be mispronouncing this popular dessert. Preply reminded us that when pronouncing "dulce de leche," keep the "e" letters open and don't pronounce them as "ee."

Incorrect pronunciation: dul-che-de-leh-chay

Correct pronunciation: dool-say-de-leh-chay

This French pastry is known for its flaky, buttery layers and sweet, crispy, and caramelized exterior. However, it can be difficult to pronounce at first glance. Remember that the first part of this royal dessert sounds like "queen."

Incorrect pronunciation: Coo-gun Ay-mun

Correct pronunciation: Kween Uh-mawn

While croissants are popular breakfast pastries in the United States, many continue to mispronounce this classic French pastry. To avoid looking like a tourist if you ever find yourself in Paris, remember that the "r" and "t" in "croissant" are silent.

Incorrect pronunciation: cross-aunt

Correct pronunciation: kwah-sahn

Pronounce this dessert the correct way by letting this Italian cheese's name roll off the tongue and giving it a little flair.

Incorrect pronunciation: mas-car-pohn

Correct pronunciation: mah-skar-poh-neh

While you might have grown up pronouncing this nut-filled dessert with a hard "t" at the end, that's actually not the correct way of saying it.

Incorrect pronunciation: new-gat

Correct pronunciation: noo-gahh

This fan-favorite hazelnut-and-chocolate spread is commonplace in many people's cabinets, but its French name might be a little bit difficult to pronounce. Rather than pronouncing it like the "nut" in "hazelnut," Nutella actually sounds like "Nootella."

Incorrect pronunciation: nut-ella

Correct pronunciation: noo-tell-uh

The correct pronunciation of this tasty French pastry shouldn't be painful! Replace "pain" with "pan," soften the "ch" to make a "sh" sound, and ignore the "t" on the tail end of the phrase to sound like a true Parisian.

Incorrect pronunciation: payn-oh-choc-o-laht

Correct pronunciation: pan-oh-shoh-koh-lah

Remember to draw out the "e" at the end of this rum-and-vanilla-flavored French pastry's name.

Incorrect pronunciation: Cuh-nell-ee

Correct pronunciation: Cah-null-ay

While it might be tempting to pronounce these French cookies like the popular girl's name "Madeline," you should ignore the "e" found in the middle of the word. There are only two syllables in this dessert's name, not three.

Incorrect pronunciation: Maah-duh-line

Correct pronunciation: Mad-lenn

This French pie, often made with black cherries and other fruits, can be intimidating to pronounce correctly.

Incorrect pronunciation: Klaw-phoo-tiss

Correct pronunciation: Klah-phoo-tee

Crème brûlée is a creamy custard dessert that's often regarded as a symbol of decadence and indulgence, with an equally fancy name. While English speakers might be tempted to pronounce the end of this name with a long "e," it actually sounds like "ay."

Incorrect pronunciation: Kreem Brew-lee

Correct pronunciation: Krehm Brew-lay

This chocolate-covered pastry's name is short but often mispronounced. To get it right, avoid elongating the first "e" and remember that this light and fluffy dessert rhymes with "air."

Incorrect pronunciation: Ee-klar

Correct pronunciation: Eh-klair

While these cherries are popular in many desserts, people still seem to get the pronunciation wrong. Remember to replace "shee" with "ski" to get it right.

Incorrect pronunciation: ma-ra-shee-no

Correct pronunciation: ma-re-ski-no

These colorful and uniquely designed desserts are often tiny, hence the use of the French word "petit." To nail the pronunciation, forget the hard "t" at the end of "petit" and slightly elongate the "for" sound so that it sounds like "door."

Incorrect pronunciation: peh-teet for

Correct pronunciation: puh-tee foor

These French desserts resemble the wings of a butterfly or a palm leaf, which is where their name derives from. To get the pronunciation right, don't pronounce the "r" and instead use the "ay" sound.

Incorrect pronunciation: pal-mee-ayr

Correct pronunciation: pal-me-ay