Leather loafers offer versatility that lets you easily transition from casual to formal wear, according to Dana Bandi, founder and designer of Dana Bandi.

Belgian loafers, in particular, provide a streamlined yet refined look that pairs well with business-casual outfits as workplaces become more relaxed post-pandemic, according to Letam "Ley" Duson, founder of Ley All Day Personal Styling.

The stylist recommends trying them with a button-down and jeans or a turtleneck and slacks for an effortless office ensemble.

According to Jonathan Marc Stein, founder and fashion designer of JONATHAN MARC STEIN Atelier, monochromatic dressing is taking over the workplace for its sleek and modern aesthetic.

To achieve this look, Stein said to coordinate tops and bottoms in different shades of the same color hue.

Bandi suggested starting simple by pairing dark-gray pleated wool trousers with a lighter gray knit in a looser weave to add subtle texture. On cooler days, layer with a gray peacoat for a cohesive and refined finish.

Aligning with the monochromatic trend, subdued designs are also on the rise, offering a refined way to enhance an outfit without overwhelming it.

"Choose neutral colors and minimalist designs," Stein told BI. "Mismatched but complementary color schemes can infuse a fresh vibe into a traditional approach to styling."

Think simple ties, watches, and belts that subtly elevate a look. Sleek, high-quality belts, in particular, are replacing oversized buckles and excessive branding, favoring a more polished and adaptable aesthetic, according to Bandi.

Stein said we can expect to see more men wearing lightweight, structured blazers that offer a polished, bespoke vibe and often feature shoulder padding for added shape.

"Pair these blazers with straight-leg or tailored jeans for a sophisticated office look," he told BI.

Stein recommends men add Chelsea boots to their work wardrobe as they pair well with a range of outfits.

"Wear them with anything from suits to jeans for a chic look," the designer told BI. Consider getting the boots in black or tan, as these shades are most adaptable.

Say goodbye to the 2010s ultra-slim pants trend, both Bandi and Stein told BI.

The focus is shifting toward trousers with a more relaxed fit — slightly loose silhouettes made from lightweight fabrics that facilitate movement.

Pair these comfortable trousers with tailored shirts or a structured blazer for a harmonious balance, Stein recommends.

Whether cable-knit, waffle, or honeycomb, textures add dimension and interest to any look, Duson told BI.

Bandi also recommends incorporating quarter-zip or full-zip knits into a workwear wardrobe, which can serve as statement pieces or versatile layering options.

"These pieces are highly versatile for various office or business settings, as well as after hours," Bandi said. "They pair perfectly with loafers and pleated trousers."

We're seeing some consumer shifting away from synthetic materials and moving toward more sustainable, eco-conscious alternatives, Stein said.

Bandi also said that as more people are interested in curating "forever pieces" for their wardrobe, they're investing in quality over quantity, moving away from fast fashion and synthetic fabrics.

Wearing prominent logos and branded items isn't as popular as it once was, Bandi said.

The dip in consumer spending on luxury items has only seemed to further contribute to this, she added.

Instead, she recommends focusing on timeless wardrobe essentials that have no visible logos and don't clearly feature any particular brand.

Gen Z's dislike of millennials' skinny jeans has been one of the most documented generational feuds on the internet, so it doesn't come as a surprise that when it comes to workwear, they're opting for wide-leg trousers.

"Comfort is such a huge trend right now," Sommyyah Awan, a content creator who shares advice on luxury and corporate fashion with her 365,000 TikTok followers, told Business Insider.

A big part of that may be a lasting impact of the work-from-home days, when Gen Zers logged in to their computers, for school or work, wearing athleisure or pajama-like loungewear, Awan said.

With the new office generation not having a "before" to compare to, this is what they're most used to.

"So comfort — whether it was wide-leg jeans or loose tops or dresses that flow a bit more, or flat shoes — translated well into everyday wear," Anwan said.

As young people define their personal style and brand through mood boards or social-media inspiration, some are finding it most accessible to incorporate elements of those aesthetics into work through functional accessories.

"I love funky blue light glasses, staple earrings, or statement necklaces that you can just pair with a button down or something," Cornelius, who shares fashion and work advice with her nearly 50,000 followers on TikTok, said. "Don't be afraid to show your personal style again through those accessories. I think it adds to your brand at work."

Accessorizing more traditional work outfits can be an affordable and safe way to signal personal style and craft a curated brand for yourself.

"What you wear and how you present yourself at work is part of your personal brand alongside the work that you do," Cornelius said. "I think that the way I dress has influenced the way that my co-workers view me in, I think, a positive way."

While past generations might have favored statement florals or contrasting colors, Cornelius said Gen Z leans heavily towards monochromatic hues.

Sticking to a color palette can also make it easier to curate a capsule wardrobe, which can be more cost-efficient for those entering the workforce.

"If you have a capsule wardrobe, you have a few things you cycle through," Anastasia Gerrans, a content creator with over 1.2 million followers on TikTok and a former marketing consultant, told Business Insider. "I think really playing with colors and thinking about different fabrics and different silhouettes is super helpful because not only can you think about how it displays your personal style, but you can also think about what's comfortable."

Additionally, Gen Z is embracing neutral tones: light, dark, beiges, and grays.

Dark blacks and greys or whites and beiges paired together are classic color combinations that can easily find their way into professional wardrobes.

"Longer hemlines have really become more and more popular and just ubiquitous in more casual clothing wear and the non-work context," Gerrans said.

Part of this could be an economic signal, Gerrans said.

One theory, known as "the hemline index," posits that the popularity of longer hemlines can be seen as a recession indicator in the United States for the past few decades, calling back to the popularity of mini-skirt styles in the booming 1960s economy. The theory has long been researched and, in part, debunked.

Still, long skirts can be an avenue to showcase different textures and fabrics in an office outfit. Long satin skirts can be a comfortable, stylish, and appropriate way to spice up an office outfit.

A classic styling technique has long suggested pairing loose-fitting items with tighter-fitting ones, and Gen Z's affinity for wide-leg trousers can only mean one thing: tighter-fitting tops.

Enter the bodysuits.

Long gone are the days of pairing flowy blouses with skinny jeans or tapered pants, Cornelius said.

"Older generations may opt for a little bit more flowy pieces," she told BI. "You hear in fashion, you wear something tighter and then something looser top versus bottom, and switch it out, and I think Gen Z does carry that theme with them."

Instead of following outdated style guides that mandate wearing heels or pumps to the office, Gen Z is choosing comfort while still finding ways to make it stylish.

"It's about making it realistic and not having to change your whole outfit once you get to the office, which I feel was more a focus in the early 2000s and the stereotype of you wear sneakers on the subway and then you put on your heels when you get to the office," Gerrans said. "Gen Z is more about figuring out maybe a ballet flat or a kitten heel that can be worn for both of those experiences."

A clean, stylish, and casual leather sneaker is another popular office footwear option for Gen Z.

Anwan said that while it was more common for people to wear heels to the office a decade ago.

"You wore heels or a pair of pumps if you were a woman, or a pair of leather shoes if you were a man. And now people are wearing sneakers," she said.

While breaking with tradition, fashion sneakers can help members of Gen Z embrace their casual style and prioritize comfort in the office.

Sleek and modern sneaker styles from Adidas, Everlane, Cole Haan, and other brands have found their way into professional settings.

When incorporating colors into their workwear outfits, members of Gen Z opt for color blocking, a styling technique where solid-color pieces are paired together to create visual blocks.

"What I love about Gen Z is how they bring so much color and patterns into what's comfortable," Awan said.

Color-blocking can help make single-color items statement pieces.

Most recently, butter yellow seems to be the trendy color of the season, Gerrans said.

"I think the cool thing is, if you like that color on yourself, you could wear it for years on end," Gerrans said. "It's just like a nice little pop of color you can incorporate into your wardrobe. It feels similar to burgundy in the last season."

Gen Z's love for oversized blazers is well known.

While the trend has been ongoing for years now, it shows no sign of slowing down and is instead becoming a Gen-Z staple that sets the generation apart from others when it comes to workwear trends.

Just like we remember the 1980s for its dramatic shoulder pads, the 2020s are shaping up to be the decade of the oversized blazer.

"It's often about the version of a certain item [people] can kind of associate with your generation or a different generation," Gerrans said.

While Gen Z hasn't fallen in love with blouses yet, looser sweaters and poncho-style tops have slowly been creeping into fashion, especially in office settings.

"Going for a sweater that's that poncho silhouette where you can have your arms through or drape it over your entire body can be a fun way to add a new silhouette for the workplace without having any sort of compromise on the dress code or the appropriateness of what you're wearing," Gerrans said.

Although gender-neutral fashion might be intimidating for some Gen Xers who didn't grow up familiar with it, the "fisherman" aesthetic is a great place to start.

The fairly androgynous trend uses a lot of earthy tones and offers a fun, simple play on "coastal prep" styles, said Welch. It blends maritime details, like utility jackets and netting, with nautical nods, like navy stripes and fisherman sandals.

It's been rising in popularity for spring, but it can also be adapted for just about any season.

In the warmer months, look for lightweight fabrics like linen, mesh, and gingham, Welch said. For colder seasons, chunky cable-knit sweaters and raincoats will do.

For many years, skinny jeans lived in the spotlight as an overall fashion trend and popular style worn by Gen Xers.

Now, wide-legged pants and jeans are in play and on trend, said Sally Mackinnon, personal stylist and founder of Styled by Sally.

She said many Gen Xers may have been led to believe that wide-legged pants would make them look shorter or bigger and that skinny jeans were the most flattering style, but it's time to let that notion go.

"We all get a little bit stuck in what we think looks good. Change is often a bit intimidating," she told BI. Plus, wide-legged silhouettes can look fashionable and comfortable.

Two-piece athleisure sets offer a casual yet polished look that all generations can partake in — especially Gen X, said Stephanie Lees, a stylist who focuses on working with Gen X women.

Matching sets can make casual, comfortable outfits feel more elevated.

Lees also said many of these stretchier, comfort-forward styles may be especially appreciated by Gen Xers struggling to dress their body amid menopause-related weight gain.

Consider tucking in your tops when you're playing with new silhouettes, like skirts or high-waisted trousers, said Mackinnon.

Some may be hesitant to try this trend if they're insecure about their body shape or haven't tried it before, but the stylist said a tuck is worth experimenting with.

Doing so can shape one's body and change the proportions of an outfit, whether it's through a French tuck or a full tuck.

Trends are cyclic, but they don't always return in the same way. This means that the item you wore when it was in style years ago may not hold up, even if the trend it fits comes back around.

For example, if flare jeans are making a comeback, they're not necessarily the pants you knew decades ago and may still own. A modern, stylish version may offer a different waist height or be more wide-legged.

"Sometimes, when something comes back in style and it hasn't been out of style for that long, people go back to the old version of that style instead of updating it to the new version," said Lees.

When trends come back around, the stylist said, try to find modern and more comfortable versions of them to ensure your look feels fashionable, fresh, and updated.

There's nothing wrong with using a cross-body bag or fanny pack to carry all your necessities, but consider its placement on your frame the next time you reach for it.

The hands-free accessory was once worn very low on the body, but Mackinnon suggests wearing these bags higher on your hip or across your chest to make it an "integral part of your outfit."

"You always want to draw the eye upwards," she said. "Drawing it upwards helps to balance proportions."

Many Gen Xers have prioritized purchasing clothes for office jobs over the years, thus accumulating a "work wardrobe" that they may incorporate into their personal style, said Welch.

However, they shouldn't feel like they have to be in business-casual looks all the time or can't have fun with their off-duty looks.

Fortunately, Welch said, she's seeing more Gen Xers stray away from a work-centric closet, especially those transitioning into a different stage of life, like retirement.

She said this generation should be open to reinventing their style and reaching for more fun and interesting pieces as they build their wardrobe.

Say goodbye to the fitted, cropped denim jacket, said Mackinnon. These jackets can be uncomfortable and, in some cases, look like they don't properly fit.

Instead, try a more oversized denim jacket with a longer and boxier feel. The stylist said the relaxed and loose silhouette is fairly timeless, chic, and way more comfortable.

Each night during the Eras Tour, Swift performed an acoustic set with two surprise songs.

The dress for this segment was designed for a quick change; Swift slipped it over her outfit from the previous segment (first it was "1989," then it was "The Tortured Poets Department") while still onstage. It makes sense for the dress to be simple, but it doesn't make sense for the fabric to be the same color as Big Bird.

Frankly, the yellow dress is ugly. It's way too yellow.

It's too orange.

The green dress isn't ugly, but it's not especially notable either.

The original pink variant still isn't anything to write home about, but generally speaking, Swift looks good in pink.

I do appreciate that Swift eschewed the butterfly sleeves and unnecessary ruffles for this updated variant, but this dress still looks like it came from Forever 21.

Swift wore blue versions of several classic tour looks for the night she announced "1989 (Taylor's Version)."

Blue is the best option for a surprise song dress, partially because the color complements Swift's eyes that put those Georgia stars to shame and partially because it reminds me of Sharpay Evans singing "Bop to the Top."

You know the drill by now. This version of the dress is fine. Mostly it just looks simpler and cheaper than we'd expect from a billionaire — likely an intentional choice aligned with Swift's masterful PR strategy.

Swift debuted three versions of this chiffon wrap dress in Miami: magenta-violet-teal, bluish-purple, and orange-pink. Thanks to their ombré hues and flowy fabrics, these were promptly dubbed "betta fish dresses" by fans online.

The flowers plopped all over this dress are flimsy and weird-looking. I would be glad to never see it again.

Swift debuted a new collection of designer looks in Nanterre, France, the first stop on the tour's European leg.

The new style for "1989" was a sequined top and ombré skirt pairing by Roberto Cavalli, much like the skater skirts from the album's original era.

There are dozens of color combinations that Swift wore throughout the tour — blue and pink, orange and purple, yellow and red like her boyfriend's football team — but none of them were particularly chic. The silhouette aims to evoke nostalgia but ends up feeling outdated.

Honestly, Swift's outfits never slayed during the "Red" segment, but the ombré romper is the worst offender. It's not terrible, but it doesn't do anything for her.

Swift donned glittery, floor-grazing outerwear to perform "All Too Well (10 Minute Version)," which helped make the "Red" segment a bit more sophisticated — though it didn't match the somber vibe of the song. I much preferred the sleek look that Swift wore to perform the song on "Saturday Night Live."

There were six versions of this shirt, inspired by an outfit worn by Swift in the "22" music video: "A lot going on at the moment," "We are never getting back together like ever," "Who's Taylor Swift anyway? Ew," "This is not Taylor's Version," "I bet you think about me," and "I knew you were trouble." The shirt was always paired with a black bowler hat.

This look doesn't exactly scream high fashion, but it gets extra points for sentimentality. The hat is the antithesis of cool, but it gets extra points for the cuteness factor, since Swift would always give it to a special fan in the crowd.

This is a custom Roberto Cavalli dress, embellished with Swarovski crystals, but somehow it looks like a stringy array of ramen noodles.

Silver is slightly better than gold, but the tassels still look like octopus tentacles.

It's too puffy!

It's too pink!

This is a much nicer shade of pink.

This is a classic combination, but it lacks contrast and intrigue.

Blue is a natural fit for the "Midnights" segment, especially because the standard album cover features a light-blue font.

This version of the T-shirt dress is slightly elevated, with multicolored gems scattered across the fabric.

The fuzzy coat that Swift wore to open the "Midnights" segment was a reference to the "Lavender Haze" music video. This connection was most obvious when Swift wore the opalescent T-shirt dress underneath.

It kind of looks like Swift skinned a Muppet to make this coat, but don't worry: she confirmed in a behind-the-scenes clip that she would never wear real fur.

Blue-on-blue is a logical combo for the closing number, if a little predictable.

Chaotic, yet fun.

The contrast between Swift's bright skin, dark-blue bodysuit, and hot-pink fringe makes this the best option for the show's closing number.

I assume the gown for "The Tortured Poets Department" segment was designed to look like a "crumpled-up piece of paper lying here," evoking both the tragedy of "All Too Well" and the dark-academia aesthetic of the album itself.

It's a solid concept (and the neckline is divine), but ultimately, I can't support Swift's obsession with high-low mullet dresses. I thought we left this trend behind in 2010.

Worse still, the lyrics scrawled on the fabric ("I love you, it's ruining my life," from the single "Fortnight," and "Who's afraid of little old me? You should be") made it look like Swift was wearing a high-school theater costume, not couture Vivienne Westwood.

Swift added a military jacket atop her "Tortured Poets" gown to sing "The Smallest Man Who Ever Lived," an impassioned performance that casts Swift as a soldier on the front lines of a battlefield. The look is still a little corny, but at least it fully embraced the theatrical costume vibe.

After singing "The Smallest Man Who Ever Lived," Swift and her dancers would perform a brief skit, in which Swift was forced to strip off her dress, put on heels, and smile through the pain.

The onstage outfit change yielded a bralette and matching high-waisted bottoms, subsequently topped with a duster. The different color combos included black and gold, white with silver accents, and sparkly gray with a metallic jacket.

These ensembles recall the jackets and two-piece sets from The 1989 World Tour, combined with the ringmaster motif from the "Red" era.

At that time, Swift was battling an eating disorder and often feared she might faint onstage.

While the Eras Tour outfit was relatively simple, this callback added an extra layer of poignance to Swift's performance of "I Can Do It With a Broken Heart."

For the majority of the US leg, Swift only had one look for the "Evermore" segment: a mustard-yellow dress that screams cottagecore. It's cute, but nothing particularly special, and it did grow a little dull over time.

Note: There is a slightly less saturated version of this dress, but they're so similar, they don't warrant separate entries on this list.

Swift only wore this alternate "Evermore" dress a handful of times, but it made for a nice change of pace — and the deep, sparkling bronze compliments the moody, wintery vibe of songs like "'Tis the Damn Season," "Champagne Problems," and "Tolerate It." 

The tiered and embroidered "Folklore" outfits, custom-made by Alberta Ferretti, were always winners. The flowy style made Swift look like a friendly witch, much like her recent collaborator Florence Welch, which is a compliment.

However, the yellow one doesn't suit the era's aesthetic one bit. The mismatch was especially glaring during "My Tears Ricochet," which was intended to parallel a funeral procession.

This dress was likely designed to evoke the fusion of "Folklore" and "Evermore" into one segment, which came with Swift's newly altered setlist for the European leg. But still, as we previously established, yellow — especially this shade — should not be in Swift's color palette. It doesn't suit her.

Swift unveiled a berry-pink rendition of the woodsy "Folklore" gown during her second show in France.

The shade is stunning in a vacuum, but much like my previous complaint, it's the wrong color for the sister albums segment of the show.

The songs that populate "Folklore" and "Evermore" are full of yearning, betrayal, regret, depression, and even murder. These are not the hot-girl party bops of "1989" or "Midnights," which call for brighter hues and more pizzazz.

And if you think I'm being too nitpicky, I'll kindly remind you that Swift has embraced each album's individual color theory, down to the official Eras Tour branding. I'm simply following her lead.

The ballgown was a callback to the Speak Now World Tour, when Swift wore sparkly gowns while singing "Enchanted." For the Eras Tour, Swift pumped up the drama with voluminous skirts and embroidered jewels.

The gold version looks slightly cheaper than its counterparts, like an extravagant prom dress.

As opposed to muted gold, silver offers a lovely contrast with the purple visuals of "Speak Now."

The baby-pink version of the "Speak Now" ballgown is the best among the original set of options, with its flattering neckline and strips of sparkles that resemble falling rain.

This newer "Fearless" look, which Swift debuted in Milan, was a solid, mid-tier choice. It's much better than the era's stringy options, though it can't measure up to the original fringed minidress.

Swift debuted this version of the "Fearless" minidress in France, gleefully tossing her body around to show off the shimmery fringe. Again, it offered a mid-tier option, but definitely more fun and fresh than its Italian counterpart.

The deep purple hue made for an exciting change when Swift debuted this look in East Rutherford, New Jersey — but the tassels threw off the whole effect. They make the bodysuit look sillier and cheaper than it is.

Orange is the weakest link of the original Roberto Cavalli sets (and it signaled that she'd wear the yellow surprise-song dress. Yuck).

Maybe it was intended as a subtle Easter egg for "Karma," the rumored album that Swift scrapped between "1989" and "Reputation." (In the music video for "The Man," the word is graffitied on the wall in orange paint.)

The green is prettier than orange, but not as pretty as pink.

Although hot pink isn't quite right for the overall vibe of "1989," it did pair well with the feminine charm of "Blank Space" and the fiery passion of "Bad Blood."

After 26 concerts, we finally got to see Swift perform songs from "1989" wearing the album's distinctive color. This glittering blue set recalls the New York City skyline that inspired Swift's iconic pop songs.

This version of the "Midnights" bodysuit was designed by Zuhair Murad and unveiled in France. It subtly evokes millennial fashion trends with a halter neckline, waist slits, and a chevron-esque pattern.

This version of the "Midnights" bodysuit, which Swift debuted in Los Angeles, was likely designed to resemble an outfit that Swift wore during the 1989 World Tour. It was declared one of her most daring looks yet.

For over a year, Swifties had been jonesing for an updated "Reputation" costume — largely because they believed a new look would come paired with an announcement for "Reputation (Taylor's Version)," in the same way Swift debuted blue outfits on the same night that she announced "1989 (Taylor's Version)."

Alas, when Swift finally emerged wearing a new asymmetric catsuit in Miami, no such announcement came — and that's not the only reason this version is a letdown.

Swapping the red snakes for gold cobras does make thematic sense given the album's many references to the color (gold bodies, gold cages, gold tattoos), but these ones are extra chunky and extra sparkly, like tinsel you find at the party store, rather than lithe and fierce like Swift's original serpents. It made for a fun change of pace, but a downgrade nonetheless. 

The glitzy "Lover" bodysuits, custom-made by Versace, were an aesthetic highlight of Swift's Eras Tour wardrobe.

However, compared to its peers, there's something slightly underwhelming about the blue-and-yellow color combination. The tones are too muted to complement the show's opening visuals.

In theory, this is a strong color combo; it reminds me of a sunset. In reality, the bodysuit is just slightly too orange.

Swift slipped a bedazzled blazer over her "Lover" bodysuit to perform "The Man" and "You Need to Calm Down." This iteration is a pretty pale orange, though it didn't feel quite as commanding as the other options.

The glittering silver blazer was the first costume change ever seen during the Eras Tour. With the matching red-bottomed Christian Louboutin boots, it remained an effective mix of elements.

We all love the silver blazer, but the blue blazer is extremely hot.

The black blazer is even hotter than blue.

Although blue isn't the traditional "Speak Now" color, nearly everything about this dress is dazzling, from the floral details to the elegant train.

Plus, the color recalls a sky-blue ballgown that Swift wore during the original "Speak Now" tour in 2011, giving this look an extra layer of nostalgic charm.

The sheer, baby-blue cape sleeves are lovely, but this color isn't quite the right fit for "Folklore," which is not a blue-sounding album in the slightest. ("1989" and "Midnights" already have that vibe locked down.)

"Folklore" isn't a purple-sounding album either, but this dress does look like something a young widow might wear in a Jane Austen film adaptation, so it works.

Cream is a fitting color for "Folklore," an album that evokes earthy and neutral tones.

This is only slightly different from "Folklore" in cream, but the lace adds a new edge — romantic and old-timey, well-suited for the "pioneer woman in a forbidden love affair" that Swift imagined while she was writing these songs.

The "Speak Now" gown that Swift debuted in France is the best of the bunch.

The skirt has just enough volume to look elegant instead of puffy — while the delicate, glittering details evoke a similar dress that Swift wore to perform "Enchanted" in 2011, designed by Reem Acra.

Like the original "Fearless" minidress, Swift's final iteration was custom-made by Roberto Cavalli's creative director Fausto Puglisi.

The blue crystals, set against a shimmering silver backdrop, appear arranged to resemble a butterfly — most likely as a callback to the girlish, doodle-filled cover of Swift's self-titled debut album.

"Taylor Swift" didn't get its own segment on the Eras Tour, so it felt right to pay homage while Swift performed her other high school-era album.

The navy bodysuit is an Eras Tour classic, dark and twinkling like midnight rain.

Swift debuted her newest Zuhair Murad bodysuit at Wembley Stadium in London, the final stop on the European leg of the Eras Tour. With its star-spangled bodice and crescent-moon detail, it's the most on-the-nose "Midnights" look to ever exist.

Out of all the flowy "Folklore" gowns, green is the prettiest and best suited for the album's aura. It made Swift look like a woodland fairy.

Swift's flapper-inspired dress was ideal for performing classics like "You Belong With Me" and "Love Story." The fringe is fun and youthful, just like the original "Fearless" era, but paired with knee-high Chrisian Louboutin boots, it's still chic and modern.

In fact, according to Vogue, the dress was designed to resemble a similar Roberto Cavalli dress that Swift wore during her original "Fearless" tour.

"We chose a beautiful champagne color, which is very Taylor," Puglisi told the magazine.

For 130 consecutive shows, Swift wore the same one-legged catsuit to perform "Reputation." Some slandered this consistency as boring, but in my professional opinion, a classic proverb is more appropriate here: If it ain't broke, don't fix it.

This red reptilian number, also by Roberto Cavalli, is bold and sexy with a hint of danger, just like the album itself. Puglisi described it as "more of a badass, rock and roll look."

Stars and moons are great, but there is something especially ethereal about this version of the "Midnights" bodysuit, custom-made by Oscar de la Renta.

The blue has a slightly warmer, richer tone — a better match for Swift's ocean eyes and pinkish undertones than navy — and the scalloped detailing on the bodice is exquisite up close. Paired with Swift's now-signature garter, this look is a total knockout.

Swift looked like a Barbie come to life in this version of the blazer, which she debuted onstage in Argentina. It also gave her performance of "The Man" a flirty, feminine edge.

Swift also debuted this pink version of her opening look in Argentina. The gorgeous combination of shades, from baby pink to strawberry and fuchsia, compliments the tone of songs like "Cruel Summer" and "Lover."

This was the first outfit Swift wore when she arrived on The Eras Tour stage back in March, and to the end, it remained the best.

The blue, purple, and pink gems create the perfect color combo, especially suited for the warmth and whimsy of the "Lover" era.