Kardashian went bridal for the Vanity Fair Oscar Party in a custom Balenciaga gown. The white, strapless look had a corset bodice, a full skirt, and ruching from top to bottom.

That said, it looked far more like a wedding dress than a fun, after-party frock. The same gown in a different color could have been more interesting, and accessorizing with statement jewels would have been fun.

Legend sported an all-black ensemble consisting of baggy trousers, a thick skirt, and a high-necked, long-sleeved poncho.

Unfortunately, the outfit wore him — it was too oversized and overwhelming in shape.

Saint Laurent designed the Oscar winner's after-party look. It featured a black long-sleeved top that Saldana wore without a bra, a peach high-low skirt with thick ruffles and a train, and sheer black tights.

Though the color combination looked sharp on Saldaña, the top half of the outfit was too casual for the Oscars-related event. A black halter top or strapless bodice would have been a better match.

Jeremy Pope looked dapper at the Oscars in a simple black Balmain suit decorated with bowties. His after-party look, however, wasn't as strong.

He arrived wearing a wide-legged leather catsuit and platform boots. Though the bottom half of his outfit had potential, its bodice only covered half of Pope's chest before extending into a scarf that covered his mouth. The outfit was ultimately more odd than fashionable.

Henson was one of the few stars to wear a minidress after the Oscars.

But the asymmetrical piece looked more messy than daring. Its sparkling embellishment attached at the dress' waistline looked especially out of place.

From the front, Hough's black-and-white gown was eye-catching. It had a leotard-like top with sheer panels showing her arms and waist, and a ruched, cream-colored skirt that added elegance.

It was the other side of the gown, however, that ruined the look. Its backless design extended so low — all the way to Hough's backside — that it was more distracting than interesting.

Bomer's Valentino tuxedo had a classic silhouette, and his relaxed tie and decorative brooch paired well with the look.

However, his patterned scarf was distracting, particularly because he wore it tucked under the tuxedo jacket. The look would have been better if Bomer ditched the superfluous accessory.

Depp took a unique approach to Chanel, wearing two pieces that were more daring than usual for the fashion house.

Her bralette-style top was sheer and had a sequined bow pattern, and her low-waisted skirt was pleated and made from green tulle. But because the garments sat so far apart on Depp's body, it looked like she was missing a chunk of her outfit.

Stallion isn't a stranger to taking risks on the red carpet, but the green gown she wore to the after-party was a bit too daring for the setting.

The green, mermaid-style dress hugged her figure, and feathers on the bodice floated out from the dress like a peacock's plume. The neckline was so low that the rapper's chest was completely exposed, with only green nipple pasties providing her with coverage.

The dress would have been great if the neckline was a bit higher or if Meg had worn a statement bralette with the garment instead of pasties.

While it was fun that Urie didn't just wear a traditional suit, there was too much going on in his sheer, lace-embellished set. The beading and lace on his jacket and pants were so intricate that they were hard to look at when they overlapped, and the wide leg of his pants didn't help.

Urie may have had a more balanced look if he paired the statement jacket with simpler pants.

You couldn't miss Paulson's Marc Jacobs dress, both because of the red color and the massive bubbles of fabric that adorned the hem, backside, and neckline of the dress.

The play on volume could have been fun, but the bubbles were so big that not even Paulson's simple black clutch or heels could detract from them. Slightly less fabric would have made the look stronger.

The black cocktail dress Kendrick wore from Ashi Studio was pretty — its fabric had a fun sheen and a bubble skirt hit above her knee.

However, flower-shaped sequin embroidery on the hemline and one sleeve took the dress from sleek to clunky. The look would have stood out more if it didn't have so many embellishments.

Ice Spice wore a floor-length mustard skirt and coordinating cardigan, without a shirt.

The cardigan made the whole look feel casual for the red carpet, though, and Ice may have looked more red-carpet-ready if she paired the skirt with a formal top.

Cox's black dress looked more like a costume than a red-carpet outfit, particularly because of the way it was styled.

The archival Manfred Thierry Mugler dress formed a scalloped, halter neckline that looked like a spiderweb. Cox paired the dress with black gloves, and her dramatic hair and makeup included a short, black hairstyle, no eyebrows, and red lips.

The outfit would have been perfect for a chic Halloween party or themed event, but it didn't quite work for the after-party.

The "Emilia Pérez" star was undoubtedly among the best-dressed stars at the 2025 Oscars, in a rose-gold gown from Ralph Lauren.

When she arrived at the after-party, she topped the look with a shimmering black number from Armani Privè and a thick diamond choker that tied the look together.

The custom Christian Dior look that Barbaro wore to the 2025 Oscars missed the mark.

But that wasn't the case for the custom Dolce & Gabbana gown she changed into for Vanity Fair's party.

The strapless dress, crafted from cream-colored fabric and embellished with sparkling silver strings, fit her perfectly and looked classic at the after-party.

Zegler was a vision in her cream-colored halter gown. The neutral piece had a chest cutout, ruffles all over its bodice, and a lace skirt that flowed around her feet.

She also complemented the look perfectly with an updo hairstyle and long earrings.

Madison evoked old Hollywood glamour for her after-party appearance.

She wore a strapless black gown with a plunging V-shaped neckline, a wrapped bow belt, and a full skirt.

The Oscar winner also draped a scarf around her arms and donned a statement ruby necklace.

After wearing a velvet red dress that wasn't tailored well to the Oscars, Ryan looked chic at the Vanity Fair after-party in a semisheer dress.

The tan piece was sleeveless, had a beaded collar, and was embellished from top to bottom with delicate sparkles. The actor wore the look with rosy makeup and a diamond bracelet.

Jenner sat in a custom Miu Miu dress next to her boyfriend, the Oscar nominee Timothée Chalamet, at the 2025 Oscars. She then attended the Vanity Fair after-party in a new gown designed by Ashi Studio.

The corseted design was strapless, with a sheer illusion bodice and lace skirt.

It fit Jenner like a glove and made for the perfect edgy look with her dark, wavy hairstyle.

Sennott's sparkly pink dress for the Oscars wasn't her best, as the sequins didn't match the glamour of the red carpet. It didn't help that her black tights looked out of place.

But the black high-low gown the "Saturday Night" star changed into for the after-party struck the perfect tone.

The gown's plunging halter neckline gave way to a dropped-waist bodice, and the pleated fabric on the skirt made the dress look like it spilled onto Sennott's body. It created a fun and dramatic look.

Jones chose a custom Coach dress for her Oscars debut, which had sparkles on the skirt as well as a daring slit. It was a solid look, but it didn't stand out from the pack.

She changed into a strapless gown that leaned into the butter-yellow trend for the after-party. The architectural detailing on the strapless corset bodice contrasted with the ruching on the skirt, which had a slit, just like her first dress.

The colorful ensemble was the perfect continuation of the fashion story Jones started earlier in the night.

Lisa swapped out the menswear look she wore to the awards ceremony for a custom Miss Sohee dress that had a gothic feel.

The base of the K-pop star's look was a sheer black bodysuit with a high neckline and intricate lace. The strapless dress featured a sweetheart neckline, and the skirt bubbled around her hips before flaring inward for an exaggerated hourglass shape. She accessorized the look with wet hair and diamond jewelry.

The dress was stunning, and Lisa amped the look with edgy styling.

The "Heartstopper" star's Oscars outfit had too much going on, from the jacket with tails to the sparkly vest he wore with it.

His after-party look was much simpler — and much more stylish. He wore a tuxedo shirt with no tie or jacket, pairing it with a cummerbund and wide-legged pants.

A gold brooch on his chest elevated the party-ready look.

The tennis star wore two colorful Miu Miu gowns to celebrate the Oscars, but her second look was stronger than the first.

The yellow dress she wore to the awards ceremony looked a bit dated because of its thick straps and large, sparkly embellishments that covered it from head to toe.

The green gown Gauff changed into for the after-party felt fun and fresh in comparison. The sheath dress had spaghetti straps. Gems were embroidered onto the bodice in the shape of florals that cascaded down the garment. A circular cutout in the back gave the gown a sexy edge.

Erivo looked stunning at the Oscars, celebrating her character Elphaba from "Wicked" in a custom Louis Vuitton gown.

But her dress for the after-party felt like a celebration of Erivo herself, which was a welcome change from the rest of her awards season looks.

Erivo's Vivienne Westwood gown was made of a gauzy gray fabric that crisscrossed over her body to form a mini dress. The fabric spilled into a floor-length train on one side, and a black bow sat on one of Erivo's shoulders and her waist.

She carried a heart-shaped bag and wore gothic-style jewelry with the outfit, creating a look that was both whimsical and sexy.

Gadot wore red Prada dresses to both the Oscars and the after-party, but the sheath dress she changed into was more interesting than the satin ball gown she wore to the show.

Sparkly black beading adorned the dress from head to toe, bringing texture to the simple silhouette.

Gadot wore a red scarf around her neck, mixing old Hollywood glamour with the more modern ensemble.

Though Ryan looked cool and comfortable, a few simple tweaks could have improved her red velvet look.

A chic updo would have complemented the elegant style of her strapless gown, and thinner shoes would have clashed less with its heavy fabric.

The "Anora" star's Dior dress had a black bodice and a pink empire-waist skirt with a bow and a train.

The dress was pretty but overdone. Numerous stars have worn versions of the same look.

Stronger embellishments on the bodice or a different color combination could have enhanced the ensemble.

The "Wicked" star walked the red carpet in a black tuxedo, a white button-down, and a solid tie. He also wore shiny dress shoes.

Though his outfit was classic, it was also forgettable — especially compared with the standout looks worn by other members of the film's cast.

Depp embraced the aesthetic of "Nosferatu" in a black lace gown that was custom-made for her by Chanel.

That said, the sheer ensemble seemed a bit too casual for the glamorous event. It would have been better for an Oscars after-party.

Zegler's custom Christian Dior gown was pretty, with pearl details and gray tulle.

Its top, however, didn't seem to fit the "Snow White" star. It also had a visible tan corset piece that could have blended better into the garment.

Locke, who is in the Netflix series "Heartstopper," wore an assortment of colors and pieces that didn't work together.

They included a white blouse with a matching bowtie, a long vest covered in gold sequins, gray trousers with sharp pleats, and a black suit jacket with tails.

Reid, best known for "Euphoria," made a statement in a red Alexandre Vauthier minidress with a matching cape and gold belt.

Unfortunately, it looked more like a designer Little Red Riding Hood costume than an Oscar-worthy outfit.

The large, pink sequins that decorated Sennott's strapless gown dated her look. Her black, knee-length boots didn't feel cohesive with the dress.

Smaller sparkles and more sophisticated accessories could have elevated the ensemble.

Sennott recently appeared in "SNL," the movie about the origins of "Saturday Night Live."

Fanning, who played Bob Dylan's girlfriend Suze Rotolo in "A Complete Unknown," is a consistent style star, but her latest Oscars look was underwhelming.

Givenchy custom-made her white, sleeveless gown, which had a full lace skirt, a black bow belt, and a deep sweetheart neckline.

Her Cartier necklace was eye-catching and glamorous, but it made a bigger statement than the rest of her ensemble.

Christian Siriano designed her Cinderella-esque ballgown.

While its off-the-shoulder sleeves and classic silhouette suited Goldberg, its shiny fabric distracted from the overall look.

The musician chose a statement-making gown in an off-green shade. It was decorated with silver sequins, accessorized with a brown belt, and had a raw hem.

Unfortunately, the top of the gown was too prom-like, while the bottom half looked messy and unfinished.

Barbaro, who starred in "A Complete Unknown," sported a custom gown from Christian Dior.

The dress had potential, but it fell short. Its full pink skirt was wrinkled, its corseted waist sat just a touch too high, and its sparkling bralette top appeared to be ill-fitting.

Colman Domingo arrived in a custom Valentino ensemble, which included a statement red jacket that tied at his waist. Sunglasses and a gold brooch were the finishing touches on the chic look.

Garfield wore his fitted brown suit with a shiny shirt and sunglasses.

Feldman's sheer, black top and star bolo tie were the focal points of his Saint Laurent look, but his long jacket and flared pants were fun too.

The TikTok creator arrived at the Oscars in an oversized, patterned suit from Amiri.

Yang's leather suit from Etro featured colorful embroidery on the jacket, which he accentuated with a pink, ruffled shirt.

The "Wicked" star's custom Prada ensemble consisted of a white jacket, a floral-patterned blouse, and a large, purple flower on his lapel.

Connor's black suit stood out thanks to its details, like exposed cuffs, a white tie, and a sparkly brooch.

The "A Complete Unknown" star wore a subtly shiny yellow suit from Givenchy. He wore his coordinating top with no tie, and black shoes completed the look.

Chu arrived at the Oscars in a dark-green tuxedo from NB44, celebrating "Wicked" with his glamorous look.

Pope's silky, black Balmain suit included flared pants and a form-fitting jacket, which had bow fastenings instead of buttons.

Tazewell, who became the first Black man to win the best costume design award, arrived at the 2025 Oscars in a custom Dolce & Gabbana ensemble.

The designer said on Instagram that he took inspiration from Black dandies for his ensemble.

The couple coordinated both the colors and styles of their red-carpet looks.

Carlile wore black trousers and a polka-dot-print jacket with a red bow attached at the waistline, both designed by Valentino.

Shepherd, on the other hand, chose red tights and a black dress with a bow tie-embellished bodice.

While Consuelos wore a classic tuxedo with a small broach and silver watch, Ripa shined bright in an orange wrap dress from Zuhair Murad and satin pumps.

Goldblum sported a floral blouse and purple scarf beneath a white suit jacket with attached orchids, all designed by Prada.

Livingston walked the red carpet beside him in a sleeveless, crystal-covered gown from the same fashion house.

The power couple contrasted their looks, with Iger in a black tuxedo and Bay wearing a cream-colored set.

The latter included a knit, long-sleeved blouse that was semi-sheer and a satin floor-length skirt.

Keleigh brought some color to the carpet with her flowing baby-blue Zuhair Murad gown that was embellished with sparkling flower appliqués.

Miles kept things simpler in a black tuxedo, bow tie, and sunglasses.

The "Wicked" director nodded to the Emerald City with his sparkling green suit jacket from NB44, while Hodge stood out beside him in a butter-yellow gown with a lace bodice.

Brody and Chapman coordinated in all-black looks.

Embroidered ruffles brought volume and shape to Chapman's form-fitting Marchesa gown.

"The Brutalist" star wore a traditional tuxedo, but an oversized, silver bow brooch shaped like a bird elevated his ensemble.

Culkin wore all black to win his first Oscar, adding a green brooch to his lapel for a pop of color.

Charton's dress was covered in gold and black sequins, hugging her figure and sparkling as she walked the red carpet.

Valentino designed Colman's red and black ensemble. The jacket, which had a sash on the waist, featured black lapels that coordinated with his pants.

Raúl wore a black suit with no shirt. Together, the couple looked chic.

Brown and Bathe's looks were both glamorous.

He wore a white tuxedo jacket with black pants and a black bow tie, while Bathe's textured, gold dress was strapless and form-fitting with a large train.

Hawn's yellow Dolce & Gabbana dress had structured pleats on the bodice. Delicate beading sat atop the fabric, and she wore a shawl around her shoulders that complemented the gown.

Russell kept his look classic, wearing a black tuxedo and glasses.

Textured, floral detailing covered Kaling's form-fitting silver dress from Oscar de la Renta.

Grande's soft-pink Schiaparelli dress had a strapless bodice with a three-dimensional, waved peplum.

Erivo wore a custom, bow-shaped ball gown from Louis Vuitton with a tall collar crafted from emerald-green velvet.

Dior designed Hough's sheer dress, which had a high neckline and a low back.

The "Chicken Shop Date" host arrived in a pale-blue gown from Versace that had statement cutouts on the bodice.

Feldman had fun with his suit for the Oscars, pairing an oversized jacket and wide-legged pants with a mesh button-down and bolo tie.

Cassidy's one-shoulder dress, cinched with a gravity-defying bow, was custom-made for her by Loewe.

Finney wore a black Harris Reed gown with a pointed, strapless neckline embellished with long feathers. She also wore sheer black gloves.

Jones' silver gown from Armani Privé featured a halter neckline and cutouts on the bodice.

Yai showcased her modeling skills on the red carpet in her peach-colored, mermaid-shaped gown and black feather boa, which were custom Marni.

The standout element of Pope's all-black look was his jacket, which was adorned with bows instead of buttons.

Nyong'o wore a white Chanel gown that was fit for a princess with pearl straps, a sequined corset bodice, a pleated skirt, and a pink satin belt.

The "Emilia Pérez" star wore one of the night's most unique looks: a custom strapless dress from Saint Laurent that featured ruffled tiers extending from her waist to the floor.

The influencer looked like a princess in her tan, strapless gown embellished with lilac flowers across its wide mermaid skirt.

The musician and "White Lotus" star proved that menswear is for everyone in her floor-length suit jacket and wide-legged trousers from Mark Gong.

The neckline of Moore's textured, silver dress dipped low, and an additional layer of fabric gathered around her waist, adding volume to the look.

Gomez took inspiration from Sophia Loren for her blush-pink gown, which was covered in crystals and designed by Ralph Lauren.

The star of "A Complete Unknown" arrived in a custom Givenchy suit. The look's shiny, butter-yellow fabric brought a pop of color to the red carpet.

Qualley kept things classic in diamond jewels and a black velvet gown with short puffed sleeves and an off-the-shoulder neckline.

The "Wicked" director wore a dark-green suit that had shiny lapels.

Raye's glamorous Vivienne Westwood gown had a corset bodice and was covered in drapery, from the off-the-shoulder sleeves to the floor-length skirt.

Cryus chose a custom Alexander McQueen dress for the Oscars. The black dress had a halter neckline and textured, sparkly detailing, which she accented with black gloves.

Emma Stone's cream dress — custom from Louis Vuitton — was covered in large, reflective sequins that shimmered as she walked the red carpet.

The "Paint The Town Red" singer walked the red carpet in an animal-print Balmain dress.

The Brazillian actor's white dress played with contrasting fabrics. The halter bodice was made of ruched tulle while the skirt was made of a simpler fabric.

Dern put a twist on menswear at the Oscars, pairing a sheer, lace top with high-waisted pants and a cummerbund. She carried a jacket over her shoulder, completing the all-black look.

Garfield looked effortlessly cool in an all-brown Gucci suit, which included a shiny button-down and sunglasses.

Berry's Christian Siriano dress, which had a corset bodice and a form-fitting neckline, was covered in metallic fabric arranged in a mosaic pattern.

Her strapless black gown was decorated with sequins across its corseted bodice, ruching at the hips, and a rose detail at the top of her satin skirt.

Domingo's custom Valentino outfit featured a red jacket that cinched his waist with a sash. The black lapels coordinated with his pants, and fun accessories like sunglasses and a brooch made the look pop.

For example, they kept their outfits simple on the red carpet for the 2014 Breakthrough Prize ceremony.

Zuckerberg wore a black tuxedo and satin tie, while Chan sported a sparkling, sleeveless dress in a deep shade of blue.

For a state dinner that year, Zuckerberg sported his usual black suit, tie, and dress shoes.

Chan, on the other hand, looked elegant in a vibrant red dress with a lace overlay. She paired the garment with a black clutch, simple sandals, and an updo hairstyle.

Zuckerberg continued attending events like the 2016 Axel Springer Awards in dark suits and white undershirts. Rather than accessorizing, he added only belts and dress shoes.

Chan, on the other hand, began sporting all-black ensembles that year. For the awards ceremony, she donned black leggings underneath a knit tunic and ankle-length boots.

For the annual Breakthrough Prize ceremony, Zuckerberg wore a black tuxedo with sharp, satin lapels and his signature tie.

Chan dazzled alongside him, wearing a black sleeveless dress beneath a glitter-covered fishnet overlay with a high neckline and long sleeves.

They both walked the Breakthrough Prize red carpet in black suit jackets, with Chan wearing hers over a solid black gown.

Zuckerberg swapped his usual necktie for a bow tie.

The couple attended the 2024 UFC 300 event in April while wearing casual yet cool outfits. Zuckerberg wore a white T-shirt with black jeans, and Chan donned a black blazer as a dress with sunglasses and a gold necklace for accessories.

Then, in May, Zuckerberg celebrated his birthday while wearing a graphic tee and gold chain.

Zuckerberg's fashion changes might have been strategic. Meta announced last summer that it was working to win over Gen Z.

The Facebook founder could have been doing the same by upping his style reputation.

Zuckerberg, who matched fellow billionaire Jeff Bezos at the event, wore a navy suit, white button-down shirt, and deep red tie.

Chan, however, made a high-fashion statement with a baby-blue Bottega Veneta set. She wore a $2,500 wool cardigan, a matching $2,800 skirt, and chunky pearl necklaces.

"Man, I love shoes," Bryce Grandison, 28, told BI.

The Georgia-based real-estate agent, who formerly worked as a real-estate analyst and was named a BI rising star, rotates between various pairs of classic sneakers.

He wears Nike Air Max 1s ($140 - $180), Stan Smith tennis shoes from Adidas ($100 - $350), and kicks from Roger Federer's collaboration with On ($140 - $200).

"I love to keep it business casual always, anytime, anywhere I go," Grandison said. "Ideally, no matter what I have on, I want to come across as a business professional."

"Whether I have a sweatsuit on with my Nikes, or if I have Lululemon slacks on, a half-zip top, and my Roger Federer On running shoes, you can see that it's a multifaceted look that's put together very well," he added.

Rob Beiderman, 38, founded Asymmetric Capital Partners in 2021 and is now the fund's managing partner.

Whether at work or on the go, the former BI rising star says he wears sneakers from Allbirds "almost every day."

He specifically loves the brand's Tree Runners, which are made from eucalyptus tree fiber and designed for walking. They retail between $98 and $120 a pair.

"I love traveling with them because you can exercise and wear them for meetings," Beiderman said.

Occasionally, however, he swaps them for canvas slides from Toms.

Paul Hill, 25, is the founder of the art-tech company Strada. He told BI that he wears brown cowboy boots from the Texas-based brand Justin most days in his office.

He described the boots, which retail between $134 and over $1,000 each, as extremely versatile.

"I bike to work every single day, and I love how, with cowboy boots, it's kind of like stirrups. They just lock into the bike pedals super easily," he said. "And they're so comfortable."

Hill said he became interested in the style in high school and bought his first pair during college. He's worn them ever since.

"I went to boarding school for high school in Asheville, North Carolina, and that's where I first got introduced to cowboy boots," he said. "So, for me, they're just a little piece I can carry with me from the time I've spent outside New York City."

Robert Felder, 30, is the founder and CEO of the clothing company Bearbottom.

He told BI that he exclusively wears the brand's designs because he loves them and is always testing new products.

Shoes, however, are another story.

"I typically wear sneakers," he said. "I have some New Balances that I really like wearing, and Reebok. Those are the two sneaker brands that I've been wearing a lot."

Felder alternates between the $90 Club C 85 Vintage kicks from Reebok and the $110 BB550 shoes from New Balance.

He said he also occasionally wears classic $150 Birkenstock clogs but never to work.

Reed Switzer, 24, founded the fintech company Hopscotch, which helps small businesses pay bills more easily.

He said he likes keeping his footwear "a little more basic" and subtle.

"I have plain white shoes from Vince that go with everything," he said. "You can't go wrong."

The Fulton sneakers he's talking about are made from leather and retail for $198.

Reid Waldman, 30, spends his days working as a dermatologist and the CEO of his biopharmaceutical company, Veradermics.

He told BI that the shoes he wears largely depend on how dressy his outfit is.

"If I'm wearing a blazer and slacks, then I'll wear loafers, like a pair from Ferragamo," he said. "If it's suit, I wear Oxfords."

He also buys most of his designer wardrobe secondhand.

"I don't think I've bought any brand-new clothes in several years," he told BI. "I am an avid shopper of The RealReal."

Her black Giorgio Armani gown was perfect for a matching menswear moment with her fiancé Jonathan Scott.

However, when she walked the blue carpet alone, the long-sleeve piece with a white bib overpowered her petite frame.

It would have been better if Deschanel had fully leaned into a feminine or masculine style — like a classic black gown or a strong power suit.

She arrived at the event wearing a black, sparkling gown from Dolce & Gabbana — and it looked stunning on her.

Unfortunately, though, the dress and Curtis herself were overshadowed by a long-sleeved shawl covered in feathers. It was so puffy that it shielded her neck and almost covered her hands.

The piece seemed to wear Curtis rather than the other way around.

Williams' signature red-carpet style often includes oversize suit jackets styled with perfectly tailored trousers.

At the SAG Awards, he paired a large blazer featuring statement shoulder pads with long, loose-fitting pants. Together, the outfit appeared ill-fitting and a little messy.

Its maroon color, however, looked phenomenal on the actor.

He posed for photographs in a sage-green outfit that was custom-made for him by Haans Nicholas Mott.

Though its unique shade worked for Strong, other various details did not. Its jacket, for example, had a string tie that was too casual for the overall look, while its satin lapels were too elevated.

His outfit might have been better if styled with a different jacket altogether.

From the waist down, Washington's pink Armani Privé gown was fit for a princess. It was made with a shining silk fabric and embellished with a sheer, pearl-covered overlay.

Its long-sleeved top was also pretty, with a high neckline, all-over silver appliqués, and more pearls. That said, it was also see-through, which distracted from the gown's elegance.

A satin bra made from the same material as her skirt would have completed the outfit.

Louis Vuitton custom-made the actor's gown, which was sleeveless with a cowl neckline, floor-length skirt, and short train.

Though she elevated the look with some diamond jewelry, her gown's silhouette was ultimately too simple for the red-carpet event.

Its pale color also appeared to wash Brown out when paired with her bleach-blonde hair.

She wore a custom look from Bottega Veneta that should have worked for her. Its black color was classic, and its strapless neckline highlighted her gold jewelry.

Its bodice was made from leather and extended to create a drop-waist silhouette. But the harsh material didn't work as well as a softer one would have, especially considering the pleated peplum skirt it was paired with.

Raggatt, 32, had just moved back to his home city of Adelaide from Melbourne when they matched on the dating app, Snowball told Business Insider.

"Our first date was at a hidden blues bar. We found we had a lot in common, like music and our love of vinyl records," she said. "We ran in the same circles and had been to the same concerts."

Though they'd never met until that date, he'd even once watched Snowball walk in a fashion show.

"Since then, we've been inseparable," she said.

Raggatt knew that he and Snowball would one day design an engagement ring using her family's pieces. But he also wanted to surprise her.

Two weeks before their trip, he had the idea to find a Gashapon ring — a piece of costume jewelry from a Japanese toy vending machine — and propose with that first.

Snowball said she "wouldn't leave Olly's side" on their third day in the country, which is when he wanted to sneak off in search of the most "kitschy capsule ring he could find."

Luckily, Snowball chose to take a shopping break at Zara, which gave Raggatt the perfect opportunity.

Within 30 minutes, he'd found a Gashapon machine filled with rings resembling spilled Matcha. He inserted a few dollars, and out came a sage-green ring in a capsule box shaped like a bottle.

Snowball told BI she didn't expect a proposal during the trip until she noticed Raggatt acting nervous at the restaurant.

That's likely because he didn't know he'd propose until they got there.

"I looked around and thought to myself, 'If I were proposing to me, I would propose here.' My brain was racing with thoughts of how, when, where, and is this happening?" she said.

After a quick bathroom break to calm her nerves and text her friends, Snowball suggested that she and Raggatt take a selfie. As she set up her phone, he got down on one knee.

"I held my head in my hands and cried for what felt like two minutes but was probably 12 seconds," she said. "Finally, I looked up and said yes as he tried to put the ring on my shaking hand."

It was pouring rain when the couple left the restaurant, Snowball said, so they took shelter in an empty karaoke bar and called their friends and family to share the news.

"We then sang our favorite songs together, including 'My Sweet Lord' by George Harrison, which is our song," she added.

They then welcomed the company of some Japanese salarymen, or office workers, who had missed their train home. They chose to celebrate with them and buy the newly engaged couple drinks.

The couple left Tokyo the day after getting engaged. On the way out, Raggatt stopped in their hotel's bathroom and found a large, plastic diamond on the floor.

"He came out and gave me the diamond, which I then put on the ring," Snowball recalled. "It fit perfectly!"

She said their creation gave them the idea to design a real engagement ring inspired by the colorful statement piece Raggatt proposed with.

The couple traveled to Osaka, where they found a "full to the brim antique store" called the BB American Village Free Market.

While Raggatt browsed film cameras, Snowball shopped for jewelry. Though she wasn't looking for another engagement ring, one caught her eye.

"I tried it on, it fit my ring finger, and I took of photo of it for inspiration," she said. "Later on, Olly asked again what I think I might like for my real engagement ring. I said I wouldn't mind something like the one I saw in the store."

Ironically, it featured a green stone and a clear crystal — mirroring the green band and plastic diamond on her first engagement ring.

He snuck back to the market the following day and purchased the vintage piece for about $12.

Raggatt quickly worked with a local shop owner to plan another meaningful proposal.

"He had placed the ring in a Mickey Mouse wallet at one of those shooting games where the prizes are all on a shelf," Snowball said. "He is very good at this type of game and shot it down first go. Then he got back down on one knee to reveal the ring from the antique store."

As they celebrated their second engagement, the shop owner serenaded them with a rendition of "What a Wonderful World" on electric guitar.

Not only did the colors of the thrifted ring match the toy ring that Raggatt proposed with, but Snowball's birthstone is also emerald.

So, the couple decided to work with jeweler Kip Wilkins to create another version of the secondhand piece using materials from rings belonging to her grandmother and great-grandmother.

"It all just seemed so right. I never gave it another thought," Snowball said.

The custom ring, which was made for Snowball in a month, features a lab-gown diamond and a green tsavorite garnet stone. They sit atop a bezel setting in 18-carat yellow gold.

When asked if she wears her original two rings, Snowball said she doesn't. Instead, she keeps them both in the matcha-themed capsule box and plans to incorporate them into their wedding day, which they're planning for 2026.

"Whenever I look at the custom ring, I don't just think about how much it sparkles or how cool it is," Snowball said. "I think of how Olly proposed, the typhoon, 'Kill Bill,' drunken salarymen, and that it was found in a tiny Japanese antique store and reborn from my grandparents' gold."

Brady made his debut as a Super Bowl commentator on Sunday, and he did so in style.

To complement his gray suit and black tie, the former football player accessorized with a Caviar Tourbillon timepiece from Jacob & Co.

The watch featured 48.92 carats of yellow sapphires and 1.32 carats of white diamonds arranged in a cluster meant to resemble caviar. It also had an alligator leather strap.

Compared to other outfits Swift has worn to Chiefs games this season, her Super Bowl ensemble seemed overly simple.

However, it was actually expensive and sentimental.

She wore a $3,253 Saint Laurent blazer, a $1,300 Alaïa bodysuit, crystal-covered shorts, $1,120 Paris Texas boots, a $990 Givenchy purse, and ruby rings from Effy Jewelry that cost $12,495 and $5,195.

Swift also donned a ruby bracelet from the same brand, a $4,350 Logan Hollowell hand chain, a $32,200 Panthère watch from Cartier, and the same Lorraine Schwartz T-charm chain she first wore at the 2025 Grammy Awards.

The casual look seemingly called back to the first outfit Swift ever wore to a Chiefs game: a white Dôen tank top and a black pair of Ksubi shorts.

When the rapper got onstage, you couldn't miss his diamond necklaces. The oversize pieces were layered and embellished with a massive "a" initial charm.

The latter piece could have referenced Lamar's ongoing feud with Drake in two ways.

Some fans say it might have stood for Aubrey, Drake's legal first name. Others pointed out that Lamar's "a" charm was lowercase and potentially meant to reference his famous "tryna strike a chord and it's probably a minor" lyric from "Not Like Us."

It's also possible that the charm more simply represented Lamar's creative company, pgLang, which uses the same style "a" in its logos.

His pregame ensemble included a checked blazer and matching trousers in a teal shade that looked a lot like "midnight green," one of the Eagles' colors.

The Kansas City Chiefs quarterback also wore a blue tie, a white button-up shirt, and Oakley glasses.

On Instagram, Kelce's stylist, Danielle Vanessa Salzedo, said the metallic flower pinned to his lapel was a real rose dipped in gold.

Amiri designed the pin, his '70s-style suit, and his sunglasses.

The ensemble debuted at Paris Fashion Week in January, featuring the same orange-tinted blazer, trousers, and sparkling undershirt Kelce wore.

The brand's designer, Mike Amiri, told GQ that Kelce was the perfect person to wear the outfit, regardless of who it was originally designed for.

"He's just such a great person to dress because he can wear clothes, clothes don't wear him. He can make anything kind of work," he told the publication.

As ESPN reported, the mink coat belonged to Hopkins' father, who died in 1992 around the time his son was born.

The wide receiver previously told the network that he'd wear it on his wedding day or at the Super Bowl, depending on which happened first.

"My dad was a leader of the family, leader of our community," Hopkins told ESPN. "So it means a lot just being able to have a little bit of him with me."

First, there was his Jacob and Co. watch, which retails for $348,000 and is embedded with gems resembling planets.

The Eagles running back also sported a 76.53-carat diamond tennis bracelet.

Swift arrived at the 2024-2025 NFL season opener to support the Chiefs in a denim set.

She paired the $1,325 Medusa '95 denim corset top with coordinating denim shorts from Grlfrnd, which were available on Revolve for $102. Her maroon boots from Giuseppe Zanotti, which cost $1,650, were a high-fashion way to incorporate team spirit for the Chiefs.

Her accessories, including a $3,950 Louis Vuitton Side Trunk bag and over $60,000 worth of jewelry, made the look even more glamorous.

The 1995 Salem T-shirt, featuring the Chiefs logo, became a dress on Swift, as it was so long it covered her thighs.

The tee showed off her thigh-high Giuseppe Zanotti Frannie boots, which cost $1,650, and Swift carried the $4,800 Louis Vuitton Coussin bag.

High-end jewelry, like Louis Vuitton's $625 My LV Chain earrings, added to the sporty ensemble.

Swift turned to Vivienne Westwood for an October game. She paired the brand's $1,875 Sunday corset with the matching $1,010 Meghan kilt, both of which featured plaid fabric with pops of maroon in honor of the Chiefs.

Vivienne Westwood also designed her $1,270 boots and $590 Belle heart-frame Jacquard bag. She added over $46,000 worth of jewelry and glitter faux freckles from Fazit.

The freckles gave the high-fashion look a whimsical twist that was perfect for the game.

Swift made her vintage Chiefs jacket the star of her outfit for this game, wearing the red, yellow, and black piece with a black top and black shorts from Agolde, which she cinched with a $630 belt from The Row.

Swift's other accessories were also black, like her $2,195 Louboutin boots and $3,900 Dior saddle bag. Gold jewelry, including a $4,475 Chanel necklace, a $4,150 ring from Retrouvai, $595 earrings, and a $3,150 ring from Louis Vuitton, elevated the look.

The outfit was cute, but it was underwhelming compared to Swift's other looks for the 2024-2025 season.

Swift's $3,350 red-and-black checked blazer and $1,695 skirt from Versace were the stars of her outfit. She paired the professional pieces with a $34.99 Victoria's Secret corset and Versace's $1,650 Medusa 95 leather knee-high boots.

Swift carried the $2,190 Medusa 95 small tote bag from Versace. She also wore several pieces of high-end jewelry, including the $54,000 gold Tambour Watch from Louis Vuitton and a $32,970 ring from Retrouvai.

The outfit was stylish, but it made Swift look more like a team owner than a WAG. She also wore a better check-patterned look later in the season.

She attended a November game wearing a red Louis Vuitton quarter zip that looked cozy and festive for the occasion. Swift paired the top with $249 pants from Paige, which she tucked into her $1,650 Maison Alaïa boots.

The combination called back to popular fashion of the early 2010s, though it didn't translate as well in 2025. A simpler pair of shoes or wide-legged pants could have improved the outfit.

She strutted into Arrowhead Stadium that day wearing a statement coat from Charlotte Simone. The piece was crafted with faux fur in a vibrant shade of red and had extra fuzzy pieces lining its sleeves, hem, and neckline.

Swift also accessorized to perfection, adding a vintage Chanel bucket hair, sheer black tights, $1,695 Manolo Blahnik boots, and a Tod's messenger bag.

The designer look included a $4,650 wool jumpsuit beneath a $9,600 tweed coat. Swift also added a monogrammed belt with oversize pearls, sheer black tights, Canada Goose gloves, earrings, a purse, and Chanel boots.

She wore the all-black outfit in the middle of January. It was chic and sophisticated but also loose and comfortable enough to sit through a football game.

Swift made a bold move when she attempted to bring back the logomania trend with a $5,000 monogrammed zip-up jacket from Louis Vuitton and a $550 beanie with the same logo.

However, her red tights really didn't work with the black and gold outfit, which cost over $68,000. The tights were too bold in color and too fun in style to complement the cool, streetwear-style garments that comprised the rest of her look.

Rather than rocking red for the Chiefs, Swift arrived at the 2025 Super Bowl in a simple outfit worth over $60,000.

She paired the $3,253 YSL double-breasted blazer with the $1,300 sleeveless ribbed bodysuit from Alaïa, both in shades of white. Sparkly denim shorts offered a pop of color in the look, though she circled back to white with her $1,120 over-the-knee boots from the brand Paris Texas.

Swift also brought color into her look through her accessories, like her $999 Givenchy bag and ruby-encrusted jewelry.

She re-wore the "T" leg chain she debuted at the 2025 Grammys as a necklace, nodding to Kelce and her lyric, "I want to wear his initial on a chain round my neck," from her song "Call It What You Want."

Likewise, her tank top and jean shorts offered a cute reference to Swift's outfit for her first Chiefs game in September 2023.

Despite the nods to her relationship with Kelce, Swift's outfit didn't stand out compared to some of the other looks she wore throughout the 2024-2025 season, as it just looked like a white blazer and boots from a distance.

It would have been nice to see Swift have a little more fun with her outfit for such a big game.