Raggatt, 32, had just moved back to his home city of Adelaide from Melbourne when they matched on the dating app, Snowball told Business Insider.

"Our first date was at a hidden blues bar. We found we had a lot in common, like music and our love of vinyl records," she said. "We ran in the same circles and had been to the same concerts."

Though they'd never met until that date, he'd even once watched Snowball walk in a fashion show.

"Since then, we've been inseparable," she said.

Raggatt knew that he and Snowball would one day design an engagement ring using her family's pieces. But he also wanted to surprise her.

Two weeks before their trip, he had the idea to find a Gashapon ring — a piece of costume jewelry from a Japanese toy vending machine — and propose with that first.

Snowball said she "wouldn't leave Olly's side" on their third day in the country, which is when he wanted to sneak off in search of the most "kitschy capsule ring he could find."

Luckily, Snowball chose to take a shopping break at Zara, which gave Raggatt the perfect opportunity.

Within 30 minutes, he'd found a Gashapon machine filled with rings resembling spilled Matcha. He inserted a few dollars, and out came a sage-green ring in a capsule box shaped like a bottle.

Snowball told BI she didn't expect a proposal during the trip until she noticed Raggatt acting nervous at the restaurant.

That's likely because he didn't know he'd propose until they got there.

"I looked around and thought to myself, 'If I were proposing to me, I would propose here.' My brain was racing with thoughts of how, when, where, and is this happening?" she said.

After a quick bathroom break to calm her nerves and text her friends, Snowball suggested that she and Raggatt take a selfie. As she set up her phone, he got down on one knee.

"I held my head in my hands and cried for what felt like two minutes but was probably 12 seconds," she said. "Finally, I looked up and said yes as he tried to put the ring on my shaking hand."

It was pouring rain when the couple left the restaurant, Snowball said, so they took shelter in an empty karaoke bar and called their friends and family to share the news.

"We then sang our favorite songs together, including 'My Sweet Lord' by George Harrison, which is our song," she added.

They then welcomed the company of some Japanese salarymen, or office workers, who had missed their train home. They chose to celebrate with them and buy the newly engaged couple drinks.

The couple left Tokyo the day after getting engaged. On the way out, Raggatt stopped in their hotel's bathroom and found a large, plastic diamond on the floor.

"He came out and gave me the diamond, which I then put on the ring," Snowball recalled. "It fit perfectly!"

She said their creation gave them the idea to design a real engagement ring inspired by the colorful statement piece Raggatt proposed with.

The couple traveled to Osaka, where they found a "full to the brim antique store" called the BB American Village Free Market.

While Raggatt browsed film cameras, Snowball shopped for jewelry. Though she wasn't looking for another engagement ring, one caught her eye.

"I tried it on, it fit my ring finger, and I took of photo of it for inspiration," she said. "Later on, Olly asked again what I think I might like for my real engagement ring. I said I wouldn't mind something like the one I saw in the store."

Ironically, it featured a green stone and a clear crystal — mirroring the green band and plastic diamond on her first engagement ring.

He snuck back to the market the following day and purchased the vintage piece for about $12.

Raggatt quickly worked with a local shop owner to plan another meaningful proposal.

"He had placed the ring in a Mickey Mouse wallet at one of those shooting games where the prizes are all on a shelf," Snowball said. "He is very good at this type of game and shot it down first go. Then he got back down on one knee to reveal the ring from the antique store."

As they celebrated their second engagement, the shop owner serenaded them with a rendition of "What a Wonderful World" on electric guitar.

Not only did the colors of the thrifted ring match the toy ring that Raggatt proposed with, but Snowball's birthstone is also emerald.

So, the couple decided to work with jeweler Kip Wilkins to create another version of the secondhand piece using materials from rings belonging to her grandmother and great-grandmother.

"It all just seemed so right. I never gave it another thought," Snowball said.

The custom ring, which was made for Snowball in a month, features a lab-gown diamond and a green tsavorite garnet stone. They sit atop a bezel setting in 18-carat yellow gold.

When asked if she wears her original two rings, Snowball said she doesn't. Instead, she keeps them both in the matcha-themed capsule box and plans to incorporate them into their wedding day, which they're planning for 2026.

"Whenever I look at the custom ring, I don't just think about how much it sparkles or how cool it is," Snowball said. "I think of how Olly proposed, the typhoon, 'Kill Bill,' drunken salarymen, and that it was found in a tiny Japanese antique store and reborn from my grandparents' gold."

Brady made his debut as a Super Bowl commentator on Sunday, and he did so in style.

To complement his gray suit and black tie, the former football player accessorized with a Caviar Tourbillon timepiece from Jacob & Co.

The watch featured 48.92 carats of yellow sapphires and 1.32 carats of white diamonds arranged in a cluster meant to resemble caviar. It also had an alligator leather strap.

Compared to other outfits Swift has worn to Chiefs games this season, her Super Bowl ensemble seemed overly simple.

However, it was actually expensive and sentimental.

She wore a $3,253 Saint Laurent blazer, a $1,300 Alaïa bodysuit, crystal-covered shorts, $1,120 Paris Texas boots, a $990 Givenchy purse, and ruby rings from Effy Jewelry that cost $12,495 and $5,195.

Swift also donned a ruby bracelet from the same brand, a $4,350 Logan Hollowell hand chain, a $32,200 Panthère watch from Cartier, and the same Lorraine Schwartz T-charm chain she first wore at the 2025 Grammy Awards.

The casual look seemingly called back to the first outfit Swift ever wore to a Chiefs game: a white Dôen tank top and a black pair of Ksubi shorts.

When the rapper got onstage, you couldn't miss his diamond necklaces. The oversize pieces were layered and embellished with a massive "a" initial charm.

The latter piece could have referenced Lamar's ongoing feud with Drake in two ways.

Some fans say it might have stood for Aubrey, Drake's legal first name. Others pointed out that Lamar's "a" charm was lowercase and potentially meant to reference his famous "tryna strike a chord and it's probably a minor" lyric from "Not Like Us."

It's also possible that the charm more simply represented Lamar's creative company, pgLang, which uses the same style "a" in its logos.

His pregame ensemble included a checked blazer and matching trousers in a teal shade that looked a lot like "midnight green," one of the Eagles' colors.

The Kansas City Chiefs quarterback also wore a blue tie, a white button-up shirt, and Oakley glasses.

On Instagram, Kelce's stylist, Danielle Vanessa Salzedo, said the metallic flower pinned to his lapel was a real rose dipped in gold.

Amiri designed the pin, his '70s-style suit, and his sunglasses.

The ensemble debuted at Paris Fashion Week in January, featuring the same orange-tinted blazer, trousers, and sparkling undershirt Kelce wore.

The brand's designer, Mike Amiri, told GQ that Kelce was the perfect person to wear the outfit, regardless of who it was originally designed for.

"He's just such a great person to dress because he can wear clothes, clothes don't wear him. He can make anything kind of work," he told the publication.

As ESPN reported, the mink coat belonged to Hopkins' father, who died in 1992 around the time his son was born.

The wide receiver previously told the network that he'd wear it on his wedding day or at the Super Bowl, depending on which happened first.

"My dad was a leader of the family, leader of our community," Hopkins told ESPN. "So it means a lot just being able to have a little bit of him with me."

First, there was his Jacob and Co. watch, which retails for $348,000 and is embedded with gems resembling planets.

The Eagles running back also sported a 76.53-carat diamond tennis bracelet.

Swift arrived at the 2024-2025 NFL season opener to support the Chiefs in a denim set.

She paired the $1,325 Medusa '95 denim corset top with coordinating denim shorts from Grlfrnd, which were available on Revolve for $102. Her maroon boots from Giuseppe Zanotti, which cost $1,650, were a high-fashion way to incorporate team spirit for the Chiefs.

Her accessories, including a $3,950 Louis Vuitton Side Trunk bag and over $60,000 worth of jewelry, made the look even more glamorous.

The 1995 Salem T-shirt, featuring the Chiefs logo, became a dress on Swift, as it was so long it covered her thighs.

The tee showed off her thigh-high Giuseppe Zanotti Frannie boots, which cost $1,650, and Swift carried the $4,800 Louis Vuitton Coussin bag.

High-end jewelry, like Louis Vuitton's $625 My LV Chain earrings, added to the sporty ensemble.

Swift turned to Vivienne Westwood for an October game. She paired the brand's $1,875 Sunday corset with the matching $1,010 Meghan kilt, both of which featured plaid fabric with pops of maroon in honor of the Chiefs.

Vivienne Westwood also designed her $1,270 boots and $590 Belle heart-frame Jacquard bag. She added over $46,000 worth of jewelry and glitter faux freckles from Fazit.

The freckles gave the high-fashion look a whimsical twist that was perfect for the game.

Swift made her vintage Chiefs jacket the star of her outfit for this game, wearing the red, yellow, and black piece with a black top and black shorts from Agolde, which she cinched with a $630 belt from The Row.

Swift's other accessories were also black, like her $2,195 Louboutin boots and $3,900 Dior saddle bag. Gold jewelry, including a $4,475 Chanel necklace, a $4,150 ring from Retrouvai, $595 earrings, and a $3,150 ring from Louis Vuitton, elevated the look.

The outfit was cute, but it was underwhelming compared to Swift's other looks for the 2024-2025 season.

Swift's $3,350 red-and-black checked blazer and $1,695 skirt from Versace were the stars of her outfit. She paired the professional pieces with a $34.99 Victoria's Secret corset and Versace's $1,650 Medusa 95 leather knee-high boots.

Swift carried the $2,190 Medusa 95 small tote bag from Versace. She also wore several pieces of high-end jewelry, including the $54,000 gold Tambour Watch from Louis Vuitton and a $32,970 ring from Retrouvai.

The outfit was stylish, but it made Swift look more like a team owner than a WAG. She also wore a better check-patterned look later in the season.

She attended a November game wearing a red Louis Vuitton quarter zip that looked cozy and festive for the occasion. Swift paired the top with $249 pants from Paige, which she tucked into her $1,650 Maison Alaïa boots.

The combination called back to popular fashion of the early 2010s, though it didn't translate as well in 2025. A simpler pair of shoes or wide-legged pants could have improved the outfit.

She strutted into Arrowhead Stadium that day wearing a statement coat from Charlotte Simone. The piece was crafted with faux fur in a vibrant shade of red and had extra fuzzy pieces lining its sleeves, hem, and neckline.

Swift also accessorized to perfection, adding a vintage Chanel bucket hair, sheer black tights, $1,695 Manolo Blahnik boots, and a Tod's messenger bag.

The designer look included a $4,650 wool jumpsuit beneath a $9,600 tweed coat. Swift also added a monogrammed belt with oversize pearls, sheer black tights, Canada Goose gloves, earrings, a purse, and Chanel boots.

She wore the all-black outfit in the middle of January. It was chic and sophisticated but also loose and comfortable enough to sit through a football game.

Swift made a bold move when she attempted to bring back the logomania trend with a $5,000 monogrammed zip-up jacket from Louis Vuitton and a $550 beanie with the same logo.

However, her red tights really didn't work with the black and gold outfit, which cost over $68,000. The tights were too bold in color and too fun in style to complement the cool, streetwear-style garments that comprised the rest of her look.

Rather than rocking red for the Chiefs, Swift arrived at the 2025 Super Bowl in a simple outfit worth over $60,000.

She paired the $3,253 YSL double-breasted blazer with the $1,300 sleeveless ribbed bodysuit from Alaïa, both in shades of white. Sparkly denim shorts offered a pop of color in the look, though she circled back to white with her $1,120 over-the-knee boots from the brand Paris Texas.

Swift also brought color into her look through her accessories, like her $999 Givenchy bag and ruby-encrusted jewelry.

She re-wore the "T" leg chain she debuted at the 2025 Grammys as a necklace, nodding to Kelce and her lyric, "I want to wear his initial on a chain round my neck," from her song "Call It What You Want."

Likewise, her tank top and jean shorts offered a cute reference to Swift's outfit for her first Chiefs game in September 2023.

Despite the nods to her relationship with Kelce, Swift's outfit didn't stand out compared to some of the other looks she wore throughout the 2024-2025 season, as it just looked like a white blazer and boots from a distance.

It would have been nice to see Swift have a little more fun with her outfit for such a big game.

He wore a full Thom Browne set at the runway event, which raises awareness of prostate cancer.

The outfit included slack-style shorts, a white undershirt, and a bomber jacket decorated with illustrations of gods and goddesses.

He completed the outfit with dress shoes and tall socks.

Getty — an heiress of her family's multibillion-dollar oil fortune — donned silk shorts with a nature print, a keyhole-patterned sweater, and a scarf with a similar design.

Her high-fashion set from the New York City brand also included tan socks, black flats, an oversize brown purse, a black top hat, and a teddy bear.

Bailey Moon styled Doherty, who wore a leather jacket, a white top, and khaki pants from Brunello Cucinelli.

The neutral pieces were tailored perfectly and complemented each other. He accessorized with a tan belt, black tie, and leather dress shoes.

To watch the Christian Siriano runway show, Cox sported a black bodysuit with a high-cut bottom and silver mesh sleeves that puffed from shoulder to wrist.

The edgy outfit also included sheer black tights, pointed pumps, and a statement choker necklace.

Cox completed the daring look with an orange bob and long stone earrings.

The dancer was also in attendance at Christian Siriano's show and wore her own shimmering ensemble: a black ball gown.

The dress was sleeveless, semi-sheer across the waist, and pleated across its wide skirt.

She wore the glamorous piece with black pumps, neutral makeup, and a bob haircut.

She attended the Brandon Maxwell show in a baby-pink halter dress with a satin top and ankle-length skirt.

The delicate piece made for a fun contrast to Palmer's orange-tinted hair, smoky makeup, and torso tattoo, which was visible through its backless bodice.

She was photographed at the Todd Snyder runway show wearing a patent-leather trench coat in black over a knit sweater, white button-down shirt, and pinstripe slacks.

The outfit was chic and entirely New York in style — especially considering she paired the workwear with blue sneakers, gold jewelry, and metal-rimmed glasses.

Pinkett Smith looked stunning in a long blue skirt and a matching bralette with straps that crisscrossed over her stomach. She also wore silver sandals, a choker necklace, and tiny sunglasses.

Smith, on the other hand, wore a gray suit with white stripes, a white shirt, and patchwork shoes.

The couple revealed in 2023 that they've been separated since 2016 but remain close.

Prinze Jr. wore an all-black ensemble that included a leather blazer, standard T-shirt, trousers, and shiny dress shoes.

Gellar seemingly channeled her "Buffy the Vampire Slayer" character in a blue halter top, leather pants, and sandals.

Flockhart wore a white tank top, ankle-length skirt, and matching sandals, while Ford wore a traditional suit with a blue button-up shirt.

Lopez looked like a princess in a sleeveless blush gown with a layered, ruffled skirt. She also added a diamond necklace, drop earrings, and an updo hairstyle.

Affleck chose a standard suit with a lavender satin tie.

The couple broke up in 2004 but got back together in 2021. They then married in 2022 and filed for divorce in 2024.

Jay-Z showed off numerous fashion trends from the early aughts, including sunglasses with colored lenses, an oversize suit, a yellow striped tie, and a tan fedora.

Beyoncé coordinated in a sparkling two-piece set. Her long-sleeved shirt had a V-shaped neckline and crystal embellishments on the sleeves and neckline, and her shorts were made from the same printed fabric. She also wore a curly hairstyle and strappy sandals.

Legend opted for a black suit with a velvet vest and a high-neck shirt underneath. Teigen, on the other hand, wore a shimmering gown with one short sleeve and a strap on the other side.

In 2018, Teigen reflected on the look via Instagram, writing: "Grammys 2008. 10 years ago. This tan!!! Lmao."

Union opted for a red, long-sleeved dress with a daring cutout across her chest. She also wore silver hoops and rosy makeup.

Wade chose a mismatched suit with a cream jacket, white shirt, and gray pants, though he also included a red pocket square to match Union. 

Their outfits were seemingly coordinated, with Gomez wearing a strapless red gown and Bieber wearing a red pocket square with his all-black ensemble. They also wore accessories that fell in line with their personal styles: Gomez wore red lipstick, and Bieber wore black sneakers.

The couple broke up in March 2018. 

Kanye went for a casual look, wearing a cream blazer and white shirt over light-washed jeans and velvet loafers.

Kardashian took the opposite approach, sticking with her usual glam in a patterned minidress and black ankle-length boots.

Kardashian filed for divorce from the rapper in February 2021.

Lively's gown — designed by Gucci — was made from silk chiffon and rose-gold sequins. It had a plunging neckline, mermaid-style skirt, and chiffon scarves that extended into a long train behind her. She completed the look with curled hair and red lipstick.

Reynolds also looked classic in a velvet tuxedo, white shirt, and bow tie.

Wilson's suit jacket was encrusted with black sequins that matched Ciara's bedazzled gown from Wes Gordon. The football player also wore ripped jeans and dress shoes, while the musician chose gold sandals to match her daring dress.

The couple's outfits were completely different. Stefani wore a red, semi-sheer gown covered in fabric that looked like flower petals. It was designed by Yanina Couture.

Shelton chose a more casual look that included jeans, brown boots, a blazer, and a black button-down shirt.

Irwin chose a floral, long-sleeved minidress, see-through heels, and a braided hairstyle, while her now-husband opted for a navy blazer, white button-up shirt, jeans, and dress shoes.

Leslie wore a black-and-silver dress with a strapless top and a two-tiered skirt. She also paired it with a thin necklace and updo hairstyle.

Harington perfectly complemented his now-wife in a classic tuxedo and bow tie.

Though Rodriguez looked dapper in a navy tuxedo and black bow tie from Tom Ford, Lopez stole the show in her Valentino gown at the 2017 event.

The baby-blue dress was sleeveless with a semi-sheer, high-neck overlay that extended into a long train. Lopez wore an updo hairstyle, a sparkling clutch, and Harry Winston jewels.

They ended their relationship and two-year engagement in 2021.

Chopra's trench-coat style dress — which had an off-the-shoulder sleeve, plunging neckline, and giant skirt — was custom-made for her by Ralph Lauren. Jonas also wore a unique Ralph Lauren ensemble that night: a patterned suit jacket over a white shirt and bow tie.

Gomez's Coach dress was pink, sleeveless, and covered in lace and floral details. She also wore gold sandals, carried a small purse, and donned vibrant pink eye shadow.

The Weeknd chose a more classic look, which included a black suit, bow tie, and flower-shaped brooch.

The former couple dated for about 10 months that year.

Her reflective Erdem dress was strapless and covered in crystals and pearls. She also wore black sandals, a shiny choker, and a short curled hairstyle.

Jost, on the other hand, went with a classic black suit, dress shoes, and a striped tie.

Heaton's look included a yellow bomber jacket with embroidered flowers, while Dyer's ensemble consisted of a maroon star-print dress and black sandals.

Taylor chose an ankle-length dress with sheer patterned sleeves, and Paulson wore a longer gown with a lace bodice and a sheer, polka-dot print cape.

They had previously attended the 2016 Critics' Choice Awards together, though the Time 100 Gala was the first place they walked the red carpet as a couple.

Jenner's Alexander Wang gown stood out thanks to its strapless top, daring cutout, velvet skirt, and zipper detailing. Scott wore the same designer, matching Jenner in an all-black ensemble with a leather belt and shoulder strap. 

The couple's on-and-off relationship officially ended at the start of 2023. They share two children together.

Whereas Musk's outfit was pretty simple — he wore a white top and blazer with dress pants — Grimes' ensemble was much more detailed. 

She wore a strapless dress with a white bodice, a black high-low skirt, semi-sheer gloves, and platform boots. The musician also wore a silver necklace that looked like the Tesla logo.

The former couple, who share three children, broke up in March 2022.

Jackson looked dapper in a green suit with a matching vest underneath, and Turner-Smith dazzled in a sleeveless blue dress with a crimped overlay. She also wore a shining black choker necklace and black sandals.

Turner-Smith filed for divorce in October 2023.

Grant dazzled in a sleeveless blue gown with sparkling bands across its bodice, and Reeves wore an all-black suit with a vest and tie. 

Fox chose a $600 green miniskirt and matching $1,800 crop top — which had an asymmetrical neckline, single sleeve, and a sliver of fabric that cascaded down to her ankles. She paired the outfit, designed by Azzi & Osta, with long earrings, a black clutch, and sandals with chain-style straps.

Kelly chose an unconventional suit from Balmain. His white blazer had a rectangular neckline that extended to a front pocket reminiscent of those seen on sweatshirts. He also wore matching parachute-style pants and silver boots.

E! News reported that they split in 2024.

D'Amelio dazzled in a silver Ralph & Russo halter dress, an updo hairstyle, and graphic eyeliner. Beck, on the other hand, wore a black Louis Vuitton suit with a harness underneath his jacket.

The young couple later announced their break up in November 2022.

Ora's white blazer dress, designed by Azzi & Osta, had a plunging neckline and triangular cutouts at her waist. She paired it with pointed Louboutin heels and a ponytail.

Waititi stood beside her in a classic gray suit and white button-up.

Stause wore a black Balmain minidress with a frayed strapless neckline and silver sequins in a crisscross pattern. Stause completed the look with metallic pumps and drop earrings.

Oppenheim took a more colorful approach and wore a blue suit with brown leather shoes.

They later parted ways, and Stause is now married to singer G-Flip.

While Siwa wore a custom rainbow jumpsuit, oversize hair bow, and colorful sneakers for the premiere of her movie, Prew opted for ripped black jeans, a blue hoodie, and matching sneakers.

Their on-and-off relationship officially ended in June 2022.

The reality television star wore an Olivier Theyskens minidress, which was black with a corset bodice and off-the-shoulder long sleeves. She also wore strap-up sandals and carried a black purse.

Barker coordinated his look and wore a spiked Thom Browne suit with no shirt underneath his jacket.

ASAP Rocky's look included a colorful, quilt-like blanket worn over a black suit. Rihanna's ensemble, on the other hand, featured a black mermaid coat with an oversize ruffle that extended across its bodice and around her neck. Balenciaga designed the garment.

She also appeared to wear a crystal headpiece under a black beanie.

Gerber's dress was tan and sleeveless, with a V-shaped neckline and asymmetrical skirt. The gown was also covered in sparkles from top to bottom, complementing her metallic sandals.

Elordi opted for a traditional black tuxedo and matching bow tie.

They split in November 2021.

Kardashian arrived in a sparkling Balenciaga gown with a high neckline, sleeveless bodice, and short train, as well as Lorraine Schwartz jewelry.

Davidson, on the other hand, wore a Prada ensemble that included a suit, slim tie, and sneakers.

The couple broke up after nine months of dating.

Brown was almost unrecognizable in a custom Louis Vuitton dress with a velvet peplum bodice and pleated lace skirt. She also wore long gloves, a silver dagger necklace, and blunt bangs above her eyebrows.

Bongiovi complemented her outfit with a classic tuxedo, white shirt, and oversize bow tie.

Brown and Bongiovi got married near the end of 2024.

Lohan stunned in a sheer Valentino gown with long sleeves and a floor-length skirt. It was covered from top to bottom in floral appliqué and decorated with gold sparkles.

Shammas kept things traditional with a simple black suit.

Ballerini wore a mix of designer pieces, including a Dolce & Gabbana corset dress and clear Jimmy Choo heels.

Stokes, on the other hand, wore a white tank top underneath a short-sleeved top and matching trousers.

They attended the NFL Honors together, where Allen received the MVP Award.

He wore a classic black tuxedo with a matching tie, while Steinfeld sported a strapless, velvet dress with a V-shaped neckline and a midi skirt.

She also donned a diamond necklace that complemented her dazzling engagement ring.

She wore a custom piece from Schiaparelli that was tan, covered in sequins, and sleeveless with a scooped neckline.

It was glamorous and called back to old Hollywood with its matching gloves. Still, the outfit also honored Beyoncé and her latest body of work, "Cowboy Carter."

The dress was beaded with small white Bs and a larger paisley print, which gave the gown a subtle Western vibe.

She walked the red carpet that year wearing a Stéphane Rolland gown crafted from a satin fabric.

The neutral-colored dress had short puffed sleeves, a plunging neckline with a zipper detail, and textured shapes from top to bottom.

The same design would have looked cool on a top or skirt individually. However, the pattern was overwhelming on a dress and too strong for such a delicate shade and fabric.

Beyoncé also wore gold hair tinsel and statement earrings that clashed with the gown's color.

Beyoncé changed into a metallic number from Armani Privé during the awards ceremony. The short dress had statement short sleeves, a deep-V neckline, and loose chains that intentionally hung from the garment.

The outfit was eye-catching, glamorous, and perfectly accessorized.

She wore it with gold platform sandals, statement hoop earrings, and an assortment of bracelets and rings.

Giorgio Armani designed her dress, which was strapless and made from silk.

Its silver color looked stunning on Beyoncé, but the dress didn't seem to fit her right. Its neckline flap was uneven, and its wrapped skirt was just a touch too long, making it appear to have excess fabric.

The dress was also embellished with large crystal pieces at the waist and neckline, so Beyoncé didn't need the oversize jewelry to elevate the outfit.

Beyoncé wore three different outfits throughout the 2023 Grammys, and her final look — a black velvet Schiaparelli gown — was one of her best.

The strapless dress featured an angular, square-shaped neckline, hugging her figure and cinching at the waist.

She paired the dress with matching gloves for an elegant and fashionable look.

Beyoncé arrived at the awards show in an Osman jumpsuit with short sleeves and a high neckline. Most of the look was black, though one sleeve and half the bodice were white.

The ensemble wasn't as exciting or high-fashion as some of her other outfits, and it appeared more professional than red-carpet ready.

The gown, designed by Beyoncé's mother, Tina Knowles, hugged her figure and featured ruching on the bodice and waist, forming a pleat down the center of the skirt.

Bejeweled netting created a halter neckline, and gems ran down the center of the bodice.

Gold earrings and shoes completed the gilded look, which was perfect for an evening on which she won five Grammys.

She accepted a Grammy onstage that year in a Schiaparelli minidress. The leather garment had off-the-shoulder sleeves, a V-shaped neckline, and ruched fabric that made the piece edgier.

While the sheer tights she wore pulled the look together, her black gloves did the opposite. The leather pieces with gold nails distracted from her outfit and made it look more like a costume.

By removing the gloves, fans could have appreciated her statement earrings and stunning hairstyle better.

The "Cowboy Carter" star didn't walk the red carpet this year, so you might not have gotten a good look at the details of her custom Schiaparelli gown and matching gloves.

The sleeveless piece had a deeply scooped neckline, a waist cutout with a hanging gem, a floor-length skirt, and all-over brown sparkles.

It was also decorated with beaded Bs and a white paisley print, which gave the gown a Western feel.

From the front, Carpenter appeared to wear a simple, feathered gown designed by JW Anderson. When she turned around, however, you could see its daring backless design and the dazzling diamonds she wore to highlight it.

Those jewels, in particular, are more significant than you might realize.

They come from Chopard's Garden of Kalahari collection, which features pieces crafted from a 342-carat stone mined in Botswana and named "The Queen of Kalahari."

Carpenter wore them in the form of a torso-length necklace with small pear-shaped stones — which collectively weigh 19 carats — leading to a 50-carat round statement piece.

She also wore matching earrings and a 10.10-carat ring from Chopard, according to People.

To perform her hit "Guess," Charli XCX hit the Grammys stage in denim undergarments, a belt, and a jacket from Dior.

She also recreated the song's music video and had underwear rain from the ceiling to create "Brat"-style confetti that fell around the musician, dancers, and her famous friends.

Though the stunt might have seemed silly to some, it was actually meaningful.

"All unworn undergarments will be donated to survivors of domestic violence through I Support the Girls," the Grammy Awards noted via a brief text box displayed on its broadcast.

The cherry-red color of Swift's Vivienne Westwood minidress matched the signature color of Travis Kelce's team, the Kansas City Chiefs.

She may have been manifesting the team's third straight Super Bowl win, which they'll play for on Sunday.

The "Tortured Poets Department" musician also completed her custom dress with a T initial charm that hung from a gold, ruby-embellished chain attached to her miniskirt.

The letter T could've been a nod to Kelce's first name, while the style overall appeared to reference a line from her song "Guilty as Sin?" in which Swift sings, "What if he's written 'mine' on my upper thigh only in my mind?"

Swift co-designed the leg jewelry with Lorraine Schwartz and her stylist Joseph Cassell Falconer, People reported.

Trevor Noah was one of them, wearing the MusiCares-designed pin on the red carpet and onstage while hosting the show.

The nonprofit's CEO, Harvey Mason Jr., told USA Today that the natural disaster "changed the mood" of the 2025 Grammys.

"It changed what we've done (with the show), raising funds and awareness for the fire relief," he told the publication.

She first arrived at the Grammy Awards wearing a black Saint Laurent halter dress crafted from leather. It had a wide waist cutout, a floor-length skirt, and a subtle slit at the bottom.

The "Flowers" musician later changed into a custom Alaïa gown that was similar in style but drastically different in fabric. The sleeveless black gown had a plunging neckline, a silver belt, and a pleated skirt with an opening that showed her skin.

Finally, Cyrus changed into another Saint Laurent look designed by Anthony Vaccarello. The long-sleeved look was black, striped, and sheer.

The actor arrived on the red carpet in a cropped leather jacket with puffy sleeves, a see-through nylon top, and a matching miniskirt.

It was only when she turned around that you could see her revealing thong, which showed most of her backside.

Fox wore the daring outfit with a pair of yellow gloves that resembled kitchen cleaning gear.

The Kaufmanfranco gown had lots of potential, with its off-the-shoulder neckline, all-over blue sparkles, and stunning backless bodice.

But excess fabric across its front made the dress look ill-fitting on Swift, ultimately distracting from the gown's other elements.

Swift completed the look with chunky bracelets, statement earrings, and an updo hairstyle.

Also designed by Kaufmanfranco, the sleeveless dress had a plunging V-neckline, crisscross straps beneath the chest, and a low-back bodice.

The outfit was a daring choice for Swift at the time, and her accessories gave some extra glamour to the look. She wore a pair of dangling earrings and metallic cuffs on one wrist.

But ultimately, the gown's solid dark color and shapeless silhouette made for a dress that wasn't the most memorable.

She wore a strapless corset gown in a lilac shade with leaf-shaped embroidery across its neckline and a tulle skirt.

It was designed by music executive Scott Borchetta's wife, Sandi Spika Borchetta.

Swift looked stunning in the piece, and it was a great, youthful choice for that era of her career. Still, the dress would have worked better at a prom than on a red carpet.

Swift's striking Elie Saab gown was tough to miss on the red carpet. Its blue design featured a sleeveless, double-strap top and a miniskirt wrapped with longer, pleated fabric.

The dress perfectly embodied her "1989" era, especially when paired with vibrant purple heels.

But while the outfit worked great in 2015, its high-low design and nearly neon colors look a bit outdated now.

Taylor Swift announced her 11th studio album, "The Tortured Poets Department," at the 2024 Grammys.

For the occasion, she wore a white Schiaparelli gown that nodded to both the project's overall aesthetic and an outfit featured in the "Fortnight" music video, which hadn't been released at the time.

It was strapless with a ruched bodice, dramatic skirt, long train, and thigh-high slit. She accessorized it with simple sandals, long black gloves, and layered necklaces that included a watch choker.

Swift looked stunning as always, and her outfit was undoubtedly fun — her accessories especially.

But her intentionally messy hairstyle clashed with her gown's elegance, and its loose-fitting fabric looked more excessive than dramatic.

Whereas Swift's 2015 dress was representative of its time, her 2016 outfit was fun and fashionable.

She wore a strapless orange top and high-waisted pink skirt, both designed by Versace. The latter piece was especially daring, with a slit that extended to its waistline.

Not only was the two-piece outfit unexpected for Swift, but it was also styled to perfection with diamond jewelry, strappy gold sandals, glam makeup, and a sharp bob hairstyle.

It's no surprise that the look remains iconic among Swifties today.

She strutted down the red carpet in a white gown designed by J. Mendel. It had a revealing top held together with sparkling straps and a floor-length pleated skirt cut by a thigh-high slit.

The dress itself was timeless, and her silver heels matched perfectly.

Her hairstyle — an updo with a thin braid atop her head — also resembled the styles she would wear years later while promoting her pandemic albums "Folklore" and "Evermore."

Oscar de la Renta designed her minidress — the first she'd ever worn on the Grammys red carpet — with a high neckline and long sleeves. It was also covered from top to bottom in fabric flowers.

Swift's choice of shoe — pink sandals with oversize ankle straps — wasn't the strongest, but her dress was so fun and feminine that you'd hardly notice her footwear.

Wearing Zuhair Murad, Swift was a vision in gold. Her short-sleeved gown had a high neckline, a heart-shaped cutout across the chest, and a floor-length skirt with a short train.

It was also covered in intricate sequin patterns, which shined in the lights of flashing cameras and added texture to the stunning piece.

Her flawless ensemble included a form-fitting metallic gown from Gucci and Jimmy Choo sandals beneath its long skirt.

The dress sparkled in the light thanks to its netted overlay, and her wavy ponytail perfectly complemented her glowing makeup.

She matched the red carpet in a ruby-colored minidress designed by Vivienne Westwood. The corseted piece had an asymmetrical neckline, a wrapped miniskirt, and all-over sparkles.

Swift wore it with her signature red lipstick, a $1,050 pair of 4.7-inch Casadei heels, and an assortment of ruby jewels from Lorraine Schwartz.

The accessories included statement earrings, two large rings, and a leg chain with a T initial charm and teardrop-shaped rubies.

The latter piece — which was co-designed by Swift, according to People — seemingly references a line from her song "Guilty as Sin?" in which Swift sings: "What if he's written 'mine' on my upper thigh only in my mind?"

In this case, the T likely represents her boyfriend, Travis Kelce.

Designed by Roberto Cavalli, Swift's midnight-blue outfit consisted of a silk long-sleeved crop top and a high-waisted, mermaid-style skirt.

Both handmade pieces were embellished with silver Swarovski crystals to look like "an explosion of stars all over," according to a post on the designer's Instagram page.

The outfit made for one of her strongest fashion moments of 2023.

Lopez wore the Valdrin Sahiti piece for the premiere of her new film, "Kiss of the Spider Woman."

Its black lace design had long sleeves, a mock neckline, and a slit in the back of its long skirt. She wore it with platform heels, a Tyler Ellis bag, and an updo hairstyle.

The outfit was glamorous, fun, and one of the most memorable at the event.

Parker attended numerous events at the Sundance Film Festival on Friday, and she did so in dramatic fashion.

The "Sex and the City" star wore a blue button-up blouse beneath a ruffled gray dress, a chunky tan cardigan, and purple velvet boots. She also wore a black puffer coat when walking outside.

Unfortunately, the outfit looked more messy than fashionable, and its outer pieces distracted from her fun dress and shoes.

He was photographed at "The Thing About Feathers" premiere in a $2,200 corduroy top from Prada. He wore it with a black turtleneck, matching trousers, and shining dress shoes.

The outfit was cool and cozy enough for a winter premiere in Utah while also being fashionable with a subtle designer touch.

The musician wore green cargo pants, a denim poncho from Greg Lauren, and $950 Marni clogs made with furry, long-haired calfskin.

His shoes and top were unique and would have made great statement pieces if worn separately.

When styled together, however, they made for an overwhelming combination.

Her Alex Perry set included a black blazer with sharp shoulder pads and skinny ankle-length trousers. She wore them with a sheer, structured top from Giuseppe Di Morabito, which retails for $910.

Her suit was perfectly tailored, and its professional look made for an interesting contrast to her daring corset top. Brie looked sharp, chic, and feminine.

For a Deadline event, Sennott paired a sheer $670 Coperni top with light-wash jeans. In theory, the outfit should have been seamless.

However, her long-sleeved blouse had denim cuffs, a collar, and pockets that were darker in color than her pants.

The two garments looked mismatched, and her brown heels blended in too much with the carpet to add more depth to the look.

She wore a white Vivienne Westwood set that included a button-up cardigan with a built-in necktie, a skirt with the same matching gray print, and a black undershirt.

Its thick knit fabric was the perfect choice for a winter fashion moment, and its flowery print added a feminine flair.

She wore the outfit with black leather boots.

The main piece of the musician's eye-catching look was her $260 Farm Rio top. It had long, puffy sleeves, a high neckline, exaggerated shoulders, and an all-over multicolored print.

The blouse would have looked stunning with jeans and her $275 suede, fringed boots from Sam Edelman.

Instead, she wore both with a $298 skirt from Marie Oliver that was too stiff in silhouette and too bold in its blue color.

She walked the carpet for the "Opus" premiere in a two-piece ensemble from The Row. It included a sleeveless knit dress beneath a poncho-style coat that wrapped around the actor's body.

The outfit was simple and understated but still made a statement thanks to its shapeless design. Its olive color also perfectly suited Edebiri and her berry-colored makeup.

She regularly wore trendy two-piece outfits in the early 2000s and an assortment of minidresses — like the brown knit piece she sported at the 2002 Environmental Media Awards.

Sánchez also had a signature pair of shoes at that point in her career: a pair of PVC sandals with light-brown soles and thin, see-through heels.

At the 2004 Shalom Foundation Gala, Sánchez donned a deep-gray gown that hugged her body at the bodice and reached the floor with its long skirt.

It was also practically strapless, with only a single spaghetti-thin strap across one shoulder. The piece connected to more strings across its open back, which held the dress up and created a daring detail.

Sánchez completed the outfit with crystal earrings and a silver statement watch.

While attending a High Flying fundraiser in 2008, Sánchez opted for trendy styles at the time: a high-neck, short-sleeve blouse tucked into a black-and-white circle skirt, knee-high boots over semi-sheer tights, and a leather belt.

But her purse was timeless. She carried a solid black Hermès Birkin bag with what appeared to be palladium hardware.

She attended Vanity Fair's Oscars after-party that year in a shimmering gown that was fit for an award winner.

The dress was sleeveless, form-fitting, and covered from top to bottom in silver sparkles. It also had a tan lining that gave the dress a nude illusion and a deep V-neckline.

At the 2012 Vanity Fair Oscars after-party, Sánchez sported a strapless, understated gown. It had a fitted bodice, a straight skirt, and solid fabric.

But its bright-red shade stood out on the carpet and made for a memorable look. The color has become one of Sánchez's go-to shades in recent years.

She completed the look with platform sandals and diamond jewelry.

She wore a black-and-red dress that was as daring as it was glamorous. It featured long sleeves made from dotted mesh, a plunging neckline that reached her navel, and a thigh-high slit that showed her platform sandals.

The piece also had a geometric print crafted from sequins that shimmered in the light.

The couple attended the 2023 Vanity Fair Oscars after-party in matching black outfits. While Bezos sported a classic suit, Sánchez stood out in a bold Elie Saab gown.

The dress had a corseted bodice with off-the-shoulder sleeves, black sparkles arranged in stripes, and a see-through skirt that revealed her legs.

At the 2023 Kering Caring for Women dinner, for example, Sánchez sported a neon-yellow gown from Dolce & Gabbana.

The halter dress hugged her body, reached the floor, and didn't need any accessories. It sparkled entirely on its own.

Sánchez and Bezos attended a 2024 state dinner hosted by Joe Biden in honor of then-Japanese Prime Minister Fumio Kishida.

Though the couple's presence was notable on its own, Sánchez's outfit caught even more attention.

She wore an off-the-shoulder gown crafted from red satin and lace. Its corseted bodice was semi-sheer with a low neckline, and its skirt was tightly wrapped around her legs.

Sánchez wore it with gold-leaf sandals and diamond earrings.

She stunned in an Oscar de la Renta gown. It featured a strapless black bodice with a sweetheart neckline and a full skirt decorated with reflective pieces shaped like roses.

It was even rumored that Anna Wintour had a hand in the outfit choice.

At the Forbes Power Women's Summit in September 2024, Sánchez talked about the start of her career, writing her first children's book, and being engaged to Bezos.

For the occasion, she sported an all-white outfit with long trousers, a blazer that revealed her lace bralette, and platform heels.

After wearing her McQueen suit to the Forbes panel in September and a New York Times book event in December, she donned it again at Donald Trump's inauguration.

This time around, however, she paired it with another daring piece: a Schiaparelli coat made from brushed wool, mohair, and gold-brass buttons designed to look like nipples.

The Italian piece retails for 8,700 euros, or about $9,073.

Zendaya's standout dress was designed by Fausto Puglisi. It had a sleeveless black bodice and a red miniskirt with embroidered suns. The latter piece was especially unique, as it extended into a train behind her.

To complete the look, she wore a gold sun headband and matching bracelet.

Her striped pants, as well as her single-sleeved crop top, were designed by Rosie Assoulin. Though both pieces are now sold out, they previously retailed for a combined total of $3,490.

Zendaya's long-sleeved gown had a plunging neckline that extended to her metal belt. The slit in her skirt, on the other hand, helped her show off black sandals that had 14 buckle straps each.

The actor's blonde cropped hairstyle also helped her stand out on the red carpet.

On the blue carpet, she was photographed wearing a white shirtdress underneath an oversize, ripped-up sweater. She completed the look by wearing over-the-knee boots with red laces.

She was an honoree that night and looked stunning in the Reem Acra design, which also had sheer pink sleeves covered in ruffles.

The green Zuhair Murad dress was made from transparent fabric, and it also had a plunging neckline and open back.

For a "Spider-Man: Homecoming" photo call, she paired a black-and-yellow striped cardigan with a blue tutu and white belt. The actor also wore white pumps and an updo hairstyle.

Her custom Ralph & Russo gown was bright pink, with a high neckline and rows of fabric that cascaded from her shoulders down to the red carpet. The dress also had a plunging cutout across the chest, as well as a thigh-high slit, which revealed her pink pumps.

Her high-neck top had long sleeves and was held together by pink buttons. Zendaya's pants, on the other hand, were wide-legged and reached her ankles.

Zendaya's dress had a floor-length velvet skirt and long sleeves covered with silver stars. Its bodice was almost entirely sheer, aside from two black horses that covered her chest.

Her billowing dress had balloon-style sleeves, a high neckline, and a giant bow on the side of her neck. To complete the bold look, Zendaya wore a black headband and polka-dot-print shoes.

Zendaya was one of three celebrities to wear an armor-inspired outfit that night. Still, her Versace gown stood out thanks to its sparkling skirt, scoop-style neckline, and metal padding.

Her gown had a sparkling yellow bodice, which was wrapped with purple silk that extended into a single sleeve draped down her back. Additionally, Zendaya's skirt had a tall slit that extended above her thigh.

Designed by Marc Jacobs, Zendaya's sleeveless dress was partially made from pink-and-orange feathers. She paired it with pink pumps and wore her hair in an updo.

At a Lancôme event, during which Zendaya was named the brand's Global Ambassador, the actor wore a red, long-sleeved jumpsuit. Each sleeve had red ruffles attached, and her outfit perfectly matched her bright heels.

While visiting "Good Morning America," Zendaya was photographed wearing a sleeveless shirtdress covered in car blueprints. Her pants were also covered in the daring design.

Zendaya's three-piece ensemble comprised a suit-style jacket, loose shorts, and tall boots — all of which had the same red-and-white print.

Her Armani Privé gown had a red sleeveless top that connected to her black high-low skirt. The daring gown was also backless and paired perfectly with her pointed pumps.

Her tuxedo-style crop top and sleek black trousers were custom made for her by Armani. She paired the outfit with sheer black tights and Christian Louboutin pumps, which retailed for $845 at the time.

Her green Vera Wang gown had a sheer strapless bodice and a silk floor-length skirt with a slit. She also wore matching green heels and a cuff-style bracelet.

Designed by Peter Do, her daring outfit included a button-up shirt, pleated pants, a skirt, and a cropped jacket with shoulder pads.

She walked the Critics' Choice Awards red carpet in January wearing a bright two-piece designed by Tom Ford. The outfit included a metallic breastplate and a mid-rise skirt.

Her edgy look, designed by Christopher Esber, cost $1,035. That night, Zendaya also wore Vhernier jewelry and $695 Christian Louboutin pumps.

Rahul Mishra Couture designed her outfit and her jewels were from Bvlgari.

The purple-and-green dress was a vintage Versace design. Stylist Law Roach coordinated the look, and Zendaya revealed on Instagram that the outfit was inspired by Beyoncé wearing the same dress during her first performance of "Crazy in Love."

She wore a sleeveless, tan dress custom-made by Balmain.

It had a scoop neckline and ruched bodice, as well as a floor-length skirt with a small train and a bold slit that extended almost to her hip. On Instagram, Balmain revealed that the gown was created from leather "using an exact model of the star's bust."

The actor completed the look with pointed Louboutin heels in the same color as her dress, diamond studs, an emerald ring, and a statement snake necklace. 

Designed by Alaïa, the two-piece set had a purple long-sleeved top that fit almost like a bralette. Its long sleeves also had tiny holes in them, as did its high-waisted skirt.

The latter part of the outfit was form-fitting up to her knees, where it was covered in a thick, fur-like material.

She wore the backless Vivienne Westwood top with a high-waisted, checker-print skirt and cream-colored pumps.

She wore a red Vera Wang ensemble that included a strapless bra and a floor-length skirt. The latter stuck out as it had a round ruffle of fabric around her hips.

Zendaya also accessorized with diamond jewelry and rosy makeup.

Her Roberto Cavalli dress was backless but with a piece of gold jewelry attached to the open space. It was shaped like a scorpion and extended from her shoulders to her backside.

Valentino designed her long-sleeved dress, which had a form-fitting bodice, mermaid skirt, and thin train. She wore it with a messy bun and diamond jewelry.

The Italian fashion house also created the black ball gown she wore to the actual ceremony.

Her see-through jumpsuit was bedazzled with Valentino's monogram, as was her matching blazer.

She wore no bra or shirt underneath but added dark shorts and pointed heels.

First, she hit the red carpet in a black, vintage Versace gown with neon-green detailing.

While it was vibrant in color, it also stood out thanks to its split bustier bodice and gathered fabric across the back of its skirt.

The two-piece set from Prada's 1993 spring collection included a bra with star-shaped cups and a floor-length skirt with matching shapes across its cutout waistline.

From the front, Zendaya's Louis Vuitton ensemble looked chic and classic. It featured a gray vest atop baggy brown trousers and white pumps.

When she turned around, however, Zendaya revealed just how daring her outfit actually was. The halter top had no fabric across her back, only a loose belt that held it together.

At the movie's Mexico premiere, for example, she wore a custom two-piece set from Bottega Veneta.

It included a high-waisted skirt with a leather waistband and thigh-high slit, as well as a long-sleeved crop top that revealed the underside of her chest.

It made for one of the most daring looks Zendaya wore throughout the "Dune" press tour.

She wore a silver suit of armor with see-through panels, designed and created by Thierry Mugler in 1995.

Roach told podcast host Recho Omondi that he and the actor began talking about styling the piece before "Dune: Part Two" began filming.

They eventually flew to Paris to meet with the fashion house's creative director, Casey Cadwallader, and, after some convincing, scheduled a fitting.

Roach told Omondi that the suit ended up fitting Zendaya like a glove, and he cried.

Bob Mackie designed Zendaya's sparkle-covered gown for a 2001 collection.

The vintage piece had crisscross pieces of sheer fabric across her chest, small straps that crossed over her waist and hips, and a form-fitting skirt with a tall slit.