• Matika Wilbur photographed members of every federally recognized Native American tribe.
• She named the series Project 562 for the number of recognized tribes at the time.
• She published a book of her photos titled "Project 562: Changing the Way We See Native America."

Photographer Matika Wilbur was on assignment in South America when her grandmother appeared to her in a dream and told her to go capture her own people.

Wilbur, who is Native American, listened.

She embarked on a yearslong project photographing members of every federally recognized Native tribe in North America. In 2023, she published her collection of photos in a book titled "Project 562: Changing the Way We See Native America."

Wilbur spoke with Business Insider about her project, her photos, and the importance of agency in Native American representation.

Take a look at Wilbur's powerful portraits.

Photographer Matika Wilbur went on a mission to photograph members of every federally recognized Native tribe in North America.

Wilbur herself is Swinomish and Tulalip.

She drove hundreds of thousands of miles and photographed members of different Native American tribes for Project 562.

When Wilbur began her project in 2012, there were 562 federally recognized Native American tribes. Now, there are 574. 

The project has grown from a photo series to a documentary project to a full-blown archive of Native people, their communities, and their stories.

"We're always redrafting the language to describe this project," Wilbur told Business Insider.

Wilbur photographed her subjects on black-and-white film using a method called the Zone System.

The Zone System creates more dynamic range in the images.

She's drawn to peer portraiture with simple landscape backdrops.

"I figured that that was sort of irresponsible when I started this project, to travel all over the country and not show the landscape," Wilbur said.

She let her subjects choose where and how they'd like to be photographed, giving them agency over how they'd be represented.

"Sometimes I'll be in the Grand Canyon and I'd rather take somebody's picture at Havasupai Falls because it's magnificent and there's this incredible blue-green water coming out of the ground ... and they want to be photographed on their front porch because they love where they live," she said. "I'll do what they want to do because people should be represented in a way that is important to them, especially in Indian Country."

"We've been photographed so many times by non-Indians and we've had our stories told so many times by people outside our community, and they get the story wrong," Wilbur said.

In the above portrait, Wilbur photographed three members of the Tulalip tribe: Darkfeather, Bibiana, and Eckos Ancheta.

"We aim to correct that narrative through honest individual agency and storytelling," she said.

Dine' (Navajo Nation) member Jaclyn Roessel posed for one of Wilbur's portraits.

Wilbur asked people questions about themselves and their lives as she took their pictures.

Their conversations touched on family, love, heartbreak, moments that shaped them, and their hopes for the future.

She also asked about their Native American identities.

"I find that people have really interesting things to say when you ask them what it means to be whatever their tribe is, and then when you ask them what it means to be an 'Indian,'" she said. "I'm fascinated by that."

Sometimes her subjects wore traditional Native clothing, while others wore everyday outfits.

Ailee Fregoso of the Cheyenne River Sioux tribe showed off her colorful fringed shawl.

Wilbur published her work in a book called "Project 562: Changing the Way We See Native America."

The book, published in 2023, became a New York Times bestseller.

What began as a photo series has become an archive rich with history, culture, language, and resilience.

Wilbur also cohosts the podcast All My Relations, in which she and Adrienne Keene — a professor who is also Native American — discuss their relationships to land, ancestors, and other Native peoples.

Wilbur values the connections she's made throughout the creative process.

"I didn't know that strangers can become family relatively quickly," she said. "It's such a whirlwind of a journey."

Editor's note: This story was originally published in 2016. It was updated in 2022 and 2024.

• My beauty routine has changed significantly since moving from Boston to Paris about six years ago.
• French women tend to wear less makeup, so I no longer use foundation or eye shadow every day.
• I've learned to embrace my natural brows and less elaborate hairstyles.

As an American who's lived in France for about six years, I've made some dramatic changes to my beauty regimen.

Though I regularly wore several makeup products back in Boston, I've since narrowed my routine down to four things: a tinted serum, a blush stick, clear brow gel, and mascara.

Here are nine ways I changed my beauty routine throughout my years in Paris.

I no longer wear full-coverage foundation

I've never been the type to wear a full face of makeup, but a mid-coverage option like a BB cream was always a staple in my makeup routine in the US.

Since moving to Paris, I've worn a tinted base (sometimes mixed with moisturizer) on my face five times a month at the most.

One of the first things I noticed in Paris was how little makeup most French women wear.

In Boston, you'd be hard-pressed to find a woman with a bare face at a bar on a Friday night. But in Paris, it's the norm.

In France, I felt I had permission to go natural for the first time. It might sound silly, but seeing so many women embrace their natural beauty motivated me to join the bare-faced party.

I've learned to embrace natural brows

Filling my thin, blonde eyebrows with a pencil was part of my makeup routine in the US.

Because my hair is so light and fine, I felt it necessary to draw on my eyebrows to fit in with the thick, defined-brow trend that's popular in the US.

Since moving to Paris, I simply use a clear Benefit gel to create a laminated look that stays in place.

I no longer use as much product on my lips

I always thought French girls wore red lipstick, but one of the first things I noticed when I moved to Paris was the lack of bright lips.

Though some women will rock a red lip, it's much less common than I expected.

I always wore lipstick or a stain on a night out in the US, but since moving to Paris, I either go bare-lipped or wear a lip oil.

I don't go for super noticeable highlighters anymore

In the US, it wasn't uncommon to see people wearing a shimmery, glowy highlight on a night out.

But now, I can't remember the last time I used a highlighter.

In France, I typically opt for a shimmery face oil, like the one from NUXE Paris, or a multipurpose balm for a subtle but natural glow.

These oils and lotions double as skincare while providing a nice shine.

Mascara is the only product I use on my eyes

Most women I meet in Paris don't wear eyeshadow or eyeliner. Instead, they typically only wear mascara on their top lashes.

Back in Boston, I would attempt heavier eye looks because I was surrounded by women with gorgeous smoky eyes.

Now, I stick to just mascara. Getting ready is much faster, and I have less makeup to remove at the end of the night.

Plus, I can finally stop pretending I know how to do eyeliner.

I prioritize skincare over makeup

Since being bare-faced is the vibe in Pairs, French women seem to prioritize skincare over makeup, and I've followed suit.

My skincare now includes a multistep morning routine and a separate nighttime regimen.

When I lived in the US, my skincare routine included an under-eye caffeine roller, a serum from whatever random brand I found at T.J. Maxx that week, moisturizer, and the occasional sheet mask.

Now, I invest in lots of products from brands I love (my favorites are Typology and La Roche-Posay), and getting ready is focused more on skincare and less on makeup.

I believe my skincare routine has completely improved my complexion, as my face seems plumper, more radiant, and brighter.

I get more high-maintenance treatments than I did before

I'm not sure if it's a direct result of moving to France or a byproduct of aging, but I started doing preventive treatments throughout the last five years.

I get Botox on my forehead twice a year, lip filler every two years or so, Hydrafacials (microdermabrasion-like treatments) every few months, and my eyebrows laminated regularly.

I've found that the French woman's approach to preventive medicine is subtle and discreet and enhances the features you already have.

The work I've had done is very minimal, to the point where most people in my life don't notice a difference.

I hardly ever wear a set of false lashes

Wearing a set of false lashes in the US seems like the most normal thing in the world, as some people wear a set each time they go out.

I'd throw on a set of lashes if I felt spicy on a Friday night and always had a few pairs stocked at home.

Since moving to Paris, I've worn false lashes a total of five times. Natural looks reign king over here, so false lashes aren't common.

I rarely style my hair

Though I've always loved self-care, I'm a big fan of how much time I save doing my hair in France.

In the US, I spent hours curling, straightening, and styling my hair. Here in France, however, a more natural, messy hair look is the go-to.

Now, doing my hair takes about one-quarter of the time it used to.

I either air-dry my hair or put waves in it with the Shark FlexStyle curling-wand attachment and brush my fingers through it.

I've embraced messy hair, and I love it.

This story was originally published on January 8, 2024, and most recently updated on November 19, 2024.