Oscar-winning director Bong Joon-Ho returns to the big screen this weekend with the sci-fi film Mickey 17. If you're expecting the subtly devastating social commentary of his 2019 drama/horror/thriller-hybrid Parasite, I suspect you'll be disappointed. Mickey 17 is a very different beast in both aesthetic and tone. When the first trailer dropped, I wrote that the film felt like a darkly comedic version of Duncan Jones' 2009 film Moon, with a dash of the surreal absurdity of Terry Gilliam's Brazil (1985) thrown in for good measure. I stand by that assessment, and it proves to be a winning combination.
(Some spoilers below but no major reveals.)
The film is based on the 2022 novel Mickey7 by Edward Ashton. Ashton's inspiration for the novel was the teletransportation paradox—a thought experiment pondering the philosophy of identity that challenges certain notions of the self and consciousness. It started as a short story about what Ashton called "a crappy immortality" and expanded from there into a full-length novel. (Ashton also penned a sequel, Antimatter Blues, which was published in 2023.)
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