Fawn, 26, and Estep, 25, grew up in Corbin, Kentucky, and they ran in the same circles, attending the same high school and church.

"Our families always went to the same church," she said. "His family literally sat behind mine, but I never thought a thing about it. And I don't think he did either."

Estep is a professional baseball player. When he was drafted in 2022, Fawn, a content creator and owner of both a beauty brand and fashion label, reached out to congratulate him, not thinking much would come from the interaction.

"I was so not looking for a relationship, not even a little bit, and I don't think he was either," she said. "Then we just hit it off."

"After about a week, we were like, 'Yeah, I think we actually might be getting married,'" Fawn told Business Insider.

They've been an item since, and Estep proposed in December 2023. Fawn and Estep are still based in Corbin.

Fawn wasn't a bride who grew up dreaming of her perfect wedding.

"Growing up, I didn't care if I ever had a wedding," she said. "My parents never had a wedding. They got married at the courthouse. My brother did the same thing."

When they got engaged, Estep and Fawn decided they actually did want to celebrate their union with a wedding. Still, they kept it small, partly because Fawn had also heard stories of couples regretting their big, expensive events.

They invited just 32 people to watch them say their vows at Fawn's family farm on October 24, 2024.

Fawn didn't start shopping for her wedding dress until July 2024, despite knowing she wanted a unique bridal look.

"I'm very into fashion. It's what a lot of my content is based around," she told BI. "When I turned 24, I really stepped into the person I wanted to be and the person I wanted to dress like."

She wanted her wedding dress to reflect that vibe, and she soon had her heart set on a dress that had yet to be released. Fawn reached out to the brand, and they agreed to send the dress to a store in Nashville so she could try it on.

However, during her trip to Nashville, Fawn stopped into Dress Theory with her best friend, and with the help of stylist Ali Gray, she fell head over heels for a look made of bridal separates.

Fawn said her stylist suggested combining three separate bridal pieces to create her wedding look.

"She pulled a bunch of different things for me to try on, and I kept putting things on, and I was like, 'Yes, this is a beautiful dress, but it wasn't the one that I saw myself in or saw myself feeling great in,'" Fawn said.

When Gray suggested a two-piece ensemble instead of a dress, Fawn was intrigued. Gray then created a bridal look for her made of pieces from three separate collections — and Fawn loved it.

The top of Fawn's wedding look was made up of a corset from Sept by Sarah Seven.

"She showed me the corset first, and at that point, I think all the common sense I had about cost went out the window," Fawn said. "I was like, 'I don't know what I'll do, but I will get that corset.'"

The semi-sheer corset had a pointed, strapless neckline, and the fabric was covered in floral detailing. Thanks to the transparent fabric, its boning was delicately exposed. It hugged tightly to Fawn's figure and ended in points on either side.

Fawn thought the corset would be beautiful for her wedding, but she also loved that she could rewear it with more casual pieces for future anniversaries or special trips with Estep.

Sarah Seven designed Fawn's skirt, which had a mermaid silhouette and flared into a train. It sat in the middle of Fawn's torso, overlapping with the corset.

Fawn loved that the sleek skirt created a clean look, contrasting with the more intricate top. She also said it was comfortable, as the train gave her more room to walk.

"I wanted people to look at my wedding gown and not know if it was from the '20s, the '50s, if it was from now," Fawn said of her vision for her bridal look. "I wanted it to be a timeless, elegant, and very chic look."

The skirt and corset were beautiful on their own, but Fawn said adding a statement scarf from Danielle Frankel transformed the outfit.

"It changed the entire look," she said. "It brought it together. It enhanced the little pieces of the corset and the lace. It brought out the different textures."

The floor-length scarf flowed out behind Fawn like a cathedral veil for much of the day.

Fawn said she knew she didn't want a veil and loved how "unexpected" the scarf was in its place.

Fawn also posed with the scarf flowing over her shoulder, pulling the semi-sheer fabric wide.

The effect created a cape-like look in some of her wedding photos, which Channing Price took.

"It just felt like it completed the look," Fawn said of the scarf.

Fawn kept her other accessories simple because she wanted the scarf and corset to shine. She wore $12 earrings from Amazon, a tennis bracelet, and a ring that belonged to her mom.

When Fawn saw the corset, she knew she already had the perfect shoes for her bridal ensemble: a pair of $1,350 Dior kitten heels she had waiting in her closet.

She bought the shoes as a gift to herself when she was invited to her first brand event as a content creator.

"The lace on my shoes matched my corset perfectly," Fawn said.

The shoes were meaningful to her, so it felt extra sweet for Fawn to rewear them for the wedding. Not having to buy a new pair of shoes was a bonus.

Fawn initially hoped to spend under $5,000 on her wedding gown.

"As soon as I saw the set, I thought, 'Well, that's gone out the window, unfortunately,'" Fawn said.

She spent around $10,000 on the look, but it was worth it to Fawn, especially because so much of the wedding was affordable, and she could rewear the top.

"I felt like the most confident version of myself," Fawn said of how she felt when she wore the ensemble on her wedding day.

She also loved that the separate pieces were light, so she was comfortable throughout the wedding day.

A video of Fawn trying on the look for the first time went viral on TikTok, spotlighting how taken she was with the ensemble.

"It was bringing high fashion to the farm," she told BI of the outfit.

Estep and Fawn didn't do a first look, so he didn't see her bridal ensemble until she walked down the aisle. He cried as soon as he saw his bride walking toward him.

"I don't think there was a dry eye anywhere, actually," Fawn said of her guests' reaction to her arriving at the ceremony.

Estep thought the outfit suited his bride perfectly.

"As soon as we kissed and said our vows and everything, I said, 'What do you think of my dress?' And he was like, 'It's the most you thing I have ever seen, and I love it,'" Fawn said of Estep's reaction to her outfit.

Estep wore a black Giorgio Armani suit to the nuptials.

Fawn took her bridal and family portraits on the farm before the wedding, and she said spending time with her loved ones before the ceremony was one of her favorite parts of the day.

"We were all just outside. We had music playing," Estep said. "It was just a very calm atmosphere on what I feel like is a nerve-racking day."

"To just see everybody before and calm the nerves and get to hang out with one another was wonderful," she added.

"I did my own hair and makeup," Fawn said. "Neither of us had bridal parties."

Fawn spent the morning of her wedding with a friend, having breakfast and prepping.

"We sat on my living room floor and got ready together, and we just drove over to my parents' house afterward," Fawn said. "It was very low-key, very relaxed, and not some sort of big, stressful, awful thing."

"It was so lovely," she said of her wedding. "There wasn't a part of the day that I was like, 'Oh, I wish I would have done this differently.'"

The couple's loved ones gathered around estate-style tables featuring florals from Betty's Flowers.

"When my family built their house, they positioned it so that the sun would set in the backyard," Fawn said. "In the evening, you can see the cows graze and the sunset, so that's why we put the tables over there."

The sun set throughout the reception, making it feel even more romantic. Fawn's mother, who has done some interior design work, handled the decor for the day, which Fawn described as "beautiful."

"She and my sister-in-law, literally right before the wedding, set everything up," Fawn said.

Fawn said she and Estep's first real moment alone together on their wedding day was when they took sunset photos after dinner during their reception.

"We actually got to speak to one another and take our pictures together," she said. "It was just the best."

Fawn and Estep had fun with their wedding portraits, posing with a cowboy hat and a convertible.

"I think a lot of brides that I've spoken to buy a dress really early and then end up disliking it or wishing they would have gotten something different," Fawn said. "They bought it, you know, a year to two years or however long it is before their wedding, and sometimes their style might change, or they feel less pressured later on."

She thinks more brides should take their time searching for their dress to ensure it's what they want.

"They can kind of loosen the reins and say, 'What do I want to wear to my wedding? What do I want to show up as? What is gonna make me feel like the best version of myself?'"

"He just brings out a side of me I didn't know I had, and I love that about him," Fawn said. "I love that he is who he is and he's first and foremost kind, but also that he challenges me to be a better version of myself and makes me a better person."

"I know relationships are hard, marriage is hard, life is hard, and doing it with somebody else is not always the easiest thing," Fawn said. "But there's no other person I would ever want to do it with or even consider doing it with."

Kardashian went bridal for the Vanity Fair Oscar Party in a custom Balenciaga gown. The white, strapless look had a corset bodice, a full skirt, and ruching from top to bottom.

That said, it looked far more like a wedding dress than a fun, after-party frock. The same gown in a different color could have been more interesting, and accessorizing with statement jewels would have been fun.

Legend sported an all-black ensemble consisting of baggy trousers, a thick skirt, and a high-necked, long-sleeved poncho.

Unfortunately, the outfit wore him — it was too oversized and overwhelming in shape.

Saint Laurent designed the Oscar winner's after-party look. It featured a black long-sleeved top that Saldana wore without a bra, a peach high-low skirt with thick ruffles and a train, and sheer black tights.

Though the color combination looked sharp on Saldaña, the top half of the outfit was too casual for the Oscars-related event. A black halter top or strapless bodice would have been a better match.

Jeremy Pope looked dapper at the Oscars in a simple black Balmain suit decorated with bowties. His after-party look, however, wasn't as strong.

He arrived wearing a wide-legged leather catsuit and platform boots. Though the bottom half of his outfit had potential, its bodice only covered half of Pope's chest before extending into a scarf that covered his mouth. The outfit was ultimately more odd than fashionable.

Henson was one of the few stars to wear a minidress after the Oscars.

But the asymmetrical piece looked more messy than daring. Its sparkling embellishment attached at the dress' waistline looked especially out of place.

From the front, Hough's black-and-white gown was eye-catching. It had a leotard-like top with sheer panels showing her arms and waist, and a ruched, cream-colored skirt that added elegance.

It was the other side of the gown, however, that ruined the look. Its backless design extended so low — all the way to Hough's backside — that it was more distracting than interesting.

Bomer's Valentino tuxedo had a classic silhouette, and his relaxed tie and decorative brooch paired well with the look.

However, his patterned scarf was distracting, particularly because he wore it tucked under the tuxedo jacket. The look would have been better if Bomer ditched the superfluous accessory.

Depp took a unique approach to Chanel, wearing two pieces that were more daring than usual for the fashion house.

Her bralette-style top was sheer and had a sequined bow pattern, and her low-waisted skirt was pleated and made from green tulle. But because the garments sat so far apart on Depp's body, it looked like she was missing a chunk of her outfit.

Stallion isn't a stranger to taking risks on the red carpet, but the green gown she wore to the after-party was a bit too daring for the setting.

The green, mermaid-style dress hugged her figure, and feathers on the bodice floated out from the dress like a peacock's plume. The neckline was so low that the rapper's chest was completely exposed, with only green nipple pasties providing her with coverage.

The dress would have been great if the neckline was a bit higher or if Meg had worn a statement bralette with the garment instead of pasties.

While it was fun that Urie didn't just wear a traditional suit, there was too much going on in his sheer, lace-embellished set. The beading and lace on his jacket and pants were so intricate that they were hard to look at when they overlapped, and the wide leg of his pants didn't help.

Urie may have had a more balanced look if he paired the statement jacket with simpler pants.

You couldn't miss Paulson's Marc Jacobs dress, both because of the red color and the massive bubbles of fabric that adorned the hem, backside, and neckline of the dress.

The play on volume could have been fun, but the bubbles were so big that not even Paulson's simple black clutch or heels could detract from them. Slightly less fabric would have made the look stronger.

The black cocktail dress Kendrick wore from Ashi Studio was pretty — its fabric had a fun sheen and a bubble skirt hit above her knee.

However, flower-shaped sequin embroidery on the hemline and one sleeve took the dress from sleek to clunky. The look would have stood out more if it didn't have so many embellishments.

Ice Spice wore a floor-length mustard skirt and coordinating cardigan, without a shirt.

The cardigan made the whole look feel casual for the red carpet, though, and Ice may have looked more red-carpet-ready if she paired the skirt with a formal top.

Cox's black dress looked more like a costume than a red-carpet outfit, particularly because of the way it was styled.

The archival Manfred Thierry Mugler dress formed a scalloped, halter neckline that looked like a spiderweb. Cox paired the dress with black gloves, and her dramatic hair and makeup included a short, black hairstyle, no eyebrows, and red lips.

The outfit would have been perfect for a chic Halloween party or themed event, but it didn't quite work for the after-party.

The "Emilia Pérez" star was undoubtedly among the best-dressed stars at the 2025 Oscars, in a rose-gold gown from Ralph Lauren.

When she arrived at the after-party, she topped the look with a shimmering black number from Armani Privè and a thick diamond choker that tied the look together.

The custom Christian Dior look that Barbaro wore to the 2025 Oscars missed the mark.

But that wasn't the case for the custom Dolce & Gabbana gown she changed into for Vanity Fair's party.

The strapless dress, crafted from cream-colored fabric and embellished with sparkling silver strings, fit her perfectly and looked classic at the after-party.

Zegler was a vision in her cream-colored halter gown. The neutral piece had a chest cutout, ruffles all over its bodice, and a lace skirt that flowed around her feet.

She also complemented the look perfectly with an updo hairstyle and long earrings.

Madison evoked old Hollywood glamour for her after-party appearance.

She wore a strapless black gown with a plunging V-shaped neckline, a wrapped bow belt, and a full skirt.

The Oscar winner also draped a scarf around her arms and donned a statement ruby necklace.

After wearing a velvet red dress that wasn't tailored well to the Oscars, Ryan looked chic at the Vanity Fair after-party in a semisheer dress.

The tan piece was sleeveless, had a beaded collar, and was embellished from top to bottom with delicate sparkles. The actor wore the look with rosy makeup and a diamond bracelet.

Jenner sat in a custom Miu Miu dress next to her boyfriend, the Oscar nominee Timothée Chalamet, at the 2025 Oscars. She then attended the Vanity Fair after-party in a new gown designed by Ashi Studio.

The corseted design was strapless, with a sheer illusion bodice and lace skirt.

It fit Jenner like a glove and made for the perfect edgy look with her dark, wavy hairstyle.

Sennott's sparkly pink dress for the Oscars wasn't her best, as the sequins didn't match the glamour of the red carpet. It didn't help that her black tights looked out of place.

But the black high-low gown the "Saturday Night" star changed into for the after-party struck the perfect tone.

The gown's plunging halter neckline gave way to a dropped-waist bodice, and the pleated fabric on the skirt made the dress look like it spilled onto Sennott's body. It created a fun and dramatic look.

Jones chose a custom Coach dress for her Oscars debut, which had sparkles on the skirt as well as a daring slit. It was a solid look, but it didn't stand out from the pack.

She changed into a strapless gown that leaned into the butter-yellow trend for the after-party. The architectural detailing on the strapless corset bodice contrasted with the ruching on the skirt, which had a slit, just like her first dress.

The colorful ensemble was the perfect continuation of the fashion story Jones started earlier in the night.

Lisa swapped out the menswear look she wore to the awards ceremony for a custom Miss Sohee dress that had a gothic feel.

The base of the K-pop star's look was a sheer black bodysuit with a high neckline and intricate lace. The strapless dress featured a sweetheart neckline, and the skirt bubbled around her hips before flaring inward for an exaggerated hourglass shape. She accessorized the look with wet hair and diamond jewelry.

The dress was stunning, and Lisa amped the look with edgy styling.

The "Heartstopper" star's Oscars outfit had too much going on, from the jacket with tails to the sparkly vest he wore with it.

His after-party look was much simpler — and much more stylish. He wore a tuxedo shirt with no tie or jacket, pairing it with a cummerbund and wide-legged pants.

A gold brooch on his chest elevated the party-ready look.

The tennis star wore two colorful Miu Miu gowns to celebrate the Oscars, but her second look was stronger than the first.

The yellow dress she wore to the awards ceremony looked a bit dated because of its thick straps and large, sparkly embellishments that covered it from head to toe.

The green gown Gauff changed into for the after-party felt fun and fresh in comparison. The sheath dress had spaghetti straps. Gems were embroidered onto the bodice in the shape of florals that cascaded down the garment. A circular cutout in the back gave the gown a sexy edge.

Erivo looked stunning at the Oscars, celebrating her character Elphaba from "Wicked" in a custom Louis Vuitton gown.

But her dress for the after-party felt like a celebration of Erivo herself, which was a welcome change from the rest of her awards season looks.

Erivo's Vivienne Westwood gown was made of a gauzy gray fabric that crisscrossed over her body to form a mini dress. The fabric spilled into a floor-length train on one side, and a black bow sat on one of Erivo's shoulders and her waist.

She carried a heart-shaped bag and wore gothic-style jewelry with the outfit, creating a look that was both whimsical and sexy.

Gadot wore red Prada dresses to both the Oscars and the after-party, but the sheath dress she changed into was more interesting than the satin ball gown she wore to the show.

Sparkly black beading adorned the dress from head to toe, bringing texture to the simple silhouette.

Gadot wore a red scarf around her neck, mixing old Hollywood glamour with the more modern ensemble.

Though Ryan looked cool and comfortable, a few simple tweaks could have improved her red velvet look.

A chic updo would have complemented the elegant style of her strapless gown, and thinner shoes would have clashed less with its heavy fabric.

The "Anora" star's Dior dress had a black bodice and a pink empire-waist skirt with a bow and a train.

The dress was pretty but overdone. Numerous stars have worn versions of the same look.

Stronger embellishments on the bodice or a different color combination could have enhanced the ensemble.

The "Wicked" star walked the red carpet in a black tuxedo, a white button-down, and a solid tie. He also wore shiny dress shoes.

Though his outfit was classic, it was also forgettable — especially compared with the standout looks worn by other members of the film's cast.

Depp embraced the aesthetic of "Nosferatu" in a black lace gown that was custom-made for her by Chanel.

That said, the sheer ensemble seemed a bit too casual for the glamorous event. It would have been better for an Oscars after-party.

Zegler's custom Christian Dior gown was pretty, with pearl details and gray tulle.

Its top, however, didn't seem to fit the "Snow White" star. It also had a visible tan corset piece that could have blended better into the garment.

Locke, who is in the Netflix series "Heartstopper," wore an assortment of colors and pieces that didn't work together.

They included a white blouse with a matching bowtie, a long vest covered in gold sequins, gray trousers with sharp pleats, and a black suit jacket with tails.

Reid, best known for "Euphoria," made a statement in a red Alexandre Vauthier minidress with a matching cape and gold belt.

Unfortunately, it looked more like a designer Little Red Riding Hood costume than an Oscar-worthy outfit.

The large, pink sequins that decorated Sennott's strapless gown dated her look. Her black, knee-length boots didn't feel cohesive with the dress.

Smaller sparkles and more sophisticated accessories could have elevated the ensemble.

Sennott recently appeared in "SNL," the movie about the origins of "Saturday Night Live."

Fanning, who played Bob Dylan's girlfriend Suze Rotolo in "A Complete Unknown," is a consistent style star, but her latest Oscars look was underwhelming.

Givenchy custom-made her white, sleeveless gown, which had a full lace skirt, a black bow belt, and a deep sweetheart neckline.

Her Cartier necklace was eye-catching and glamorous, but it made a bigger statement than the rest of her ensemble.

Christian Siriano designed her Cinderella-esque ballgown.

While its off-the-shoulder sleeves and classic silhouette suited Goldberg, its shiny fabric distracted from the overall look.

The musician chose a statement-making gown in an off-green shade. It was decorated with silver sequins, accessorized with a brown belt, and had a raw hem.

Unfortunately, the top of the gown was too prom-like, while the bottom half looked messy and unfinished.

Barbaro, who starred in "A Complete Unknown," sported a custom gown from Christian Dior.

The dress had potential, but it fell short. Its full pink skirt was wrinkled, its corseted waist sat just a touch too high, and its sparkling bralette top appeared to be ill-fitting.

Colman Domingo arrived in a custom Valentino ensemble, which included a statement red jacket that tied at his waist. Sunglasses and a gold brooch were the finishing touches on the chic look.

Garfield wore his fitted brown suit with a shiny shirt and sunglasses.

Feldman's sheer, black top and star bolo tie were the focal points of his Saint Laurent look, but his long jacket and flared pants were fun too.

The TikTok creator arrived at the Oscars in an oversized, patterned suit from Amiri.

Yang's leather suit from Etro featured colorful embroidery on the jacket, which he accentuated with a pink, ruffled shirt.

The "Wicked" star's custom Prada ensemble consisted of a white jacket, a floral-patterned blouse, and a large, purple flower on his lapel.

Connor's black suit stood out thanks to its details, like exposed cuffs, a white tie, and a sparkly brooch.

The "A Complete Unknown" star wore a subtly shiny yellow suit from Givenchy. He wore his coordinating top with no tie, and black shoes completed the look.

Chu arrived at the Oscars in a dark-green tuxedo from NB44, celebrating "Wicked" with his glamorous look.

Pope's silky, black Balmain suit included flared pants and a form-fitting jacket, which had bow fastenings instead of buttons.

Tazewell, who became the first Black man to win the best costume design award, arrived at the 2025 Oscars in a custom Dolce & Gabbana ensemble.

The designer said on Instagram that he took inspiration from Black dandies for his ensemble.

The couple coordinated both the colors and styles of their red-carpet looks.

Carlile wore black trousers and a polka-dot-print jacket with a red bow attached at the waistline, both designed by Valentino.

Shepherd, on the other hand, chose red tights and a black dress with a bow tie-embellished bodice.

While Consuelos wore a classic tuxedo with a small broach and silver watch, Ripa shined bright in an orange wrap dress from Zuhair Murad and satin pumps.

Goldblum sported a floral blouse and purple scarf beneath a white suit jacket with attached orchids, all designed by Prada.

Livingston walked the red carpet beside him in a sleeveless, crystal-covered gown from the same fashion house.

The power couple contrasted their looks, with Iger in a black tuxedo and Bay wearing a cream-colored set.

The latter included a knit, long-sleeved blouse that was semi-sheer and a satin floor-length skirt.

Keleigh brought some color to the carpet with her flowing baby-blue Zuhair Murad gown that was embellished with sparkling flower appliqués.

Miles kept things simpler in a black tuxedo, bow tie, and sunglasses.

The "Wicked" director nodded to the Emerald City with his sparkling green suit jacket from NB44, while Hodge stood out beside him in a butter-yellow gown with a lace bodice.

Brody and Chapman coordinated in all-black looks.

Embroidered ruffles brought volume and shape to Chapman's form-fitting Marchesa gown.

"The Brutalist" star wore a traditional tuxedo, but an oversized, silver bow brooch shaped like a bird elevated his ensemble.

Culkin wore all black to win his first Oscar, adding a green brooch to his lapel for a pop of color.

Charton's dress was covered in gold and black sequins, hugging her figure and sparkling as she walked the red carpet.

Valentino designed Colman's red and black ensemble. The jacket, which had a sash on the waist, featured black lapels that coordinated with his pants.

Raúl wore a black suit with no shirt. Together, the couple looked chic.

Brown and Bathe's looks were both glamorous.

He wore a white tuxedo jacket with black pants and a black bow tie, while Bathe's textured, gold dress was strapless and form-fitting with a large train.

Hawn's yellow Dolce & Gabbana dress had structured pleats on the bodice. Delicate beading sat atop the fabric, and she wore a shawl around her shoulders that complemented the gown.

Russell kept his look classic, wearing a black tuxedo and glasses.

Textured, floral detailing covered Kaling's form-fitting silver dress from Oscar de la Renta.

Grande's soft-pink Schiaparelli dress had a strapless bodice with a three-dimensional, waved peplum.

Erivo wore a custom, bow-shaped ball gown from Louis Vuitton with a tall collar crafted from emerald-green velvet.

Dior designed Hough's sheer dress, which had a high neckline and a low back.

The "Chicken Shop Date" host arrived in a pale-blue gown from Versace that had statement cutouts on the bodice.

Feldman had fun with his suit for the Oscars, pairing an oversized jacket and wide-legged pants with a mesh button-down and bolo tie.

Cassidy's one-shoulder dress, cinched with a gravity-defying bow, was custom-made for her by Loewe.

Finney wore a black Harris Reed gown with a pointed, strapless neckline embellished with long feathers. She also wore sheer black gloves.

Jones' silver gown from Armani Privé featured a halter neckline and cutouts on the bodice.

Yai showcased her modeling skills on the red carpet in her peach-colored, mermaid-shaped gown and black feather boa, which were custom Marni.

The standout element of Pope's all-black look was his jacket, which was adorned with bows instead of buttons.

Nyong'o wore a white Chanel gown that was fit for a princess with pearl straps, a sequined corset bodice, a pleated skirt, and a pink satin belt.

The "Emilia Pérez" star wore one of the night's most unique looks: a custom strapless dress from Saint Laurent that featured ruffled tiers extending from her waist to the floor.

The influencer looked like a princess in her tan, strapless gown embellished with lilac flowers across its wide mermaid skirt.

The musician and "White Lotus" star proved that menswear is for everyone in her floor-length suit jacket and wide-legged trousers from Mark Gong.

The neckline of Moore's textured, silver dress dipped low, and an additional layer of fabric gathered around her waist, adding volume to the look.

Gomez took inspiration from Sophia Loren for her blush-pink gown, which was covered in crystals and designed by Ralph Lauren.

The star of "A Complete Unknown" arrived in a custom Givenchy suit. The look's shiny, butter-yellow fabric brought a pop of color to the red carpet.

Qualley kept things classic in diamond jewels and a black velvet gown with short puffed sleeves and an off-the-shoulder neckline.

The "Wicked" director wore a dark-green suit that had shiny lapels.

Raye's glamorous Vivienne Westwood gown had a corset bodice and was covered in drapery, from the off-the-shoulder sleeves to the floor-length skirt.

Cryus chose a custom Alexander McQueen dress for the Oscars. The black dress had a halter neckline and textured, sparkly detailing, which she accented with black gloves.

Emma Stone's cream dress — custom from Louis Vuitton — was covered in large, reflective sequins that shimmered as she walked the red carpet.

The "Paint The Town Red" singer walked the red carpet in an animal-print Balmain dress.

The Brazillian actor's white dress played with contrasting fabrics. The halter bodice was made of ruched tulle while the skirt was made of a simpler fabric.

Dern put a twist on menswear at the Oscars, pairing a sheer, lace top with high-waisted pants and a cummerbund. She carried a jacket over her shoulder, completing the all-black look.

Garfield looked effortlessly cool in an all-brown Gucci suit, which included a shiny button-down and sunglasses.

Berry's Christian Siriano dress, which had a corset bodice and a form-fitting neckline, was covered in metallic fabric arranged in a mosaic pattern.

Her strapless black gown was decorated with sequins across its corseted bodice, ruching at the hips, and a rose detail at the top of her satin skirt.

Domingo's custom Valentino outfit featured a red jacket that cinched his waist with a sash. The black lapels coordinated with his pants, and fun accessories like sunglasses and a brooch made the look pop.

In December 2016, Haack and Tarek El Moussa, 43, her first husband and "Flip or Flop" costar, announced they were separating. During their marriage, Haack and El Moussa had two children: Taylor, 14, and Brayden, 9.

Eight months later, a mutual friend introduced Haack to "Celebrity IOU: Joyride" star Ant Anstead, House Beautiful reported. Anstead, like Haack, had two children from a previous marriage.

They initially kept their relationship private.

After dating privately for three months, Haack and Anstead shared that they were in a relationship through an Instagram post.

Haack posted a now-deleted photo of the pair biking together, congratulating him on the new season of "Wheelers and Dealers" in the caption, People reported.

Haack and El Moussa's divorce was finalized later the same month.

Haack and Anstead got married at their home in Newport Beach, California. 

They didn't make their engagement public before saying "I do," but Anstead said he and Haack were "celebrating something special" in the caption of a photo he posted of Haack on December 17.

"We pulled off the perfect surprise wedding," Haack told People of the nuptials at the time.

Haack and Anstead shared that they were pregnant in a now-deleted Instagram post.

"The kids are all so excited to meet their new sibling," Haack captioned the post.

Haack's ex accidentally shared that Haack and Anstead were having a son on TMZ Live.

A representative for Haack and Anstead then confirmed the news to People in a statement.

"While Christina and Ant wished they could have shared the news themselves, they are very excited to welcome a baby boy in the fall," the representative said.

Haack took to Instagram in another now-deleted post to share that she had given birth to her third child.

"Ant and I are so excited to welcome Hudson London Anstead into the world. Our hearts are SO full of love and joy," she captioned the post. 

Haack also documented Taylor and Brayden meeting their brother for the first time in her docuseries, "Christina on the Coast."

The couple announced they were separating just a year after Hudson was born. Haack shared the news in a now-deleted Instagram post, according to People.

"Ant and I have made the difficult decision to separate. We are grateful for each other and as always, our children will remain our priority," she said. "We appreciate your support and ask for privacy for us and our family as we navigate the future."

Anstead also announced the separation on his Instagram. His caption seemed to indicate Haack had initiated the separation.

"Anyone who really knows me knows that I don't like to share private matters publicly. I have remained silent while holding on to hope," he captioned a selfie of the pair. "I never gave up on us. I pray Christina's decision brings her happiness."

Anstead told People that he and Haack weren't struggling to share custody of Hudson at the time.

"There's never been a scenario where I've asked for him and not had him and vice versa," he told People.

A representative for Haack confirmed the marriage was officially over to USA Today.

By the time the divorce was finalized, Haack had already started dating Josh Hall, and Anstead began seeing Renée Zellweger in June 2021.

Haack went on to marry Hall in April 2022.

Anstead said in court documents reviewed by Business Insider that he was Hudson's "primary parent" and that Haack only spent an average of "9 full days each month" with their son.

Anstead also said in the court documents that Haack had put Hudson in "dangerous" situations, including a sunburn so severe it made him cry.

On another occasion, Anstead said Haack returned Hudson to him without telling him her family had COVID.

"At the time, my partner was filming her new project and her covid diagnosis placed the whole production on pause," he said in the filing, referring to Zellweger.

The filing also said that Haack used her time with Hudson to post him on social media, sometimes for sponsored content. Anstead requested that a judge block Haack from posting Hudson in any "commercial endeavor" until they reached a new custody agreement.

Anstead requested a "regular" custody schedule that would give Haack visitation rights on "alternating weekends, Friday at 4 p.m. until Sunday at 6 p.m. commencing May 6, 2022, in California only, and except for vacations," according to the court documents.

"This will allow Christina's time to be stepped-up over the next several months to match the schedule she has with her other children," the filing said.

Anstead declined to comment on the matter when contacted by BI.

"What Ant is doing deeply saddens me," Haack said. "If this was really about Hudson, as he says, this should have been handled privately with a private judge or mediation, as myself and my attorney have suggested."

"I have had my share of ups and downs, but I am a good mom, and I love my children with all my heart, and I will always protect them," the statement said.

A judge denied Anstead's ex parte custody application on April 28, 2022, both because he did not give Haack enough notice and he did not provide sufficient evidence that Hudson was in danger, according to People.

The judge's ruling scheduled a hearing for June 28 to determine whether Anstead's custody request should be granted.

Representatives for Anstead did not respond to a request for comment from BI on the ruling. Haack declined to comment on the judge's decision.

In a response reviewed by BI, Haack said she was "shocked to see the false allegations against me" and Anstead's "belief that he has been failing to protect our son by sharing custodial time with me."

She denied multiple allegations Anstead made against her in the response, saying he was "misleading" the court about their custody arrangement.

"Mr. Anstead has now taken the position that he is the defacto primary parent of our son, which is not accurate," she said. "Anstead does not count any day wherein we exchange our son as a custodial day for me. He also counts days where I made an accommodation or gave a right of first refusal to him as his day."

"That is why there is a huge discrepancy in his mind from our accurate schedule. His attempt to mislead the court is transparent when presented with the true facts," Haack went on to say. "I do not count my accommodations as decreasing my custodial time, but as me being a supportive coparent."

Representatives for Anstead and Haack did not respond to requests for comment from BI at the time.

In a now-deleted post, Hall shared a photo of himself, Haack, and her three children, saying he would "always protect her."

"Never did I think taking on 3 kids from 2 other males would be easy. What I was sure of, the woman connected to them was worth it all," Hall captioned the post. "I am not these kids biological father, they have those. What I will be is the best example of a quality human being, always show them how to treat their mother with respect and support them in any way I can during their development."

"Christina and I will always remain unfazed by any outside noise and save the kids from any unnecessary trauma," his caption said.

"I will always protect her, keep her safe and no one will hurt her with me in the picture," he said. "She doesn't bother anyone, she deserves the same in return. I will ensure that's the case."

According to court documents reviewed by BI, the mediation was scheduled for June 15, 2022, and their custody hearing was later postponed to March 2023.

Amid the custody battle, Anstead filed a supplemental declaration on September 26, which BI reviewed. He said he and Haack had "resolved" their custody issues "without the need for court intervention" and maintained their son's 50/50 custody schedule.

However, in the declaration, Anstead also reiterated his assertions about Haack's social media posts about Hudson and requested that a judge grant him full legal custody. 

In the declaration, Anstead said Haack had "already exploited Hudson in numerous paid promotions on social media" and that he had a "fear she also has footage of him, to be used in one of her 'reality' TV shows, without my knowledge or consent, and continues to film him despite my objections." 

"l do not believe it is in Hudson's best interests to be exploited by his mother for professional and financial gain," he said. "As she insists that he should be, I ask the court to give me legal custody so I can make the decisions to protect Hudson and prevent this from happening."

Representatives for Anstead did not respond to a request for comment from BI on the matter at the time.

In her supplemental declaration, which BI reviewed, Haack said, "From the start, Ant's intention was not to resolve this matter privately and amicably."

"I have never exploited our son Hudson," Haack's declaration said. "He appeared in a few of my own Instagram ads that each took less than minutes to film. I have all the footage and they were all fun activities that he enjoyed doing, such as playing with toys or making cookies."

Haack also said Anstead wanted to be able to post Hudson on social media and tag his brand Radford, while she had "repeatedly taken the position that I will agree that Hudson shall not appear on television or on social media."

"Ant insists that he be allowed to post Hudson on his social media, while tagging products and businesses," Haack said. "Ant admits in his supplemental declaration that he will usually 'tag' his business 'Radford.' It is Ant who insists that he be able to use Hudson in social media posts to promote the post and expand its 'organic' reach."

"If it is in the best interest of Hudson to be clear of public scrutiny, I feel Hudson should be off all public social media until he is old enough to make his own decisions," Haack said in the declaration.

In the same document, Haack also said Anstead "never had a problem" with Hudson appearing on Instagram or their HGTV shows until 2021, calling his declaration "hypocritical."

Haack noted that Anstead also refused to resolve their issues in mediation in her declaration, making their custody disagreement public record.

"We agreed to resolve this custody matter privately, and yet he continues to file publicly, proving his desire and need for the public's attention," Haack said. "It is all quite disturbing, and now that it is out in the public, it will be far more damaging to Hudson in the long run when he is old enough to see how this matter played out publicly."

Representatives for Haack declined to comment on the matter when contacted by BI at the time.

Haack posted a since-deleted selfie on October 2, sharing in the caption that she would no longer be sharing any photos of Hudson on her social media.

"I am mentally exhausted over the recent false accusations against me," she said. "Hudson's father has made attempts to turn my family, friends and fans against me through manipulation tactics and false information. This has had great impact on me and my household."

"Because of this, I have made the decision to no longer feature Hudson on Instagram, my tv shows or any social platforms until he is old enough to make this decision for himself," she wrote.

Haack also said she'd always been fine with Hudson not appearing on public platforms, though she wanted him to "participate in the fun activities/outings with our family/siblings."

"Hudson's father has made it clear via his public court filings he is using Instagram to rate the kind of parent I am, since that is the only access he has to my personal life," Haack added. "This has been the case since July 2020. This is unnecessary pressure for a platform that is supposed to be used to share moments chosen, rather than a judgment tool…especially since this is a very small fraction of my personal life as the rest is kept between me and my family," she said.

"My personal collection of photos on my phone and in our home are filled with memories of my children, so Hudson will be just fine without having his presence displayed on a public forum," Haack wrote. "Thank you to all the people who can see beyond the nonsense being thrown at me. I am and will ALWAYS remain a protective mother."

Haack has since returned to posting shots of Hudson on her Instagram.

A stipulation to modify a judgment signed by a California judge on November 18 and reviewed by BI states that Haack and Anstead will continue to have joint legal and physical custody of Hudson. Their March 2023 hearing was canceled as a result of the stipulation.

Haack's lawyer filed the papers, but both Haack and Anstead signed them. 

The stipulation altered the former spouses' holiday schedule for Hudson, with the pair switching off for Thanksgiving, Christmas, Easter, July 4th, and Halloween annually, depending on whether the year is even or odd.

The stipulation did not mention how Hudson may appear on Anstead and Haack's social media platforms or television shows.

Representatives for Haack and Anstead declined to comment when contacted by BI at the time.

Haack and Hall filed for divorce in June 2024, less than three years after they tied the knot.

In the months following her separation from Hall, Haack's relationship with Anstead seemed to be on better terms based on her Instagram.

She refollowed Anstead on Instagram in August, which he reciprocated in October. The pair then occasionally interacted on the platform, tagging each other in photos of Hudson on their stories and commenting on each other's posts of their son.

In May 2024, HGTV announced that Haack and Hall were filming "The Flip Off" with Tarek and Heather Rae El Moussa. The series would be a competition to see who could profit most from a home flip.

Haack and Hall were competing against the El Moussas on the series, but Haack competed on the show solo after she and Hall split.

In November, Anstead was spotted on the set of the series with Haack, and a month later, HGTV announced Anstead was one of the guest judges who would evaluate spaces in Haack's and the El Moussas' homes for the series.

Anstead judged the guest bedroom and bathroom transformations on the show.

When Haack told the El Moussas on the phone that she selected Anstead as a judge, they both expressed shock, saying, "What?" and "Oh my gosh."

The El Moussas told People they were surprised when Haack picked Anstead, as Heather Rae El Moussa thought they "weren't talking."

Swift arrived at the 2024-2025 NFL season opener to support the Chiefs in a denim set.

She paired the $1,325 Medusa '95 denim corset top with coordinating denim shorts from Grlfrnd, which were available on Revolve for $102. Her maroon boots from Giuseppe Zanotti, which cost $1,650, were a high-fashion way to incorporate team spirit for the Chiefs.

Her accessories, including a $3,950 Louis Vuitton Side Trunk bag and over $60,000 worth of jewelry, made the look even more glamorous.

The 1995 Salem T-shirt, featuring the Chiefs logo, became a dress on Swift, as it was so long it covered her thighs.

The tee showed off her thigh-high Giuseppe Zanotti Frannie boots, which cost $1,650, and Swift carried the $4,800 Louis Vuitton Coussin bag.

High-end jewelry, like Louis Vuitton's $625 My LV Chain earrings, added to the sporty ensemble.

Swift turned to Vivienne Westwood for an October game. She paired the brand's $1,875 Sunday corset with the matching $1,010 Meghan kilt, both of which featured plaid fabric with pops of maroon in honor of the Chiefs.

Vivienne Westwood also designed her $1,270 boots and $590 Belle heart-frame Jacquard bag. She added over $46,000 worth of jewelry and glitter faux freckles from Fazit.

The freckles gave the high-fashion look a whimsical twist that was perfect for the game.

Swift made her vintage Chiefs jacket the star of her outfit for this game, wearing the red, yellow, and black piece with a black top and black shorts from Agolde, which she cinched with a $630 belt from The Row.

Swift's other accessories were also black, like her $2,195 Louboutin boots and $3,900 Dior saddle bag. Gold jewelry, including a $4,475 Chanel necklace, a $4,150 ring from Retrouvai, $595 earrings, and a $3,150 ring from Louis Vuitton, elevated the look.

The outfit was cute, but it was underwhelming compared to Swift's other looks for the 2024-2025 season.

Swift's $3,350 red-and-black checked blazer and $1,695 skirt from Versace were the stars of her outfit. She paired the professional pieces with a $34.99 Victoria's Secret corset and Versace's $1,650 Medusa 95 leather knee-high boots.

Swift carried the $2,190 Medusa 95 small tote bag from Versace. She also wore several pieces of high-end jewelry, including the $54,000 gold Tambour Watch from Louis Vuitton and a $32,970 ring from Retrouvai.

The outfit was stylish, but it made Swift look more like a team owner than a WAG. She also wore a better check-patterned look later in the season.

She attended a November game wearing a red Louis Vuitton quarter zip that looked cozy and festive for the occasion. Swift paired the top with $249 pants from Paige, which she tucked into her $1,650 Maison Alaïa boots.

The combination called back to popular fashion of the early 2010s, though it didn't translate as well in 2025. A simpler pair of shoes or wide-legged pants could have improved the outfit.

She strutted into Arrowhead Stadium that day wearing a statement coat from Charlotte Simone. The piece was crafted with faux fur in a vibrant shade of red and had extra fuzzy pieces lining its sleeves, hem, and neckline.

Swift also accessorized to perfection, adding a vintage Chanel bucket hair, sheer black tights, $1,695 Manolo Blahnik boots, and a Tod's messenger bag.

The designer look included a $4,650 wool jumpsuit beneath a $9,600 tweed coat. Swift also added a monogrammed belt with oversize pearls, sheer black tights, Canada Goose gloves, earrings, a purse, and Chanel boots.

She wore the all-black outfit in the middle of January. It was chic and sophisticated but also loose and comfortable enough to sit through a football game.

Swift made a bold move when she attempted to bring back the logomania trend with a $5,000 monogrammed zip-up jacket from Louis Vuitton and a $550 beanie with the same logo.

However, her red tights really didn't work with the black and gold outfit, which cost over $68,000. The tights were too bold in color and too fun in style to complement the cool, streetwear-style garments that comprised the rest of her look.

Rather than rocking red for the Chiefs, Swift arrived at the 2025 Super Bowl in a simple outfit worth over $60,000.

She paired the $3,253 YSL double-breasted blazer with the $1,300 sleeveless ribbed bodysuit from Alaïa, both in shades of white. Sparkly denim shorts offered a pop of color in the look, though she circled back to white with her $1,120 over-the-knee boots from the brand Paris Texas.

Swift also brought color into her look through her accessories, like her $999 Givenchy bag and ruby-encrusted jewelry.

She re-wore the "T" leg chain she debuted at the 2025 Grammys as a necklace, nodding to Kelce and her lyric, "I want to wear his initial on a chain round my neck," from her song "Call It What You Want."

Likewise, her tank top and jean shorts offered a cute reference to Swift's outfit for her first Chiefs game in September 2023.

Despite the nods to her relationship with Kelce, Swift's outfit didn't stand out compared to some of the other looks she wore throughout the 2024-2025 season, as it just looked like a white blazer and boots from a distance.

It would have been nice to see Swift have a little more fun with her outfit for such a big game.

Ivanka arrived at Trump's 2017 inauguration in a white pantsuit from Oscar de la Renta. The suit consisted of slim-fitting pants and a fitted, asymmetrical jacket, which she accessorized with an American flag pin.

The look was stylish, though Ivanka's choice to wear a suit was a bit surprising.

Hilary Clinton, Trump's opponent in the 2016 presidential race, is well-known for wearing pantsuits. Clinton's suit for the inauguration was also white, making it difficult not to compare Ivanka and Clinton's looks.

Ivanka and her sister, Tiffany Trump, also had a matching moment at the 2017 inauguration.

Ivanka changed into a ball gown by Carolina Herrera for the 2017 inaugural balls.

The champagne-toned gown featured a v-neckline, and the bodice, top of the skirt, and semi-sheer sleeves were all covered in sparkly embellishments.

Celebratory and elegant, the dress was a good fit for the occasion.

Ivanka attended the joint session of Congress in a form-fitting berry pink Roland Mouret dress. The dress hit her at the knee and featured a diagonal peplum across the waist.

The dress also had an asymmetrical neckline with a black spaghetti strap on one shoulder. The strap looked more like a bra peeking out from the garment than a part of the dress, making the whole look feel too casual for the event.

Ivanka's close-toed heels also looked clunky with the slim-fitted dress.

Ivanka's pink dress for the 2017 G20 summit cinched at her waist, and the skirt flared to her knees.

The long sleeves were form-fitting until they hit her elbow, where they flared out. A bow also sat on each sleeve.

The combination of the flared fabric and bows made the sleeves look too heavy, detracting from the chic aspects of the rest of the dress.

The look would have been stronger with more streamlined sleeves.

Ivanka attended the 2018 Curling Men's Gold Medal Game in South Korea in a red and navy Aquazzura dress.

The sweater dress had long sleeves and a high neckline, and the stripes appeared to wrap around her figure diagonally. She paired the dress with knee-high, laced boots.

Although the dress was on theme for the event, the stripes were a bit overwhelming to the eye. The look would have been stronger if the stripes didn't crisscross.

When she watched the bobsleigh competition, Ivanka fit right in with Team USA. She paired red pants with a white, red, and blue sweater and accessorized the look with a coordinating coat and a Team USA hat.

Ivanka wore a flared jumpsuit to the Generation Next Summit in March 2018.

It had a v-neckline and belted at the waist, creating a summery look. However, Ivanka wore a black turtleneck under it, which had a different tone and looked out of place with the jumpsuit.

She could have paired the jumpsuit with a blazer or cropped jacket instead.

Ivanka wore an elegant Oscar de la Renta dress to the White House in April 2018 to welcome French Prime Minister Emmanuel Macron.

The midi-length dress had quarter-length sleeves and hugged Ivanka's figure. Its asymmetrical neckline was adorned with white fabric that formed a knot on one side.

The dress was simple and chic.

Alexis Nalani designed the midi-length dress, which was white and covered in a layer of black lace.

The bodice had a high neckline, and the sleeves and skirt were made of tiers of ruffles. The lace and ruffles were too much together, and Ivanka's embellished shoes didn't help tone the look down.

The silhouette and fabric could have been pretty on different dresses, but together, they were distracting.

Walking across the White House lawn, Ivanka wore a red, fitted blazer with coordinating, cropped pants. She wore red pumps with the bright look.

Bold and well-tailored, the suit was a win for Ivanka.

Ivanka wore a white top and matching skirt made of textured fabric for a White House briefing in October 2018. The top featured a subtle peplum and coordinating flared sleeves.

Ivanka added a wide, taupe belt to her waist, which matched her pointed-toe shoes.

The belt was a misstep for the look, as it looked outdated with the more traditional silhouette. She could have skipped the belt or opted for a thinner version.

Visiting Google's offices in October 2019, Ivanka wore ankle-length green trousers with a coordinating blazer.

She wore a black top underneath the jacket, which matched her pointed-toe black shoes. The look was stylish and professional.

Joining her father for the January 2020 "White House Summit on Human Trafficking," Ivanka wore a white wrap dress made of a thick fabric.

The bottom of her sleeves flared, as did the skirt, and the dress cinched at the waist with a thick bow. The choice of fabric and wrap style made the dress look more like a bathrobe than a dress.

A sleeker silhouette or fabric would have made the dress more stylish.

When her father was on the campaign trail, Lela Rose designed the sundress Ivanka wore in North Carolina in August 2020.

The midi dress had a high neckline and a form-fitting bodice covered in blue floral embroidery that spilled onto the flared skirt.

She accessorized the look with white open-toed heels and an off-white purse, completing the summery and feminine ensemble.

Ivanka was photographed at the White House with her husband in a turtleneck, brown boots, and a tan, double-breasted coat. She completed the look with sunglasses.

The relaxed outfit was a nice change of pace for Ivanka, and it complemented the fall weather perfectly.

After laying low since her father left office in 2021, Ivanka appeared in an off-white, sparkly set from Lapointe at Kim Kardashian's birthday party in October 2023.

The long-sleeve, cropped top was slightly loose, while the high-waisted skirt was form-fitting until a thigh-high slit cup up her leg.

Nude open-toed Christian Louboutin heels with curved detailing completed the festive look.

Ivanka attended the grand opening of Fontainebleau Las Vegas in a Monique Lhuillier gown.

The strapless dress's bodice was black, while the form-fitting skirt was covered in reflective silver fabric.

It was pretty, but the dress would have been stronger if it was completely sparkly, especially for an event in Las Vegas.

Self-Portrait designed the tennis-inspired yellow dress Ivanka wore to the Miami Open in March 2024.

The dress featured ribbed fabric, ruffled long sleeves, a flared collar, and buttons down the front. If that wasn't enough, the two sets of pockets on her waist and chest were distracting from the figure-hugging silhouette, particularly when combined with everything else the dress had going on.

Without the pockets, the dress would have been a great choice for the event.

The garment's square neckline gave way to an exposed corset adorned with subtle, sparkly embroidery.

A swath of fabric cut across the short skirt, adding dimension to the look. She paired the dress with open-toed heels and a clutch, completing the sexy look.

Ivanka stepped away from her more daring looks when it came time for her father to return to the White House.

Ahead of the 2025 inauguration, Ivanka wore an Oscar de la Renta coat with a matching dress. The bottom half of the camel-colored coat was embellished with three-dimensional floral appliques, which added a stylish touch to the monochromatic look.

Ivanka arrived at the 2025 inauguration in a complete hunter-green outfit, a refreshing color for the ceremony that usually sees people wearing shades of red, white, or blue.

Dior designed her asymmetrical blazer, pencil skirt, and coordinating beret. She wore a thin belt around her waist, which matched her black tights and pointed-toe heels.

The ensemble put a high-fashion twist on familiar skirt sets that are common for the DC set.

Ivanka attended the 2025 inaugural balls in a custom Givenchy gown, a recreation of the dress Hubert de Givenchy designed for Audrey Hepburn to wear in "Sabrina," a rom-com released in 1954.

The strapless dress, cinched at the waist, had a slim-fitted skirt that hit Ivanka above her ankles. A detached train flowed out behind her, forming a train. Black floral embellishments sat on the bodice, skirt, and train, and Ivanka nodded to them with matching black gloves and shoes.

She also wore over $1.1 million in diamond jewelry throughout the inauguration.

Nodding to a Hollywood icon at the inaugural balls didn't make sense from a historical fashion perspective. Plus, Ivanka's choice to wear black gloves instead of white, as Hepburn did, lessened the effect of the recreation as well. She should have saved the look for another occasion.

Haack and El Moussa met in the early 2000s when they were working together at a real-estate office in California.

They started dating and became a real-estate team in 2008, and they got married a year later. 

El Moussa and Haack welcomed their daughter, Taylor Reese, after a quick birth.

El Moussa and Haack initially pitched "Flip or Flop" in 2011, when El Moussa had a friend film their audition tape for HGTV.

The network signed the couple for a show in 2012, and episodes started airing in 2013. 

Haack and El Moussa struggled to conceive their second child, so she underwent IVF treatment, as People reported.

After suffering a miscarriage, Haack got pregnant again and gave birth to a son in 2015, Brayden James El Moussa.

In May 2016, police went to the couple's home because of "a call of a possibly suicidal male with a gun," TMZ reported at the time. El Moussa was seen running from his home with a firearm, which he dropped after police told him from a helicopter to release it, the outlet reported.

Seven months later, El Moussa and Haack announced their separation, acknowledging the incident in a statement to Us Weekly.

"Like many couples, we have had challenges in our marriage," the statement said. "We had an unfortunate misunderstanding about six months ago, and the police were called to our house in an abundance of caution."

"There was no violence, and no charges were filed. We chose to get counseling to sort out our relationship. Together, we have decided to separate while we reevaluate the future of our marriage," the statement went on to say.

El Moussa reflected on the incident in his 2024 book, "Flip Your Life," writing that he took his gun with him on a hike because of wildlife in the area after an argument with Haack, though that was not clear to Haack when she saw him hop their fence with the weapon in tow. 

"That was the very last time we were together as a family: with Christina walking down the driveway, crying, and me sitting there in handcuffs, asking myself, 'What in the world is going on?'" he wrote of the incident, adding that he was taking testosterone at the time. He quit the next day and ended up living in a halfway house shortly after.

Speaking to BI about his life in January 2024, El Moussa said that hitting rock bottom helped him see his true priorities.

"I didn't even realize how obsessed I was with my kids until I hit rock bottom, until I was on my own, until I started rebuilding my life," he told BI.

"I wasn't present. I wasn't putting in the work," he added. "I wasn't putting in the time that I put into flipping houses. I needed to put that time into being a dad."

Before her divorce from El Moussa was finalized, a mutual friend introduced Haack and "Wheelers and Dealers" star Ant Anstead, as House Beautiful reported. Like Haack, Anstead had two children from a previous marriage.

They initially kept their relationship private and only revealed they started dating in October on their first anniversary.

Haack announced she and Anstead were dating with a casual photo of the duo biking on her Instagram that has since been deleted, as People reported.

She congratulated him on his new season of "Wheelers and Dealers" in the post.

A representative for the former couple confirmed to Page Six that the divorce was finalized.

The exes decided to keep filming "Flip or Flop" together.

Anstead and Haack didn't announce their engagement before their wedding, though Anstead did say they were "celebrating something special" in the caption of a photo of Haack that he posted on December 17, according to People.

They got married at their house in Newport Beach, California. 

"We pulled off the perfect surprise wedding," Haack told People at the time.

Haack and Anstead announced they were expecting in an Instagram post that has since been deleted.

Her ex, El Moussa, later accidentally announced the baby's gender during an appearance on TMZ Live.

A representative for Haack and Anstead then confirmed the news to People in a statement. "While Christina and Ant wished they could have shared the news themselves, they are very excited to welcome a baby boy in the fall," they said.

In another now-deleted Instagram, Haack announced that she and Anstead had welcomed their son, Hudson London, according to People.

"Ant and I are so excited to welcome Hudson London Anstead into the world. Our hearts are SO full of love and joy," she captioned the post at the time. 

Haack also documented Taylor and Brayden meeting their brother for the first time in her docuseries, "Christina on the Coast."

A year after they had Hudson, Haack announced she and Anstead were separating in an Instagram post that has since been deleted.

"Ant and I have made the difficult decision to separate. We are grateful for each other and as always, our children will remain our priority," she said in the statement, according to People. "We appreciate your support and ask for privacy for us and our family as we navigate the future."

Anstead also posted about the separation on his Instagram, seeming to indicate that Haack decided to end the marriage. 

"Anyone who really knows me knows that I don't like to share private matters publicly. I have remained silent while holding on to hope," he captioned a selfie of the pair. "I never gave up on us. I pray Christina's decision brings her happiness."

Sometime in early 2021, Haack started dating Austin-based real-estate agent Josh Hall. According to US Weekly, the pair initially met at a real-estate conference a few years before they became involved.

The couple kept the relationship quiet, and it's unclear exactly when they started dating. But in March 2022, Haack confirmed they had been dating since at least March 2021 with a throwback photo of the pair on Instagram that has since been deleted.

A representative for Haack confirmed the marriage was officially over to USA Today.

Page Six published photos of the couple at LAX on their way to Mexico.

Haack posted a now-deleted photo of herself and Hall on Instagram later that day, confirming the relationship and critiquing the media's focus on her love life. 

"I met Josh when I wasn't in a state of fear or fight-or-flight," she wrote. "When we met this past spring, the synchronicities hit us so hard and fast they were impossible to ignore. I felt immediately crazy protective over him and wanted to keep him for myself and get to know each other before the tornado (media attention) hit."

"We decided whats in the past, is in the past. We aren't looking at all the nonsense online," she added. "So yes 'another relationship' and guess what. I'm 38 – I'll do what I want."

Haack announced the engagement with a series of Instagram photos from a trip the couple took to Mexico, which have since been deleted.

E! News initially reported that the couple got married in a "private ceremony" on April 5, 2022. Business Insider was able to confirm their marriage separately.

Haack also changed her Instagram name from "Christina Haack" to "Christina Hall." 

E! News reported that Haack's real-estate license had also been changed to "Christina Hall."

On April 28, 2022, Anstead filed an emergency request for full custody of Hudson. 

In his court filing, which BI reviewed, Anstead said he was Hudson's "primary parent" and that Haack only spent an average of "9 full days each month" with their son.

He also said that Haack had put Hudson in "dangerous" situations, including a sunburn so severe it made him cry.

On another occasion, Anstead said Haack returned Hudson to him without telling him her family had COVID.

"At the time, my partner was filming her new project and her covid diagnosis placed the whole production on pause," he said in the filing, referring to his current girlfriend, Renée Zellweger.

Anstead also said in the filing that Haack used her time with Hudson to post him on social media, sometimes for sponsored content. Anstead requested that a judge block Haack from posting Hudson in any "commercial endeavor" until they reached a new custody agreement.

Anstead requested a "regular" custody schedule that would give Haack visitation rights on "alternating weekends, Friday at 4 p.m. until Sunday at 6 p.m. commencing May 6, 2022, in California only, and except for vacations," according to the court documents.

"This will allow Christina's time to be stepped-up over the next several months to match the schedule she has with her other children," the filing said.

Anstead declined to comment on the matter when contacted by BI.

"What Ant is doing deeply saddens me," Haack said. "If this was really about Hudson, as he says, this should have been handled privately with a private judge or mediation, as myself and my attorney have suggested."

"I have had my share of ups and downs, but I am a good mom and I love my children with all my heart and I will always protect them," she added.

A judge denied Anstead's ex parte custody application on April 28, both because he did not give Haack enough notice and he did not provide sufficient evidence that Hudson was in danger, according to People.

Haack also filed a response to Anstead's motion on April 29, which BI reviewed. She said she was "shocked" by the filing and that Anstead was "misleading" the court regarding their custody arrangement.

"Mr. Anstead has now taken the position that he is the defacto primary parent of our son, which is not accurate," she said in the filing. "Anstead does not count any day wherein we exchange our son as a custodial day for me. He also counts days where I made an accommodation or gave a right of first refusal to him as his day."

"That is why there is a huge discrepancy in his mind from our accurate schedule. His attempt to mislead the court is transparent when presented with the true facts," Haack also said. "I do not count my accommodations as decreasing my custodial time, but as me being a supportive coparent."

Representatives for Haack and Anstead did not respond to a request for comment from BI on the filing.

Tarek El Moussa married Heather Rae El Moussa in October 2021, and she quickly became a huge part of his life and his children's lives. 

But she did not seem to immediately get along with Haack. The Daily Mail published photos of Tarek El Moussa appearing to pull the former "Selling Sunset" star away from Haack during an argument at Brayden's soccer game on May 9, 2022. The same article also featured photos of Hall and Tarek El Moussa arguing and being separated by a coach.

The two women shared a joint statement with BI at the time.

"A personal matter was discussed and has since been resolved," the statement said. "We are focused on co-parenting as a team moving forward."

The altercation took place after Heather Rae El Moussa appeared to confirm that her husband had called her a "hotter, richer version" of Haack during a fight, in addition to calling his ex a "washed-up loser," as People reported in July 2021.

Shortly after the Daily Mail published the argument photos, Brayden underwent an emergency appendectomy. 

Haack shared on her Instagram story that Brayden's surgery went well, adding that the experience was a "wake-up call" for her. She tagged Hall and the El Moussas in the post. 

"Stressful 24 hours but a good reminder how important team work / co-parenting is," she wrote on her story. "We are all under pressure but when it really matters we were all there for Brayden doing our part."

"Sometimes a scary situation can be a good wake up call," she said. "In the end all the other stuff is just 'noise,' what matters is the kids."

Heather Rae El Moussa echoed the sentiment in a selfie with Brayden and her husband that she shared on Instagram, in which she tagged Hall and Haack. 

"We all pulled together as a family during this stressful time," she wrote. "The kids will always be the main priority to all of us."

In an Instagram post that has since been deleted, Haack revealed she and Hall got married in September 2022 in front of their loved ones, including her children. 

"Shared vows in front of family and our close friends," she captioned the post. "Everything in life has led me to where I am right now, which is exactly where I want to be."

"My dream man on the dreamiest island," she added. "Maui holds a special place in my heart. What an amazing night filled with love."

After a monthslong custody battle, during which both accused the other of "exploiting" Hudson throughout their legal fight, Haack and Anstead were finally able to resolve their issues and retain joint custody in November 2022. 

Representatives for Haack and Anstead declined to comment on the matter when contacted by BI. 

On May 15, 2024, HGTV shared a promo video for a new show called "The Flip Off," starring the El Moussas, Haack, and Hall. 

The caption said the show would pit the two couples against each other in "a battle to see who can find, buy, renovate, and flip a house for the biggest financial gain."

"Be on the lookout for the spicy new series that'll have you saying, 'What the flip?!'" the caption said. 

According to paperwork reviewed by BI, Hall filed for divorce in Orange County, California, on July 12, 2024. He listed his date of separation from Haack as July 8. The documents said that he was seeking spousal support from Haack.  

Hall's filing also listed the date of their marriage as October 6, 2021, five months earlier than the April 5, 2022, date originally believed to be the day they got married. 

Haack submitted her own request to dissolve their marriage on July 23, 2024, and her request listed their separation date as July 7, one day earlier than Hall's paperwork.

Hall and Haack's divorce proceedings are ongoing. The exes have disagreed about ownership of properties in Tennessee and spousal support. You can read more about Haack and Hall's divorce here.

In a press release shared with BI, HGTV shared that Haack started the competition for "The Flip Off" with Hall but ultimately competed against the El Moussas solo after their split.

Speaking to BI in January 2025, Haack said she thinks it was a "major advantage" that she didn't have to collaborate with Hall on the show because he was inexperienced with house flipping and real estate compared to her.

"I think that without him, it's just easier," she said.

Hall posted a photo of himself with Stephanie Gabrys sitting on his lap on his Instagram story in January. He captioned the post, "Happy 35th to this real life 😇."

On her Instagram, Gabrys says she is a model who lives in Florida, Chicago, and Nashville.

She has not posted a photo of Hall on her Instagram grid, but Gabrys commented on a post Hall made on January 1, writing, "Proud of you and the strong, patient, hard working, generous, and kind hearted man you are! 2025 is going to be the best year yet!"

Hall appeared in the premiere of "The Flip Off," finding a house to flip with Haack for the competition.

The episode also included a tense conversation between the then-couple in a car, during which Hall called Haack "rude" after she didn't understand a reference he made to a billboard, adding that he wished she would "shut up" and that she was "pissing" him off.

Haack told producers Hall had been "a bit moody lately" when speaking of the conversation.

"Josh knows that Tarek and I have a history," she said. "I'm sure some of it is the stress of the competition."

Hall abruptly stopped appearing in the episode after their split happened off-screen.

Hall shared a sneak peek clip of the interaction to his Instagram story ahead of the premiere, writing that it was "manufactured drama." In response, Haack shared a photo of herself crying after a day of filming with Hall.

The first episode of "The Flip Off" also included an emotional conversation between Haack and El Moussa. She shared with him that she and Hall had split after a "blowup over nothing."

"Things with Josh have been bad for a long time. Not just kinda bad, like bad," Haack said on the show. "The kids literally asked me to leave. They told me he's not nice to me."

"You make him very insecure," she said to her ex. "Every time we would barely joke at soccer or if I laughed at you, he, like, would not speak to me for two to three days. I would get the silent treatment."

"He doesn't like me," Haack said of Hall. "He calls me cocky. He thinks I'm arrogant when we both know I'm not cocky or arrogant. I just do work."

Haack and El Moussa also reflected on their own relationship in the conversation, and Haack told BI she still gets emotional thinking about their talk.

On January 11, People reported that Haack was dating Christopher Larocca. According to the company's website, Larocca is the president and CEO of Network Connex and has worked in the business world for over two decades. He also has an MBA from the University of Southern California.

On Wednesday, she posted photos of herself and some friends on a private jet with the caption, "Some plane flights must be hard posted."

Haack included two photos of herself with Larocca in the post and tagged him. In one shot, they sit together in a plane seat, and in another, they have their arms wrapped around each other in front of the jet.