Blake Lively sued her "It Ends with Us" costar and director Justin Baldoni for sexual harassment on December 20.
Lively also alleged Baldoni made attempts to damage her reputation.
Here's everyone who's spoken out in support of Lively, including former costars and directors.
Blake Lively sued her "It Ends with Us" costar and director Justin Baldoni on December 20 for sexual harassment and an attempt to damage her reputation.
In the complaint, obtained by Business Insider, Lively said she met with Baldoni and producer Jamey Heath during production to address the "hostile work environment that had nearly derailed production of the film."
The meeting resulted in all parties agreeing to a number of stipulations, including "no more showing nude videos or images of women, including the producer's wife," to Lively (who is addressed as "BL" in other parts of the complaint) or her employees.
It also required "no more mention of Mr. Baldoni or Mr. Heath's previous 'pornography addiction' or BL's lack of pornography consumption to BL or to other crew members."
Lively said in the complaint that Baldoni and his team engaged in "social manipulation" to destroy her reputation through a "sophisticated press and digital plan in retaliation for Ms. Lively exercising her legally protected right to speak up about their misconduct on the set, with the additional objective of intimidating her and anyone else from revealing in public what actually occurred."
Bryan Freedman, an attorney for Baldoni and his company, Wayfarer Studios, said in a statement to BI that the claims made in the complaint were "categorically false" and "intentionally salacious with an intent to publicly hurt and rehash a narrative in the media."
"It is shameful that Ms. Lively and her representatives would make such serious and categorically false accusations against Mr. Baldoni, Wayfarer Studios and its representatives, as yet another desperate attempt to 'fix' her negative reputation, which was garnered from her own remarks and actions during the campaign for the film; interviews and press activities that were observed publicly, in real time and unedited, which allowed for the internet to generate their own views and opinions," the statement said.
A representative for Lively referred BI to a statement shared with The New York Times on Saturday.
"I hope that my legal action helps pull back the curtain on these sinister retaliatory tactics to harm people who speak up about misconduct and helps protect others who may be targeted," the statement said.
She also told the outlet that neither she nor her representatives ever spread negative stories about Baldoni or Wayfarer Studios.
Since the lawsuit, Lively has received a wave of support from family and people she has worked with in Hollywood.
Here's who has spoken out in support of Lively.
Her "Sisterhood of the Traveling Pants" costars America Ferrera, Amber Tamblyn, and Alexis Bledel released a joint statement.
Since starring in the 2005 movie "The Sisterhood of the Traveling Pants" and its 2008 sequel, Lively, Ferrera, Tamblyn, and Bledel have remained close friends.
"As Blake's friends and sisters for over 20 years, we stand with her in solidarity as she fights back against the reported campaign waged to destroy her reputation," the statement reads. "Throughout the filming of 'It Ends with Us,' we saw her summon the courage to ask for a safe workplace for herself and colleagues on set, and we are appalled to read the evidence of a premeditated and vindictive effort that ensued to discredit her voice. Most upsetting is the unabashed exploitation of domestic violence survivors' stories to silence a woman who asked for safety. The hypocrisy is astounding."
"We are struck by the reality that even if a woman is as strong, celebrated, and resourced as our friend Blake, she can face forceful retaliation for daring to ask for a safe working environment," the statement continued. "We are inspired by our sister's courage to stand up for herself and others. For anyone seeking more information or engaging in this important conversation online, please read the full legal complaint in the investigative reporting by Megan Twohey, Mike McIntire, and Julie Tate for the New York Times."
"@blakelively, you have been nothing but honest, kind, supportive and patient since the day we met."
"Thank you for being exactly the human that you are. Never change. Never wilt."
And Lively's "A Simple Favor" director Paul Feig.
The "Bridesmaids" filmmaker directed Lively in the 2018 whodunit "A Simple Favor," and the two recently wrapped on a sequel.
"I've now made two movies with Blake and all I can say is she's one of the most professional, creative, collaborative, talented and kind people I've ever worked with," Feig wrote on X. "She truly did not deserve any of this smear campaign against her. I think it's awful she was put through this."
Lively's half-sister Robyn also showed her support.
Robyn Lively, Blake's half-sister who also starred in "It Ends with Us," posted on Instagram to show her support.
"She is one of the kindest, most honest and loving humans I know. Blake isn't a villain. She's a mama bear to her core, a loving and supportive wife, a sister, a friend, and someone who worked her ass off on a film in abominable working conditions," she wrote.
Big spectacles like "Wicked" and "Dune: Part Two" captured viewers' and critics' attention.
Smaller dramas like "Civil War" and "The Substance" also packed a punch and prompted discourse online.
Giant sandworms! Singing witches! Horny tennis players! The best movies of 2024 offered a wide array of cinematic pleasures — and a double dose of Zendaya.
Below are Business Insider's best movies of 2024. Scroll to the end to see entertainment correspondent Jason Guerrasio and senior editor Caralynn Matassa's personal top five movies of the year.
"A Complete Unknown"
Almost twenty years after director James Mangold gave us the Johnny Cash biopic "Walk the Line," he's returned to the space with a look at Bob Dylan's transition from acoustic to electric.
As much as the music will dazzle Dylan fans, it's the acting that's the highlight. Timothée Chalamet delivers one of the best performances burgeoning career, getting Dylan's voice and mannerisms down perfectly. — Jason Guerrasio
"A Different Man"
Sebastian Stan gives one of two standout performances this year in "A Different Man." The surreal, twisty psychological thriller follows Stan as Edward, an introverted, struggling actor with neurofibromatosis (a disorder causing facial differences) who is cured through an experimental procedure. Reinventing himself as "Guy" doesn't quite give him the dream life he'd hoped for, though.
The darkly comic film from writer-director Aaron Schimberg also features great supporting performances from Renate Reinsve (who had her breakthrough in 2021's "The Worst Person in the World") and Adam Pearson as Oswald, a confident and charismatic man who also has neurofibromatosis. — Caralynn Matassa
"Alien: Romulus"
For this latest trek back into the sci-fi world of "Alien," director Fede Álvarez takes full advantage of the IP by weaving a story that touches on the original movie and the world of "Prometheus." The result is a thrill ride that will satisfy fans of the franchise and scare the hell out of the newbies who have never seen an "Alien" movie. — JG
"Anora"
Sean Baker made a name for himself as one of the most acclaimed independent filmmakers, and for good reason. He excels at slice-of-life movies (2017's "The Florida Project" and 2021's criminally underrated "Red Rocket") that spotlight marginalized communities.
His latest, "Anora," centers on the titular sex worker played by "Scream 5" standout Mikey Madison. The film landed the Palme d'Or, the Cannes Film Festival's highest honor, thanks to Madison's subtly powerful performance and Baker's propulsive script. — CM
"The Apprentice"
It shouldn't come as a shock that the most polarizing movie of the year was one about Donald Trump's rise to power as a New York City real estate tycoon.
But take away your political views and opinions on Trump (which, I know, is hard), and this movie from director Ali Abbasi is a fascinating exploration of how those with power and influence move through the world.
And then there are the performances by Sebastian Stan as Trump and Jeremy Strong as Trump's fixer and mentor Roy Cohn, both of which should be recognized during award season. — JG
"Babygirl"
Nicole Kidman gives one of the best and boldest performances of her decadeslong career in "Babygirl." The erotic thriller, written and directed by "Bodies Bodies Bodies" filmmaker Halina Reijn, puts the female gaze on a distinctly male, often-problematic genre, tackling female sexuality, gender, and power dynamics as Kidman's Romy Mathis, a high-powered CEO, pursues a secret affair with her intern (Harris Dickinson). — CM
"Beverly Hills Cop: Axel F"
I wasn't expecting a "Beverly Hills Cop" sequel made on Netflix to give me some of the biggest laugh-out-loud moments this year, but that's exactly what happened.
Director Mark Molloy certainly understood the assignment: lean in to what made the first two movies so beloved (let's not talk about the third one).
Focusing on Eddie Murphy's jokes, big action sequences, and that memorable soundtrack, the fourth movie in the franchise became one of the surprise delights at the movies this year. — JG
"The Brutalist"
One of the boldest epics made in some time, this three-and-a-half-hour drama shot on VistaVision is an exquisite exploration of one immigrant's drive for the American Dream in post-World War II America.
Directed and co-written by Brady Corbet ("Vox Lux"), "The Brutalist" follows fictional character László Tóth (Adrien Brody), a Hungarian-born Jew who survives the Holocaust and emigrates to the US in the late 1940s. Over three decades, Tóth, a talented architect, struggles to make a living and get his wife (Felicity Jones) to the States. Then a wealthy man (Guy Pearce) changes his life.
With masterful production design, photography, score, and performances, this is a movie that will stay with you long after you've seen it. — JG
“Challengers”
Zendaya dazzles in Luca Guadagnino's sporty, steamy drama.
As a former tennis great thrust into a love triangle with two other players, her now-husband Art (Mike Faist) and her ex-boyfriend Patrick (Josh O'Connor), Zendaya delivers one of the most layered performances of her career as she navigates love, lust, and mind games. — JG
“Civil War”
Alex Garland's latest showcases a United States that has been ravaged by civil unrest.
Kirsten Dunst is magnificent as a hardened war journalist in an existential crisis who travels from New York City to Washington, D.C. to cover the story. The war scenes are brutal and devastating, but that's the point. — JG
"Conclave"
Ralph Fiennes leads a drama filled with Shakespearian-level mystery, backstabbing, and intrigue as the Cardinal-Dean in charge of the papal conclave. In the process, he finds himself investigating scandals and secrets as the choices narrow for who will become the next pope.
Stanley Tucci, John Lithgow, and Isabella Rossellini are also outstanding in supporting roles. — JG
"Deadpool & Wolverine"
After a bevy of delays that included Fox being bought by Disney, COVID, and the strikes by the writers and actors in Hollywood, we finally got the third "Deadpool" movie. And it was worth the wait.
From the brawls with Wolverine (Hugh Jackman), the endless Disney IP jokes, and a fight with countless Deadpools, the movie is the rare payoff for fans of superhero movies in the post-"Endgame" era of the MCU. — JG
“Dune: Part Two”
Denis Villeneuve's continuation of his adaptation of Frank Herbert's beloved sci-fi novel takes us back to Arrakis, where Paul (Timothée Chalamet) goes from the hunted to the hunter as he teams with the Fremen to fight his enemies and becomes a Messiah in the process.
Like the first movie, the visuals are stunning, but the sequel also features more Zendaya as Paul's love interest, heightening the stakes by the end. — JG
"The Fall Guy"
Though "The Fall Guy" underperformed at the box office, David Leitch's love letter to stunt performers is one of the most enjoyable movie-watching experiences of the year.
A big reason for that is the performances from Ryan Gosling and Emily Blunt, whose chemistry as they navigate an on-and-off relationship while coping with movie-making madness is off the charts. — JG
"Furiosa: A Mad Max Saga"
George Miller's latest trek into the Wasteland may not be as jaw-dropping as his magnum opus "Mad Max: Fury Road," but the auteur of action still dazzles with breathtaking shots of desolate sandy vistas and ultra-violent car chases.
The major highlight is Anya Taylor-Joy as Imperator Furiosa (originally played by Charlize Theron in "Fury Road"). With very little dialogue, Taylor-Joy must use facial expressions and a multitude of stunts to convey her character's origin story and complex emotional arc. It's well worth the ride. — JG
"Gladiator II"
Twenty-four years after the Oscar-winning original, Ridley Scott returns to the Coliseum with a new star (Paul Mescal) and bigger fights. The result is an enjoyable mix of blockbuster thrills and nostalgic callbacks to the first movie.
But what sets "Gladiator II" apart is Denzel Washington, whose devilish, scenery-chewing performance as a gladiator owner with plans of getting his hooks into the Roman Senate elevates the movie whenever he's on the screen. — JG
“The Greatest Night in Pop”
The song "We Are The World" brought together the greatest musicians in pop and rock, but the story of how it came together makes the song even more remarkable.
This Netflix documentary from Bao Nguyen features never-before-seen footage and candid interviews recounting a single evening in Los Angeles that would become a defining moment for pop culture in the 1980s.
The documentary is replete with fascinating details about how the song and its ensuing celebrity spectacle came to be. From seeing how Michael Jackson created the hook to watching musicians like Cyndi Lauper and Huey Lewis give it their all recording long into the night, "The Greatest Night in Pop" is a must-see for anyone who lived through or loved the '80s music scene. — JG
"Hard Truths"
On a surface level, Pansy Deacon, the lead character of "Hard Truths," isn't someone you'd root for. She's a deeply depressed, angry middle-aged British woman who takes her fury out on anyone and everyone around her, from fellow shoppers at the supermarket to her own browbeaten husband and adult son.
The film starts out almost comically, as Pansy finds every imaginable reason to rant and rave at everything from babies with pockets (what do babies need pockets for anyway?) to the salesperson attempting to help her buy a couch. Marianne Jean-Baptiste infuses Pansy with so much heart and deep-seated pain that you can't help but feel for her, even as you're horrified by her behavior.
Writer-director Mike Leigh's unique filmmaking process (he and his cast start off without a script and collaboratively develop the characters) results in one of the most stunning performances of the year. — CM
"Incoming"
Hollywood is still trying to perfect this generation's high school movie. "Incoming" gets pretty close.
Following a group of friends who are the only freshmen invited to a party thrown by a senior, this raunchy comedy uses staples from the high school genre and mixes them with today's culture to concoct a hilarious movie. — JG
In the sequel to the Oscar-winning 2015 original, we catch up with Riley's key emotions like Joy (Amy Poehler) and Sadness (Phyllis Smith) right when Riley hits puberty. And just like that, new emotions like Anxiety (Maya Hawke) and Embarrassment (Paul Walter Hauser) show up wanting to be in control of Riley's feelings.
The movie is a funny and emotionally charged journey that highlights those impressionable years when we can no longer lean on our parents to make the right choices; it's now on us. — JG
"Longlegs"
Beyond having the most brilliant marketing campaign of the year, "Longlegs" is also genuinely freaky.
Osgood Perkins channels "Silence of the Lambs," mixed with devil worship and possessed dolls for good measure, for a crazy genre mashup: a police procedural horror movie. Maika Monroe gives an understated performance as traumatized FBI agent Lee Harker, who's investigating a series of murder-suicides that all point back to one mysterious figure: Longlegs.
The eventual reveal of what's going on — and the physical reveal of Nicolas Cage's Longlegs, a noteworthy entry in the actor's list of batshit roles — is disturbing and memorable. — CM
"The Last Showgirl"
Pamela Anderson gives a career best performance as an aging Las Vegas showgirl who must come to terms with losing her job when her revue abruptly closes.
Anderson holds nothing back as she plays a character who still is intoxicated by the glitz and glamour of the strip of yesteryear but comes to the harsh realization that show business has nothing left for a woman her age.
Ironically, after decades in the limelight, this is the role that is finally getting Anderson the recognition for her acting that she deserves. — JG
"Moana 2"
Originally planned as a TV series, Disney made the right move by turning this instead into a feature-length sequel to the beloved 2016 original.
This time, Moana (Auli'i Cravalho) must defeat an evil God who controls an island so that all islands across the sea can be reconnected.
The higher stakes, new characters, and catchy songs make the movie a worthwhile continuation of a story audiences couldn't wait to return to. — JG
"Nickel Boys"
Some viewers criticized RaMell Ross's bold decision to shoot "Nickel Boys," an adaptation of Colson Whitehead's 2019 novel, in a first-person point-of-view, where we see through the eyes of the character speaking. To that, I politely say: You're wrong, sorry.
The immersive filming style works perfectly to put the audience right in the mix as Elwood and Turner, two Black boys sent to a reform school called the Nickel Academy (based on an actual school in Florida), struggle to survive amid the racist institution's many often deadly abuses.
Ethan Herisse and Brandon Wilson give a pair of breakout performances as Elwood and Turner, and Aunjanue Ellis-Taylor is devastating as Hattie, Elwood's devoted grandmother. It's a tough watch, but a worthy one. — CM
"Nosferatu"
Looking back on the work of Robert Eggers, his obsession with telling stories set long ago has led up to this: an adaptation of the iconic gothic vampire tale.
With exquisite production design, makeup, and effects to transform Bill Skarsgård into the creature of the night, and a tour-de-force performance by Lily-Rose Depp as a woman overcome by a spell that fills her with desire and fear, this is Eggers' masterwork. — JG
"Queer"
Yep, both of Luca Guadagnino's 2024 releases made this list. "Queer" is a very different film from "Challengers" in many ways, but both cement Guadagnino as a filmmaker with an innate understanding of desire and a master at evoking it onscreen.
Based on William S. Burroughs' 1985 novella, the movie follows William Lee, a gay American expat living in 1950s Mexico City, who becomes obsessively infatuated with the much younger Eugene Allerton. Daniel Craig's no-holds-barred performance as Lee, a stand-in for Burroughs himself, establishes him as one of the most talented and versatile working actors today. It's also gorgeously shot, courtesy of Guadagnino's go-to cinematographer Sayombhu Mukdeeprom. — CM
"Rebel Ridge"
There's always one Netflix movie that comes out of the blue every year and grabs attention. This year, it was "Rebel Ridge."
Written and directed by Jeremy Saulnier ("Blue Ruin"), this impressive action movie gives a jolt to the genre with its gritty take. It's also a showcase for Aaron Pierre, who is on his way to big-screen stardom (he also voiced the title character in Disney's end-of-year release, "Mufasa.") — JG
"Strange Darling"
JT Mollner's thriller "Strange Darling" flew under the radar this year, but boy, is it a trip.
The story is told in a destabilizing nonlinear format; it's a clever narrative trick to make you think the movie is something it's not. Willa Fitzgerald and Kyle Gallner are knockouts as the two leads, keeping viewers transfixed and with our hearts in our throats. It's also beautifully shot by Giovanni Ribisi (yes, the actor) in his feature debut as a cinematographer. — CM
"The Substance"
"The Substance" is not for the faint of heart. French filmmaker Coralie Fargeat established herself as a genius of phantasmagoria with her debut feature, 2017's "Revenge," but she takes things up several notches in her follow-up.
The satirical feminist body-horror movie is completely insane, in the best way. It's a disgusting, disturbing, and extremely real fable of female self-hatred that goes off the rails (complimentary) like few movies I've seen before.
Demi Moore grounds it all as Elisabeth Sparkle, a washed-up middle-aged celebrity who's driven to try the mysterious drug dubbed The Substance after being fired from her aerobics show on her 50th birthday. Margaret Qualley is positively demonic as Elisabeth's younger and more perfect self Sue, the product of that black market serum fated to be Elisabeth's downfall. — CM
"Twisters"
This summer, we learned that if you mix Glen Powell and tornadoes, you've got yourself a hit.
This sequel to the 1996 hit "Twister" features more GGI-fueled storms and chemistry so hot between Powell and Daisy Edgar-Jones that audiences were bummed they didn't kiss at the end — everything you need from a hit summer blockbuster. — JG
"Wicked"
I was prepared to be a hater heading into "Wicked." After all, how could someone successfully adapt one of the most successful Broadway musicals of all time? After being blown away by Cynthia Erivo and Ariana Grande's performances, I'll gladly admit I was wrong.
As the movie's seemingly endless press tour has demonstrated, Erivo and Grande have incredible chemistry as Elphaba and Glinda, two witches who were once best friends before their paths diverged. Erivo is devastating as the lost, deeply lonely but resolute Elphaba, while Grande imbues so many layers into her performance as Glinda. The result is a thoroughly enjoyable movie experience with a showstopping finale, even if it's not the most technically impressive film on this list. — CM
"The Wild Robot"
Based on Peter Brown's popular books, "The Wild Robot" weaves one of the most emotional yarns of the year. The movie tells the story of Roz (Lupita Nyong'o), a robot who washes up on a deserted island and learns the ways of the wildlife that inhabits it, leading to her becoming the guardian of an orphaned gosling.
Beautiful to look at, with animation that has a watercolor quality, it's the uplifting story that elevates this movie from an impressive fantasy tale to a work that will be cherished by audiences for years to come. — JG
Timothée Chalamet plays Bob Dylan in the movie "A Complete Unknown."
He was so immersed in the role that he even grew his fingernails long like Dylan.
"He had some full-on Nosferatu going on," director James Mangold told BI of how Chalamet looked by the end of filming.
If you look close enough while watching "A Complete Unknown," in which Timothée Chalamet completely immerses himself in playing Bob Dylan, you'll notice what many online have pointed out — Chalamet's nails are quite long.
So, are those fake nails, or did Chalamet grow his out for the role?
"Yeah, he was growing them," "A Complete Unknown" director James Mangold told Business Insider. "If you look earlier in the movie, there are some scenes where they aren't as long, but by the end, he had some full-on Nosferatu going on."
There are theories online about why Dylan grew out his nails — from the nails helping him fingerpick while playing his guitar to simply having bad hygiene. We couldn't find Dylan on the record to explain. Business Insider reached out to the 83-year-old to find out, but he didn't respond to our very important query on this matter.
For Chalamet, however, it's another example of how deep he went into the role for the biopic, which is out Christmas Day. A November Rolling Stone cover story chronicled how the actor submerged himself into the character while filming, including keeping to himself on set, always speaking in Dylan's voice, and singing his songs like "The Times They Are A-Changin.'"
'A Complete Unknown' director said he understands why Chalamet did Method acting on set
Mangold scoffed at the "Method" acting narrative, saying that Chalamet speaking like Dylan even when cameras weren't rolling is a trick actors often do when playing a character with a unique voice.
"Timmy's not the only person whose ever done that, that's true for most of the actors in my movies doing dialects," he said. "They don't just do it and fall out of it the second the scene ends."
"You're also trying to make it more and more internalized. You're trying to make it something you don't have to think about," Mangold continued. "So if you're turning it on and off, you're kind of making yourself hyper-aware of it."
"A Complete Unknown," which also stars Scoot McNairy, Edward Norton, and Elle Fanning, will be released in theaters on December 25.
Guy Pearce is the first to admit that he never wanted to be a movie star.
"I didn't have that sense of ambition," Pearce, 57, tells Business Insider in his crackling Australian accent. "I just wanted to work as an actor. On the outside, you think you want fame and big Hollywood movies; none of that is how I function."
Yet Pearce has dealt with fame for close to 40 years across two continents thanks to his wide array of memorable roles, which date back to his late teens when he was a heartthrob on the 1980s Australian soap opera "Neighbours."
Even then, being famous was disarming.
"'Neighbours' was a great experience, but the fame side of it was hard work," Pearce recalls. "Coming out of 'Neighbours' and not getting the work I wanted to get but still getting chased down the street whenever I went to the shopping center, the two things messed with my mind."
Pearce finally caught a break when turned his soap star image on its head to star as a drag queen in 1994's "The Adventures of Priscilla, Queen of the Desert," a role his then-agent tried to talk him out of taking. Three years later, he would make his way to the United States to play the by-the-book detective Edmund Exley in "L.A. Confidential" and break into Hollywood. He's gone on to star in over 50 movies, including Christopher Nolan's mind-scrambling neo-noir "Memento," the Australian Western "The Proposition," and Ridley Scott's "Alien" prequel "Prometheus."
Though Pearce is definitely famous, it's now on his own terms. Unlike the Hollywood stars who bring the same persona to every role, he's never played the same type of role twice.
This time, he's digging into his dark side to play Harrison Lee Van Buren, a wealthy industrialist with a sociopathic edge in Brady Corbet's award-season contender "The Brutalist," in theaters on Friday.
Pearce says he's drawn to fully-formed characters, and in reading Corbet's script about the epic journey of immigrant architect László Tóth (Adrien Brody), the Van Buren character "jumped off the page."
"I do my best work when I don't have to go back and create something," Pearce says. "Like an orchestra member who turns up, and there's the score, and you play the score. That's how acting should be."
For BI's latest Role Play interview, I caught up with Pearce — who was dressed in the casual, non-famous attire of a black t-shirt and blue jeans — at the A24 offices in Manhattan to talk about why he wasn't initially interested in acting in America, why he's never worked with Nolan since "Memento," and how "Iron Man 3" made him amenable to doing blockbuster movies again after an awful experience on 2002's "The Time Machine."
On being told playing a drag queen would ruin his career and auditioning for 'L.A. Confidential'
You found fame in Australia with "Neighbours" in the late 1980s, then followed that with a few Aussie movies, and then "The Adventures of Priscilla, Queen of the Desert" came along. Was there any hesitation, coming off the fame of "Neighbours," to play a drag queen?
Well, I didn't sit there thinking things were good after "Neighbours." When I finished "Neighbours" at the end of 1989, I couldn't get a job to save myself. Nobody wanted to put the guy from a TV soap in their movie. So I wasn't riding a good wave.
"Priscilla" coming around, [director] Stephan [Elliott] said this at the time, he thought it was a fun joke to stick a guy from the soap in a dress. And that was fine with me. There was no question in me doing it.
I remember one of the agents at this agency in Sydney I joined after "Neighbours" told me, "I suggest you do not do this movie, this could ruin your career." And I was like, "Nope, I'm absolutely doing this, it's a fucking great script." So that was luck that I held my ground. And I'm still with the agency, but that agent left.
So when "L.A. Confidential" came along, were you finally at ease about your career? Was your goal to get work in the States?
No. No. I never had any desire to get to America. I just thought, if I'm going to be out of work, why am I going to be out of work in America? I'd rather be out of work in Australia. What happened was I went to America to promote "Priscilla" and my agent said you should meet some agents in LA. And I said, "I'm not trying to work in Hollywood. I barely can work in Australia. Why would I try?" She said, "Meet this one agent." I said fine.
We met and I got along great with him, his name is Chris Andrews. He said, "I'll represent you." I said, "Fine, but I'm not coming over here and doing pilot season, I'm not going to do that. I don't have enough money." He said, "Come stay at my house." So I came back in 1995 a couple of different times and auditioned for stuff and would stay at his house, and that's how I got "L.A. Confidential."
What was the audition like?
When I first went in, it was just a reading on tape. ["L.A. Confidential" director] Curtis [Hanson] wasn't even in the room. In fact, it was the last audition I did in late 1995 while I was in LA, so fight after I flew back to Australia. In January, Chris calls and tells me they want me to come back and do a proper screen test. I was like, "No, I'm not fucking flying back."
So Curtis called me and said, [speaking in an American accent] "Guy, I think you should come back." So basically, he had already decided, but he needed me to do the screen test so he could prove to the studio that I was the right guy. But he couldn't say I had the role. I showed up, and it was almost like shooting a scene; it was on a dressed set, costumes; they cut my hair to look like Ed Exley; it was a crazy thing.
And during filming people would come up to me and say, "You got this off of 'Priscilla'? How did Curtis see you as Ed Exley in that role?" Turns out Curtis never saw "Priscilla." It call came from that first reading on tape that I did.
How close were we to an "L.A. Confidential" sequel?
At a certain point, Curtis called me and said, "Just so you know, I'm talking to ["L.A. Confidential" author James] Ellroy about specifically writing a sequel." It would have been ten years later. And he wanted me to be involved. I told him I'm on board, no question. And Russell [Crowe] would return as well. Curtis' whole thing was it needed to be the same team, Warner Bros., me, Ellroy, Russell. It was a no-brainer for me. That got developed to a certain degree and then Curtis got sick and sadly passed in 2016.
On why he hasn't worked with Christopher Nolan since 'Memento'
If the myth is true, "Memento" is kind of the opposite of what happened on "L.A. Confidential." Instead of the director calling you, you called the director.
Well, I had always read these stories about directors saying how committed actors were to landing a role: "They slept on my porch, I knew he was the guy." I remember reading these and thinking, "Does that really work?" So I read "Memento" and really loved it, I met with Chris and then I watched "Following." I was really locked in and wanted to do it.
So I go to my agent, Chris, and I tell him, "I think I should ring Chris Nolan just so he knows that I'm really keen to do this." So I did, and I said, "I'm really sorry to do this but by all accounts this seems to work in this town, I'm really keen to do your movie, I would really love to do this." And in typical Chris Nolan fashion, he just said, "Well, okay, thank you for letting me know." I just felt if other actors are in the running he should know I really wanted to do it.
I believe actors like Charlie Sheen and Alec Baldwin were also in the running.
I have no idea. I remember Jeff Goldblum was in the mix, and Brad Pitt was the first ask. I felt, this script is so good I'm going to lose this to a name actor, I have to put my hand up. Also, I was cheap.
Are you surprised you haven't worked with Nolan since?
We nearly worked together a couple of times, but there was an executive at Warner Bros. who admitted to my agent that I was not someone he believed in and ever wanted to work with, so he was never going to work with me. And I'm glad we found that out because, for a while, it was weird that I could never get another job at Warner Bros.
But we found out because Chris offered me a role in "Batman Begins." This was at a time when he wanted Bruce Wayne's mentor to be around the same age as him. So I flew to London to see Chris, and by the time I landed, he was told that Warner Bros. was never going to employ me. So I get there and he goes, "Hey... do you wanna see the Batmobile?" And we went out to dinner and I flew home just puzzled.
I have no idea why this executive felt this way, he supposedly told Chris, "I don't get Guy Pearce, I'm never going to get Guy Pearce, I'm never going to employ Guy Pearce." So that never happened.
Then Chris talked to me about "The Prestige." He was talking to Jude Law and I about it. And next thing you know he went and made it with Batman [Christian Bale] and Wolverine [Hugh Jackman]. [Laughs.] But, again, Warner Bros. was involved. And listen, if I can only work with Chris Nolan once in my life, I'm fine with that.
(Ed note: WB and Nolan did not respond to BI's requests for comment.)
The job that made him swear off studio movies until 'Iron Man 3'
2002's "The Time Machine" was the first and only time you were the lead in a major Hollywood blockbuster. After that you didn't make a studio film again for years. How did your experience on that movie shape your career going forward?
I definitely realized that I wasn't cut out for the studio world.
Did that leave a bad taste in your mouth?
Absolutely. I just wanted to get back to what I felt comfortable doing. I just felt like the studio world was too big for me. I remember one of the executives telling me three or four times on that movie, "You know, the time machine itself, that's the star of the movie." And not that I needed anyone to pump up my ego, but I just remember a couple of times going, "Okay, yep. Got it. No worries." It was difficult.
Right after doing that I went and reshot the ending of "The Count of Monte Cristo." So at that time I was fried and I had enough of Hollywood. I was a pretty horrible person to everyone around me because of exhaustion. So I realized I'm a character actor, I'm not that guy. So I took a big step back.
Who was more fun to play, Peter Weyland in "Prometheus" or Aldrich Killian in "Iron Man 3"?
I think Aldrich Killian was probably more fun. I mean, Peter Weyland was hard work because I was literally wearing an exoskeleton and five hours of prosthetic makeup.
Did you know what the hell was happening in "Prometheus"?
I think the movie is brilliant, but I'll say, if you don't get what's happening in the first five minutes then you're lost for the rest of the movie. And I had the benefit of listening to Ridley [Scott] talk about it before we started shooting.
I loved it, but it was a tough experience physically. I couldn't sit down because of this metal frame thing. So between shots they would just lean me against the wall.
But with both of those roles, them being on big Hollywood movies, by then, I had a big rethink about how to function. Aldrich and "Iron Man 3" was an opportunity to kind of dip my foot back into the water of the studio world. The pressure isn't on me. It's a good character. So I got to do what I want to do in that world.
This interview has been edited and condensed for length and clarity.
Guy Pearce said he missed roles in Christopher Nolan's films because a Warner Bros. executive was not a fan of his work.
Pearce told BI that Nolan wanted him for "The Prestige" and "Batman Begins," but WB blocked him.
"If I can only work with Chris Nolan once in my life, I'm fine with that," Pearce said.
Guy Pearce has never worked with Christopher Nolan since starring in 2000's "Memento," but it's not from a lack of trying.
Years after Nolan cast the Aussie in his backwards-told neo-noir, in which Pearce plays a man looking for his wife's killer, he wanted him to team up with another star for his 2006 movie, "The Prestige," about two rival magicians set in Victorian London.
"He was talking to Jude Law and I about it," Pearce told Business Insider in a recent interview while promoting his upcoming movie, "The Brutalist."
"And next thing you know, he went and made it with Batman and Wolverine," he continued, referring to Christian Bale and Hugh Jackman. "But Warner Bros. was involved."
Before Nolan could move forward on "The Prestige," he made the first movie in his beloved Batman trilogy, 2005's "Batman Begins." Warner Bros. would release both. ("The Prestige" was released internationally by WB and domestically by Disney).
During that time, Pearce said he and his agent realized that an executive at WB wasn't a fan of the actor since Nolan's attempt to cast him in "Batman Begins" was also halted.
"There was an executive at Warner Bros. who admitted to my agent that I was not someone he believed in and ever wanted to work with, so he was never going to work with me," Pearce told BI. "And I'm glad we found that out because, for a while, it was weird that I could never get another job at Warner Bros."
"We found out because Chris offered me a role in 'Batman Begins,'" Pearce continued. "This was at a time when he wanted Bruce Wayne's mentor to be around the same age as him. So I flew to London to see Chris, and by the time I landed, he was told that Warner Bros. was never going to employ me."
Pearce said what transpired left him "puzzled" as instead of meeting with Nolan to talk about the movie, the filmmaker showed him the Batmobile, took him out to dinner, and sent him back on his way.
"I have no idea why this executive felt this way. He supposedly told Chris, 'I don't get Guy Pearce. I'm never going to get Guy Pearce. I'm never going to employ Guy Pearce.' So that never happened," he added.
WB did not respond to comment for this story.
A year after "Batman Begins" opened in theaters, Nolan came out with "The Prestige," starring Bale, who played Batman in his trilogy, and Jackman.
Looking back, Pearce said he's not bitter about missing out on working with Nolan again. "Listen, if I can only work with Chris Nolan once in my life, I'm fine with that," he said.
Mike Judge's film "Idiocracy" became a cult hit despite initial studio neglect.
Like Judge's previous film "Office Space," DVD rentals helped "Idiocracy" gain popularity.
Luke Wilson told Business Insider he has a sequel idea he's pitched to Judge.
Since its release almost two decades ago, Mike Judge's "Idiocracy" has become a beloved comedy, even and perhaps especially as people have begun drawing similarities between its plot and real-life events.
Though star Luke Wilson says it's the movie that fans still bring up to him the most, he calls its eventual success "the biggest surprise." When the film was initially released by 20th Century Fox in 2006, the studio had no faith in it.
"I'll never forget I was reading the LA Times before the movie opened, and I saw a small ad that said 'Idiocracy,' and only three theaters were listed," Wilson told Business Insider in his interview for our Role Play series. "So I called Mike Judge, and he told me the studio dumped the movie. I was bummed out."
Judge had been through this before. His previous movie, "Office Space," opened in 1999 with zero notice, though it would go on to become a pop-culture sensation once it hit DVD and cable in the early 2000s.
"Idiocracy" had the same post-theatrical success. In 2007, it took in $9 million in DVD rentals, 20 times its domestic gross.
In the comedy, Wilson plays Joe, who agrees to an experiment that, due to unforeseen events, results in him being in hibernation for 500 years. He awakes in a future where the population is illiterate and obsessed with big-box stores and the president is a former professional wrestler.
The movie gained pop-culture notoriety during Donald Trump's first run for president. At the time, "Idiocracy" screenwriter Etan Cohen tweeted, "I never expected #idiocracy to become a documentary."
Wilson has always been game to do a sequel, and told BI he often pitches Judge on the idea.
"I've always told him, how about me and Terry Crews and Dax Shepard coming back to the present day," Wilson said. "We see Terry's Camacho character become president, Dax's character runs a movie studio. I'm always pitching that to Mike. He gets a kick out of it."
Business Insider contacted Mike Judge for comment but didn't receive a response.
Luke Wilson's experience filming Wes Anderson's 1996 movie "Bottle Rocket" was many things: his film debut, a family affair (his two brothers Owen and Andrew also starred), and the start of a long relationship with Anderson.
It was also a bit of a nightmare.
"I love this Bob Dylan album 'Blood on the Tracks,' and he's got this quote about it where people will say to him, 'Bob, I love "Blood on the Tracks,"' and he'll say, 'I don't know how people can get enjoyment out of something that caused me such pain,'" Wilson told Business Insider.
"I read that and thought that was really funny," he continued. "That's what rings true for me with 'Bottle Rocket.'"
The offbeat crime caper about a heist gone wrong wasn't a commercial success, but it did offer Wilson a crash course in the often frustrating business of movie-making.
"All we ever heard was, 'The studio doesn't like it.' 'They don't know what you guys are doing.' 'They don't like the dailies,'" Wilson recalled. "And me being like, 'What are dailies?'"
Nearly three decades later,Wilson, 53, is a seasoned veteran who's found his niche playing soft-spoken straight-man roles in comedies like "Blue Streak," "Legally Blonde," "Old School," and "Idiocracy."
For his latest role, Wilson brings his comedic chops to Netflix in Liz Feldman's new series "No Good Deed." Like Feldman's previous Netflix hit, "Dead to Me," the series is a star-studded ensemble piece that blends elements of comedy and thriller.
Wilson stars alongside Ray Romano, Lisa Kudrow, Abbi Jacobson, Denis Leary, and his "Legally Blonde" castmate Linda Cardellini as JD, a soap opera actor who is in a bidding war for a house he believes will solve all his problems.
It was exactly the kind of role Wilson knew he could chew on. "Depressed out of work soap opera star… I thought, 'I like the sound of that,'" he said.
For the latest edition of Business Insider's Role Play series, Wilson breaks down how he and his brother launched their careers after connecting with fellow Texas native Wes Anderson, auditioning for "Blue Streak" at Martin Lawrence's house, and his efforts to convince "Idiocracy" director Mike Judge to make a sequel.
On 'Bottle Rocket' and why he's never been competitive with his brother Owen
Business Insider: 1996 marked your screen debut in the indie classic "Bottle Rocket," which was directed by Wes Anderson and cowritten by him and your brother Owen, who also stars in it. What were your acting aspirations back then?
Luke Wilson: We always really loved movies. For me, Owen, and our brother Andrew that was our focus. Me with my friends, it was talking about what movies are coming out this weekend, if they are rated R, how are we going to get into them? What theater are they at? Do we wait for a cool-looking guy in line to buy us tickets, or does one of us go to a G movie and then open the back door? When I think back on it, that was what hooked me. I would study TV Guide to see what year a movie came out, who was in it, just like how people study box scores.
And then you're suddenly on the big screen yourself.
Yeah. But not until Owen met Wes Anderson at the University of Texas did we get the idea that we were going to try to make a very low-budget movie.
That movie launched not just your career, but your brother's. What was it like going out for work while at the same time knowing Owen was also trying to start his career? Would you two audition for the same stuff?
I'm sure it happened occasionally, and who knows what happens with casting and directors, but Owen quickly went and did some big-budget movies like "Armageddon" and things like that. I was kind of doing indie stuff and smaller roles.
People always ask if we were competitive, and we never were. I always looked at it as we're from the same company, we're from the same family, and we love each other. We're not trying to hijack each other.
On his favorite Wes Anderson movie and the moment he knew 'Old School' would be a hit
Out of all the Wes Anderson movies you've done — "Bottle Rocket," "Rushmore," and "The Royal Tenenbaums" — which is your personal favorite?
The most exciting and interesting thing for me was "Tenenbaums." With "Rushmore," Wes was hitting his stride, but with "Tenenbaums," suddenly you're acting with Gene Hackman, Angelica Huston, Danny Glover, Ben Stiller, and Gwyneth Paltrow. All of a sudden it was all of these people and shooting in Manhattan, which to me was the most exciting. It seemed like things suddenly exploded.
How involved were you with the costuming of your character in "The Royal Tenenbaums"? It's become so memorable.
It was all Wes. I do remember we did have one battle. We're at this tailor, this little place in New York downtown, and I'm standing up on a wooden crate. The person is measuring me for this suit, and the cuff is getting higher and higher, and I'm like, "Can we get below my calf muscle, please?" Wes pulled me in a corner and dressed me down, so I had to just let it go.
Out of "Legally Blonde," "Old School," and "Idiocracy," which one of those are you most shocked is still beloved today?
I was just talking to Linda Cardellini, and we certainly had no idea that "Legally Blonde" was going to hit. It's certainly not my milieu or the kind of movie I'm into — I saw "Election" and thought Reese was great and I wanted to work with her.
With "Old School," I'll never forget the test screening in the Valley. After it I walked out and there were kids high-fiving in the parking lot and repeating Will and Vince's lines. This is ten minutes after seeing the movie for the first time. So I kind of knew that was going to work.
But "Idiocracy" might be the biggest surprise. It seemed like such an odd, funny movie, and I like Mike Judge so much and knew him from Austin. Mike has such a great offbeat sense of humor, and I thought things were funny, but I didn't know if it would translate. And Fox wasn't really giving him the money for the effects and set pieces.
I'll never forget I was reading the LA Times before the movie opened, and I saw a small ad that said "Idiocracy," and only three theaters were listed. So I called Mike Judge, and he told me the studio dumped the movie. I was bummed out.
So I was so surprised when it became popular. It is the movie that gets brought up the most to me. Not just election time but over the years. It's really special because it was something that couldn't be denied despite a studio putting the hammer down on it.
On sweating through an audition for 'Blue Streak' at Martin Lawrence's house and his idea for an 'Idiocracy' sequel
One movie that always sucks me in whenever it's on is "Blue Streak." Honestly, for how great Martin Lawrence is in it and a young Dave Chapelle, it's your work as the straight man opposite Martin that's the glue. Did you and Martin talk a lot between scenes about how far you were going to take the straight act?
I think I've done well with comics because I have such love for them. I have such admiration for stand-up comics. I mean, "You So Crazy" to me is up there with Richard Pryor's "Live on the Sunset Strip." It's just unbelievable. I really loved "Martin" the TV show.
I had just gotten into town so I did a read with the casting director, and then they sent me to a reading with Les Mayfield, the director, and things were looking good, but I had to go read with Martin. So, I'll never forget this: I drove to Martin's house, and I'm waiting outside his house just sweating. I walk in and read with Martin and he's got some friends with him, and Martin just starts laughing with his friends about the way I look and my voice. From then on we got along great.
I know we've talked to them about it. Whenever I run into Martin we've always talked about a sequel. We have also tried to work on some different things over the years and they just haven't happened. He's one of my favorite people. But hopefully, Carlson will be there if there's a "Blue 2."
[Laughs.] I'm not so sure how I got in that either. Probably one of those things where I got a waiver jammed in front of my face and didn't know what I was signing.
So you weren't buddies with those guys?
No. I didn't really know those guys.
Here's the kicker, Luke. Your footage didn't even make the final cut. It's a deleted scene.
Yeah. I don't really have much of a memory of that. I don't know why. [Laughs.]
Do you think Mike Judge will ever do an "Idiocracy" sequel?
Oh, I always call Mike and tell him. He's always busy and always working on a script. But I've always told him, how about me and Terry Crews and Dax Shepard coming back to the present day. We see Terry's Camacho character become president, Dax's character runs a movie studio. I'm always pitching that to Mike. He gets a kick out of it.
This interview has been edited and condensed for length and clarity.
This year marked the 34th anniversary of "Home Alone."
The holiday comedy launched the career of Macaulay Culkin and showed Joe Pesci in a new light.
Here's what the cast of "Home Alone" is up to now.
It's been 34 years since the comedy "Home Alone" hit theaters and became an instant classic. It made $467 million at the box office, making it the second-highest-grossing film of 1990 and it spawned an entire franchise.
Thanks to Macaulay Culkin's memorable performance, this movie — about a boy who is left home alone and must devise ways to protect his home from burglars during Christmas — has become a must-watch over the holidays, decades later.
The Chris Columbus-directed movie also benefited from Joe Pesci and Daniel Stern's slapstick physical comedy and John Williams' score, which makes you warm inside.
Let's check in on the cast and see what they are doing now 34 years later.
Megan Angelo contributed to a previous version of this story.
Macaulay Culkin
Kevin, played by Culkin, is the bratty youngest kid of the McCallister family, who, after being left home by mistake when his family rushes off on a flight to Paris, learns to appreciate them.
His mea culpa occurs after he spends days alone, having to fend for himself. Oh, and he also has to ward off burglars Harry (Joe Pesci) and Marv (Daniel Stern), known as the Wet Bandits.
The performance by Culkin, who was 10 at the time of filming, was so good it would define his career.
Macaulay Culkin is now married with two kids.
Culkin, 44, had unbelievable fame through most of his childhood due to "Home Alone" and its sequel, "Home Alone 2: Lost in New York." He continued to be one of the top child actors in Hollywood with movies such as "My Girl" and "The Good Son."
His fame was also heightened due to his friendship with Michael Jackson. Culkin even starred in his 1991 music video for "Black and White."
In 2005, at Jackson's trial for sexual child abuse, Culkin testified that he slept in the same bed with Jackson, but was never molested by the pop star, per Vanity Fair.
In 1994, he took a pause from acting and wasn't seen on screen again until 2003 when he made a guest appearance on "Will and Grace."
Since then, he's occasionally appeared on TV, even parodying himself in "Home Alone" for a Google Assistant commercial in 2018. Since 2019, he's appeared in episodes of shows such as "Dollface," "American Horror Story," "The Righteous Gemstones," and will appear in the second season of "Fallout."
He also is the cofounder of the pizza-themed comedy rock band Pizza Underground and the CEO of a satirical pop-culture website and podcast called Bunny Ears.
In terms of his personal life, Culkin has been in a relationship with fellow former child star Brenda Song since 2018. They have two children.
Joe Pesci
Pesci starred as Harry, a burglar obsessed with the McCallister house.
Pesci's Harry is the perfect villain for a kid-friendly movie. One-half of the "Wet Bandits" (because they flood the houses they steal from), Harry thinks he's got all the angles figured out. That includes how to do the big score of robbing a block of big fancy houses as their owners are all away for Christmas.
But Harry, with his shiny gold tooth, didn't count on Kevin to ruin his plans to rob the McCallister house, which he's always had his eye on.
Joe Pesci has semi-retired from acting.
When "Home Alone" came out, Pesci was known best for his tough guy roles in Martin Scorsese movies such as "Raging Bull" and "Goodfellas," which opened the same year as "Home Alone" and would earn Pesci an Oscar.
Pesci's silly performance as Harry showed a different side of the actor and led to more comedic movies, such as "My Cousin Vinny," and playing the bumbling sidekick to Mel Gibson and Danny Glover in the "Lethal Weapon" movies.
Since "Lethal Weapon 4" in 1998, Pesci, 81, has appeared in fewer movies. In 2019, he teamed up with Scorsese once more for the director's Netflix epic "The Irishman." Four years later, in 2023, he had a main role in the Peacock series "Bupkis," which was loosely based on the life of its star, Pete Davidson.
Daniel Stern
Stern played Marv, the other half of the "Wet Bandits."
Stern's Marv is so memorable because he plays perfectly across from Pesci's Harry.
Though Harry is the leader, Marv thinks he's his intellectual equal (though what neither of them know is that they are both idiots) which leads to great comedic moments as the two try to outsmart Kevin.
And then there's Stern's physical comedy, which is the secret sauce of this movie.
Daniel Stern is a dependable character actor.
Stern has been a Hollywood fixture going all the way back to his first movie, 1979's "Breaking Away." But around the time of the "Home Alone" release, Stern was at the height of his fame.
He was the narrator of the hit TV show "The Wonder Years," and a year after "Home Alone," he starred in another hit comedy, "City Slickers."
Most recently, the 67-year-old starred in the Hulu series "Shrill" and the Apple TV+ series "For All Mankind."
Catherine O'Hara
O'Hara played Kevin's mom, Kate, who, after realizing he's home alone, travels back to be with him.
Kate, along with her husband Peter (John Heard), are definitely up there as a pair of the worst parents in movie history.
Not only do they not double-check the head count to make sure all the kids are with them as they rush to their flight to Paris in the first "Home Alone," but they also lose track of Kevin again in the sequel, "Lost in New York."
Catherine O'Hara won an Emmy for "Schitt's Creek" in 2020.
O'Hara, 70, has gone on to have an incredible career playing a wide range of characters.
For years, she was best known for her work on Christopher Guest mockumentaries, such as "Best in Show" and "A Mighty Wind." She also frequently collaborated with Tim Burton, with voice roles in "A Nightmare Before Christmas," "Beetlejuice," and "Frankenweenie."
More recently, she's found huge acclaim for her role on the hit TV show "Schitt's Creek." At the 2020 Emmys, she won for outstanding lead actress in a comedy series for her performance in the final season.
Since "Schitt's Creek" wrapped, she's busier than ever. Since 2020, O'Hara has appeared in "Elemental," "Pain Hustlers," "Argylle," "Beetlejuice Beetlejuice," and "The Wild Robot." In 2025, she's joining the cast of "The Last of Us."
Heartwarmingly, O'Hara was on hand to help present her on-screen son, Macaulay Culkin, with his star on the Hollywood Walk of Fame in February 2024. He even called her "mama," and she called him "darling baby."
Devin Ratray
Ratray played Kevin's older brother Buzz, who loved to bully and scare his younger sibling. In other words, the perfect evil older brother.
With no care at all for Kevin, he spends most of the beginning of the movie teasing, tormenting, and scaring his younger brother.
Buzz even tells Kevin that their neighbor Old Man Marley kills people with his shovel, which turns out not to be true.
Devin Ratray pleaded guilty to domestic violence in 2024.
As an adult, Ratray, 47, starred in Alexander Payne's "Nebraska" and has worked multiple times with Steven Soderbergh ("Side Effects," "Mosaic," "Kimi"). He also had a cameo role in the Disney+ sequel to "Home Alone," "Home Sweet Home Alone" as an older Buzz — he's a police officer now.
However, Ratray has also experienced legal troubles. In 2021, he was arrested in Oklahoma while attending a fan convention for allegedly assaulting his girlfriend, per Deadline. In 2024, he pleaded guilty to two counts of domestic violence, People reported.
After his arrest in 2021, another woman came forward accusing Ratray of raping her in 2017. CNN reported in 2022 that the NYPD was investigating the case. Ratray denied the accusations in a call with the outlet. He did not respond to a request for comment from Business Insider.
Hope Davis
In one of the first roles of her career, Davis plays the French airport ticket agent who has to give the McCallisters the bad news that there are no flights back to Chicago.
Though she has a great French accent, Davis is not French — she's from New Jersey.
Hope Davis has been nominated for numerous awards.
Since her small role in "Home Alone," Davis, 60, has built a successful acting career.
She's best known for her dramatic work in movies such as "About Schmidt" and "American Splendor." Davis also played Tony Stark's mother, Maria, in the Marvel Cinematic Universe.
In 2022, she was nominated for an Emmy for outstanding guest actress in a dramatic series for her performance as Sandi Furness in "Succession."
This year, she had a guest role in the Apple TV+ thriller miniseries "Before," which starred Billy Crystal and Rosie Perez.
Kieran Culkin
Culkin played Fuller, Kevin's youngest cousin.
Fuller is best known as the family bedwetter (and the character tasked with shameless product placement as he sips a can of Pepsi at the dinner table).
Kieran Culkin is best known for "Succession."
Unlike his brother, Macaulay, Kieran didn't experience the early pressure of superstardom, making it possible to steadily build a career in Hollywood — though he did appear in "Father of the Bride" and "She's All That" while he was still a kid.
Along with scoring great roles in movies such as "Igby Goes Down" and "Scott Pilgrim vs. the World," he found his stride playing the despicable (and somehow lovable) Roman Roy in "Succession."
He received four Golden Globe nominations in a row for playing Roman, winning on his fourth try for the final season. He also received three Emmy nominations, winning for the final season as well.
In 2024, he co-starred in the dramedy "A Royal Pain" alongside Jesse Eisenberg as a pair of cousins trekking through Poland on a Holocaust tour. He's receiving plenty of buzz for his portrayal of Benji.
Roberts Blossom, who played Old Man Marley, died in 2011.
Old Man Marley, Kevin's creepy-looking neighbor who Buzz says is a killer but turns out to be a nice grandpa, was played by character actor Roberts Blossom.
Having close to 60 roles over his career, including "Close Encounters of the Third Kind" and "The Last Temptation of Christ," Blossom will forever be known for his role in "Home Alone."
Kevin's dad, Peter, was played by John Heard. He died in 2017.
John Heard played Kevin's dad, Peter, who stays back with the family in Paris when Kate returns to Kevin.
Heard starred in countless hit movies, including "Big" and "Awakenings," and TV shows. He earned an Emmy nomination for his role as Detective Vin Makazian on "The Sopranos."
The polka-loving Gus Polinski was played by John Candy. He died in 1994.
John Candy was good friends with "Home Alone" producer John Hughes, so he agreed to do a cameo in the movie.
In it he plays Gus Polinski, "the polka king of the Midwest," who helps Kate get back to Kevin by driving her home.
Director Chris Columbus told Business Insider in 2020 that most of the lines Candy said as Gus were improvised. Candy's contribution led to some of the funniest moments in the movie.
Candy was an established star when he showed up on "Home Alone." He had already starred in hits such as "Splash," "Trains, Plains, and Automobiles," "Spaceballs," and "Uncle Buck."
If you're looking for something different to watch on Netflix, you've come to the right place.
We've highlighted 11 titles you've probably never seen but should watch.
Check out movies like "Sea of Love," "The Thin Blue Line," and "Silverado."
Ian Phillips contributed to a previous version of this article.
Note: Numerous Netflix titles drop off the streaming service monthly so the availability of titles below may change.
"Blue Jay"
Jim Henderson (Mark Duplass) is back in his hometown to sell his late mother's house when he bumps into his high-school girlfriend, Amanda (Sarah Paulson). They end up spending the day together, leading to a lot of laughs and some shocking revelations.
Duplass, who also wrote the screenplay, and Paulson are fantastic together. If you're looking for a different kind of love story, this is for you.
"Casting JonBenet," Kitty Green's directorial debut ("The Assistant," "The Royal Hotel"), explores the unsolved murder in a unique way: by filming the casting of a fake movie about the JonBenét murder.
Green hires actors who live in the region of Colorado where the Ramseys lived. Some of them even know the family. The movie is made up of actor auditions and reenactments of key events, like the police news conference after the murder, and JonBenet's parents, John and Patsy, being interviewed by police. A handful of actors portray the main figures of the case in these moments — yes, even young girls as JonBenét.
The movie is a fascinating study of our own obsessions about the case rather than a search for answers.
"Compliance"
If you're looking for something very different, check out this movie.
Written and directed by Craig Zobel ("Mare of Easttown," "The Penguin"), this disturbing movie is based on "strip search phone scams" that went on in the early 2000s.
In the movie, like the real-life instances, someone calls a fast-food restaurant claiming to be a police officer, and then convinces the manager over the phone to conduct a strip search of a female employee.
The movie stars Dreama Walker as the employee, Ann Dowd as the manager, and Pat Healy as the caller impersonating a police officer.
"Emily the Criminal"
After a nonexistent theatrical release in 2022, this thriller has found a second life on Netflix.
Aubrey Plaza plays a woman crippled by student debt and unable to find a good job due to a criminal record. She decides to get into the credit-card scam game, leading her down a dark path in the Los Angeles crime scene.
"Kicking and Screaming"
No, we're not talking about that Will Ferrell soccer movie. This 1995 movie was Noah Baumbach's feature directing debut, showcasing his talent for mixing comedy with middle-class malaise. Here, he looks at a group of college graduates who are having trouble becoming real adults.
Josh Hamilton, Parker Posey, and Eric Stoltz round out the ensemble cast.
"Oldboy"
Park Chan-wook's beloved film follows a man who seeks revenge after being imprisoned for 15 years. Get ready for a fun and twisted tale with an impressive single-shot fight sequence.
"The Other Side of the Wind"
In 2018, 48 years after Orson Welles began production on what would become his final feature film, Netflix finally released what was meant to be Welles' Hollywood comeback.
Chronicling the last day of a filmmaking legend's (John Huston) life, the movie plays with a film-within-a-film storytelling style, rapid editing, and numerous types of film stock to tell a moving story about life and legacy.
Keep an eye out for a Dennis Hopper cameo, a stunning performance by Oja Kodar, and a scene-stealing role from Welles' longtime friend, fellow filmmaker Peter Bogdanovich.
"Sea of Love"
This late-1980s erotic neo-noir thriller stars Al Pacino as Frank Keller, a New York detective trying to track down a serial killer who is using a singles' column in the newspaper to find victims.
Ellen Barkin plays Helen Cruger, a woman at the top of Frank's suspects list. There's just one problem: he's falling in love with her.
John Goodman, Richard Jenkins, and Michael Rooker all give great performances, too.
"Silverado"
This classic 1985 Western from director Lawrence Kasdan ("The Big Chill") follows a group of misfit friends as they try to clean up the town of Silverado.
Filled with great gunfights and banter, it's highlighted by an ensemble cast that includes Kevin Kline, Scott Glenn, Rosanna Arquette, John Cleese, Kevin Costner, Brian Dennehy, Danny Glover, Jeff Goldblum, Jeff Fahey, and Linda Hunt.
"The Squid and the Whale"
Noah Baumbach's acclaimed early 2000s dramedy stars Jesse Eisenberg as a young man living in Brooklyn in the early 1980s who is dealing with the divorce of his parents, played by Jeff Daniels and Laura Linney.
"The Thin Blue Line"
Errol Morris' acclaimed documentary proved a man was wrongly convicted of murder and also uncovered the man who actually did the crime.
Using beautifully shot reenactments and engaging interviews, this chilling exploration inside the mind of a killer is considered one of the best non-fiction works ever created.
Disney's "Moana 2" broke Thanksgiving box office records, bringing in $380 million globally.
In previous years, Disney struggled at the Thanksgiving weekend box office with "Wish" and "Strange World."
Originally created as a series, "Moana 2" was shifted to a film, boosting Disney's theatrical strategy.
First, Disney proved it was still king of the summer movie season with the enormous success of "Deadpool & Wolverine." Now, the studio has also reclaimed its hold on the Thanksgiving holiday weekend with "Moana 2."
The sequel to the beloved 2016 animated movie brought in over $380 million worldwide in its first five days in theaters, which included over $220 million domestically. The latter is a new five-day Thanksgiving box office record, surpassing the $125 million "Frozen 2" earned in 2019.
The success of "Moana 2" was much needed for Disney, and for its animation division in particular, as the past few Thanksgivings have not been so bountiful.
For roughly the last decade, the Disney titles released over Thanksgiving were usually guaranteed box office coin, with animated fare like "Coco" (2017) and both "Frozen" movies (2013, 2019) notching major wins for the studio. But 2022 and 2023, the post-COVID years when audiences began returning to theaters, were a bust: "Strange World" and "Wish" took in $19 million and $32 million respectively on their five-day Thanksgiving opening weekends in 2022 and 2023.
In 2024, Disney is faring better. The over $1 billion take "Inside Out 2" made in June proved that audiences were out of the COVID-era haze of waiting to see Disney animated titles at home, especially Pixar movies. The success of "Moana 2" confirms that families want to see their animation on the big screen.
And it was Disney's fast thinking at the eleventh hour that kept the momentum going.
"Even the Disney brass were apparently unaware how beloved this property was as it was very close to going straight to streaming," Exhibitor Relations senior analyst Jeff Bock told Business Insider.
That's right. The "Moana" sequel was originally developed as a series for Disney+.
"Moana: The Series" was announced at the Disney Investor Day in 2020, with the plan being to delve deeper into the characters and mythology in the "Moana" franchise. But in February 2024, Disney CEO Bob Iger announced the change from series to sequel, stating on an earnings call that Disney executives were "impressed" by early footage and felt it "deserved a theatrical release."
Looking back on the sequel's journey to the screen, codirector David Derrick Jr. said that starting with the larger scope a TV series provides ultimately strengthened the story when it was adapted into a feature.
"What the series gave us was an opportunity to get to know these characters intimately, the way you can with a series, but what we were doing in the story just begged for a bigger and bigger screen," he told Collider.
"So, as soon as we funneled all of the learnings from our new characters through Moana's journey, it actually just strengthened Moana's growth and the theme of the story. So, there wasn't, for me, anything left out from the series. We were able to learn things from the series that just supercharged the feature."
Pivoting from series to feature was also a savvy business decision. After the COVID box-office slump, many studios realized that movies released exclusively in theaters didn't just bring more profitability in the initial release, but also fueled secondary windows like streaming.
Perhaps Disney brass realized in the four years from announcing the series to changing it to a feature-length film that despite the slumping box office, rededicating itself to a "Moana" theatrical release would generate more profit than it would if it were a streaming release alone.
Even after "Moana 2" eventually hits streaming, there will be more "Moana" coming. The live-action version of the movie, which stars Dwayne Johnson in the flesh as Maui, is coming in summer 2026.
But should Disney be scared of "Moana" burnout?
"I doubt it," Bock said. "'Moana' is officially the hottest IP in Disney's vast kingdom. 2026 is the perfect spacing."
Watch Dwayne "The Rock" Johnson in one of his earliest movies, "Faster."
End the year by watching these movies on Netflix.
"Faster" (December 1)
Marking one of The Rock's earliest movie roles after ending his wrestling career, here he plays an ex-con who sets out to avenge his brother's death.
"Little" (December 1)
This comedy stars Marsai Martin, Issa Rae, and Regina Hall.
Hall plays Jordan, a bossy businesswoman who finally goes too far when she insults a child. The child wishes that Jordan would become a kid again, and Jordan then becomes her 13-year-old self.
Comedy ensues as now bossy teen Jordan goes through school. Rae plays Jordan's assistant who now pretends to be her aunt.
"Zero Dark Thirty" (December 1)
In the Oscar-nominated film, director Kathryn Bigelow chronicles the nearly decadeslong manhunt to track down and kill Osama bin Laden.
Jessica Chastain delivers one of the best performances of her career as Maya, a CIA intelligence analyst who has spent her career trying to track down bin Laden.
"Shiva Baby" (December 7)
Marking the directorial debut of Emma Seligman ("Bottoms"), this comedy follows the dysfunctional life of Danielle (Rachel Sennott) as she goes to a shiva where her ex-girlfriend (Molly Gordon) and her sugar daddy (Danny Deferrari) are both in attendance.
"It Ends With Us" (December 9)
Based on the popular Colleen Hoover novel, this romantic drama stars Blake Lively as Lily Bloom, who finds herself in a toxic relationship that reminds her of what she witnessed her parents go through when she was a child.
"Mad Max: Fury Road" (December 30)
After decades in development hell, director George Miller finally made the fourth title in his "Mad Max" franchise in 2015.
Tom Hardy took over for Mel Gibson in the role of Max, a loner in a postapocalyptic wasteland. But it's the eye-popping action sequences and introduction to a new character in the franchise, Furiosa (Charlize Theron), that turned this movie into an instant classic.
It became a box office sensation and won the best picture Oscar. Russell Crowe also won the best actor Oscar.
"Gladiator II," starring Denzel Washington and Paul Mescal, is now in theaters.
Ridley Scott's 2000 historical film "Gladiator" set the stage for its sequel to continue to captivate the box office today.
The original film follows Russell Crowe as Maximus Decimus Meridius, a Roman general betrayed by Commodus (Joaquin Phoenix), the son of the emperor, who kills Meridius' wife and child. Relegated to slavery, Meridius becomes a gladiator to seek his revenge.
The movie was one of the highest-grossing of 2000, taking in over $460 million worldwide and earning Crowe a best actor Oscar and a best picture win.
Twenty-four years after the movie's release, the sequel, "Gladiator II," starring Paul Mescal, Pedro Pascal, and Denzel Washington, is in theaters. On opening weekend, it hit $55.5 million in ticket sales and more than $1000 million worldwide.
Here, we look back on the cast from the original movie and where they are now.
Russell Crowe played the movie's lead, Maximus Decimus Meridius.
Maximus Decimus Meridius was the lead character in "Gladiator." At the movie's start, he's the general of a dominant army for the Roman empire and emperor Marcus Aurelius' successor to his throne. After Aurelius is murdered by his son, Commodus, Meridius is thrown into slavery, and his family is murdered. Meridius seeks out his revenge as a gladiator.
Crowe went on to become one of the biggest stars of the 2000s.
Crowe won the best actor Oscar for his performance as Maximus.
From there, the New Zealand-born actor would become one of the biggest movie stars of the 2000s, starring in acclaimed titles like "A Beautiful Mind," "Cinderella Man," and "American Gangster."
"I'm slightly uncomfortable with the fact they're making another one — because, of course, I'm dead, and I have no say in what gets done," Crowe said at the TK minute mark, referring to his Maximus character dying at the end of the first movie.
"But a couple of the things I've heard, I'm like — no, no, no, that's not in the moral journey of that particular character, but I can't say anything. It's not my place; I'm six foot under. So we'll see what that is like."
Joaquin Phoenix played the villain Commodus.
Commodus is the main villain in "Gladiator." He kills his father, Marcus Aurelius, after learning that he has decided to make Maximus Decimus Meridius his successor to the throne. He then takes full power of the Roman Empire.
Phoenix forged a successful acting career and scored an Oscar for 2019's "Joker."
Joaquin Phoenix received a best supporting actor Oscar nomination for "Gladiator."
Since the movie, Phoenix has forged a career filled with acclaimed work that often showcases his attraction to daring and challenging roles.
After starring in M. Night Shyamalan's blockbusters "Signs" and "The Village" and receiving a best actor Oscar nomination for the 2006 Johnny Cash biopic "Walk the Line," Phoenix focused more on unique projects during the 2010s.
Phoenix was Oscar-nominated for his performance in Paul Thomas Anderson's 2012 drama "The Master." He also found acclaim for playing a lonely guy who falls in love with an operating system in 2013's "Her."
Phoenix would win an Oscar for the 2019 movie "Joker," in which he played the beloved DC Comics villain in a movie that gave the comic book genre a more dramatic feel. The movie would become one of the highest-grossing R-rated movies of all time. It'd later be beaten by 2024's "Deadpool & Wolverine."
Since then, Phoenix's received praise for performances in indie films like "C'mon C'mon" and "Beau Is Afraid." However, he got mixed reactions for playing Napoleon Bonaparte in "Gladiator" director Ridley Scott's biopic on the French military commander, "Napoleon," and the "Joker" sequel, "Joker: Folie à Deux," which was a box office bust.
Connie Nielsen played Commodus' sister, Lucilla.
She is Marcus Aurelius' oldest child. Throughout the movie, she fights off the incestuous advances of her brother, Commodus. She is also the mother of Lucius.
Nielsen is one of the few original actors who returned for the sequel.
At that point in her career, "Gladiator" was the biggest hit the Danish actor had starred in.
She went on to star in the 2002 thriller "One Hour Photo" opposite Robin Williams and the 2013 Lars von Trier erotic drama "Nymphomaniac."
In 2017, she landed a role in another box office hit by playing Queen Hippolyta in "Wonder Woman." Later that year, she would reprise the role in "Justice League" and 2020's "Wonder Woman 1984."
She returns as Lucilla in "Gladiator II."
Oliver Reed played gladiator trainer Antonius Proximo.
The gruff gladiator trainer buys Meridius and turns him into a gladiator worthy of fighting in Rome.
Reed died while filming "Gladiator."
Reed was one of the most acclaimed actors of his era. He was known for playing macho roles in movies from the 1960s and 1970s, such as "Oliver!" "The Three Musketeers," and "Tommy."
Reed died in 1999 while filming "Gladiator." Known for his heavy drinking, his hard-partying reputation led to his passing.
During a break from filming in Malta, Reed encountered officers from the Royal Navy on shore leave at a bar who challenged the actor to a drinking contest.
"He dropped down dead in the floor of a pub," Scott told Variety in 2020 for an oral history of the movie. "He probably had a couple of pints and said, 'I don't feel good,' laid on the carpet and died."
According to the Variety oral history, Reed had promised Scott he wouldn't drink while shooting, leading to the 61-year-old actor drinking on the weekends.
His official cause of death was a heart attack.
Djimon Hounsou played Meridius' friend, Jaba.
Jaba is the gladiator who befriends Meridius.
Hounsou has been working consistently since "Gladiator."
Three years before "Gladiator" opened in theaters, Hounsou landed his big break when Steven Spielberg cast him as the lead in his 1997 drama "Amistad."
Following the success of "Gladiator," Hounsou continued to land steady work, highlighted by costarring opposite Leonardo DiCaprio in the 2006 thriller "Blood Diamond," for which he received an Oscar nomination.
Since then, he's played Korath the Pursuer in the Marvel Cinematic Universe, was The Wizard in "Black Adam" and the "Shazam!' movies, and most recently starred in Netflix's "Rebel Moon" movies as General Titus.
Richard Harris played the Roman emperor Marcus Aurelius.
The Roman emperor whose decision to make Meridius his successor leads to his power-hungry son killing him.
The legendary actor went on to play Dumbledore in the "Harry Potter" movies.
Like Reed, Richard Harris was a legend on the screen.
The Irish actor was a star from the late 1960s through the 1980s. He played various roles, from King Arthur in the 1967 musical "Camelot" to an English aristocrat in the 1970s Western "A Man Called Horse." Harris' talents made him not just a box office draw but a beloved actor of critics.
Along with receiving two Oscar nominations over his career (1963's "The Sporting Life" and 1990's "The Field"), Harris also won a Grammy in 1968 for his rendition of "MacArthur Park."
For many, he's best known for the role he took a year after "Gladiator." He played Professor Albus Dumbledore in "Harry Potter and the Philosopher's Stone" and "Harry Potter and the Chamber of Secrets."
The latter would mark his final role before his 2002 death. Michael Gambon would take over the role in the acclaimed series.
Ralf Moeller played the intimidating gladiator Hagen.
Proximo's chief gladiator who befriends Meridius and Jaba.
"Gladiator" marked a career-high for Moeller.
Moeller began bodybuilding at 17 and was the German national champion in 1984.
He turned to acting four years later and quickly found work in Jean-Claude Van Damme's action movies "Cyborg" and "Universal Soldier."
Moeller would follow "Gladiator" by starring opposite Dwayne "The Rock" Johnson in 2002's "The Scorpion King."
Since then he's starred in a bevy of B-level action movies.
Tommy Flanagan played Meridius' loyal servant, Cicero.
The loyal servant of Meridius is killed while trying to help him.
Flanagan is usually cast in tough guy roles.
This Scottish actor often gets cast in tough guy roles due to the scars on his face, the result of a knife fight he got into while working as a DJ before his acting career took off.
His first movie role was in Mel Gibson's 1995 epic "Braveheart." He also starred in "Face/Off" and "The Game" before landing the Cicero role in "Gladiator."
Since then, he's starred in "Sin City," "Guardians of the Galaxy Vol. 2," but is most remembered for playing Filip "Chibs" Telford on the hit FX series "Sons of Anarchy."
Tomas Arana plays Quintus, the commander who turns on Meridius.
A Roman army commander who betrays Meridius (though comes around to be back on his side at the movie's end).
Arana has always had a knack for playing the bad guy.
Arana has made a career of playing the bad guy onscreen.
From "The Hunt for Red October" to "The Bodyguard," that dastardly stare has made him perfect for the villain role.
Since "Gladiator," he's starred in smaller roles in "The Bourne Supremacy," "The Dark Knight Rises," and "Guardians of the Galaxy."
Derek Jacobi plays Gracchus, the Roman senator who tries to help Meridius.
The Roman senator opposes Commodus' rule and tries to free Meridius from slavery.
Jacobi has been a fixture in period movies for years.
Jacobi has an esteemed career on the stage and screen, leading to him receiving two Emmys, a Tony, and a knighthood from Queen Elizabeth in 1994.
Since "Gladiator," he's been one of the go-to British actors whenever Hollywood produces period movies, starring in "Gosford Park" to "The King's Speech."
He reprises his role in "Gladiator II."
Spencer Treat Clark plays Lucilla's son, Lucius.
Lucius, the son of Lucilla, idolizes Meridius.
Clark is being a good sport about Mescal being cast as Lucius in "Gladiator II."
The year 2000 was a breakout one for Clark. The same year he played Lucius opposite Russell Crowe in "Gladiator," he was also seen alongside Bruce Willis as his onscreen son in the M. Night Shyamalan thriller "Unbreakable."
Since then, he's starred in TV shows such as "Agents of S.H.I.E.L.D," "Animal Kingdom," and "Manhunt." He also returned for the "Unbreakable" sequel, 2019's "Glass."
When word about a "Gladiator" sequel came out, which focused on the Lucius character now all grown up, some online questioned why Mescal was taking over the role and not Clark.
Scott addressed the recasting in a 2023 interview with Deadline on why Mescal, who became a hot commodity in Hollywood after starring in the 2020 series "Normal People," was right for the Lucius role.
"I'm always looking for someone, something new and fresh," he told the trade. "I mean, fresh is terribly important. So they're not carrying … baggage is a terrible word for what they've done before because it's great stuff, but you will remember he just did this character already."
Clark, who is now 37, is taking all this in stride. In an interview with People in October, he fully supported Mescal.
"The movie looks so good, and Paul's going to do such a great job," he said. "I've actually heard great things about the movie."
"Moana 2," a sequel to the 2016 hit Disney film, is now in theaters.
The movie has a dramatic ending.
It has big implications for the future of the franchise, including a possible "Moana 3."
Warning: Major spoilers below if you haven't seen "Moana 2."
"Moana 2" follows the titular hero on another adventure at sea, and it concludes with a thrilling ending.
In the Disney sequel, Moana (Auliʻi Cravalho) must find the lost island of Motufetu, which the evil god Nalo has sunk to the bottom of the sea.
On her new quest, the wayfinder has some more help from her village as members Loto, Moni, and grumpy farmer Kele join her. (Heihei the rooster and Pua the pig, her sidekicks from the first "Moana" movie, are also along for the ride, as well as a member of the Kakamora coconut pirate tribe, who were antagonists in the 2016 film).
And, of course, there's the demigod Maui (Dwayne Johnson), who, by the end of the movie, teams up with Moana.
When they all get to Nalo, the plan is for Maui to raise the island from the sea using his hook while Moana and the others distract Nalo, which has taken the form of a ferocious storm.
All goes according to plan until Nalo strips Maui of his demigod powers. It's now up to Moana, who dives into the ocean and touches the island, breaking Nalo's curse.
In the process, it seems Moana has been killed. While held in Maui's arms, Moana's ancestors appear and not only bring her back to life but turn her into a demigod like Maui.
This transformation is revealed when she holds her trusty oar after coming back to life. Like Maui's hook, it now has special powers. Once she touches it, the oar glows, and a tattoo appears on Moana's arm, chronicling her saving Motufetu.
It's not clear yet if Moana will have shape-shifting powers like Maui, but the ending teases that when she puts her oar in the water she'll get some kind of powers.
A mid-credits tease for 'Moana 3' shows the adventures aren't over yet
The movie concludes with Moana, her crew, and Maui all returning to Moana's island and celebrating that tribes from all over the oceans are reconnected now that the Nalo curse is broken.
But a mid-credit scene reveals that Nalo isn't done yet.
It turns out that Matangi, a servant of Nalo who helps Moana in the middle of the movie, was not released from the god's powers after Motufetu was raised. Still under the thumb of Nalo, the mid-credit scene teases that Matangi will be helping Nalo as the god sets out to take on Moana.
And Nalo isn't the only one looking for payback. The scene also teases the return of Tamatoa, the enormous singing crab from the first "Moana" movie.
While Disney hasn't officially confirmed "Moana 3" yet, there's clearly plenty of story left to tell.
Dwayne "The Rock" Johnson is a global movie star and former legendary pro wrestler.
His pivot to movies didn't start with blockbuster hits.
Here's a look at all of The Rock's movies, ranked from worst to best.
47. "Jem and the Holograms" (2015)
Yes, The Rock is in "Jem and the Holograms." This disastrous movie has a scene where big names like Chris Pratt and Alicia Keys say how much they love the band, and Johnson is among them. Either he was doing this as a favor, or someone involved with the movie really has something on The Rock.
46. "Longshot" (2001)
Yeah, we've never heard of this movie, either. But Johnson is in it for a split second playing a mugger. It was never released theatrically in the US, instead finding a home on the Disney Channel and DVD hoping to attract fans of Britney Spears and NSYNC, who also make cameos.
45. "Why Did I Get Married Too?" (2010)
Johnson has another blink-and-you'll-miss-it cameo in this Tyler Perry movie. Johnson shows up at the very end of the movie as a dashing philanthropist who introduces himself to Janet Jackson's character. The movie ends implying that sparks may be flying between the two.
44. "You Again" (2010)
This forgettable comedy also sports a Johnson cameo. In this one, he plays an air marshal who has to calm down a frantic Kristen Bell. If anything, it shows Johnson's ability to hold his own doing some comedic work.
43. "Empire State" (2013)
Right when Johnson was kicking his movie career into high gear with the release of "Fast & Furious 6" in May 2013, Lionsgate put this movie out four months later — straight to DVD. Starring alongside Emma Roberts and Liam Hemsworth, Johnson plays an NYPD detective trying to stop a heist planned by Hemsworth's character. It's really not worth your time.
42. "The Scorpion King" (2002)
This one isn't worth your time, either. Johnson reprises his role as The Scorpion King from "The Mummy Returns" for this standalone movie. Though it hit No. 1 at the box office its opening weekend, the movie is so forgettable that Johnson didn't even come back for the sequel, which recast his role and was released on DVD (a third movie went straight-to-DVD, too).
41. "Planet 51" (2009)
Throughout his career, Johnson has tried to capture the hearts of the family audience. This was round one, as Johnson signed on to voice the lead character for this animated movie, about an astronaut who lands on an alien planet. The movie was another forgettable attempt to get Johnson to branch out of his WWE bubble.
40. "Faster" (2010)
Johnson plays a tough guy only known as "Driver" who, following a 10-year prison sentence, sets out to avenge his brother's murder.
39. "Doom" (2005)
It makes a lot of sense that Johnson signed on to this movie, which is loosely based on the hit video game. But it turned out to be the wrong choice. The movie bombed, and only made it harder for Johnson to find respectability in Hollywood.
38. "Be Cool" (2005)
However, in the same year "Doom" opened, Johnson starred in the "Get Shorty" sequel playing a gay bodyguard. The movie is forgettable compared to the original, but Johnson is one of its few highlights.
37. "G.I. Joe: Retaliation" (2013)
Playing Roadblock in the live-action version of the iconic toy and Saturday morning cartoon, Johnson jumped on the sequel. But even he couldn't give the franchise the jolt it needed to be successful.
36. "The Game Plan" (2007)
Marking the final time Johnson would include his WWE ring name, "The Rock," in a movie's credits, this stale Disney movie was another attempt by Johnson to get families to trust him with their kids. It shows him going in the right direction, but he's not there yet.
35. "Fast X" (2023)
Johnson and Vin Diesel put their past drama aside for the good of the franchise. Johnson's Hobbs character returned for a brief cameo in the latest "Fast" movie.
We'll see if Johnson returns for the final movie in the franchise, and if he'll share screen time with Diesel.
34. "Baywatch" (2017)
Nothing about this movie works. Even with all his jokes and physical feats, he couldn't save this one.
33. "Walking Tall" (2004)
A remake of the 1973 film starring Joe Don Baker, Johnson plays a former US soldier who comes home to clean up the crime and corruption there (with Johnny Knoxville by his side). Like most of Johnson's movies, especially earlier in his career, the critics hated it. At this point in his career, The Rock getting top billing in movies was good, but he wasn't getting the top projects.
32. "Hercules" (2014)
What a difference a decade makes! Here Johnson was the lead of a major studio tentpole playing a character known the world over. The critics still hated it, but it was a respectable global performer at the worldwide box office, earning close to $250 million.
31. "Snitch" (2013)
Jumping on a project that had been in development for years, Johnson did the most with what he was given, playing a father who goes undercover to save his son. The movie was another bust, but it showcased Johnson's evolving acting abilities.
30. "Race to Witch Mountain" (2009)
Family audiences began to accept Johnson after this Disney hit, which is a remake of the 1975 movie "Escape to Witch Mountain."
29. "The Mummy Returns" (2001)
In Johnson's first major movie role, he plays the Scorpion King. At one point in the movie, he shows up in probably the worst CGI form ever to appear onscreen. Despite that, this was the first step for Johnson in building a movie career.
28. "Reno 911! Miami" (2007)
The cameos aren't over yet! Johnson shows up in this movie as a confident S.W.A.T. team member who's supposed to be the savior of the overwhelmed Reno officers. Instead, he blows himself up with his own grenade. Johnson shows off his wit and brings a cool factor to this appearance, finally showing he knows how to do cameos right.
27. "Gridiron Gang" (2006)
Trying out his dramatic chops, Johnson plays a counselor to juvenile teens who gets them to rethink their lives through playing football.
26. "Journey 2: The Mysterious Island" (2012)
Filling in for Brendan Fraser in this sequel to 2008's "Journey to the Center of the Earth," Johnson holds his own as the lead of a larger-than-life 3D action movie.
25. "Tooth Fairy" (2010)
Johnson finally cracked the family market with this hit comedy about a minor-league hockey player (Johnson) who must be a tooth fairy for a week.
24. "Southland Tales" (2006)
The most ambitious role Johnson has taken in his career to date, Richard Kelly's cult classic has him doing things that were beyond anything he'd previously attempted on screen.
23. "The Other Guys" (2010)
Johnson masters the cameo with this one. Johnson and Samuel L. Jackson play hero cops whose egos take them too far. While chasing suspect, they jump off a building aiming for the bushes and find life-ending cement.
22. "Get Smart" (2008)
Starring in a movie alongside the likes of Steve Carell and Anne Hathaway had to be a confidence booster for Johnson, who proves here he can play alongside some of the biggest stars in the world.
Johnson costars with Chris Evans as the two set out on an adventure to rescue Santa (J.K. Simmons).
Like many of Johnson's movies, there's a lot more focus put towards the CGI effects and action sequences than the story.
20. "DC League of Super-Pets" (2022)
Johnson voices Superman's best friend, his dog Krypto, in this animated movie in which all the legendary superheroes' pets save the day. It's fun, but not very memorable.
19. "San Andreas" (2015)
This is the movie that made everyone in Hollywood realize that Johnson could be a global star. The disaster movie didn't just make a profit, it was Warner Bros.' biggest box office hit of 2015.
18. "Fighting with My Family" (2019)
Johnson was a producer on this biopic on the rise of real WWE wrestler, Paige, so of course he shows up in a cameo. Here, he brushes off his "The Rock" persona to lay some hilarious smackdown on the lead (played by Florence Pugh) and her brother after they ask for advice.
17. "The Rundown" (2003)
This movie wasn't a commercial success (though found its audience on DVD and when it hit cable TV), but after the "The Mummy Returns" and "The Scorpion King," Johnson was finally able to play a modern-day role and showed that he could do more than show off his physique and say a couple of one-liners.
16. "Black Adam" (2022)
After years of developing his first foray into the superhero genre, Johnson gives everything he's got to bring Black Adam to the screen, but it's hardly as rewarding as the other characters we've seen him portray.
15. "Red Notice" (2021)
In this heist movie/buddy comedy, Johnson must not only play the hero, but also match comedic wits with Ryan Reynolds and play a romantic lead opposite Gal Gadot.
Though not always on the mark, Johnson delivers a solid performance overall.
14. "Skyscraper" (2018)
As a dad determined to save his family from a burning 240-story building, Johnson plays this disaster movie with a lot of vulnerability. It proves that even on top, he's always challenging himself.
13. "Jumanji: The Next Level" (2019)
Coming off the successful original in 2017, Johnson returns in a sequel that's even more wacky. In a twist, this time Johnson has to imitate Danny DeVito, who has taken over his game avatar. Thankfully, there are also some great action sequences.
12. "Rampage" (2018)
Johnson takes on a bunch of mutants with the help of a super-sized ape, cementing his place as one of the very few profitable action stars left in the business.
11. "The Fate of the Furious" (2017)
Despite his obvious real-life beef with the holder of the "Fast and Furious" flame, Vin Diesel, Johnson's work is a highlight of the movie — especially alongside Jason Statham.
10. "Fast & Furious 6" (2013)
Johnson truly joined the "Fast and Furious" family with this one, as he teams with Dom and Brian to go on "one last job."
9. "Fast and Furious Presents: Hobbs and Shaw" (2019)
Johnson shows off both his action and comedy chops in this expansion of his Hobbs character from the "Fast and Furious" franchise. His chemistry with costar Jason Statham is a highlight, but we're really paying to see Johnson kick butt — and he does a lot of that in this movie.
8. "Jungle Cruise" (2021)
Starring opposite Emily Blunt in Disney's latest adaptation of one of its theme park rides, Johnson plays a boat captain with a lot of awful puns and a big secret.
Once again, Johnson shows he can hold his own opposite a major star.
7. "Moana 2" (2024)
Maui is again by Moana's side in the sequel to the hit 2016 original, complete with new songs to groove to.
Johnson once again is perfect in the demigod role, bringing a mix of comedy and heroics to another Disney hit.
6. "Furious 7" (2015)
Johnson always gives Hobbs a comic book character quality, but in this one he goes all out, breaking the cast on his arm by just flexing and walking around shooting a massive gun.
5. "Pain & Gain" (2013)
Starring alongside Mark Wahlberg and Anthony Mackie as bodybuilders who get caught up in an extortion and kidnapping scheme, Johnson is the highlight as the coke-snorting, born-again loose cannon Paul Doyle.
4. "Central Intelligence" (2016)
Johnson's comedic timing is perfect while starring opposite Kevin Hart. Audiences thought so, too, as the movie was one of the biggest box office hits of 2016.
3. "Fast Five" (2011)
Not only did this movie put Johnson on the path to top-level superstardom, but his casting also gave new life to the "Fast and Furious" franchise. After a string of roles that went against type, Johnson dove in head first to a part that focused on his tough guy strengths. The audience responded. The rest is history.
2. "Moana" (2016)
Thanks to the magic of Disney and the songwriting talents of Lin-Manuel Miranda, Johnson voicing the character of Demigod Maui is perhaps one of his most touching performances to date. All those years of trying to get into the family market finally paid off. Pulling off the singing is icing on the cake.
1. "Jumanji: Welcome to the Jungle" (2017)
This role is everything Johnson wants to show he's capable of in a movie: he's tough, he's funny, and he's vulnerable. It's a multi-layered performance that, by the end, you hate to see disappear once the kids leave the Jumanji game.
Quincy Jones, Liam Payne, Kris Kristofferson, Teri Garr, James Earl Jones, and Shannen Doherty have passed away.
So did broadcasters Charles Osgood and Phil Donahue, fashion designer Roberto Cavalli, game show host Chuck Woolery, and MLB legend Pete Rose.
Below, we look back at those we lost in 2024.
Jim Abrahams, 80
Along with his boyhood friends, Jerry and David Zucker, Jim Abrahams is responsible for some of the funniest movies ever made.
Known in Hollywood as "Abrahams, Zucker, and Zucker," the trio wrote and directed memorable movies in the slapstick comedy genre of the 1980s, such as "Top Secret!" and the "Airplane!" and "Naked Gun" franchises. They also were behind the popular TV show "Police Squad!", which preceded "Naked Gun."
Abrahams found success on his own in the 1990s when he directed the "Hot Shots!" franchise.
John Amos delivered legendary performances on TV and in movies for over five decades.
After starting his acting career playing weatherman Gordon "Gordy" Howard on "The Mary Tyler Moore Show," his career took off with memorable roles like James Evans Sr. on "Good Times" and Kunta Kinte in the landmark miniseries "Roots," the latter of which earned him an Emmy nomination.
He also appeared in films like "Sweet Sweetback's Baadasssss Song," "The Beastmaster," and "Die Hard 2," and even made a surprise cameo opposite Adam Sandler in "Uncut Gems."
But his most memorable performance was as Cleo McDowell in Eddie Murphy's beloved comedy "Coming to America."
Ashton made memorable turns as the grumpy LAPD sergeant in the "Beverly Hills Cop" movies, a concerned father in "Some Kind of Wonderful," and a stubborn bounty hunter in "Midnight Run."
Along with his work in movies, he also appeared in numerous TV shows over the '70s and '80s, including "Dallas," "The A-Team," and "M*A*S*H."
Ashton died on September 26 of cancer.
Frankie Beverly, 77
Beverly's iconic R&B music was a staple for decades.
The lead singer, songwriter, producer, and founder of the band Frankie Beverly and Maze, the group was responsible for such hits as "Before I Let Go," "Joy and Pain," and "Happy Feelin's."
"Before I Let Go" would be covered by Beyoncé for her 2019 album "Homecoming."
Beverly died on September 10. No cause was given.
Seth Binzer (aka Shifty Shellshock)
With his tattoos, frosted tips, and high energy, Crazy Town lead singer Shifty Shellshock was the epitome of the late 1990s-early 2000s rap-rock front man.
With that also came a hit song: 1999's "Butterfly," which hit No. 1 on the US Billboard Hot 100 chart and was a staple on the radio and MTV's "Total Request Live."
By 2003, the band had disbanded, and despite an attempt to reunite a few years later, Crazy Town was relegated to one-hit-wonder status.
Shifty Shellshock, whose real name is Seth Binzer, appeared on the first season of VH1's "Celebrity Rehab" in 2007 and the spin-off "Celebrity Rehab Presents Sober House" a few years later.
Binzer died at his home in Los Angeles on June 24 from an accidental drug overdose, according to his manager.
Eric Carmen, 74
Carmen was a rock ballad king whose songs still get constant play to this day.
"All by Myself" was a hit in the mid-1970s. It became an even bigger hit when Celine Dion did her own rendition in 1996.
The Grammy-nominated "Almost Paradise" from the soundtrack to the hit 1984 movie "Footloose" became a staple at school dances and weddings.
Carmen repeated the feat when his song "Hungry Eyes" showed up on the soundtrack for the 1987 classic "Dirty Dancing."
Carmen's death was announced on his website on March 12, stating he "passed away in his sleep, over the weekend." No cause was given.
Roberto Cavalli, 83
The Italian fashion designer was known for his flamboyant designs and game-changing innovations.
Cavalli's use of leopard prints beginning in the 1970s became one of his trademarks. His revolutionary method of printing leather and patchwork denim was beloved by everyone from Madonna to Gwyneth Paltrow.
Cavalli died on April 12. No cause of death was given.
Bill Cobbs, 90
From playing the concerned manager opposite Whitney Houston in "The Bodyguard" to the kind-hearted coach in "Air Bud," Bill Cobbs' ability to play the voice of reason in his roles made him a memorable character actor for decades.
Cobbs' other titles include "The Color of Money," "New Jack City," "The Hudsucker Proxy," "Demolition Man," and "Night at the Museum."
Dabney Coleman became a captivating scene stealer in the 1980s thanks to his gruff demeanor and booming voice. Whether he was playing the mean boss opposite Dolly Parton, Jane Fonda, and Lily Tomlin in 1980's "9 to 5," or the nasty TV producer in "Tootsie," or chasing Matthew Broderick in "WarGames," Coleman had a talent for playing the heel.
The Emmy winner most recently starred in the HBO hit series Boardwalk Empire from 2011 to 2014 and a 2019 episode of Yellowstone.
As the wife of Francis Ford Coppola, Eleanor had to navigate the stress and complexities of living with one of the greatest directors of all time.
She channeled that by filming her husband while he made his landmark 1979 Vietnam movie "Apocalypse Now."
Her documentary, "Hearts of Darkness: A Filmmaker's Apocalypse," has gone down as one of the most honest accounts of the making of a movie.
Eleanor died on April 12. No cause of death was given.
Roger Corman, 98
To say Roger Corman was the king of B-movies is too simple of a characterization.
For decades, Corman made ultra-low-budget genre movies that featured everything from cheesy monsters to crazed bikers. Corman-produced titles almost always made a profit, and many of them became proving grounds for the directors and actors who would go on to change Hollywood.
After directing the 1967 acid-trip fantasia "The Trip" starring Dennis Hopper and Peter Fonda and written by Jack Nicholson, the trio went on to make "Easy Rider," which would usher in the New Hollywood era of the 1970s.
Corman also produced titles directed by then-unknowns like Francis Ford Coppola, James Cameron, and Martin Scorsese before they went on to mainstream studio success.
Corman died on May 9 at his home in Santa Monica, Calif., surrounded by family members.
Gavin Creel, 48
Known for his energetic performances, Creel was a fixture on Broadway. He won a Tony in 2017 for his performance as Cornelius Hackl in the revival of "Hello, Dolly!," which was headlined by Bette Midler.
His other credits include recent runs of "Thoroughly Modern Millie," "Hair," and "Into the Woods."
Creel died on September 30 after being diagnosed with metastatic melanotic peripheral nerve sheath sarcoma, a rare and aggressive form of cancer, in July.
Shannen Doherty, 53
It was hard to separate the characters Shannen Doherty played from who she was in real life, and that genuine quality led to her becoming an icon to a generation growing up in the 1990s.
Teens were glued to their TV sets every week to see the latest drama on "Beverly Hills, 90210" between Doherty's character Brenda Walsh and heartthrob Dyan McKay (played by Luke Perry, who died in 2019).
The on-screen drama spilled into Doherty's personal life, with tabloids chasing her to find who she was dating; she ultimately left "90210" after season four.
Though her star would never return to the heights of her "90210" days (she reprised her role for the revival series "BH90210," which lasted for one season), Doherty worked steadily, starring in the popular series "Charmed," making an appearance on "Dancing with the Stars," and appearing in a TV reboot of the 1988 cult classic "Heathers" after starring in the original movie.
Doherty was first diagnosed with breast cancer in 2015; two years later she announced it was in remission. In 2019, it returned and spread to her brain.
Before there was Oprah Winfrey, Geraldo Rivera, or Jerry Springer, there was Phil Donahue.
For close to 30 years, he ruled daytime talk with "The Phil Donahue Show," asking the biggest celebrities probing questions about everything from politics to abortion.
Donahue's style of mixing his own running commentary with questions from audience members became the blueprint for talk shows going forward. His efforts led to 11 Daytime Emmy wins.
With her striking features and formidable acting talent, Shelley Duvall was born to be on the big screen.
A muse of Robert Altman, Duvall appeared in seven of his films, including "Nashville," in which she played teen groupie, "L.A. Joan," and "Popeye," as Olive Oyl.
The two-time Emmy nominee also became a horror icon when she starred opposite Jack Nicholson in Stanley Kubrick's "The Shining."
As one of the original cast members of the Canadian sketch comedy show "SCTV" in the late 1970s, Joe Flaherty — alongside the likes of John Candy, Eugene Levy, Catherine O'Hara, Dave Thomas, Andrea Martin, Martin Short, and Rick Moranis — created a brand of comedy that was edgier and more outlandish than their competition "Saturday Night Live."
In later decades, Flaherty made scene-stealing appearances as the Western Union worker who gives Marty McFly the 70-year-old letter from Doc Brown in "Back to the Future Part II" and the heckler Donald in "Happy Gilmore."
He was also a regular on TV through the decades, with roles in "Married… with Children," "Freaks and Geeks," and "The King of Queens."
After making a name for himself as a DJ around New York City in the 1980s, DJ Clark Kent produced some of the biggest rap hits of the mid-1990s.
He was responsible for hits like Junior M.A.F.I.A.'s "Players Anthem," Jay-Z's "Brookyln's Finest," and "Loverboy" by Mariah Carey.
Over his career, he also produced tracks for Slick Rick, Queen Latifah, Doug E. Fresh, the Fugees, Rakim, Ice Cube and 50 Cent.
DJ Clark Kent, whose real name is Rodolfo Franklin, died on October 24 after a bout with colon cancer.
Teri Garr, 79
Through the 1970s and 1980s, Teri Garr showed her range as a budding star. 1974 marked her breakout year, as she starred in two very different movies. In Francis Ford Coppola's "The Conversation," Garr gave a beautifully subtle performance as a woman ending her relationship with the main character, played by Gene Hackman. She then showed her comedic side playing the female lead opposite Gene Wilder in Mel Brooks' "Young Frankenstein."
From there, Garr landed roles in "Oh God!" opposite John Denver, Steven Spielberg's "Close Encounters of the Third Kind," "Tootsie" opposite Dustin Hoffman (for which she earned an Oscar nomination), and the female lead opposite Michael Keaton in "Mr. Mom."
Garr died on October 29 after battling multiple sclerosis since 1999.
Nikki Giovanni, 81
Giovanni was an acclaimed poet, author, and activist.
She found initial acclaim in the 1960s during the civil rights movement, when her writing led to her being called the "Poet of the Black Revolution."
She's written dozens of volumes of poetry since then, and 10 children's books.
Along with holding 27 honorary degrees from various colleges and universities, she also was awarded the NAACP Image Award seven times over her career.
Giovanni died on December 9 of lung cancer.
Louis Gossett Jr.
Born in Brooklyn, New York, Louis Gossett Jr. made his stage debut at 17. After building his craft onstage through the 1960s, Gossett Jr. made the jump to screen and in 1977 was cast in the acclaimed miniseries "Roots" opposite the likes of Ben Vereen, LeVar Burton, and John Amos. He went on to win an Emmy for his performance as Fiddler.
He was nominated for seven more Emmys after that, most recently in 2020 for playing William Reeves in the HBO limited series "Watchmen."
He made history in 1983 when he won an Oscar for best supporting actor for his portrayal of the strict drill instructor Emil Foley in "An Officer and a Gentleman." It would mark the first time a Black actor won the prize in that category.
Gossett Jr. went on to star in hit movies and TV shows like "The Principal," "Toy Soldiers," "Iron Eagle," and "Boardwalk Empire."
Gossett Jr. died on March 29. No cause was given.
Cissy Houston, 91
Emily "Cissy" Houston, the Grammy award-winning singer and mother of Whitney Houston, died on Monday at 91.
The soul singer was surrounded by family while in hospice, Gwendolyn Quinn, a representative for Whitney Houston's estate, told Business Insider.
Cissy Houston had Alzheimer's disease, according to a statement from Quinn.
"Our hearts are filled with pain and sadness. We lost the matriarch of our family," Houston's daughter-in-law Pat Houston said in a statement shared with BI. "Mother Cissy has been a strong and towering figure in our lives.
"A woman of deep faith and conviction, who cared greatly about family, ministry, and community," the statement continued. "Her more than seven-decade career in music and entertainment will remain at the forefront of our hearts."
Cissy Houston got her musical start at church before joining her siblings in a family gospel act. She gained commercial success in the 1960s as part of The Sweet Inspirations, a backing group that sang for soul singers like Aretha Franklin, Otis Redding, and Elvis Presley.
She later pursued a solo career and recorded hundreds of songs throughout her career as a popular session singer.
Cissy Houston frequently sang with her daughter, including backup on Whitney Houston's successful first album.
Tito Jackson, 70
Jackson was one of the original members of The Jackson Five.
The group comprised his brothers Jackie, Jermaine, Marlon, and Michael. They found fame as kids in the 1960s thanks to hits like "Big Boy," "I Want You Back", "ABC", "The Love You Save", and "I'll Be There."
They would go on to sell millions of albums and perform alongside their famous brother Michael once he launched his solo career.
Jackson, who played guitar for the group, went on to have a solo career as a blues musician in the early 2000s.
Jackson died on September 15. No cause was given.
Norman Jewison, 97
The legendary director was best known for his eclectic filmography that included the drama "In the Heat of the Night," the musical "Fiddler of the Roof," and the beloved comedy "Moonstruck," all of which garnered him best director nominations at the Oscars.
The Canadian filmmaker's specialty was getting top-notch performances out of A-list actors like Steve McQueen ("The Thomas Crown Affair") and Denzel Washington ("The Hurricane").
It often led to Oscar glory for his movies and their stars. Twelve actors received nominations over his 40-year career, with five of his movies earning best picture noms.
The English actor starred in over 60 films and 30 plays, and is known best for playing Mrs. Banks in the beloved 1964 Disney movie "Mary Poppins."
Legend has it that Johns originally thought she landed the role of Poppins. To let her down easy, Walt Disney made sure that she got to sing a big musical number in the movie. It led to the famous "Sister Suffragette" sequence.
In 1973, Johns' breathy voice caught the attention of legendary composer Stephen Sondheim, who cast her in the original Broadway production of "A Little Night Music." Sondheim wrote "Send in the Clowns," the song she performs, with her in mind. Johns would earn a Tony Award for her performance.
She was also nominated for an Oscar for her work in "The Sundowners" (1960).
Johns died on January 4. No cause of death was given.
James Earl Jones, 93
The legendary voice behind iconic characters like Darth Vader and Mufasa died on Monday, September 9, at 93.
James Earl Jones is also known for his roles in "Field of Dreams" and "The Great White Hope," for which he was Oscar-nominated.
The actor overcame a childhood stutter to become a star of the stage and screen, working for more than 60 years in Hollywood and on Broadway.
Jones is also a rare EGOT winner. He won an Emmy, Grammy, honorary Oscar, and Tony.
Quincy Jones, 91
Quincy Jones was one of the most successful producers in the history of the music business. Over his eight decades in music, he worked with everyone from Frank Sinatra to Will Smith, and his work resulted in 28 Grammy Award wins.
But Jones will forever be linked with Michael Jackson.
He produced Jackson's iconic solo albums, "Off the Wall," "Thriller," and "Bad," which launched the artist into becoming the King of Pop.
And only Jones could pull off the star-studded charity single "We Are The World," which featured the likes of Jackson, Lionel Richie, Diana Ross, Bruce Springsteen, Cyndi Lauper, and Ray Charles.
A multitalented performer, Kristofferson was a country music superstar known for hits like "Me and Bobby McGee" and "For the Good Times" before he became an A-list Hollywood actor with roles in "A Star is Born" and "Blade."
The former US Army pilot had a larger-than-life personality and credited fellow songwriter Johnny Cash with encouraging him to pursue a musical career, the Associated Press reported.
On September 28, the singer-songwriter, age 88, died peacefully in his home on Maui, Hawaii, surrounded by family, his spokesperson confirmed to AP. No cause was given.
Thanks to his unique voice and lyrical prowess, Rich Homie Quan gained fame in the early 2000s in the Atlanta rap scene.
A member of Cash Money Records' spin-off Rich Gang, Quan, whose real name is Dequantes Devontay Lamar, found success with hit tracks like "Type of Way" and "Flex (Ooh, Ooh, Ooh)."
Lamar died on September 5. No cause was given.
Phil Lesh, 84
As one of the founding members of The Grateful Dead, Lesh was instrumental in defining rock music for a generation.
As the group's bassist, Lesh brought a steady rhythm to the band's iconic songs. He also sang a few of their classics, including "Pride of Cucamonga," "Unbroken Chain," and "Box of Rain."
When The Dead disbanded in 1995, he went on to jam with bands Phil Lesh and Friends and Furthur alongside Dead bandmate Bob Weir.
Lesh died on October 25. No cause was given.
Jon Landau, 63
Alongside James Cameron, producer Jon Landau was behind some of the most successful movies ever made.
Landau won the Best Picture Oscar with Cameron for 1997's "Titanic," which at the time was the highest-grossing movie ever.
He then broke the box office record again with Cameron's "Avatar" in 2009.
Landau also produced Steven Soderbergh's 2002 remake of "Solaris," Robert Rodriguez's 2019 "Alita: Battle Angel," and Cameron's upcoming "Avatar" sequels.
In an era in the 1970s where stand-up comedy could be a path to superstardom, Richard Lewis was one of the biggest acts.
Often dressed in black and holding his hand up to his temple, his self-deprecating and neurotic style made him a constant visitor to Johnny Carson's "The Tonight Show."
By the 1980s, he hit it big on TV, starring opposite Jamie Lee Curtis on the series "Anything but Love," which ran for four seasons.
His movie credits include the Mel Brooks comedy "Robin Hood: Men in Tights," "Leaving Las Vegas," and John Candy's final role before his death, 1994's "Wagons East." Lewis has said Candy's death was one of the things that finally got him sober.
Lewis introduced himself to a new generation when Larry David's "Curb Your Enthusiasm" premiered on HBO in 2000. For 11 seasons, Lewis played a fictional version of himself as one of David's friends. Though he didn't return as a series regular for the series' final season, season 12, he popped up in a cameo in an episode that aired on February 18.
Back in April, Lewis revealed via a video on X, formerly known as Twitter, that he was diagnosed with Parkinson's disease and would be retiring from stand-up comedy after undergoing four surgeries.
Lewis died on February 27 of a heart attack in his Los Angeles home.
Willie Mays, 93
Regarded as one of the greatest baseball players who ever lived, Willie Mays was astounding to watch.
He could hit and catch, had speed, and pulled off amazing feats that are still remarkable to this day.
One of his most memorable plays happened in Game 1 of the 1954 World Series, which is simply known as "The Catch."
Mays' New York Giants were facing the Cleveland Indians at the Polo Grounds in New York. With the score tied 2-2 in the eighth inning and runners on base, Indians player Vic Wertz hit a towering 420-foot blast to dead center that in today's baseball would be deep in the seats for a homerun. But due to the Polo Grounds' massive outfield, it was in play, and Mays used practically all of it to track down the ball on the run with an incredible over-the-shoulder catch and then threw it into the infield quickly so no runner could score. The Giants went on to win the game in extra innings 5-2, and would go on to win the World Series. Many still regard Mays' catch as one of the greatest moments in baseball history.
Mays would go on to play 21 seasons with the Giants before being traded to the New York Mets for the 1972-73 season, which would be his last. He finished his career with 3,293 hits and 660 home runs.
A 1980s icon, Morgan found instant stardom in her film debut playing the stunning Lacey opposite Chevy Chase in the classic 1980 comedy "Caddyshack."
Two years later, she found herself in another iconic work, Disney's "Tron." As Dr. Lora Baines in the real world and Yori, who helps Jeff Bridges after he's sucked into the game world, Morgan once again showed she can shine opposite Hollywood's biggest leading men.
Though Morgan worked steadily the rest of her career, including a multi-episode run on the soap opera "Falcon Crest," she'll be forever known for her performances in two of the biggest movies of the '80s.
Morgan's death was first reported on January 6, though she died on December 30, 2023. No cause of death was given.
Martin Mull, 80
Mull could expertly play self-deprecating or the know-it-all jerk in everything from hit TV shows and movies to commercials. He was known for his roles in movies like "Clue" and "Mr. Mom," and in TV shows like "Rosanne," as boss Leon Carp, and "Arrested Development," as private detective Gene Parmesan. He was also the voice of Red Roof Inn commercials for many years.
Over his 18 seasons in the NBA, Dikembe Mutombo was known by many as one of the greatest defensive big men to ever play the sport.
Nicknamed "Mount Mutombo," the 7-foot-2-inch center entered the NBA as the fourth pick in the 1991 NBA draft by the Denver Nuggets after an impressive college career at Georgetown. He would go on to lead the NBA in blocked shots three times over his career and was named to eight All-Star teams. By the time he retired in 2009, after playing for six teams and making two NBA Finals appearances, he was second on the list of all-time career leaders in blocked shots.
Outside basketball, Mutombo was also known for his humanitarian work. His work with his foundation improving the living conditions in his native Democratic Republic of Congo made him one of the first global ambassadors of the NBA.
Mutombo died on September 30 following a bout with brain cancer.
Bob Newhart, 94
Bob Newhart is regarded as one of the funniest men of the 20th century.
With his comedy albums and iconic TV shows like "The Bob Newhart Show" and "Newhart," the comic entertained audiences for generations.
The finale of the eight-season run of "Newhart" is regarded as one of the best in TV history. The last scene revealed that the entire series was a dream and that the show existed within the world of Newhart's other show, "The Bob Newhart Show."
Later in life, he played the heartwarming Papa Elf in the 2003 movie "Elf." Newhart scored his only Emmy win in 2013 for his recurring role on CBS' "The Big Bang Theory."
Newhart died on July 18 following a series of short illnesses.
Charles Osgood, 91
The face of "CBS Sunday Morning" for over two decades, Osgood became a fixture in Americans' homes at the end of every weekend thanks to his wit, calming demeanor, and that bow tie.
Osgood had been at CBS since the early 1970s, first as a reporter, then the anchor of the "CBS Sunday Night News" from 1981 to 1987. From 1987 to 1992, he was often on "CBS This Morning."
In 1994, he became the face of "Sunday Morning," replacing Charles Kuralt. He would go on to earn two Daytime Emmys and a Peabody for his work on the show. He ended his run 2016, passing the reins to Jane Pauley.
Sporting a baritone voice and a flair for the dramatic, Ken Page forged a legendary Broadway career as he crafted some of the most memorable performances featured on The Great White Way.
After making his Broadway debut playing the Lion in 1975's "The Wiz," he went on to play two landmark roles: Ken in the original production of "Ain't Misbehavin'" (1978) and Old Deuteronomy in the original production of "Cats" (1982).
He also made an indelible mark on the big screen by voicing the villain Oogie Boogie in Tim Burton's beloved 1993 stop-motion animated movie "The Nightmare Before Christmas."
Page died on September 30. No cause was given.
Liam Payne, 31
As one of the members of the boy band One Direction, Payne brought joy and excitement to the band's millions of fans around the world.
The band, which was formed after singers Payne, Harry Styles, Zayn Malik, Louis Tomlinson, and Niall Horan were made into a group during the 2010 British talent show "The X Factor," quickly became a sensation.
In 2011, One Direction released their first album, "Up All Night," which debuted at No. 1 on the Billboard charts. They released another four albums before going on hiatus in 2016.
In 2019, Payne released his solo album, "LP1." He released the song "Teardrops" in March.
Perry, a professional surfer, appeared on screen in 2002's "Blue Crush" and 2011's "Pirates of the Caribbean: On Stranger Tides."
Perry died on June 23 after being attacked by a shark while surfing off the island of Oahu in Hawaii, according to the Associated Press. He was brought to shore by paramedics and pronounced dead at the scene.
Chita Rivera, 91
Rivera was a Broadway legend who originated some of the stage's most memorable characters, including Anita in "West Side Story," Velma Kelly in "Chicago," and Rose in "Bye Bye Birdie." She would go on to be nominated for 10 Tony Awards and win twice.
With Broadway credits spanning seven decades, Rivera's singing and dancing shaped generations of performers.
Former First Lady Michelle Obama's mother, Marian Robinson, was often described as the matriarch of the White House during the Obama administration, but the Chicago-born daughter of seven never felt quite at home on Pennsylvania Avenue, according to her family.
"The trappings and glamour of the White House were never a great fit for Marian Robinson," a statement from former President Barack Obama, Michelle Obama, and other family members said. "'Just show me how to work the washing machine and I'm good,' she'd say."
Robinson's death was announced on May 31.
A cause and place of death was not revealed.
Pete Rose, 83
Pete Rose was one of the most polarizing figures in all of baseball history.
First known as "Charlie Hustle" because he never let up — he even famously crashed into catcher Ray Fosse during an All-Star Game — he also gained the nickname "The Hit King" when he passed Ty Cobb for the most hits in a career with 4,256.
But after he hung up his cleats, he was called other names, like "cheat" and "disgrace," when he was given a lifetime ban for betting on games while manager of the Cincinnati Reds (Rose finally admitted to the charge in a 2004 autobiography).
Death may finally give Rose something he was never allowed in life: induction into the Baseball Hall of Fame. He has the credentials: along with hits, he also holds the record for most games played. He made 17 All-Star Game appearances and won an MVP, three batting titles, two Gold Gloves, and three World Series championships with the Philadelphia Phillies.
Rose died on September 30. No cause was given.
Gena Rowlands, 94
For the current generation, Gena Rowlands is known as the older version of Rachel McAdams' character in the 2004 adaptation of Nicholas Sparks' "The Notebook."
But her career stretches back decades. From the late 1960s through the 1980s, Rowlands was one of the most respected and acclaimed actresses working in Hollywood. Thanks to the efforts of her husband John Cassavetes, she also became the muse of the burgeoning American independent film scene.
After conquering Broadway, Rowlands quickly found work in Hollywood in the late 1950s. As her star grew, her husband, a renowned actor himself, began making movies financed outside the Hollywood system, which was unheard of at the time. With Rowlands as his star, the two collaborated on 10 movies, two of which led to Oscar nominations for Rowlands (1974's "A Woman Under the Influence" and 1980's "Gloria").
Rowlands' other standout titles include Woody Allen's "Another Woman" (1988), Jim Jarmusch's "Night on Earth" (1991), and her son Nick Cassavetes' "The Notebook" (2004).
Rowlands died on August 14 following a battle with Alzheimer's.
Richard Simmons, 76
Richard Simmons would use his drive for weight loss to become one of the most recognizable fitness gurus in the world.
Overweight in his youth, Simmons began opening gyms around Los Angeles in the 1970s after losing 123 pounds. Simmons found fame in the 1980s for his energetic aerobic videos like "Sweatin' to the Oldies" and his Emmy-winning daytime show, "The Richard Simmons Show," which captured the nation's obsession with weight-loss programs.
For the rest of his life, Simmons' celebrity would only grow thanks to his flamboyant personality, which made him a fixture on game shows and late-night talk shows.
O.J. Simpson had a life of high highs and low lows.
Finding fame initially on the football field, he became one of the greatest running backs ever to play in the NFL in the 1970s. He had an MVP season in 1973 when he set a single-season rushing record and was inducted into the NFL Hall of Fame in 1985 after his retirement.
He was set to live out his days as a hero and grow even more famous thanks to endorsements, movie roles, and broadcasting.
But all of that changed in June of 1994 after his ex-wife Nicole and her friend Ron Goldman were found stabbed to death outside her condo. Days later, Simpson, who was a person of interest in the murders, led Los Angeles police on a slow-speed chase in his Ford Bronco, finally giving up when he got back to his home.
Simpson's televised trial for the deaths of Nicole and Goldman a year later became one of the biggest spectacles in modern-day American history.
Simpson was acquitted of the murders, was found guilty in civil court in 1997.
The story of Simpson's incredible rise and fall still fascinates people to this day. The 2016 ESPN docuseries "O.J.: Made in America" won an Oscar and Emmy, and Ryan Murphy's 2016 scripted series "The People vs. O.J.: American Crime Story" won eight Emmy Awards and two Golden Globes.
Dame Maggie Smith was a two-time Oscar winner and one of Britain's most acclaimed actors. Over her seven-decade career, she played every type of role on the stage and screen.
Soul found instant fame in the mid-1970s playing Detective Kenneth "Hutch" Hutchinson, one half of the hip crime solvers in "Starsky & Hutch."
Before hitting it big on the show, Soul was a folk singer through the 1960s, opening for the likes of Frank Zappa and The Byrds. At one time he even sang while his face was covered with a mask, calling himself "The Covered Man."
After "Starsky & Hutch," Soul went back to music and scored the No. 1 single on the Billboard Hot 100 with "Don't Give Up on Us."
Soul also made appearances on shows like "Star Trek," "Gunsmoke," the Clint Eastwood movie "Magnum Force," and a miniseries adaptation of the Stephen King novel, "Salem's Lot."
In 2004, an unknown documentary filmmaker arrived in Park City, Utah, for the Sundance Film Festival. Overnight, his life was changed — because he made a movie about eating McDonald's.
If there's one thing Morgan Spurlock knew how to do, it was get people's attention. With a big personality and an unusual idea, Spurlock changed the way we look at fast food when he made "Super Size Me," a documentary in which he ate nothing but McDonald's for a full month, to stomach-churning effect.
The documentary earned an Oscar nomination and became a box-office sensation. Weeks after its release in theaters, McDonald's discontinued its supersize portions.
Spurlock used that success to become one of the stars in the documentary medium, which was growing in popularity in the early 2000s. He would go on to direct and produce dozens of documentaries for the big screen and TV, focused on everything from Osama bin Laden to One Direction.
His legacy would be tarnished in late 2017, at the height of the #MeToo movement, when Spurlock confessed to multiple acts of sexual misconduct in his past.
Donald Sutherland had the incredible talent to be the life of the party in one performance or a wallflower in the next. Need a dark and disturbing presence for a role? He's your guy. Or he could do a wise-cracking know-it-all character.
What we're trying to say is whatever the role, Sutherland could pull it off. And he did it so well that he delivered some of the most memorable roles ever put on screen over the last six decades.
Playing a Nazi-killing grunt in "The Dirty Dozen" (1967), creating one of the greatest screen duos ever opposite Elliott Gould in "M*A*S*H" (1970), acting as a laid-back professor in "Animal House" (1978), delivering one of the best surprise endings ever in a remake of "Invasion of the Body Snatchers" (1978) — he could do it all. He was both the man who knew the truth behind the Kennedy assassination in "JFK" (1991) and the villain in the "Hunger Games" franchise (2013-2015).
Teal had a memorable recurring role in the hit series "One Tree Hill."
Over seven episodes he played Josh Avery, who had a romantic relationship with Jana Kramer's Alex, before revealing he was gay.
Following "One Tree Hill," Teal landed roles in "Dynasty," "The Walking Dead: World Beyond," "USS Christmas," "Fear Street Part 2: 1978," "Deep Water," and "Descendants: The Rise of Red."
On stage, he starred in "Newsies," "Sweeney Todd," and "Rent."
Todd was a fixture in movies for decades, beginning as a grunt in Oliver Stone's 1986 classic "Platoon" followed by memorable roles in "The Crow," "The Rock," and the "Final Destination" franchise.
But he'll forever be known as the haunting figure in the 1992 horror movie "Candyman."
Playing the title character, he torments his victims with his hook hand and bees coming out of his mouth. The performance would cement Todd as a beloved figure in the horror genre.
Todd died on November 6 following a long illness.
Robert Towne, 89
Towne is regarded as one of the greatest screenwriters who ever lived thanks to his contributions during the New Hollywood era of the 1970s.
Known best for penning the acclaimed script for Roman Polanski's 1974 classic noir "Chinatown," which earned Towne his only Oscar win, he was also Oscar-nominated for "The Last Detail" (1973), "Shampoo" (1975), and "Greystoke: The Legend of Tarzan, Lord of the Apes" (1984). For the latter, Towne famously removed his name from the credits and replaced it with the nom de plume P.H. Vazak, which was later revealed to be the name of his sheepdog.
Towne's other credits include Tom Cruise movies like "Days of Thunder" (1990), "The Firm" (1993), and the first two "Mission: Impossible" movies from 1996 and 2000.
He also was a prolific script doctor, an uncredited but paid position in which the screenwriter helps punch up a movie. Classics like "Bonnie and Clyde," "The Godfather," and "Marathon Man" all received tweaks from Towne.
Towne died on July 1. No cause of death was given.
Johnny Wactor, 37
Wactor was best known for his role as Brando Corbin on the soap "General Hospital." He appeared in more than 160 episodes during his two seasons on the series before leaving in 2022.
His résumé included guest roles on "Westworld," "The OA," "Station 19," "Siberia," "Agent X," "Vantastic," "Animal Kingdom," "Hollywood Girl," "Training Day," "Criminal Minds," "Struggling Servers," "Age Appropriate," "NCIS," "The Passenger" and "Barbee Rehab."
He also starred in the 2016 Mario Van Peebles-directed movie "USS Indianapolis: Men of Courage" alongside Nicolas Cage, Tom Sizemore, and Thomas Jane.
You may not know the name, but you definitely know this face.
Character actor M. Emmet Walsh showed up in more than 150 movies over his career, many of which have gone on to become classics: "Blade Runner," "Blood Simple," "Slap Shot," "Fletch," "The Jerk," "Back to School," "My Best Friend's Wedding," and "Knives Out."
He also has appeared in many popular TV shows over the decades, including "Home Improvement," "The X-Files," and "Frasier."
Walsh died on March 19. No cause was given.
Carl Weathers, 76
Thanks to his bravado and astounding physique, Weathers found fame when he was cast as heavyweight champion Apollo Creed in 1976's "Rocky."
The following years and decades brought more memorable roles, whether he was sizing up biceps with Arnold Schwarzenegger in 1987's "Predator," or trying to teach Adam Sandler how to play golf in 1996's "Happy Gilmore."
Most recently, he played Greef Karga in the "Star Wars" series "The Mandalorian." Along with appearing in front of the camera, he also showcased his talents behind it, directing multiple episodes.
Jerry West, 86
You can give several examples to show just how great a basketball player Jerry West was. He won an NBA title, an Olympic gold medal, and is the only player on the losing team of an NBA Finals to be named MVP.
But there's one that overshadows all of these accomplishments: he was the logo.
That's right. The actual NBA logo is a silhouette of Jerry West dribbling a basketball.
Known for his tenacious play and ability to score in the clutch, West was one of the stars in the NBA before its enormous popularity in the 1970s, when players like Larry Bird, Magic Johnson, and later, Michael Jordan, became household names.
After his retirement, West became an executive of the Los Angeles Lakers and was instrumental in the "Showtime" Lakers' championship dynasty through the 1980s. He made the key signings to get Shaquille O'Neal and Kobe Bryant to the Lakers, creating another dynasty in the early 2000s.
Woolery entertained audiences for decades as host of many popular game shows,
After trying to find fame as a musician and actor, he finally found his niche in the burgeoning game show space in the 1970s.
He was the original "Wheel of Fortune" host when it launched in 1975. He followed that hosting "The Love Connection," "Scrabble," and "The Dating Game."
Kevin Smith's SModcastle Cinemas is a shrine to the filmmaker's career.
Located in Atlantic Highlands, New Jersey, Smith often hosts events and introduces movies.
BI spoke to Smith at SModcastle about his most personal venture yet.
Entering SModcastle Cinemas, the New Jersey movie theater owned by filmmaker Kevin Smith, is like approaching the altar of a giant shrine to raunchy slacker-cinema.
Gracing one wall is a mural of memorable characters from Smith's movies, like Elizabeth Banks and Seth Rogen in "Zack and Miri Make a Porno" and Mark Hamill as Cocknocker in "Jay and Silent Bob Strike Back." Posters from his films and live podcast events line the hallways leading to the five screens mazed through the building. On at least one of them, a Kevin Smith movie is usually playing.
It's the perfect destination for Gen X movie fans, who grew up obsessed with Smith's signature low-budget artistry and unabashed embrace of R-rated antics.
Yet, to my surprise, the first patron I see in the SModcastle lobby one Friday afternoon is a young boy of no more than six years old with his mother.
When Smith walks through the door shortly after wearing his usual outfit — backwards cap, suit jacket, and shorts — he fills me in on a secret. Yes, SModcastle is a physical space devoted to the View Askewniverse, a reference to his production company's name, View Askew. But there are other ways he keeps the lights on.
"Birthday parties are one of our biggest moneymakers," he says.
Over his 30-year career, Smith has been called many things, but shrewd businessman is not one of them. Yet his artistic appeal has helped Smith turn himself into a viable brand.
Though modest by design, SModcastle Cinemas is the latest testament to the power of the grassroots-level hustle that propelled Smith to stardom with "Clerks" in the 1990s.
From filmmaker to podcaster
Smith released his 1994 debut feature, the black-and-white comedy "Clerks," at the height of the US indie film craze, when movies like "Pulp Fiction" and "Hoop Dreams" were showing audiences that there was more to see in theaters outside of what major studios had to offer.
Shot at the actual convenience store where Smith worked, Quick Stop in Leonardo, New Jersey, "Clerks" introduced the world to wiseass New Jersey twenty-something characters like Dante Kicks, Randal Graves, Rick Derris, and, of course, Jay and Silent Bob.
Thanks to its countless pop-culture references and crude humor, "Clerks" found instant acclaim, making Smith, who also played Silent Bob, the "It" young filmmaker in the burgeoning indie film scene.
Smith went on to make movies like "Mallrats," "Chasing Amy," "Dogma," and "Jay and Silent Bob Strike Back." Though none were as universally praised as "Clerks" — especially the doomed "Jersey Girl" — they built Smith a loyal and enduring fanbase.
The movies laid the foundation for the most lucrative aspect of the Kevin Smith brand: himself. From a strain of marijuana to SModcast, a podcast he started with his former producer Scott Mosier in 2007 (the "P" in podcast is replaced with the first letters of their last names), Smith has been honing his public persona for decades. In 2010, this led to Smith finding a venue where he could perform in front of a live audience whenever he wanted: He called it SModcastle.
The first version was in Los Angeles at a 48-seat location on Santa Monica Blvd.
"Scott and I had just gone out to do a SModcast tour, and I wanted to be able to do it live whenever I wanted," Smith tells me while laying on his chest on the stage of the 230-seat main theater at SModcastle's current location.
Though SModcastle 1.0 on Santa Monica always sold out when Smith was in attendance, that was the problem: whenever he wasn't there, the place was empty.
Though the business model was far from perfect, Smith says it was the incubator for what would become the SModcast network of podcasts, which is now the backbone of his brand. Shows like "Hollywood Babble-On" and "Jay & Silent Bob Get Old" were birthed at SModcastle 1.0 and have since built loyal audiences and sold out live shows.
Smith finally closed down the Santa Monica SModcastle in 2011. Then in 2021, he learned of an opportunity to rent space in the same building as the Quick Stop where he shot "Clerks."
"Great, we're doing it again, and it's right next to Quick Stop, where we know people come there as a tourist trap. This will be fantastic," Smith recalls thinking.
But the same problem that befell the LA location crept up in New Jersey: if Smith wasn't in attendance, the place was empty.
In 2022, Smith and his business associates (including Ernie O'Donnell, who played Rick Derris in "Clerks") learned that the movie theater Smith used to go to as a child, Atlantic Cinemas in Atlantic Highlands, New Jersey, was going up for sale.
As a kid in the 1980s, Atlantic Cinemas had been Smith's home away from home, where he saw the then-new releases like "Raiders of the Lost Ark" and "Blade Runner" that would go on to shape his life and work.
"I instantly thought, this makes more sense," Smith says. "I can monetize every piece of this, I can show whatever I want, and, if I own the place, I can make a movie there."
SModcastle Cinemas is a home for all things Kevin Smith
Set in the middle of 1st Avenue in Atlantic Highlands, the location has a deep history in the town. Smith tells me that in the early 1900s, the building was the stable for the horse the mailman used to deliver mail. In 1921, it became a 670-seat single-screen picture house. By the 1980s, when Smith was a fixture there, it had two screens. In 1992, it expanded to three screens, and in 1999, it became a five-screen multiplex.
For Smith, SModcastle Cinemas is his grandest creation yet. Not only is it a place where he can show his movies anytime he wants, but it's also a first-run theater where local moviegoers can see everything from "Beetlejuice Beetlejuice" to "The Wild Robot" (the birthday party was there for the latter).
Smith is the first to admit that he isn't raking in the cash showing these non-Smith movies, but it helps when he's not in town. And he's hoping that when you show up, you're buying something from the concession stand, which, like any movie theater, is its lifeblood.
"I knew we weren't going to get rich, but it's simple math. If people are here watching a movie, a movie we will only get max 50% of the box office receipts for. Our only hope is they are going to buy some fucking snacks," he says. "I don't care if you're here the whole day watching movies and only bought one ticket; as long as you're buying snacks, we're good. We're like the Catholic Church: we can't be picky anymore, we let everyone through the doors."
It's when Smith is at SModcastle that business really takes off.
Tickets to screenings with Smith in attendance or events that take up all 700 seats on the five screens are upcharged, with prices ranging from $25-$60 depending on the event (a general adult ticket to a regular movie is $11).
Smith also begins every event he attends by auctioning off memorabilia from his films, like an autographed "Mallrats" script or a prop from the set of "Jay and Silent Bob Strikes Back" to help raise money to keep the theater in business. (Some items have sold for as much as $5,000).
The building's historical significance also enabled SModcastle to became a non-profit, a move that Smith hopes will qualify the theater for grants and other financial support that will allow him to offer filmmaking classes for kids and adults.
The evening I meet Smith, he's introducing a screening of his latest movie, "The 4:30 Movie," which uses SModcastle as the film's setting. The story follows a teenage boy named Brian (Austin Zajur) as he plans to sneak into his local theater with his friends for a day of movie watching, topped with seeing an R-rated movie with the girl of his dreams.
It's Smith's most personal movie in years, as he takes a pause from the View Askewniverse to tell a story that's a love letter not just to cinema but his own childhood at the movies.
"Hanging up behind the counter here, there's a note that Kim, my high school girlfriend, had written to me, and it says, 'Dear Kevin, will you take me to see 'Dirty Dancing' at the Atlantic Highlands Twins Cinema?'" Smith says. "And it's from 1987, when 'Dirty Dancing' came out. Whenever I come to this place, that's what I'm reminded of."
Because "The 4:30 movie" was predominantly shot in a theater he owns, Smith didn't have to pay costly location fees. But while the road to profitability might not ultimately be quicker (the film's financier, Saban Films, still has to make its money back) the connection between the movie and the physical theater is one Smith hopes will have a lasting impact on the profitability of both.
"This place fucking starred in a movie," he says. "So the demand to see it will diminish over time, but we own five screens; ain't no reason why every Sunday at 4:30, this can't be playing on one of the screens even if three people show up."
With a passion project like SModcastle, Smith is banking on the power of nostalgia not just for his old movies, but for the ritual of moviegoing itself. Along with showing his own movies, Smith is booking hard-to-find titles to screen in hopes that the theater becomes a destination for cinephiles. He also offers his screens to filmmakers who want to buy out a showtime, known in the industry as "four-walling," to show the movies they made.
By the time I leave SModcastle, the birthday party has ended, and there's already a line stretching down the block for that evening's screening.
Smith and I part ways in the lobby, and he goes over to say hello and take selfies with some fans.
It reminds me of something he told me earlier: Yes, it's hard to Kevin Smith all the time, but it's never not fun.
"When this place is packed, you feel accomplished as fuck," he says, looking around a theater that was so important to him early in life.
"But it's always a struggle, and it should be. Because if it wasn't, what you're saying is I deserve money to make pretend for a living."
In more than four decades on screen, Billy Bob Thornton has played nearly every role imaginable, from a man trying to save Earth in "Armageddon," to a drunk thief in "Bad Santa," to a high school football coach in "Friday Night Lights," to a hitman on season one of "Fargo." But for his latest role starring in the Paramount+ drama "Landman," Thornton was tasked with a new, unique challenge: playing a version of himself.
It started when "Landman" creator Taylor Sheridan struck up a friendship with Thornton after the 69-year-old actor did a cameo in his "Yellowstone" prequel series "1883."
"He told me one night at dinner, 'I'm writing this series for you, it's called 'Landman,' and I'm going to write it in your voice, the character is essentially you,'" Thornton tells Business Insider, recounting the moment in his familiar Southern twang. "I thought that was intriguing."
In the series, Thornton plays Tommy Norris, a crisis executive at an oil company in West Texas. But Norris is certainly not a buttoned-up corporate type. Sporting a cowboy hat, worn jeans, and a tattered shirt with a cigarette usually dangling from his mouth, Norris looks like he's just come from some kind of confrontation. And often, he has.
The opening scene of the pilot episode finds Tommy with a burlap sack over his head as he awaits a negotiation with the Mexican drug cartel that owns the land his company wants to drill on. When the negotiations commence, he hits his combatant with a flurry of one-liners and profanity. It's an introduction to Tommy's signature blend of grit and charm as he peppers any interaction, whether it's with his ex-wife Angela (Ali Larter) or his oil tycoon boss Monty (Jon Hamm), with his sarcastic quips.
So this is the real Billy Bob?
Thornton ponders for a moment before answering.
"It's pretty close between this and the character in 'Goliath,'" he says of Billy McBride, the troubled lawyer character he played for all four seasons of the Amazon series. "But there's been a little in 'Bad Santa.' Some of the innocence in 'A Simple Plan' I still have because I have a childlike nature sometimes. I think there's 50 of me."
For the latest interview in Business Insider's "Role Play" series, Thornton discusses how a chance encounter with legendary director Billy Wilder changed his approach to the business, how "Landman" brought him back to the setting of one of his most memorable roles, and why he never wants to direct again.
On Billy Wilder telling him he was 'too ugly' to be a leading man and squaring off with Kurt Russell
Like many actors, you had to do a lot of different jobs to get by while starting your acting career. In the early 1980s, you had a stint as a caterer, and during that time, you encountered a very famous director who gave you some advice.
Yes. And you say my catering career, I think that lasted like two or three days. [Laughs.] But it was worth it. A friend of mine knew I was broke and he was working this party at some rich person's house for Christmas Eve. And because it was Christmas Eve, they paid you double. So normally you'd get $150 but on that night you get $300, which to me was like a billion dollars at the time.
I showed up to the party, it was a mansion out in Bel Air. After a while I found out this is Stanley Donen's [director of "Singin' in the Rain"] house. So I'm going around passing stuff out. Dan Aykroyd and his wife Donna were there, and years later, I told Dan I waited on him, and he couldn't believe it. Dudley Moore was playing the piano, Debbie Reynolds and her husband were there, and Sammy Cahn, who wrote for Sinatra, was there. It was star-studded but more old Hollywood, other than Dan. So I was impressed because I had read about these people.
I walk over with my tray to this short guy with an Austrian accent and he says to me, "So you want to be an actor?" And I said, "Yes sir, how did you know?" And he said, "Forget about it." I said, "What do you mean?" And he said, "Just forget about it. You're too ugly to be a leading man and you're too pretty to be a character actor." [Laughs.]
But he also said, "Don't wait on the sidewalk for these people to pick you, there's actors everywhere. Can you write at all?" I said, "Actually, I do write." He said, "That's what you do. Write and create your own characters, create your own stories, and make them yourself." And sure enough, that's what I did.
So after I talked to this older fella, Stanley Donen chewed my ass out for not mingling around with my tray. I go back to get more food and the bartender says to me, "What did Billy Wilder say to you?" And I was like, "What?" And he goes, "That was Billy Wilder you were talking to." I had no clue.
That advice brought you your first big break, which was writing and starring in 1992's "One False Move." But that also marked the first time you're on screen with Bill Paxton. You two would go on to star together again in 1998's "A Simple Plan." What was it about working with Bill that brought out great screen chemistry between you two?
Well, we hung out together in the '80s. He was one of my first friends out here. I used to hang out with him and a guy named Rick Rossovich, and Jeff Fahey; we all ran around town together. Also, we were both down from that way. He was from Fort Worth, I was from Hot Springs, and we just became natural pals.
In 1993's "Tombstone" you have a very memorable scene opposite Kurt Russell where you two square off in a saloon. What are your recollections of doing that movie?
I remember I ad-libbed a lot of the stuff at the card table. Like when I said, "This is like playing cards with my brother's kids." The dialogue on the page was okay, but it was pretty straightforward stuff. So I acted like a frustrated sour guy and just started saying stuff. When Kurt and I did the scene where he slaps me across the face and makes my lip bleed, it was brilliant what the stunt guy told us. I was wearing this derby hat that was really tight to my head. I had a blood capsule in my mouth. So what Kurt did is he hit the brim of the hat, and that way, I knew exactly when to pop the cap in my lip. So that's why that slap looks so realistic. It looks like he really hit me.
On his mistake of showing Harvey Weinstein his assembly cut of 'All the Pretty Horses'
In 1996, you got your huge break with writing, directing, and starring in "Sling Blade," which won you the Oscar for best adapted screenplay. It's released by Miramax Films, so now you're working with Harvey Weinstein and that leads to you doing "All the Pretty Horses" in 2000 with him. You have never been shy to talk about how that movie was ruined by Weinstein in post-production. Looking back, although what was released it's not the movie you set out to make, do you appreciate that it's at least out in the world?
Well, I was actually proud of the movie we put out. I thought it was a very good movie. All the stuff they have said about another cut being five hours long, that was never true. I made the mistake of showing them my assembly, where it was literally everything I shot. And I was doing it because I thought they would get where I was headed, and I prefaced it with both Sony and Miramax by saying, "Listen, this is the assembly; I'm cutting this down." The actual length of the movie is two hours and forty minutes, which is exactly the length of "The English Patient," which Harvey won an Academy Award for.
But also, they marketed "All the Pretty Horses" as like "Titanic," because that was the big hit then. I said, "Can we just not have a poster that has Matt [Damon] and Penélope [Cruz] all airbrushed." I actually showed them a picture of Matt and Henry [Thomas] and Lucas Black on horseback in silhouette going up this mountain. It was this beautiful picture. Are you kidding me? There's your poster. And they just went, "Mm-hmm." So I said, "Just don't make it look like the 'Titanic' poster."
Since then, you directed the little-seen "Jayne Mansfield's Car" in 2013. Do you think you'll ever direct again?
The stories that I write and want to tell as a writer and director in the movie business these days are probably irrelevant to people. With "Sling Blade," it hit during the independent film boom.
After that, I did one called 'Daddy and Them," which I love. It's one of my favorite things I've ever done, and that was a casualty of the argument over "All the Pretty Horses."
Harvey said, "I'll put your little movie you love so much on the shelf," because we made it right before "All the Pretty Horses." And sure enough, he put it on the shelf. Years later, it will play during the middle of the night, and people love it. So that really got to me, that experience on "All the Pretty Horses."
On ad-libbing his famous 'Friday Night Lights' speech
2004's "Friday Night Lights" is a beloved sports movie, and a big reason for that is the locker room speech your character, Coach Gary Caines, delivers. Is it true that you ad-libbed a lot of it?
That is accurate. And that speech has become a thing they play at college games, Jerry Jones played it on the Jumbotron at a Cowboys game. It's become a famous speech. I went to director Pete Berg and I said, "Can I go off the book a little bit?" There were lines that were in the script and some that weren't.
And you did this because the night before something happened to you.
Yes. I was very very upset and felt sort of bullshitted by someone. So I was just thinking about this thing and about the truth. And also the real guy who was the running back, Boobie Miles, was in the room. He played one of the assistant coaches. So when I saw him, I was pretty emotional about that too. I started the speech and I just winged it. It was exactly what I wanted to say.
That's one of the things people come up to me and say. They say, "That speech meant a lot to me." Me saying, "Don't worry about that scoreboard, if you can look at your friend lined up next to you and look in their eye and they know you're doing the best you can do," all that stuff was winged.
In the pilot episode of "Landman," you film a scene at the high school football stadium in Odessa, Texas, where you filmed "Friday Night Lights." What was that like?
It went up my spine. I walked out there and spent all that time there, and here I am again. I saw the field and it was the same. I ran into extras who were the children of extras on "Friday Night Lights." It was a great moment. I'll never forget it.
This interview has been edited and condensed for length and clarity.