Severance has just wrapped up its second season. I sat down with fellow Ars staffers Aaron Zimmerman and Lee Hutchinson to talk through what we had just seen, covering everything from those goats to the show's pacing. Warning: Huge spoilers for seasons 1 and 2 follow!

Nate: Severance season 1 was a smaller-scale, almost claustrophobic show about a crazy office, its "waffle parties," and the personal life of Mark Scout, mourning his dead wife and "severing" his consciousness to avoid that pain. It followed a compact group of characters, centered around the four "refiners" who worked on Lumon's severed floor. But season 2 blew up that cozy/creepy world and started following more characters—including far more "outies"—to far more places. Did the show manage to maintain its unique vibe while making significant changes to pacing, character count, and location?

Lee: I think so, but as you say, things were different this time around. One element that I’m glad carried through was the show’s consistent use of a very specific visual language. (I am an absolute sucker for visual storytelling. My favorite Kubrick film is Barry Lyndon. I’ll forgive a lot of plot holes if they’re beautifully shot.) Season 2, especially in the back half, treats us to an absolute smorgasbord of incredible visuals—bifurcated shots symbolizing severance and duality, stark whites and long hallways, and my personal favorite: Chris Walken in a black turtleneck seated in front of a fireplace, like Satan holding court in Hell. The storytelling might be a bit less focused, but it looks great.

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Apple has been steadily working to expand the world of the Apple TV+ series “Severance,” through online materials, e-books, podcasts, and other content – and so have its fans. Taking advantage of its platform power, the Cupertino tech giant has been able to easily distribute supplemental material that adds to the show’s storytelling abilities, offering […]

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Apple services like iMessage and FaceTime often work exclusively on Apple’s hardware, something the company uses to keep customers inside its ecosystem and encourage people who buy one Apple product to buy other Apple products so they can keep using the features they like.

Apple’s streaming and media services have been an exception to this, going all the way back to iTunes for Windows—the company offers Apple Music on Android devices, for example, and Apple TV+ (the service) works on Roku devices, game consoles, and most other smart TVs. Even if people haven’t bought an iPhone or Mac, Apple’s fast-growing Services division relies on pulling in new subscribers regardless of the device they’re using to subscribe.

To that end, Apple announced today that it’s finally bringing an Apple TV+ app to Android devices for the first time since Apple TV+ launched in 2019. The app will work on all Android phones and tablets running Android 10 or newer and will be available today. The app will support both Apple TV+ subscriptions and subscriptions to Apple’s MLS Season Pass service for soccer fans.

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Apple on Wednesday announced that its Apple TV app, including its Apple TV+ streaming service and MLS Season Pass, is arriving on Android devices. While the company previously offered a version of its app for Google TV, the newly released app will support a broader range of Android-based devices, including phones, tablets, and even foldables. […]

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The first season of Severance walked the line between science-fiction thriller and Office Space-like satire, using a clever conceit (characters can’t remember what happens at work while at home, and vice versa) to open up new storytelling possibilities.

It hinted at additional depths, but it’s really season 2’s expanded worldbuilding that begins to uncover additional themes and ideas.

After watching the first six episodes of season two and speaking with the series’ showrunner and lead writer, Dan Erickson, as well as a couple of members of the cast (Adam Scott and Patricia Arquette), I see a show that’s about more than critiquing corporate life. It’s about all sorts of social mechanisms of control. It’s also a show with a tremendous sense of style and deep influences in science fiction.

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Apple's outlook for the year includes a new member of the iPhone lineup, another push for the smart home, and beefy MacBook Pros.

It’s not exactly a secret that Apple has explored the possibility of building a television. Before his death in 2011, co-founder Steve Jobs famously told biographer Walter Isaacson that he’d “finally cracked it,” but no full-fledged Apple TV (as opposed to the Apple TV set-top box) has emerged in the years since. Bloomberg’s Mark Gurman […]

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