Production company R+C has rebranded as creative agency Brass and hired former McCann and 360i creative leader Pierre Lipton as chief creative officer. By expanding as an agency, Brass aims to work directly with clients to affect strategy and the creative process from the beginning, CEO Sean Gately told ADWEEK. Whereas some agencies have opened...

A staycation can be a relaxing and affordable way to recover from the stress of holiday travel, but it's a recipe for disappointment in an unhinged ad for Bloomin' Brands restaurant chain Outback Steakhouse. Created by agency Mischief @ No Fixed Address, the 30-second spot begins as a fairly conventional promotion for the chain's latest...

Meta’s popular messaging app WhatsApp is testing a new design that gives prominent space to a suite of AI chatbots. The design, currently only accessible through the app’s Android beta, adds a dedicated tab for AIs on the app’s homescreen.

WABetaInfo spotted the change, which devotes one of WhatsApp’s four tabs solely to its AI features. It includes a selection of “Popular AI characters” to talk to, along with others organized by subject matter. Other AI-powered features within WhatsApp include AI-generated images and stickers and a search tool using Meta AI.

These AI tools and chatbots aren’t new to WhatsApp, though they’re only available in the US and certain other countries, and a limited selection of languages. They’re currently accessed through the app’s primary Chats tab, but this update looks to give them more prominence.

Image: WABetaInfo

The app is also experimenting with expanding the range of AI bots by adding the option to create personalized AI characters, which WABetaInfo found in a separate beta update today. Meta already offers the ability to create custom AI bots, but only through an AI Studio on the Instagram website. Adding the option directly into an app is a significant simplification of the process.

The new AI tab replaces the existing Communities tab, though that functionality isn’t going anywhere. A previous beta version earlier this week introduced a “streamlined” version of Community creation within the Chats tab.

The WhatsApp beta is available through Google Play, though tester numbers are limited and the option to join is currently unavailable. We don’t know if or when the AI tab will be added to the app’s live build, but the change is likely to be limited only to those countries where the AI features are already available.

Fluffy robots, portable TVs, and vacuums with arms and legs. This is what we come to CES for.

Read the full story at The Verge.

The AquaVault Wireless ChargeCard, featured on Shark Tank, fits in your wallet and you can eliminate battery anxiety forever!

Handle all your daily business with a new Chromebook that's less than $160 thanks to this Amazon deal.

Presumably to himself or another related party.

Before CES 2025 kicked off in Las Vegas, Samsung announced that its spatial audio collaboration with Google would be available on its 2025 TVs and soundbars. Finer details on the platform were noticeably absent from that announcement, with the company only noting that the 3D Eclipsa Audio would be available this year for YouTube content creators. There was also the general explanation that the platform would enable creators "to adjust audio data such as the location and intensity of sounds, along with spatial reflections, to create an immersive three-dimensional sound experience," according to the press release.

If that sounds like Dolby Atmos to you, that's what I assume Samsung and Google are trying to replicate here. And if that's the case, if Samsung really wants its own immersive audio standard, there's a backstory worth revisiting here. In 2023, Samsung and Google first revealed their spatial audio ambitions. At the time, Samsung said its research division had been working on 3D audio since 2020 and the first fruits of the collaboration was the open-source Immersive Audio Model and Formats (IAMF) adopted by the Alliance for Open Media (AOM) in October 2023. 

There's also the fact that Samsung doesn't offer Dolby Vision on its TVs. Instead, the company uses HDR10+, an open-source and royalty-free platform for encoding HDR metadata. And in that 2023 audio announcement, Samsung Research's WooHyun Nam explained that 3D sound technology needed to be open to everyone too. “Providing a complete open-source framework for 3D audio, from creation to delivery and playback, will allow for even more diverse audio content experiences in the future," he said.

Samsung currently supports Dolby Atmos on its soundbars, including its flagship Q990 series and the newly announced QS700F. It sounds like the company no longer wants to pay to license Atmos from Dolby. And in order to still offer immersive 3D audio on its products, this collaboration with Google aims to build the alternative. It's worth noting that AOM counts Amazon, Apple and Netflix among its members, in addition to Google, Samsung and others. The group's AV1 video format was introduced in 2018 and is now used across Netflix, YouTube, Twitch and other sites.

Billy Steele for Engadget

The bizarre thing about all of this is that no one from Samsung wants to talk about Eclipsa Audio. I attended multiple events and product demos that the company hosted this week and the response when I asked about it was either "we haven't been told anything" or "let me see if I can find someone who can talk about it." The latter, of course, never manifested a "someone" or a follow-up. I even asked for a rep to tell me if the company wasn't ready to discuss details and never heard back on that either. 

The most detailed explanation I've seen this week came from Arm, which is apparently also working on the development of Eclipsa Audio alongside Samsung and Google. The chip designer said that Eclipsa is a multi-channel audio surround sound format that's built on IMAF. Vertical and horizontal channels will create the immersive sound, with the goal of making movies, music and television shows more compelling in your living room. Again, that's exactly what Dolby Atmos already does. 

Arm further explained that Eclipsa Audio can automatically adjust sound based on the scene and that there will be a degree of customization for users. The bitstream can contain up to 28 input channels that can be fixed (instruments or microphones) or dynamic (vehicles in movie scenes), with support for LPCM, AAC, FLAC and Opus codecs. Binaural rendering is also available for earbuds and headphones, and the new tech will be available to content creators using consumer devices in their workflow. 

So far, Samsung and Google have only listed YouTube as the platform or service where Eclipsa Audio content will be available. If the duo truly wants to compete with Dolby Atmos, that list needs to expand quickly. Plus, Dolby already has the brand recognition and wide adoption in both the audio and home theater categories for Atmos. It's even available in cars. 

Samsung said in its pre-CES announcement that it and Google would work with the Telecommunications Technology Association (TTA) to develop a certification program for devices that support Eclipsa Audio. So, it seems like serious groundwork has been laid to get this technology on devices, starting with Samsung's own 2025 TVs and soundbars. But, as we saw with Sony 360 Reality Audio and the early days of Dolby Atmos Music, it can take time to build out a compelling library of content. That means Samsung will likely have to keep reminding us that Eclipsa Audio is a thing, even when it doesn't have much more to say. 

This article originally appeared on Engadget at https://www.engadget.com/home/home-theater/samsung-isnt-talking-about-eclipsa-audio-at-ces-2025-130041782.html?src=rss

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© Samsung

Developers Max Brodeur-Urbas and Rahul Behal think that AI has the potential to automate lots of business-relevant tasks, but that many of the AI-powered automation tools on the market today are unreliable and costly. Part of the problem is that users expect too much of AI, Brodeur-Urbas told TechCrunch — for instance, they assume that […]

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At CES, the next generation of eyewear was everywhere. It’s just no one seems to agree on why we want it or what’s the best approach.

It’s the second day of CES, and I’m waiting in a line to see my tenth pair of smart glasses. I honestly don’t know what to expect: I’ve seen glorified sunglasses with dubious ChatGPT clones. I’ve sidled up to several booths where the glasses were almost carbon copy clones of the pairs a booth over. I’ve seen all manner of “displays” tacked onto the lenses, some washed out, others so tedious to calibrate as to make me walk away.

So when I slipped on the Rokid Glasses, I felt my brows raise. I could see what looked like a mini desktop. I swiped the arm, and horizontal list of apps appeared. Green writing appeared in front of me a bit like a monitor in The Matrix. A Rokid staffer began speaking to me in Chinese, and despite the surrounding din, I could see a text translation of what she was saying float in front of me. After a brief conversation — she asked whether I ate lunch, she hadn’t — she prompted me to try taking a picture. The display shifted to what looked like a camera’s viewfinder. I hit the multifunction button. An animation flashed. On her phone, I saw the picture I took.

‘Holy crap,’ I thought. ‘So this is what the Ray-Ban Meta smart glasses would be like with a display.’ And then — ‘If this is possible, why doesn’t it have one yet?’

The three types of smart glasses

It seems that everyone is still trying to figure out what makes the perfect pair of smart glasses. I must have tried out 20 pairs over the course of the last week, but they all seemed to fall into one of three different buckets in how they balanced wearability and functionality.

The first bucket is the simple and stylish glasses. The more stylish and comfortable smart glasses are, the fewer features they tend to have. But for this group, that’s often a good thing.

Take the unassuming Nuance Audio. These smart glasses — made by EssilorLuxxotica, Meta’s partner in making the Ray-Ban Meta eyewear — discreetly function as over-the-counter hearing aids. When you wear them, you can dampen some of the noise around you, as well as amplify the voice of the person you’re speaking to. This would sound like science-fiction if I hadn’t tried it myself.

But at a glance, you’d never know the Nuance Audio glasses can alter how you hear the world — and that’s precisely the point. They look like any pair of stylish glasses and come in two colors and three shapes. By “hiding” their smarts in a normal-looking pair of glasses, they’re essentially helping to reduce the discomfort some people feel when wearing visible hearing aids. It’s not flashy, but it’s a precise and clear use case.

The Chamelo glasses take a similar tack. The “smart” part of these electrochromic sunglasses can, depending on the model, change the color or tint with a swipe of a finger. Some models also have Bluetooth audio. Chamelo’s glasses aren’t new, and at CES, they weren’t suddenly adding in AI assistants, displays, or anything wild. This year’s update? Adding support for prescriptions so more people can use the device.

Neither of these glasses is trying to reinvent the wheel. They saw a simple problem worth fixing, and decided to fix it. Nothing more, nothing less.

The face screens

On the other end of the spectrum, you’ll find long-time CES veterans Xreal and Vuzix.

When I arrive at Xreal’s booth, it’s jam-packed. There’s a station where people wear Xreal glasses as they “drive” in a BMW. (The car doesn’t move, but you can pretend you’re moving the wheel and tilt your head on a race course.) I don a pair of last year’s Xreal Air 2 Ultra glasses while seated at a desk with only a keyboard in front of me. The Air 2 Ultra are a bit like chunky sunglasses, with miniature screens hovering beneath the lenses. From afar they look pretty normal. Up close you can feel their bulk — and on the face, they protrude further than looks natural.

Inside the glasses, I see football players on a football field, information popping up over their heads. The virtual display switches to a panoramic video with avatars of friends watching alongside me. In another window, I’m prompted to type in a description of a fictional creature. I pick “monstrously fat cat with unicorn wings” and lo, it appears. I can pinch and pull with my hands to make it even bigger. The more recently launched Xreal One is also here, though it admittedly gets hard to tell which pair of Xreal glasses is which while elbowing past other eager onlookers.

Photo by Antonio G. Di Benedetto / The Verge

When I mosey on to Vuzix’s booth, it’s less packed but that’s likely because folks are gawping at a bizarre karaoke contest a few booths over. I, on the other hand, am wearing a pair of the company’s latest Ultralite Pro glasses. The glasses look a bit clunkier, but when you put them on, you can see an array of rainbow lights that culminate in a 3D display. I’m looking at a picture of nature, and there’s actual depth.

You’d be hard-pressed to find someone who’d wear glasses like these walking down the street. They look like glasses, sure, but they can also be bulky and sometimes have cords dangling for battery packs. These glasses show hints of what augmented reality is capable of — but they aren’t meant to be things you wear all day, every day.

The spyglasses

This divide between form and function isn’t new. What’s new is there are far more smart glasses that lie somewhere in the middle. And they have some funky ideas.

Sharge’s Loomos.AI glasses, for example, look similar to the Meta glasses except they use ChatGPT and can shoot 4K photos and 1080p videos. They also add a bizarre neckband battery to account for the massive battery drain. RayNeo was back with smaller, more refined X3 Pro AR glasses. I could list dozens more, but to be frank, they were mostly iterations of the Meta glasses.

Photo by Antonio G. Di Benedetto / The Verge

Of the myriad smart glasses I saw, three stood out: Halliday, Even Realities G1, and the Rokid Glasses. All three feature a discreet design, with a hidden green monochrome heads-up display. Halliday projects its single display from the frame by shining a green light into your eye; the other two feature microetched displays on both lenses that are nigh invisible when viewed from the front. (All three companies told me they use green light because it’s easiest on the eyes, has the best contrast, and is less likely to get washed out in bright ambient lighting.)

There are slight hardware differences between all three, but in my demos, it was clear that philosophically, they’re much more geared toward all-day productivity. They have AI assistants, can be used as teleprompters, and offer live translation. The Rokid Glasses even have a 12MP camera for taking photos and video.

Photo by Victoria Song / The Verge

In this vision of the smart glasses revolution, these devices are more like all-day companions that help you use your phone less. The display is something that’s only occasionally glanced at when it’s relevant and is done mostly in a productivity context. They offer more smarts than the very use-specific Chamelo and Nuance Audio glasses, but they offer more practicality (and wearability) to the average person than what Xreal and Vuzix are pursuing.

The smart glasses era

The more I talk to the people behind these products, the more it becomes clear that everyone believes smart glasses are the future. It’s also apparent that no one agrees on the best way to get to that future.

“We’ve chosen to optimize for something that is, we think, a great feature geared towards the actual use case of glasses,” says Chamelo CEO and cofounder Reid Covington. “You’re wearing them to see. You’re wearing them to block out light. A lot of the more forward-looking smart glasses have interesting features, but they’re not optimized for, you know, actual usability.”

But even among companies pursuing simpler smart glasses, function isn’t always the reason why they choose more discreet or stylish designs. Smart glasses are “something that you need to feel are part of yourself,” says Davide D’Alena, global marketing director for Nuance Audio. Function is nice, but doing all the things isn’t worth it if you have to wear something hideous on your face. “For us, it’s just not enough to put out an ugly product, even if it’s working perfectly from a functional point of view. It must be something that is also a self-expression.”

Meanwhile, some long-time veterans in the space contend it isn’t a choice of form and function. It’s a split between AR and AI.

“I actually see two different directions going forward. One is AR glasses which will handle a lot of the XR content. The other one will be the AI glasses as a major kind of all-day wearable smart glasses,” says Chi Xu, Xreal founder and CEO. Xu says that everything will converge at some point — though we’ll be waiting a good while before it does. Right now, it’s a matter of every option being developed at once as companies try to figure out the best way to draw people in.

Xu isn’t wrong. While some companies like EssilorLuxxotica and Chamelo are committed to one approach, others are happy to dabble. Rokid, for example, may have come out with AI-first smart glasses this year, but its array of more Xreal-like AR glasses was actually the bigger portion of its booth. Meta, apparently, is working on glasses with a display, too, targeting later this year — my colleague Alex Heath reports that the company will add its own twist to the formula by shipping a neural wristband that can be used to control them.

But for all the fragmentation, every company I spoke to said the same thing: they’ve seen renewed interest in this space within the last year and a half — and with that comes investors aplenty with deep wallets. The vast majority emphasized how rapid advancements in technology and AI have made things possible today that were impossible just two or three years ago. And every single one said that interest from the general public, not just first adopters, is also higher than in previous years.

This, they all say, proves that smart glasses are inevitable. It’s just a matter of getting everyone else to see the vision. And that’s sort of the problem. With smart glasses, you have to see it to believe it.

A leaker with a good track record on iPhone camera improvements has lent their support to a report that the 12MP front-facing camera in current iPhones will be upgraded to 24MP in the iPhone 17 line-up. They also endorse the suggestion that all three rear cameras in the iPhone 17 Pro Max will have 48MP sensors.

The latest report goes a little further, however, and suggests that this year’s upgrade to the 5x telephoto camera sensor will apply to the iPhone 17 Pro as well as the Pro Max …

more…

As we finish up our live coverage of all things CES, it’s time to pick the best in show. So many of the new things we saw this year had an AI component, with a noticeable uptick in AR glasses, hearing aid earbuds, solar-powered tech, emotional support robots and robot vacuums. (Why this year, robovacs?)

Our list of CES 2025 winners covers various categories, ranging from typical Engadgety things like PCs, home entertainment and gaming to themed winners in sustainability and accessibility.

In fact, our best-in-show winner was an accessibility pick: the WeWalk Smart Cane 2. A high-tech version of the mobility cane for people who are blind seemed like the best helpful application of AI. With a new voice assistant powered by GPT, users can speak directly to the cane to get navigation guidance, with sensors that alert the user of upcoming obstacles. Since the cane can handle things like turn-by-turn navigation, users don’t have to worry about holding a smartphone while trying to get around.

There were plenty of other winners too. Which laptop beat the rest? Read on for more!

— Mat Smith

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Sony Honda Mobility’s Afeela 1 feels like a PlayStation 4 in the PS5 era

As the EV approaches the finish line, it’s time to get critical.

Engadget

The automotive talk of CES was the Sony Afeela 1 — again. The company has been showing off some variation of this EV for five years at this point. Now, the car is almost ready to launch, and the more specifications we hear, the warier we’re getting. The maximum charge rate of the Afeela 1 is 150 kW for its 91 kWh battery, which provides an estimated 300 miles of range. Compare that to a cheaper Lucid Air, which can charge twice as quickly and cover over 400 miles on a charge, you begin to see the problems. All of this in a car that’s a heady almost-$90,000. The charming Tim Stevens takes Sony Honda Mobility to task — and not just for the company name.

Continue reading.

The weirdest tech of CES 2025

Sloth-koala robots? Sure.

Engadget

We’ve curated all the crazy (and sometimes useful) devices we spotted out in the wild of the show floor at CES. Weird doesn't necessarily mean bad — it just might not have the might of a multinational corporation… or the desire to change the world. Still, solar sun hat? Yes, please.

Continue reading.

Samsung’s The Frame Pro is a big upgrade for the art TV series

Better screen, a better premise.

Samsung’s The Frame TV lineup was a success. It doesn’t just look like a black box when you’re not using it, but rather blends in with your home decor by showing art on the screen, with a single-cable build that tidies the usual mess of the back of TVs. It inspired many imitators, but Samsung is finally back with a pro iteration. Most importantly, The Frame Pro now has a Neo QLED display — the same Mini LED tech that powers the company’s high-end QN900 series TVs.

Continue reading.

This article originally appeared on Engadget at https://www.engadget.com/general/the-morning-after-engadget-newsletter-121506805.html?src=rss

©

© WeWalk

Exposure to smoke is dangerous regardless of your health status—so follow these steps to limit the risk.

The company hasn’t been back in the US TV market for long, but the Z95B OLED proves that Panasonic can hang with Sony, LG, and Samsung at the very high end.

Panasonic returned to the US TV market last year, and only a matter of months later, I’ve convinced myself that its latest flagship OLED is the best TV of CES 2025. It’s an impressive resurgence for a brand that many home theater enthusiasts remember for producing superb plasma sets back when those represented the crème de la crème of display technology for the living room. After a long hiatus, Panasonic is back in the game and squaring off with Sony, LG, and Samsung in the very premium (and very pricey) TV category.

The company’s new OLED, the Z95B, will come in three sizes: 55 inches, 65 inches, and 77 inches. It uses the latest and greatest OLED panel from LG Display, which is a new four-layer tandem structure that beats out the brightness of last year’s LG G4 even without the micro-lens array technology that squeezed as much brightness as possible out of that TV. Last year’s Z95A from Panasonic also used MLA, but the new approach gets better results and is cheaper to produce.

So the panel is top tier and should be a formidable alternative to the QD-OLED display used in Samsung’s respective 2025 flagship, the S95F. OLED TVs just keep getting brighter, more vivid, and dazzling — and consumers really can’t go wrong with any of them. The Panasonic stopped me in my tracks on the show floor and looked phenomenal. I couldn’t help but stare at it for several minutes. The Z95B also offers support for gaming at up to 144Hz, so it’s a strong contender there as well, though both LG and Samsung stepped it up to 165Hz this year.

Another thing that sets the Panasonic apart is its built-in Dolby Atmos speaker array. The drivers and sound performance have been tuned by Technics, with a badge that advertises as much. I really dig the fabric sides of this TV; it’s a classy way of concealing the side-firing and upward-firing speakers.

Yes, that audio hardware results in this being a thick set by 2025 standards — especially for an OLED. Panasonic didn’t hold back in making the Z95B a hulking beast of a TV. But the good news is that many people won’t need to bother with a separate soundbar since this system will (likely) sound so good. As noted by the excellent Caleb Denison at Digital Trends, the company has also reworked the TV’s cooling system with a new heat dissipation technique that should help keep that four-layer OLED panel in tip-top shape over the long term.

But there is one glaring dilemma with Panasonic TVs: they run Amazon’s Fire TV OS. That’s rather unfortunate. It’s my least favorite TV platform among the pack, and I’d argue Amazon has crossed the line when it comes to pushing ads on customers — even if the most egregious examples can be disabled in settings. Fire TV has some good ideas here and there; the ambient mode widgets are something Google has taken note of. But I really hope that Panos Panay and the Fire TV team take a sledgehammer to this software and come back with something much sleeker, more intuitive, and worthy of a TV that’s certain to be very expensive if the Z95A is anything to go by.

Even so, I know plenty of people who mostly ignore their TV’s default software and use an Apple TV, Nvidia Shield, or some other streaming player as their preferred entertainment interface. With Samsung and LG both being very aggressive with the AI gimmicks this year, I anticipate seeing even more of that. The LG G5 will feature an LLM-powered chatbot, has an AI button on its remote, and even ships with Microsoft Copilot built in. It’s getting to be a little much, no?

To me, the “best TV” of CES comes down to what kind of home theater experience it will provide. And Panasonic is already doing an impressive job keeping pace with Sony when it comes to delivering a living room centerpiece that nails both picture and sound. I wish the Z95B (and the company’s 2025 Mini LED TVs) ran, well, any other TV operating system. But I don’t think Fire TV OS is bad enough to sink this high-end set. If you disagree, at least it’s relatively easy to just use something else most of the time.

I can’t wait to spend more time with the Z95B when it starts shipping later this year. More competition benefits everyone who’s on the lookout for a new TV. Companies like TCL and Hisense have done a great job setting new expectations of what you can get for under $1,500. And now Panasonic’s return is showing us what’s possible for those with the means to splurge on their next big upgrade.

Photography by Chris Welch / The Verge

Tesla has officially revealed the latest version of its Model Y crossover following images leaking online that teased the EV’s redesign. Codenamed “Juniper,” the Model Y 2025 refresh is now live on Tesla’s website in China and other Asia-Pacific markets with deliveries expected to begin in March.

It’s the most significant update to the Model Y design since it first launched in 2020, which became the first EV to top global car sales last year. Notably, the new variant launching in Australia clearly shows a physical turn signal stalk, which had otherwise been replaced by capacitive buttons on recent Teslas.

The refresh comes after Tesla experienced its first year-over-year drop in sales since the company started mass-producing cars in 2012 — with CEO Elon Musk’s antagonistic behavior suspected to have contributed to the decline.

Image: Tesla

There are two specifications of the Model Y available at launch according to the Chinese website listing. The 263,500 Chinese yuan (about $35,935) rear-wheel drive edition features an estimated range of up to 593 kilometers (about 368 miles), while the 303,500 Chinese yuan (about $41,390) long-range version can supposedly reach 719 kilometers (about 446 miles). These are “estimated” ranges based on China’s CLTC driving cycle standard, however, which Electrek notes isn’t as strict as the US EPA system.

Both specs have a top speed of 201 kilometers per hour (about 124 mph), and peak charging speeds remain at 250kW. Tesla says that the tires, wheels, and suspension have been updated to provide a smoother, quieter ride, with 19- and 20-inch wheel options available on both models. The estimated vehicle ranges have been calculated using the smaller 19-inch wheel configurations. A performance version has yet to be announced.

The new Model Y otherwise features many of the same improvements as the 2023 Model 3 sedan update, including higher efficiency and performance, an eight-inch touchscreen display for rear passengers, and a quieter cabin with an ambient lighting strip running throughout. The back seats can be folded down electrically to expand the total storage capacity to 2,138 liters, and there’s a front-view camera to provide a wider field of view when using assisted driving features.

The exterior design doesn’t look terribly different from its predecessor, save for a few changes like switching the headlights and tail lights for slimmer light bars that stretch across the front and rear of the vehicle. The front and back ends have also been slightly reshaped, which “effectively improves the vehicle’s endurance, performance, and service life,” according to Tesla.

It’s unclear when we can expect the redesigned Model Y to launch in other markets like the US and Europe. Mass production of the vehicles is expected to start in Shanghai this month though, and we know that it took the Model 3 update around four months to reach the US last year.

Automakers are showing off whizz-bang tech for vehicle interiors meant to reshape drivers’ relationships with their cars.

Today Xiaomi’s subsidiary Redmi brings its affordable Note 14 series to Europe, along with the Western debut of the Snapdragon 7s Gen 3. After launching in August 2024, the Qualcomm chip had to sit and watch while the flagship Snapdragon 8 Elite came along two months later, drew more attention, and even launched in a Western phone first in the form of this week’s OnePlus 13. But the more affordable Snapdragon chip is now getting its dues.

There are five phones in the Note 14 line, ranging from the 4G-only Note 14 up to the Note 14 Pro Plus 5G, the only phone in the series powered by the Snapdragon silicon. The entry-level chip in Qualcomm’s Snapdragon 7 series, the 7s Gen 3 is a 4nm chipset that’s most notable for making the jump to Arm’s v9 CPU architecture, with a 2.5GHz Cortex-A720 core at the heart of the processor. The other four phones use a variety of MediaTek chipsets.

Image: Redmi

Starting at £399/€499.90 (about $500), the Pro Plus is positioned as a natural competitor to Google’s $499 Pixel 8A, but outpaces it comfortably in most hardware specs, with improved IP68 water-resistance; up to 12GB RAM and 512GB storage; and a larger, brighter OLED display protected by Corning’s flagship-grade Gorilla Glass Victus 2. The big trade-off is on the software side, especially given that Google has guaranteed Android updates for the Pixel 8A until 2031.

The other Note 14 phones offer a gradual drop-off in specs and connectivity. The Note 14 Pro 5G shares the Pro Plus model’s display, 200-megapixel camera, and IP68 rating, but drops to a cheaper MediaTek 7300-Ultra chipset and slower charging. The regular Redmi Note 14 Pro is similar, but ditches 5G for 4G connectivity and is only IP64-rated. The Note 14 and Note 14 5G have reduced specs across the board — though the 4G model’s IP54 water-resistance still impresses for a phone that costs less than half of a Pixel 8A.

Image: Redmi

All four phones launched in China and then India late last year, but today go on sale in ten European countries, including the UK and Germany. Somewhat confusingly, the European models have altered specs from their Asian counterparts — the Pro Plus 5G has completely different cameras and battery, for example — which isn’t uncommon for Redmi.

The Redmi Note 14 series already has stiff competition from within the Xiaomi family, after the similarly priced Poco X7 and X7 Pro launched globally yesterday. Those phones lean on IP68 ratings and big batteries — 6,000mAh in the Pro — in the effort to draw budget buyers away from Google and Samsung.

The Hyve safe keeps deliveries behind a pin code or phone-activated lock, if delivery drivers decide to use it.

In 2024, natural disasters related to variations in the water cycle caused more than 8,700 deaths and at least $550 billion of economic loss.

The Model Y, which Tesla announced in China, will start at 263,500 Chinese yuan ($35,935), with deliveries set to begin in March.