Zendaya's standout dress was designed by Fausto Puglisi. It had a sleeveless black bodice and a red miniskirt with embroidered suns. The latter piece was especially unique, as it extended into a train behind her.

To complete the look, she wore a gold sun headband and matching bracelet.

Her striped pants, as well as her single-sleeved crop top, were designed by Rosie Assoulin. Though both pieces are now sold out, they previously retailed for a combined total of $3,490.

Zendaya's long-sleeved gown had a plunging neckline that extended to her metal belt. The slit in her skirt, on the other hand, helped her show off black sandals that had 14 buckle straps each.

The actor's blonde cropped hairstyle also helped her stand out on the red carpet.

On the blue carpet, she was photographed wearing a white shirtdress underneath an oversize, ripped-up sweater. She completed the look by wearing over-the-knee boots with red laces.

She was an honoree that night and looked stunning in the Reem Acra design, which also had sheer pink sleeves covered in ruffles.

The green Zuhair Murad dress was made from transparent fabric, and it also had a plunging neckline and open back.

For a "Spider-Man: Homecoming" photo call, she paired a black-and-yellow striped cardigan with a blue tutu and white belt. The actor also wore white pumps and an updo hairstyle.

Her custom Ralph & Russo gown was bright pink, with a high neckline and rows of fabric that cascaded from her shoulders down to the red carpet. The dress also had a plunging cutout across the chest, as well as a thigh-high slit, which revealed her pink pumps.

Her high-neck top had long sleeves and was held together by pink buttons. Zendaya's pants, on the other hand, were wide-legged and reached her ankles.

Zendaya's dress had a floor-length velvet skirt and long sleeves covered with silver stars. Its bodice was almost entirely sheer, aside from two black horses that covered her chest.

Her billowing dress had balloon-style sleeves, a high neckline, and a giant bow on the side of her neck. To complete the bold look, Zendaya wore a black headband and polka-dot-print shoes.

Zendaya was one of three celebrities to wear an armor-inspired outfit that night. Still, her Versace gown stood out thanks to its sparkling skirt, scoop-style neckline, and metal padding.

Her gown had a sparkling yellow bodice, which was wrapped with purple silk that extended into a single sleeve draped down her back. Additionally, Zendaya's skirt had a tall slit that extended above her thigh.

Designed by Marc Jacobs, Zendaya's sleeveless dress was partially made from pink-and-orange feathers. She paired it with pink pumps and wore her hair in an updo.

At a Lancôme event, during which Zendaya was named the brand's Global Ambassador, the actor wore a red, long-sleeved jumpsuit. Each sleeve had red ruffles attached, and her outfit perfectly matched her bright heels.

While visiting "Good Morning America," Zendaya was photographed wearing a sleeveless shirtdress covered in car blueprints. Her pants were also covered in the daring design.

Zendaya's three-piece ensemble comprised a suit-style jacket, loose shorts, and tall boots — all of which had the same red-and-white print.

Her Armani Privé gown had a red sleeveless top that connected to her black high-low skirt. The daring gown was also backless and paired perfectly with her pointed pumps.

Her tuxedo-style crop top and sleek black trousers were custom made for her by Armani. She paired the outfit with sheer black tights and Christian Louboutin pumps, which retailed for $845 at the time.

Her green Vera Wang gown had a sheer strapless bodice and a silk floor-length skirt with a slit. She also wore matching green heels and a cuff-style bracelet.

Designed by Peter Do, her daring outfit included a button-up shirt, pleated pants, a skirt, and a cropped jacket with shoulder pads.

She walked the Critics' Choice Awards red carpet in January wearing a bright two-piece designed by Tom Ford. The outfit included a metallic breastplate and a mid-rise skirt.

Her edgy look, designed by Christopher Esber, cost $1,035. That night, Zendaya also wore Vhernier jewelry and $695 Christian Louboutin pumps.

Rahul Mishra Couture designed her outfit and her jewels were from Bvlgari.

The purple-and-green dress was a vintage Versace design. Stylist Law Roach coordinated the look, and Zendaya revealed on Instagram that the outfit was inspired by Beyoncé wearing the same dress during her first performance of "Crazy in Love."

She wore a sleeveless, tan dress custom-made by Balmain.

It had a scoop neckline and ruched bodice, as well as a floor-length skirt with a small train and a bold slit that extended almost to her hip. On Instagram, Balmain revealed that the gown was created from leather "using an exact model of the star's bust."

The actor completed the look with pointed Louboutin heels in the same color as her dress, diamond studs, an emerald ring, and a statement snake necklace. 

Designed by Alaïa, the two-piece set had a purple long-sleeved top that fit almost like a bralette. Its long sleeves also had tiny holes in them, as did its high-waisted skirt.

The latter part of the outfit was form-fitting up to her knees, where it was covered in a thick, fur-like material.

She wore the backless Vivienne Westwood top with a high-waisted, checker-print skirt and cream-colored pumps.

She wore a red Vera Wang ensemble that included a strapless bra and a floor-length skirt. The latter stuck out as it had a round ruffle of fabric around her hips.

Zendaya also accessorized with diamond jewelry and rosy makeup.

Her Roberto Cavalli dress was backless but with a piece of gold jewelry attached to the open space. It was shaped like a scorpion and extended from her shoulders to her backside.

Valentino designed her long-sleeved dress, which had a form-fitting bodice, mermaid skirt, and thin train. She wore it with a messy bun and diamond jewelry.

The Italian fashion house also created the black ball gown she wore to the actual ceremony.

Her see-through jumpsuit was bedazzled with Valentino's monogram, as was her matching blazer.

She wore no bra or shirt underneath but added dark shorts and pointed heels.

First, she hit the red carpet in a black, vintage Versace gown with neon-green detailing.

While it was vibrant in color, it also stood out thanks to its split bustier bodice and gathered fabric across the back of its skirt.

The two-piece set from Prada's 1993 spring collection included a bra with star-shaped cups and a floor-length skirt with matching shapes across its cutout waistline.

From the front, Zendaya's Louis Vuitton ensemble looked chic and classic. It featured a gray vest atop baggy brown trousers and white pumps.

When she turned around, however, Zendaya revealed just how daring her outfit actually was. The halter top had no fabric across her back, only a loose belt that held it together.

At the movie's Mexico premiere, for example, she wore a custom two-piece set from Bottega Veneta.

It included a high-waisted skirt with a leather waistband and thigh-high slit, as well as a long-sleeved crop top that revealed the underside of her chest.

It made for one of the most daring looks Zendaya wore throughout the "Dune" press tour.

She wore a silver suit of armor with see-through panels, designed and created by Thierry Mugler in 1995.

Roach told podcast host Recho Omondi that he and the actor began talking about styling the piece before "Dune: Part Two" began filming.

They eventually flew to Paris to meet with the fashion house's creative director, Casey Cadwallader, and, after some convincing, scheduled a fitting.

Roach told Omondi that the suit ended up fitting Zendaya like a glove, and he cried.

Bob Mackie designed Zendaya's sparkle-covered gown for a 2001 collection.

The vintage piece had crisscross pieces of sheer fabric across her chest, small straps that crossed over her waist and hips, and a form-fitting skirt with a tall slit.

Rob Biederman, 38, is busy. He founded Asymmetric Capital Partners in 2021, now works as the fund's managing partner, and was named a BI rising star of venture capital in 2023.

He also serves as chairman for Catalent Technologies, the pharma and biotech company he previously founded.

Whether he's sitting in an office or on the go for a work trip, Biederman has found the $128 Day and Night pants from Alo Yoga to be the most comfortable and work-appropriate option on the market.

"I'm actually wearing them right now," he said during an interview with BI. "I might wake up in New York, fly to Boston, fly to San Francisco, then fly to London. So, I need things that can do well across multiple days. They can't get wrinkled if I wear them twice."

In his experience, Alo's slacks fit the bill. They're sold in four neutral colors, and each pair has four pockets.

"They're two brands that I find to be such undiscovered players," Biederman told BI. '"And it happens that both of their stores are really close to my apartment in West Village."

He describes clothes from both brands as classy, stylish, and crafted with quality. Biederman said they also hold up well after airplane rides and busy days.

Buck Mason is best known for its jackets, button-up tops, and thermal layering pieces. The brand's menswear items range from $45 to $1,498.

Billy Reid, on the other hand, sells elevated basics like lambskin jackets, printed button-ups, and peacoats, with each piece costing between $68 and $1,998.

Paul Hill, the 25-year-old founder of the art-tech company Strada, describes himself as a "big uniform guy."

He spends his days operating a New York City gallery and developing workflow management software for the art industry. So he prefers to keep his wardrobe simple.

"I'm just like, let me pretty much wear the same thing as much as possible every day," he said with a laugh.

The base of his outfits is always a pair of jeans from one of two brands. When he wants a classic fit, he wears New York-based DL1961, which sells sustainably-made pants that cost between $158 and $258 each.

On days when he wants to go high-fashion, however, Hill turns to Andersson Bell. Designer pants from the Seoul brand feature patchwork patterns, oversize pockets, and unique washes. They cost upward of $306 each.

Sasha Bratyshkin, 28, formerly worked as an engineer at Facebook and now serves as the cofounder and chief technology officer of Housing.Cloud, a platform that helps students find housing.

In the summer, he enjoys wearing designer pieces from Dries Van Noten and Jacquemus. The latter is known for its cropped jackets, statement button-up tops, and graphic hoodies. Its menswear pieces cost between $150 and $4,590 each.

But at the start of the year, you can usually find Bratyshkin wearing Acne Studios.

"They have great sweaters," he said of the Stockholm-based brand. "It's a cozy line."

The average knitwear piece from the brand retails for $620.

Since the end of 2024, Bratyshkin has been using the e-commerce site Ssense to find designer pieces at discounts — specifically ones that keep him warm in the winter.

"I'm having a little cardigan phase, so I'm shopping for a lot of that stuff on there," he told BI.

The website sells brands like Bottega Veneta, Comme des Garçons, and Stella McCartney and occasionally offers discounts you likely wouldn't find on the retailer's website.

Reed Switzer, 24, created the fintech company Hopscotch, which helps small businesses pay bills more easily.

He wears Buck Mason's $158 chinos for work most days. On his days off, however, he typically wears jeans from the New York City brand 3sixteen, specializing in Japanese denim. Pairs usually cost around $250 each.

"It's really, really solid stuff," he told BI about the brand's products. "I always had issues finding jeans that I really liked, and this brand just kills it."

As for tops, Switzer gravitates toward heavyweight, good-quality tees. He's a big fan of the $158 ones from designer John Elliott.

"I think they're really great, basic, plain T-shirts," he said. "And the cut on them is always really nice."

"Any time I need to be a little bit more dressy, Loro Piana, I think, is classic," Switzer told BI. "You can't go wrong with them."

The brand's suits can cost between $4,200 and $6,825 and are favored by celebrities like Andrew Garfield.

Switzer said he also enjoys the designer's trousers for work days.

"Regardless of whether I'm staying in the house or I'm going out, you'll always catch me in some form of a Lululemon outfit," Bryce Grandison, a 27-year-old former real-estate analyst, told BI.

Now studying to become a licensed agent in his home state of Georgia, Grandison doesn't have much time to focus on fashion. So, he sticks with matching sets.

He especially likes the brand's jersey pieces, which range in price between $58 and $98, the $128 ABC joggers, and the $128 half-zip sweaters.

Reed Waldman, 30, is a dermatologist and the CEO of Veradermics, a biopharmaceutical company he founded. During each workday, he wears his personal uniform: a blazer and trousers or a full suit with a tie.

"I don't think I've bought any brand-new clothes in several years," he told BI. "I am an avid shopper of The RealReal. I primarily wear Cesare Attolini, Tom Ford suits, and Hermès ties."

He discovered the retail platform when he first entered the dermatology field with only one suit in his closet. A colleague suggested he try some designer pieces from the secondhand site.

"I think I bought some navy Brioni blazer for $70, and I was like, 'This is so much cheaper than going to Macy's,'" he said. "And people were like, 'This is a really nice blazer. You look really nice.' So then I started buying a lot more dress clothes."

If you watched any Christmas gift hauls on TikTok recently, there's a good chance you've heard more than a few mentions of Tiffany lamps.

The stained-glass pieces were first made by Louis Comfort Tiffany, the original design director of Tiffany & Co., in the late 1890s.

His style became so popular that other artisans picked it up, and it has remained an interior design staple. Now, most colorful glass lamps are called "Tiffany" lamps, regardless of the craftsman who made them.

To add one to your home this year, you can buy a Tiffany lamp from a modern artisan or search thrift stores for a vintage one. However, if you want an authentic piece from Tiffany Studios, be prepared to spend between $20,000 and $120,000.

Coach has massively rebounded in recent years thanks to its new trendy purse styles, flashy social-media ads, and a loyal Gen Z fan base.

So, of course, the go-to bag for 2025 is a style from the New York City brand: the Brooklyn 39 shoulder bag.

Typically made from smooth leather, the totes are sold in seven colors and measure 17 inches tall. Some fans of the $495 bags include TikTok fashion influencers and model Bella Hadid.

Coach also offers a brown suede version of the product.

We've long surpassed the days when glasses were considered nerdy and unappealing. Still, some pairs are more chic than others.

Enter the Miu Miu Regard frames. At $505 a piece, the oval glasses are decorated with a tortoiseshell print and set with transparent lenses, which are said to block the sun and blue light.

Adding to the appeal is the fact that the Miu Miu acessory looks more like a pair of traditional readers than sunglasses, which they technically are.

If you need more convincing, just look at Sabrina Carpenter wearing them.

Classic, tree-shaped air fresheners are convenient. You can find them at just about any store, and they typically cost under $3 each.

The Pura Car Diffuser, on the other hand, takes things to the next level. The $34.99 device fits in most cupholders, plugs into car USB ports, and releases luxury scents from brands like Anthropologie and Nest.

Each cartridge costs under $18 and is said to remain fragrant for at least 30 days. You can also adjust scent intensity via an app, and the diffuser stops and starts as you move your car.

Talk about high tech.

For a while there, iPads seemed a lot like glorified, oversize iPhones. In 2025, however, the tablets are key to organization and success.

Since the holiday season, people on TikTok have been showcasing their new tech and, more importantly, the apps and features they'll use most in the new year.

One popular video with over 32,000 views shows customized calendars, vision boards, and notepads with the caption, "2025 iPad girl loading."

There are a few iPads on the market, but the two most popular options are the 13-inch iPad Pro ($1,299) and the 13-inch iPad Air ($799).

Maybe iPads are too small for your liking, or maybe their surplus of apps distracts you from staying organized.

That's where Skylight comes in. For months, people have praised the brand's digital calendars on TikTok, saying they appreciate the product's touchscreen checklists, color-coding options, and massive size.

The calendars also double as frames, displaying slideshows of your favorite photos as a screensaver.

However, if you want to add one to your home, be prepared to spend a decent chunk of change. The calendars cost between $159 and $599 each.

Hailey Bieber launched her skincare brand Rhode in 2022, and it's been a steady player in the beauty industry ever since.

Her line's lip treatments and phone cases were the skincare status symbols of 2024, but its face products are now set to have a big year.

Beauty lovers have recently been displaying their gray bottles of the brand's $32 glazing milk, $38 moisturizers, and other products in their recent TikTok videos. Rhode was also a major part of many "what I got for Christmas" hauls online.

Many are also looking forward to coming releases, which some fans speculate will include eye patches and skincare sticks.

So, what's the machine of choice this year? Look no further than Terra Kaffe's TK-02. Many coffee fanatics got the device as holiday presents to upgrade their daily espresso.

The $1,695 device is sold in black and white colorways and has a touchscreen that makes it easy to brew your morning cup even when you're half asleep.

It makes hot and cold drinks, works with all kinds of milk, and utilizes pre-ground or whole beans.

Visit any baker or chef's kitchen, and you'll likely find a KitchenAid mixer. One specific one, though, stands out among the rest.

In 2025, foodies can't get enough of the $699.95 KitchenAid Design Series mixer, which features a forest-green body and a wooden mixing bowl.

It's arguably the most aesthetically pleasing design the brand has ever released and is considered a bestseller at Williams Sonoma.

Middleton wore a black, military-esque coat by Catherine Walker with buttons down its bodice and epaulettes on its shoulders.

She completed the look with a black hat, semi-sheer tights, leather heels, and the late Queen's pearl earrings from her Silver Jubilee.

Her Alexander McQueen coat had a high neckline, multiple pockets, and a long pleated skirt.

She wore it with a handful of accessories in rich tones and textured fabrics, like dark velvet boots, brown leather gloves, and a green, wide-brimmed hat adorned with ribbon.

She wore a burgundy pantsuit designed by Roland Mouret with matching pumps and a baby-pink blouse. The shirt's long bow added a feminine flair to her outfit.

The Prince of Wales wore a blue suit with a red tie, which matched Kate's vibrant red suit.

Alexander McQueen designed her asymmetrical blazer and pleated pants, which she wore with red heels, a matching clutch, and geometric earrings from Chalk.

Her houndstooth-print Catherine Walker coat was red and white, mirroring the colors of both rugby teams.

The BBC reported that, on the day of the match, the Prince of Wales described his wife's attire as "diplomatic," though she was rooting for England. Her team went on to win the game.

Designed by Erdem, her navy-blue outfit included a fitted blazer top with peplum detailing at the waist, and a mermaid-style skirt that flared just above her ankles.

She wore the outfit with velvet pumps and a wide hat.

Rather than wearing true green as most do on St. Patrick's Day, the Princess of Wales opted for a Catherine Walker coatdress in a shade of teal often referred to as "St. Patrick's Blue," as People reported.

The color also matched the plumes the 1st Battalion of Irish Guards wore in their hats. It was a fitting choice for Kate as she inherited the title of Colonel of the battalion from William in December 2022.

She paired the look with coordinating shoes from Gianvito Rossi and a hat designed by Jane Taylor London.

The Waleses marked the full family appearance with coordinating blue ensembles, and Kate chose another Catherine Walker coatdress for the occasion. It had a two-toned lapel and pocket detailing.

A matching hat and nude heels tied the look together.

Kate's emerald dress was designed by Suzannah London. She wore it with white-and-black shoes from Alessandra Rich.

The gown's detailing and slightly puffy sleeves created a more relaxed but still professional look.

Designed by Elie Saab, the powder-blue dress had a sheer overlay and was covered in velvet embellishments.

An oversize bow sat on her neck, and a coordinating hat with a large flower completed the ensemble.

Even better, the look was recycled. Kate previously wore it to the 2019 Royal Ascot.

Puffy sleeves and a ruffled neckline gave the navy polka-dot dress from Alessandra Rich a feminine feel. 

She paired the look with a white clutch and black-and-white heels.

First worn by the princess to Wimbledon in 2021, the Beulah London dress had short sleeves. Buttons lined the bodice, and it belted at the waist.

White shoes accented the summery outfit, just one of the pink looks she wore over the summer.

The white dress was designed by her go-to designer, Alessandra Rich. Polka dots covered the form-fitting, long-sleeved dress, which cinched at the waist.

A black hat with polka-dot feathering and black-and-white shoes completed the ensemble.

Kate also showed off her curtsying skills at the event.

Kate chose another Beulah London dress for the polo game, which William played in, this time in pale blue.

The long-sleeve dress flowed to Kate's ankles, and it was covered in stripes of floral print. 

She paired it with nude heels.

The dress from Self-Portrait had a shirt-like bodice, with a collar, large buttons down the center, and pocket detailing.

It cinched at the waist with a belt, creating a peplum silhouette, while the ruched skirt flowed to Kate's ankles.

She paired the dress with a purple brooch and nude heels.

Kate wore a green suit from Burberry to visit the textile company, AW Hainsworth.

The jacket was slim-fitted while the pants were slightly wider, giving her a long look. A white blouse and gold jewelry completed the professional ensemble. 

The cream ensemble was designed by Sézane, consisting of a sweater with button detailing on the sleeves and a pencil skirt.

The sweater material of the ensemble made it feel perfect for fall. Kate paired the effortless ensemble with cream shoes and a matching purse. 

During a visit to Moray, Scotland, Kate paired a checked Burberry jacket with flared jeans and boots, and she added a red flower to her lapel.

Her jacket subtly matched William's green outerwear, and the pattern was the perfect fit for a visit to Scotland. 

The princess turned to Catherine Walker for her dress in November, when she was ceremonially welcomed by the president and first lady of the Republic of Korea. 

The red coatdress flowed past her knee, draping over her arms almost like a wrap. An asymmetrical bow on the gown's collar acted as a modern touch, and coordinating red shoes, a red purse, and a red hat tied the look together. 

Kate tapped menswear bespoke tailor Chris Kerr for her cream coat, which flowed to her ankles.

She paired the structured coat with a white blouse, matching high-waisted trousers, nude shoes, and a mini-purse. The outfit looked both trendy and timeless. 

Jenny Packham designed the knee-length dress Kate donned for Trooping the Colour 2024, which marked her first public appearance of the year. The Princess of Wales announced she was undergoing chemotherapy in March 2024.

The dress was upcycled, as Kate was previously seen wearing it at a luncheon before King Charles' coronation in May 2023. But Packham added a black-and-white bow and altered the belt to give it a second stripe for Trooping the Colour, making it look new.

She paired the dress with a coordinating white hat, pointed-toe heels, and the Irish Guards Regimental Brooch on her lapel to highlight her role as Colonel of the Irish Guards.

Kate attended the men's final of Wimbledon 2024 with Princess Charlotte at her side.

She arrived in a purple dress designed by Safiyaa London. The dress featured cap sleeves, a cinched waist, and a tea-length skirt with pleats. Ruching on the bodice added dynamism to the boatneck bodice, as did a navy brooch shaped like a bow.

Nude shoes and a pair of sunglasses completed the ensemble. 

Alexander McQueen designed the double-breasted burgundy coatdress Kate wore to the ceremony, which was the first she attended in 2024.

Her coordinating hat was from Sahar Millinery, and Kate played up the autumnal vibes of her look with brown gloves, a brown Chanel clutch, and brown knee-high boots from Gianvito Rossi.

She chose pearly jewelry to complete the ensemble, including a four-strand choker Queen Elizabeth and Princess Diana both wore in the past.
 

The Prince and Princess of Wales participated in the royal family's annual walk through Sandringham on Christmas with their children, and Prince William, Prince George, Prince Louis, and Princess Charlotte all wore navy ensembles. 

Instead of matching her family, Kate donned an emerald green coat from Alexander McQueen with a matching beret from Gina Foster. She wore black boots and gloves with the look, but the standout accessory of her ensemble was her navy and green tartan scarf, which connected her look to her family members' outfits. 

It complemented Charlotte's look in particular, as Charlotte's blue coat featured a checked pattern.

One of her earliest appearances was in 2013 at the SiriusXM Studios in New York City.

She wore red jeans, brown cowboy boots, and a denim button-up shirt for the occasion, creating a casual and classic country look.

Musgraves then accessorized with gold hoop earrings, a silver nose ring, and an assortment of bangles.

When Musgraves walked the red carpet at the 2014 CMA Awards, she was photographed wearing a pink, short-sleeved gown designed by Oscar de la Renta.

It had mesh paneling across the neckline and silver sparkles decorating the gown from top to bottom.

However, it was the musician's sky-high hair that stole the show. She wore a '60s-inspired beehive with modern highlights — a style that became her go-to that year.

The outfit she wore to perform at Stagecoach that year is just one example.

For the concert, she wore an American flag bralette, a fringe miniskirt, and blue bedazzled cowboy boots. Her accessories included sparkling tights, oversize hoop earrings, and statement red sunglasses.

It was relaxed, casual, and patriotic — as were many of her ensembles in 2015.

Her former aesthetic was on display at the 2016 CMA Awards, where she wore a custom Christian Siriano ballgown.

The lavender dress was strapless, crafted from tiers of tulle, and completed with a black waistband.

To contrast its elegance, Musgraves wore it with smoky eye makeup and deep-purple lipstick.

Musgraves has been wearing designer ensembles since the start of her career. But she took things to another level in 2018, specifically at the CMA Awards.

She walked the red carpet that year in black trousers and a mesh blouse designed by Versace.

The Western-inspired top had only a single button, creating a deep slit in the shirt's center. It was also embellished with gold Swarovski crystals across its sleeves, shoulders, and chest.

You couldn't miss her when she walked the red carpet at the 2021 MTV Video Music Awards.

Valentino designed her purple minidress, which was sleeveless, ruched, and complementary to her massive feathered hat.

And the look didn't stop there. She wore see-through sandal heels and red leather gloves that extended over her elbows.

The outfit was bold, fashion-forward, and, most importantly, true to Musgraves' vibrant personality.

She wore all three at the same time for the 2023 Grammy Awards.

Her Valentino ensemble included a baby-pink catsuit beneath a floor-length feathered cape and pink satin heels that matched both pieces.

Musgraves perfected the look with rosy pink makeup, an updo hairstyle, and minimal jewelry.

Returning to her Western-style roots, Musgraves attended the 2024 CMA Awards in a denim minidress.

It was designed by Georges Hobeika to feature a sweetheart neckline, feathered sleeves, and teardrop crystals decorating the piece.

The loose-fitting piece had thin shoulder straps, silver sparkles from top to bottom, and plunging fabric that dipped just above her backside.

It was so bold that MacDowell opted not to wear any dramatic makeup or jewelry — only a touch of red-tinted gloss.

She wore a John Galliano for Dior gown designed to look like it had been shredded.

The sleeveless piece had an asymmetrical neckline, tears across its bodice, and a ruched skirt decorated with blue sparkles and a thigh-high slit.

The outfit was memorable and one of the most daring ever seen at the event. Love completed it with silver sparkles dusted across her hair.

Dressed by Elie Saab, Hathaway wore a sleeveless gown that was bold in both color and shape.

Its hot-pink fabric was infused with spots of green, and the band beneath its neckline was embellished with small beads.

The garment also featured a deep, square-shaped neckline and a nearly hip-high slit that revealed her metallic sandals.

She walked the red carpet that year in a sparkle-covered gown from Marchesa.

Two swaths of fabric covered her chest and created a plunging halter neckline, also making way for a backless bodice.

The latter feature emphasized the gown's mid-rise, floor-length skirt.

She did so via a long-sleeved minidress designed by Zuhair Murad.

The garment, made entirely from lace, was see-through and featured a deep V-shaped neckline. Its form-fitting bodice was also connected to its short skirt.

Berry perfected the outfit with simple sandals, an updo hairstyle, and statement earrings.

Instead, she wore only a blazer, crystal body chain, and floor-length skirt from Altuzarra.

The outfit was edgy, daring, and perfectly accessorized. Washington wore the three pieces with strappy sandals, silver jewelry, a short bob haircut, and vibrant red lipstick.

She wore a sleeveless, sharply structured Valentino gown. It had a full skirt that hovered above the ground, statement stitching, and pockets on each side of the dress.

Erivo wore it with platform heels and cream-colored gloves that extended over the elbow.

She wore a white Iris van Herpen dress with sheer panels and a scale-like pattern. The garment was handmade and looked more like an art piece than a traditional red-carpet gown.

She wore the piece with two rings and simple black sandals.

Celine designed her showstopping dress, which had an open back that plunged to her hips and crystal-covered shoulder straps.

It was also daring across its bodice, where the gown had a deep neckline and thin, sparkling slits.

The dress made for an ensemble that was equally daring and chic.

Moore walked the red carpet in a custom Armani Privé gown, which was strapless and crafted from a metallic fabric that shifted between silver and gold.

Unfortunately, the blended shades washed Moore out, and its mermaid-style skirt distracted from its unique, asymmetrical bodice.

Less would have been more for Wong's Golden Globes ensemble this year.

She wore a red Balenciaga gown covered in curled frills and embellished with a satin bow around the waist. Black, over-the-elbow gloves and thick plastic glasses completed the look.

The comedian could have improved her overall outfit by eliminating her arm accessories and swapping her chunky glasses for more delicate ones.

You couldn't miss Scott when he arrived on the red carpet. The "Ripley" star wore a Vivienne Westwood suit in a vibrant blue shade, a matching tie, and black dress shoes.

His fashion risk was appreciated, and he did stand out among other male celebrities at the event. That said, its color was a bit too bold and reminiscent of a Tiffany and Co. jewelry box.

The black long-sleeved top, yellow pleated skirt, and gold buckle belt Hahn wore would have been great for a date or dinner with friends.

However, the outfit was too casual for the prestigious awards ceremony. The same shirt made from shiny silk, a different belt, and a slightly shorter skirt could have elevated the look.

Christian Siriano designed McCarthy's two-piece outfit, which included a hot-pink pantsuit and an oversize, ruffled cape.

The baby-pink shade on the latter piece complemented McCarthy and would have looked stunning in the form of a gown. However, the pantsuit and cape combination she wore overpowered the actor.

Ramos arrived in a gray suit that was sharply tailored and looked chic. But there was one thing he could have changed: the non-functional belt that sat wrapped around his waist.

Instead, it would have been fun to see the actor embellish his outfit with a statement brooch, a unique tie, or even a more interesting shirt.

Klum brought her signature, sultry style to the Golden Globes with a strapless green gown. It had a deep neckline, ruched fabric, and diamond-shaped cutouts across its bodice.

Still, the model has worn many similar dresses in the past. It would have been fun to see Klum experiment with something even bolder and more high-fashion this time around.

Stéphane Rolland designed Russell's cream dress to look like a suit, with a plunging neckline and a slit in the center of the skirt mimicking the look of a jacket and pants. Lapel detailing and an oversize belt completed the illusion.

The look was fun, but a layer of straight fabric flowed down from the back, making the dress look boxy and unnaturally stiff. Without the additional fabric on the back, it would have been stronger.

Hayek chose a burgundy Gucci dress for the Golden Globes. Sequins covered the halter bodice, and the sparkles reappeared on the train, flowing from the form-fitting skirt. She wore a green necklace with the look.

The dress felt disjointed and would have been more cohesive if there were any sparkles on the skirt to connect the bodice and train.

The longtime couple arrived in different shades of green.

Brody wore an emerald suit from Prada. It consisted of a double-breasted jacket and coordinating pants. He wore a white flower on his lapel.

Meester's sage gown from Versace was figure-hugging with a cowl neckline and a subtle sparkle.

The Sandlers both wore black to the Golden Globes.

Jackie Sandler's Tom Ford dress was backless, and the halter neckline was attached with a gold choker. The bodice featured a cutout that flowed nearly to her waist while a train extended behind her.

Adam Sandler's look was monochromatic, as he paired a black shirt and tie with his suit.

Danson, who was honored with the Carol Burnett Award at this year's Golden Globes, walked the red carpet in a navy tuxedo and a velvet bow tie.

The strapless neckline of Steenburgen's black dress had a square cutout in the center, contrasting with the white flowers that adorned the bodice. She wore a black scarf around her neck, flowing behind her like a train.

Tennon walked the red carpet in a traditional suit and sneakers, keeping his outfit simple to let his wife shine.

Davis, who was given the Golden Globes' Cecil B. DeMille Award, wore a black sparkly gown with a dazzling cape across her shoulders. The cape shined with rainbow colors as she walked beneath the event's lights.

Bagshawe and Redmayne both wore patterned looks to the Golden Globes.

Bagshawe's long-sleeve dress was taupe, and it featured billowy sleeves that cinched at the wrist with ruffles, as did the high neckline. Gold polka dots adorned the dress, and the skirt had tiers of ruffles, creating a maximalist look.

Redmayne's black-and-white look consisted of a checked jacket and pants paired with a cream top. He wore the shirt with the collar popped up and completed the outfit with black shoes.

Miles Teller kept his look classic, donning a black tuxedo for the Golden Globes.

Keleigh Sperry Teller's semi-sheer blue dress was covered in intricate beading. Velvet fabric sat atop the halter neckline, offsetting a cutout in the center of the bodice.

The newly engaged couple coordinated their elegant looks.

Gomez wore a dusty-blue gown with off-the-shoulder sleeves and extra fabric that she draped across her arm, while Blanco stood beside her in a fuzzy white suit and a matching shirt embellished with lace detailing.

Stan brought a fun twist to classic menswear with a long suit jacket and skinny trousers — both of which had white stripes down each side.

Wallis stood out in a sparkling pink gown with a corseted bodice and ruched neckline.

Cyrus arrived in a black, floor-length gown designed by Celine.

It featured a halter neckline that plunged to her navel and was trimmed with silver beading, as were cutouts on the bodice. The neckline and cutouts formed a flower.

The back of the dress was open, with strips of sparkly fabric connecting the gown.

Louis Vuitton designed Zendaya's orange gown.

The form-fitting piece had a sweetheart neckline and hit Zendaya at the ankle. A train attached to Zendaya's waist flowed out behind her.

She wore Bulgari jewelry.

Instead of wearing a traditional suit, Stan's black jacket flowed to his calf and was trimmed with white, giving it a modern flair.

His black pants ruched around his legs, and he wore black shoes.

Kidman's silver dress had one shoulder strap and was backless, creating a design that was elegant in front and daring from behind.

The custom Balenciaga piece was also covered in silver sparkles and had a train that glided as she walked.

The actor completed her outfit with a ponytail.

The Rock posed in a shiny lilac top and a jacket in a slightly lighter shade of purple. He added a colorful brooch to his lapel and donned see-through sunglasses.

Black pants and shoes completed the look.

Instead of opting for a simple, little black dress, Paulson wore a dramatic gown decorated with feathers.

The strapless piece had a short train, a fitted waist, and a sweetheart neckline.

Paulson also wore vibrant blush and a statement choker necklace.

Louis Vuitton custom-made Stone's red gown, which was strapless and puffed at the hips.

The dress also had a satin belt that extended out on one side, and Stone debuted a short haircut.

Delevingne chose a sparkly look for the night, wearing a high-neck, blue dress that was sleeveless.

Gems trimmed the neckline, adding even more glamour to the look.

Qualley's white dress had a square neckline, which was adorned with delicate beading.

The dress cinched at her waist with a shiny black bow, and the skirt featured tiers of ruffles that almost seemed to hover around Qualley.

Grande's archival Givenchy Haute Couture gown first debuted in 1966, when Hubert de Givenchy's designs were heavily inspired by Audrey Hepburn.

The yellow silk dress was hand-beaded on the empire waist bodice. The skirt flowed to her ankles and was slightly ruched. White gloves and Swarovski jewels completed the retro look.

Domingo played with patterns with his black and white Golden Globes look, which was designed by Valentino.

His suit was black, and he paired it with a white top covered in black polka dots. He wore a scarf in place of a tie that formed a bow on his neckline, which featured both a checked pattern and stripes.

Winslet's single-breasted, white suit included a slightly oversize jacket and flared pants.

Black sparkly flowers were embroidered into the jacket on the bodice and sleeve, adding dimension to the look.

Davis' black gown featured a V-neckline and an A-line shape. The skirt flowed to the floor after being cinched at her waist.

The gown was covered in delicate sparkly beading, which complemented the semi-sheer, multicolored cape attached to it.

Saldaña chose a brown Saint Laurent dress for the Golden Globes.

The sparkly gown hugged her figure and curved into a plunge on the strapless neckline. She accessorized the look with a coordinating detached cape that functioned as a train.

Hudson's navy ball gown, designed by Carolina Herrera, had a strapless neckline and full skirt. The dress was covered in sparkly floral embellishments that glittered as she walked the red carpet.

A coordinating choker necklace tied the look together.

Daddario mixed textures with her custom Vivienne Westwood dress.

The asymmetrical neckline was covered in voluminous white feathers that spilled over the bodice, while the rest of the dress was made of sparkly black fabric.

Redmayne chose a black and cream-patterned suit for the Golden Globes.

The slim-fit ensemble's jacket and pants featured a checked pattern. He paired the bold set with an off-white shirt with a popped-up collar. Black shoes grounded the look.

Gunning, who is nominated for her performance in "Baby Reindeer," arrived at the awards show in a velvet blue dress.

A ruffled, voluminous layer of fabric covered the neckline of the dress, contrasting with the figure-hugging skirt.

Kaling arrived in a sparkly gold gown from Ashi Studio.

The form-fitting dress, which shimmered as Kaling walked the red carpet, had a strapless neckline and a slit on the side.

Milioti, who was nominated for her performance in "The Penguin," chose a simple black dress for the Golden Globes.

The gown's neckline was trimmed with angular, sparkly fabric designed to look like leaves, giving it a chic pop. That same trim was attached to Milioti's black gloves.

Fanning's glamorous taupe gown from Balmain featured a full skirt, which cinched at the waist.

The V-neck bodice brought a modern edge to the gown's classic shape, as the top was covered in leopard-print fabric. Cartier jewelry completed the look.

Adam Brody put a fresh twist on menswear with his deep-green suit from Prada. The double-breasted jacket had black hardware, and he accessorized with a white flower on one of his black lapels.

Black shoes completed the look.

The neckline of Kravitz's black gown plunged nearly to her navel, where a white ribbon cinched her waist.

The bow flowed out behind her in place of a train. Saint Laurent designed the dress.

Gucci designed the shimmering gold dress Gonzalez chose for the Golden Globes.

The figure-hugging dress was sleeveless and featured a high neckline, contrasting with the back, which was nearly entirely open aside from thin ties.

Brosnahan's deep-green gown was covered in architectural detailing, from the ruching across the bodice that flowed into one sleeve to a thigh-high slit on the skirt that allowed the fabric to cascade around her leg.

The dress also featured a subtle ombré, turning nearly blue at the bottom of the skirt.

Meester's sage-green dress featured a cowl neck that dipped low on her chest.

She accessorized with a simple diamond necklace and bracelet.

She wore a yellow Jenny Packham gown with a strapless sweetheart neckline and a floor-length pleated skirt.

Though the dress was vibrant, its silhouette was extremely simple. Swift paired it with an updo hairstyle and her signature red lipstick.

Carolina Herrera designed this strapless look, which had a black bodice and a dramatic, high-waisted red skirt.

Though the dress wasn't daring, it did evoke an old-school Hollywood glamour vibe — especially when paired with Swift's red lipstick and curly updo.

Her sleeveless, teal gown was custom-made by Etro. It had a low back, a triangle cutout above its skirt, and an all-over yellow flower print.

The outfit was fresh and bright, and Swift perfected the look with Lorraine Schwartz jewelry and a wispy bun.

Swift's plum-colored Donna Karan dress looked elegant from the front, with a square neckline, form-fitting bodice, and mermaid skirt that fanned out around her knees.

But when she turned around, you could see that the dress also had a plunging back and nude-illusion side panels.

She wore the Julien Macdonald design to attend a 2014 Golden Globes after-party.

It was sheer with long sleeves, an above-the-knee skirt, and a knit design that showed some skin. Swift wore it with strappy sandals, silver earrings, and red lipstick.

Dressed by Gucci, Swift stepped onto the carpet wearing a metallic green gown with daring details.

It had a form-fitting top with cutouts at each side of the chest, a floor-length skirt, and a deep back held together with thin straps.

The outfit was eye-catching and accessorized to perfection. Swift wore it with green Louboutin heels and over $108,000 worth of De Beers earrings.

In addition to being one of her most daring Golden Globes looks, the ensemble was one of the most expensive Swift wore in 2024.

Versace custom-made Swift's sparkling black gown. It had off-the-shoulder straps, a structured bodice with a deep plunge, and a floor-length skirt with a thigh-high slit.

The outfit was bold in shape and fabric, as its mesh-like material was semi-sheer. Swift completed the look with black sandals and diamond earrings.

Abbie Stockard, 22, is a nursing student at Auburn University and a member of the college's dance team.

Stockard raises money for cystic fibrosis. She was inspired by her best friend, who was diagnosed with the disorder. In her Miss America bio, she said she hosted the largest fundraiser for the cause in Alabama in 2024, raising over $200,000 for the Cystic Fibrosis Foundation. The organization named her its 2024 Hero of Hope.

Jordan Naylor, 27, is the American Heart Association's Go Red for Women development director in Anchorage, Alaska.

Naylor wants to educate people about emergency heart aid, ensuring businesses in Anchorage are prepared to help people having cardiac emergencies and that people know hands-only CPR, working with organizations like the AHA and the Anchorage Fire Department.

In her Miss America bio, she also shared that she loves platypuses.

Shailey Ringenbach, 21, is a real-estate agent in Maricopa, Arizona. Her Miss America bio says she became a licensed real-estate agent at just 18 and is one of the youngest sales representatives at D.R. Horton. Ringenbach has sold over $2 million in real estate to date.

She also brought therapy dogs to pageants through her Share the Love: Improving Mental Health Through Pet Therapy initiative.

Camille Cathey, 22, received her undergraduate degree from the University of Alabama, graduating summa cum laude. She will attend the University of Arkansas School of Law.

Cathey is an ambassador for Wish Upon a Teen, an organization that supports teens with severe medical conditions. She also created the Proudly Volunteer initiative, encouraging people to engage in service work across the US.

Cathey said in her Miss America bio that she can perform accents.

Kimberly Vernon, 28, is a marketing consultant from Santa Clara, California.

Vernon spearheads the Arts for All initiative, helping over 40,000 students access arts education. Her Miss America bio says she has raised over $130,000 for the program.

She also said she traveled the globe in just 18 days.

Alexandra Lotko, 27, has her degree in elementary education from the Metropolitan State University of Denver. She lives in Denver today but said in her Miss America bio that she has lived in six states.

Lotko, a twin, is a mental-health advocate through her initiative, It's Okay to Not Be Okay. She also supports the American Heart Association and the Miss America Scholarship Foundation through the Miss America's Ladies Who Launch initiative.

Monica Fenwick, 24, is a speech and language pathologist from Watertown, California. Her work is her passion, and she helped create a Connecticut day of recognition for communication disorders and launched the initiative #CommunicationIsKey to support people with communication disorders.

Fenwick was also a member of the UCA All-American cheerleading team.

Nova Rae Gaffney, 24, is from Milford, Delaware, and works as a professional ballerina. She recently performed the role of the Sugar Plum Fairy in Savannah Ballet Theatre's production of "The Nutcracker."

She also launched the Behind Closed Doors: Domestic Violence Awareness initiative, raising awareness about indicators of domestic violence and the resources available to those dealing with it.

Katie Ann Powell, 26, has an MBA and is a public relations specialist in Washington, DC. Powell also said in her Miss America bio that she played the harp for 20 years, studying at four different universities and performing in seven countries.

Powell also champions financial literacy as the president of Jump$tart Greater Washington and hosts the personal finance podcast "Full Confidence Ahead."

Casana Fink, 26, founded the clothing label The Unverified and is the chief operating officer for More Transplants More Life, a nonprofit organization focused on increasing organ donation. The Ocala, Florida, resident is also an MBA candidate.

Fink dedicates much of her time to raising awareness and support for organ donation. She was named the Donate Life Florida Ambassador of the Year and wrote a children's book about organ donation.

Ludwidg Louizaire, 27, works in marketing in Atlanta. Her initiative, Education for Every Student, promotes equal educational opportunities for students of all socioeconomic backgrounds. It includes legislative efforts and mentorship programs.

Louizaire was named the Boys and Girls Club of America's role model of the year. In her Miss America bio, she also said she could recite every word of the musical "Hamilton."

Hayley Cheyney Kāne, 27, is a preventive medicine educator and doctor-in-training from Kaneohe, Hawai'i. Kāne said in her Miss America bio that she is passionate about educating people about women's heart disease prevention, and she thinks the "aloha" lifestyle of Hawai'i can help combat the disease.

Kāne is the first gay Miss Hawai'i to date. She performed hula dancing and singing simultaneously as her talent during the competition.

Madison Andreason, 22, is from Idaho Falls, Idaho, and studies paralegal studies and political science at Idaho State University.

Andreason was Idaho's representative at the National Speech and Debate Tournament. She modernized an article about domestic violence for the Idaho State Bar and champions healthy living through her initiative Get Up and Get Out.

Breana Bagley, 27, is an attorney from Decatur, Illinois.

Bagley champions awareness for rare diseases, inspired by her mother's experience with idiopathic chronic pancreatitis. After helping to found the National Pancreas Foundation's junior board of directors and Camp Hope, she was given the organization's Vision of Hope award for her efforts.

She is also the chair of the National Organization for Rare Disorders Policy and Advocacy Taskforce.

Kalyn Melham, 23, is from Muncie, Indiana. She studied information and communication science at Ball State University and founded the service initiative Acts of Service, advocating for underprivileged communities across the US.

Melham also said in her Miss America bio that she loves film scores, listing Michael Giacchino, Hans Zimmer, and Justin Hurwitz among her favorite composers.

Abigaille Batu-Tiako, 22, got her degree in business management from William Penn University in Oskaloosa, Iowa. She is the first grandchild of 25 in her family to earn a college degree. Batu-Tiako played both soccer and track and field when she attended the school.

She founded the United Voices initiative, encouraging people to celebrate other cultures without appropriating them.

She has also played the trombone for a decade.

Alexis Smith, 25, is a cardiothoracic ICU nurse in Witchita, Kansas.

Smith advocates against domestic abuse, working with organizations like One Love, the Domestic Violence Hotline, and the Kansas Health Foundation to promote healthy relationships and bring awareness to domestic violence. The City of Witchita awarded her an outstanding service award for her efforts.

Smith is also an accomplished ventriloquist, practicing for nearly 20 years.

Chapel Tinius, 24, is a multi-talented contestant with a background in public speaking, extreme running, singing, and playing multiple instruments — namely the fiddle, violin, and harp.

She has two degrees from Belmont University and is now a spokesperson for Kentucky Proud, a local agriculture marketing program, and the Kentucky Department of Agriculture.

According to her Miss America bio, Tinius also runs a fundraising operation called Operation Gratitude: For the Fallen, For the Fighting, For the Veterans. Her grandfather, who served and was injured in WWII, inspired her.

Olivia Grace George, 20, is one of the youngest contestants in this year's Miss America competition. She's an aspiring elementary education teacher and studies at Lousiana Tech University.

She's already gotten her start in the field. George previously collected and donated school supplies for local classrooms and founded an initiative called Education is Key – Knowledge Empowers Youth.

So far, as she shared in her Miss America bio, her efforts have reached over 4,500 students.

Jennie Daley, 28, is a biomedical systems engineer who graduated in the top 4% of her class at the University of Maine's College of Engineering.

In her current position, where she's the youngest staff engineer employed, she's been promoted four times over the past five years.

Daley is now eager to help others achieve similar success in the field. She founded Equity in Engineering: Breaking the Glass Ceiling for Women and Rural America to help the career path become more accessible to diverse workers.

Bridget O'Brien, 23, is studying to earn a master's degree in sports management at the University of Alabama. However, she also dreams of becoming the first member of the Miss America organization to appear on "Dancing With the Stars."

That's partially because O'Brien knows a thing or two about dance. She was previously a member of the USA's tap-dancing team and won two gold medals with the group.

She's also a singer and the founder of Boomerang, an initiative that helps people reframe their failures into opportunities for success.

Kiersten Khoury, 23, owns Savvy Solutions, a coaching business she founded when she was 16.

She's also a real-estate agent who earned her license while in college and holds the title of top sales associate in New England, according to her Miss America bio.

For fun, Khoury is learning Arabic from her father, who spoke the language while living in Lebanon. She's also dedicated to her initiative, Redefining Dyslexia, which educates people about the condition and advocates for those who experience it.

Jenae Lodewyk, 25, works within the NBA as the manager of player and family engagement for the Detroit Pistons. She's held the role for five seasons and is only the third woman in the league's history to be an assistant equipment manager.

The experience has led her to advocate for equal career opportunities in male-dominated fields.

Her Miss America bio says Lodewyk also enjoys watching Broadway shows, sewing, and completing New York Times puzzles with her sisters.

Emily Schumacher, 25, has made her mark on the healthcare industry. Previously named a PHW Hero for Young Hearts Allied Health Professional Advocacy Champion award winner, she now works as a certified nurse's assistant in her local emergency room.

She told the Miss America organization that she's also worked with the American Heart Association and has widely advocated for CPR and AED training.

Becky Williams, 23, is the first woman in her family to graduate from college — and she's determined to help others succeed in education.

Now an elementary school teacher, Williams helped secure full-tuition scholarships at Mississippi State University for winners of their state's local Miss and Miss Teen competitions.

As she said in her Miss America bio, she's also passionate about fitness and started an initiative called Make a Move to help others develop healthy habits. For fun, Williams is learning how to fly planes and has over 10 hours as a pilot in command under her belt.

Ashley Berry, 21, studies journalism and political science at the University of Alabama. Her biggest passion, though, is supporting young professionals.

She's secured a full-tuition scholarship for future Miss Missouri Teen winners and founded a day in her state dedicated to engaging teens in politics. She's also worked to add media literacy lessons to school curriculums and started the Media Smart initiative to further her advocacy.

Berry is a bungee fitness instructor and a professional dancer in her spare time, having previously performed with the Missouri Symphony.

Kaylee Wolfensberger, 20, is a student working toward her degree in business marketing.

That said, she's already had some experience in her field. In 2024, she met with representatives of two NFL teams, the Seattle Seahawks and Miami Dolphins, and discussed women in business leadership roles with them.

She also founded the Healing Harmonies initiative to help provide music education to communities in need.

Raechel Warren, 28, wears many hats. She is a merchandiser and logistics specialist within the agriculture industry and a published researcher.

And that's not to mention her success in figure roller skating, which she's been competing in since childhood. She's now a two-time champion in the sport and aims to skate in all 50 states.

In her Miss America bio, Warren shared that she's also passionate about mentorship and launched her initiative, Passion to Purpose, to help students have access to people who can guide them through life.

Karrina Ferris, 22, has a degree in history and political science, which led her to work the 82nd Nevada legislative session for the Senate majority leader.

She's also a dancer and the creator of a civic education curriculum available across Nevada.

Ferris also founded the service initiative Inform To Reform: Educating America's Future, which focuses on teaching young people about voter participation.

Emily Spencer, 24, is a choreographer, pilates instructor, and professional dancer.

She previously earned her bachelor of fine arts in dance with a minor in biology, graduating fourth in her class and accepting her degree on the Miss New Hampshire stage. Spencer hopes to later earn a doctorate in physical therapy.

Additionally, Spencer founded a nonprofit and adaptive pageant organization called Miss Inspiration, which provides scholarships to women who have disabilities.

Elizabeth Mendel, 23, is a business student and advocate for people who experience eating disorders, like she has in the past.

She's worked with New Jersey assemblywoman Andrea Katz and provided her testimony to help pass two bills in New Jersey that raise awareness of eating disorders. Her initiative, Image is Everywhere, also focuses on the subject.

In her Miss America bio, Mendel said she's also raised over $50,000 for her community and is a twin.

Emille Marie Enriquez, 24, is an emergency room nurse at a level-three trauma center. She's been nominated twice for a Daisy Award, which recognizes excellence in nursing.

To help serve her community, Enriquez has administered vaccines, mentored graduate nurses, and advocated for safe ratios of nurses and patients.

In her Miss America bio, the contestant shared that she lives in a "glamper," or a glamorous camper van, and enjoys shopping at Marshall's with her grandmother.

Abigail Quammen, 25, can be described as a bookworm. Not only is reading one of her biggest hobbies, but she's also an advocate for literacy via her initiative Read to Succeed, which provides students with tutoring and after-school reading programs.

Her work has previously taken her to places like the Barbara Bush Foundation for Family Literacy's National Celebration of Reading, where she served as the featured impact speaker.

She previously graduated summa cum laude with a bachelor of arts in musical theater and is now an MBA candidate at New York University.

Carrie Everett, 20, is passionate about taking advantage of your circumstances.

She founded a service initiative called Seize the Opportunity, with which she advocates for equitable access to the Miss America competition. The program works on contestant recruitment, individual funding, and training workshops.

Previously, as she told the Miss America organization, she played tackle football and was the only woman on her team.

Sophia Richards is a North Dakota State University graduate and currently works as a host and producer for North Dakota Today.

The 23-year-old is also a volunteer and mentor for BIO Girls, a preventive mental wellness program in the Midwest. She once performed the national anthem in front of 45,000 people at a country music festival.

Stephanie Finoti, 22, is a biomedical scientist and vocational nurse. She began doing research at the James Comprehensive Cancer Center and Cincinnati Children's Hospital when she was just 16 and has been recognized for her work by the Society of Maternal-Fetal Medicine.

Finoti also founded a nonprofit organization to help provide mentorship and tutoring to over 10,000 marginalized students.

Lauren Frost, 25, graduated from Northeastern State University with a degree in corporate communication. She is currently training as a public information officer at the Oklahoma Bureau of Narcotics and Dangerous Drug Control.

Frost is a brand ambassador for the Dave Thomas Foundation for Adoption and the Gladney Center for Adoption and a speaker at the National Adoption Conference.

Abigail Hoppe is an elementary school teacher and has received the James B. Conway Award for excellence in teaching. Her social initiative is dedicated to mentoring and educating those with type 1 diabetes.

The 26-year-old is also a licensed makeup artist and entrepreneur, running her own business outside the classroom.

Paige Weinstein is a flight attendant and pilot-in-training for Delta Air Lines. She was diagnosed with melanoma at the age of 26 and now advocates for early detection.

The 27-year-old founded the nonprofit Beauty for All, offering the first beauty subscription box catered to individuals with intellectual and developmental disabilities.

Weinstein is also obsessed with pickles and attends the country's largest pickle festival every year.

Wilma Victoria Richiez has a biology degree from the University of Puerto Rico at Bayamón. She is completing a post-baccalaureate program at the National Institutes of Health and plans to apply to a JD/Ph.D. program in neuroscience and science policy.

The 23-year-old is the first Miss Puerto Rico to compete at Miss America since 2017. She is using her platform to help provide education opportunities to disadvantaged communities in Puerto Rico.

Ali Hornung, 24, graduated from the University of Rhode Island with degrees in global business, German, and human development.

Hornung is a pediatric cancer advocate who has raised over $700,000. She founded the Glimmer of Hope Foundation and has distributed more than 700 bald dolls to children battling cancer around the world. She currently collaborates with the Biden Cancer Moonshot.

Davis Wash, 24, is a marketing consultant for a land and agriculture firm and an advocate for the children of incarcerated parents.

Wash is a national brand ambassador for Proverbs 22:6 and has accompanied over 270 children to visit their parents in prisons across South Carolina. She is also a partner with the American Correctional Association, striving to provide mentorship and resources to at-risk youth.

Joelle Simpson, 21, is an accomplished figure skater. She is South Dakota's first and only four-time gold medalist in figure skating and a national bronze medalist in synchronized skating.

Simpson is also a professional harpist and hosts a science documentary series called "Nurturing Nature," where she has handled snakes and explored raptor rehabilitation.

Carley Vogel, 24, is studying for a degree in music business at Middle Tennessee State University. Through her social initiative, Carley 4 the Kids, she has raised over $1.9 million for Children's Miracle Network Hospitals.

Vogel is also an advocate for organ donation, serving as an ambassador for Donate Life Tennessee and Tennessee Donor Services. She volunteers on the transplant floor at Children's Miracle Network Hospitals and was honored as a national advocate by the American Liver Foundation in 2023.

Annette Addo-Yobo, 26, holds master's degrees in clinical psychology and business administration.

Addo-Yobo advocates for autism awareness through her social initiative, The S.P.A.R.K. Project. She has partnered with nonprofits, including Best Buddies International and Autism Speaks.

Paris Matthews, 26, works as a certified child life specialist in the emergency department at Primary Children's Hospital. She is also a graduate student, children's book author, and founder of a charity that advocates for hospitalized children.

Matthews has made it to the national Miss America stage after competing 13 times to win her first local title.

Meara Seery, 24, has worked as a digital producer for Sen. Bernie Sanders and is currently a marketing director.

In 2024, Seery helped break the Guinness World Record for most pledges to clean up trash in a 24-hour period. She is an advocate for the environment and sustainable agriculture.

Carlehr Swanson, 28, graduated from George Mason University and the Frost School of Music. She is a Ph.D. candidate in critical and comparative studies in music.

Swanson performs in nursing homes and uses her social initiative, Music is Unity, to teach students about the benefits of music.

Hermona Girmay, 24, is a graduate of the University of Washington School of Public Health. She became an advocate for type 1 diabetes after nearly losing her life to the autoimmune disease due to a prolonged misdiagnosis.

Girmay is also an advocate for gender and education equality. Through her nonprofit, she has donated books and school supplies and works to advance scholarship opportunities for women.

Jennifer Reuther, 26, is a practicing physician assistant. She was diagnosed with type 1 diabetes when she was 7 and has since raised more than $10,000 for the Juvenile Diabetes Research Foundation.

Reuther has volunteered at rural health clinics across her state, helping to provide preventive screenings and medical services.

Mandi Genord, 22, was a triple major at the University of Alabama, where she studied dance, political science, and communication. She will begin law school in the fall of 2025 and aspires to become a family lawyer specializing in adoption.

Genord is an adoption advocate and has partnered with Adoption Choice Inc. and the National Council for Adoption.

Baylee Drewry, 22, is a law student and squadron commander for an auxiliary Air Force unit dedicated to finding crashed planes.

Drewry advocates for female athletes through her Promote Girls and Women in Sports social initiative.

The "Joker: Folie à Deux" star got engaged in April and began wearing her engagement ring publicly in September. It was one of her main accessories while promoting the DC Comics movie at the Venice Film Festival.

The statement piece features an oval-shaped stone atop a raised, diamond-encrusted band.

When Gomez released her 2015 album "Revival," she sang the line "I'm a marquise diamond" on a single called "Good For You."

Nearly 10 years later, the Rare Beauty founder has that exact stone on her ring finger.

Gomez revealed her diamond engagement ring from her now-fiancé, Benny Blanco, in a December Instagram post.

The large diamond is on a gold pavé band decorated with smaller diamonds.

Jackson revealed her engagement in December with an Instagram post celebrating her fiancé's birthday. She also later shared photos of her ring on her Instagram Story.

Designed by Jean Dousset, the piece of jewelry features a lab-grown, emerald-cut stone that's crystal clear. It sits atop a thin, diamond-encrusted band.

Vogue reported that "The Vampire Diaries" star was told in late October that she'd been invited to dinner with the publication's editor in chief Anna Wintour.

She dressed for the occasion and arrived a few minutes late — but quickly realized that she was actually attending her surprise proposal.

White got down on one knee that night and presented her with a Lorraine Schwartz ring.

It features a five-carat, pear-shaped diamond that's completely clear atop a gold band.

The actor flashed her sparkling ring — a four-carat creation from Stephanie Gottlieb Fine Jewelry — on the "Beetlejuice Beetlejuice" red carpet at the Venice Film Festival.

Theroux asked for her hand in marriage while in Italy for the event, according to People.

The publication also reported that the large diamond was set in a platinum and 18-carat yellow-gold band that had Bloom's and Theroux's birthstones hidden inside.

The author and political staffer had her ring on display while speaking at the Forbes 50 Over 50 event in New York City in October.

Its massive emerald-cut diamond sat atop a thick, dazzling band crafted with smaller stones.

She and her fiancé, Alex Soros, the heir to George Soros' multibillion-dollar fortune, previously announced their engagement in July.

Serratos, who previously starred in "The Walking Dead" and "Twilight," became engaged to musician David Boyd in August and shared close-up shots of her ring on Instagram.

Her custom Brilliant Earth design features a vibrant red band, rose-gold prongs, and a pink, pear-shaped diamond.

People reported that the latter piece is over 11.66 carats.

The actor first announced her engagement to actor Cody John with an Instagram post in July.

However, it wasn't until a few weeks later that the "American Horror Story" star posted a closer shot of the dazzling jewelry piece she received that day.

Her vintage-looking ring has a large, round stone set on a striped gold band.

She made her Arrowhead Stadium debut in studded $190 Ksubi shorts, a white $105 Dôen tank top, and $192 New Balance sneakers — all sold out as of November 2024.

She also sported a vintage Kansas City Chiefs jacket and a $1,305 crescent-shaped earring from Jacquie Aiche.

As the Chiefs battled the New York Jets at MetLife Stadium, Swift cheered the team on from a box suite.

Her simple outfit for the occasion included $528 denim shorts with crystal detailing from Area (which have since sold out), a black long-sleeved shirt, and a leather jacket from Gant.

She also accessorized with a $9,250 diamond choker and $1,795 Louboutin boots.

Her Chiefs pullover, for example, was a light-gray shade that didn't stand out in the audience. Her plaid skirt was also understated.

The most interesting aspects of her outfit were the accessories. Swift wore a $598 Mejuri ring with a red stone in the middle and a $35 handmade hat from a local Kansas City artist.

For a game in October 2023, Swift arrived wearing a red, white, and black jacket covered in Kansas City logos. The $130 piece, which is now sold out, was the work of Wear by Erin Andrews.

Though the jacket wasn't part of her flashiest outfit, Swift undeniably left her mark on the sports anchor's clothing business.

"I started screaming and freaking out and singing all my favorite Swiftie songs. And then yeah, we restocked, and we sold out. And thank you, thank you, Taylor Swift," Andrews told Seth Meyers during an appearance on his show.

Swift paired the outerwear with a $3,190 Balenciaga corset and sold-out Prada boots.

Swift paired a vintage Chiefs sweatshirt from Ellie Mae Studios with a black pleated skirt and loafers.

As usual, she added an assortment of jewelry to elevate her look, including Cartier's $13,400 Juste un Clou necklace. She also wore the $3,600 Heavy Belcher bracelet and the $1,050 Enamel Miniature Medallion from Foundrae, as well as Jacquie Aiche's $5,775 evil-eye bracelet and $4,675 7 Diamond Kate Smooth Bar bracelet.

Swift completed her look with a $21 custom friendship bracelet featuring an 87 in a sweet nod to Kelce, who wore a red plaid shirt after the game that coordinated with Swift's gameday look.

Rather than wearing team gear, Swift arrived at the sporting event in a white varsity jacket from Gant's collaboration with Kilo Kish.

The high-fashion piece featured stars and other shapes in the Chiefs' signature red, matching Swift's winter beanie and lipstick.

The jacket, which retailed for $1,800, is now sold out.

She was photographed wearing a vintage, leather Chiefs jacket — a fan said her parents sold it on eBay for $169 — and black shorts from Agolde.

Other pieces included $2,195 Louboutin boots, a $3,900 Dior saddle bag, and a $630 belt from The Row. But it was her gold and diamond accessories that stole the show.

Swift wore $575 Louis Vuitton earrings, a $4,475 Chanel necklace, a $3,150 Louis Vuitton ring, and a $4,150 ring from Retrouvai.

She attended the holiday Chiefs game alongside her brother Austin, who was dressed as Santa Claus.

Though Swift wasn't in costume, she was dressed with holiday spirit. To complement her Santa hat, which was embroidered with Kelce's jersey number, Swift wore an $895 bomber jacket from Guest in Residence, which has since sold out.

She also sported a now-sold-out Hill House skirt, $35 Sheertex tights, and heeled Prada loafers.

The base of Swift's look for the 2024 Super Bowl — which the Chiefs won — was all black. She paired Dion Lee's crochet corset top with Area's $695 crystal slit jeans and $1,195 suede ankle boots from Christian Louboutin.

Swift also wore a red Chiefs bomber jacket from WEAR by Erin Andrews, which cost $129. Her accessories also nodded to the Chiefs, like Judith Leiber's red football clutch. The bag is not available in red online, but brown, gold, and pink versions cost $3,995 on the brand's website.

Her $3,325 necklace from Stephanie Gottlieb featured an 87, a nod to Kelce's jersey number. She also wore a diamond tennis choker from the brand, which cost $7,995.

Swift adorned herself with other red jewelry, including two rings from Shahla Karimi, Retrouvai's $4,550 Ruby Magna ring, and The Last Line's $695 diamond-studded Heart Twist earring, which is sold individually.

She also turned to Shay Jewelry for several red pieces, including a $6,800 necklace, the $5,600 Ruby Eternity Band, and a $19,950 bracelet. Jacquie Aiche's $7,150 Sophia Diamond Chain Pavé Ear Cuff and $715 Pavé Diamond Letter Mini Hoop completed her look. Swift wore a "T" hoop, naturally.

Swift's Super Bowl ensemble was simple, but her accessories filled the look with team spirit.

Instead of wearing a sweatshirt or jersey with the Chiefs logo, Swift donned Stella McCartney's $2,400 belted teddy coat for an away game in Wisconsin. The red color was perfect to support the Chiefs.

The rest of Swift's look was black, including her Louis Vuitton mini wrap skirt, which retails for $3,400. She also wore a black mock-neck top with Cartier's Agrafe Herringbone Twisted necklace atop it. The $27,250 necklace featured gold and diamond detailing, matching Swift's $1,400 linked tennis earrings from Vrai.

Stuart Weitzman's $995 thigh-high Vidaland boots completed her ensemble.

The $1,875 off-the-shoulder Sunday corset and $1,010 Meghan kilt from Vivienne Westwood featured a plaid pattern with maroon detailing that subtly nodded to the Chiefs.

Vivienne Westwood also designed Swift's $1,270 Grace boots and $590 Belle Heart-Frame Jacquard bag.

She didn't hold back on her jewelry for the game, wearing over $46,000 worth of it with the look, including her Cartier necklace and $5,680 custom diamond TNT bracelet from Wove that Kelce gave her as a gift.

Jacquie Aiche designed Swift's bracelets: the $4,675 Seven-Diamond Kate Smooth Bar bracelet and the $5,250 evil-eye bracelet. She also wore various rings, including Shahla Karimi's $3,490 Cloud Offset Pear ring and two custom-made ruby-studded rings from Effy Jewelry.

Glitter freckles from Fazit completed her ensemble.

Swift's look for the game between the Chiefs and the Bengals was simple: black pants, a belt, and a black top.

But a white-and-black varsity jacket designed by Jeff Hamilton brought a pop of team spirit to her look. The jacket featured an assortment of patches, including the "KC" arrowhead logo on the front and back, the NFL logo, and a football helmet. Swift's jacket also said "Chiefs" in red lettering.

Her statement jacket was almost identical to a Jeff Hamilton jacket Kelce wore to arrive at the Chiefs game on Christmas 2023, just a week earlier.

Kelce and Swift's jackets were custom, but Hamilton sells a similar jacket for $850 on his website.

After Kelce and his teammates won the 2024 AFC Championship, Swift joined him on the field to celebrate. There, fans got a closer look at her red and black outfit.

It included a $695 red sweater from Guest in Residence, $2,830 earrings from Wwake, a $6,250 diamond ring from Jacquie Aiche, and $35 Sheertex tights.

But the gold, diamond-embellished tennis bracelet from Wove seemingly had the most sentimental value to Swift.

The brand's founder, Kendall Junck, previously told Business Insider that the bracelet was part of a jewelry collaboration with pro golfer Michelle Wie West, who is friends with Kelce.

She said that when West reached out to gift Kelce some of the pieces, he requested matching bracelets with the letters "TNT" for Taylor and Travis.

Swift's oversize 1995 Salem shirt hit her mid-thigh, allowing her to wear it as a dress. The red piece featured the Chiefs logo and the team's name.

Swift did not reveal where she bought the shirt, though Kansas City business Westside Storey, which sells souvenirs and curated vintage items, told BI it was selling the same piece a week before she was spotted wearing it.

Swift paired the top with Giuseppe Zanotti's $1,650 Frannie boots and Louis Vuitton's Coussin bag, which retails for $4,800.

She wore several high-end jewelry pieces, including Louis Vuitton's $625 My LV Chain earrings. Swift also stacked two necklaces, Vitaly's $120 Shimmer Chain and Melinda Maria's $118 Julian Loves Diamonds Necklace 16, which features diamondettes.

Swift attended the Chiefs game against the Buffalo Bills in December 2023 wearing a $250 vintage sweatshirt, which said "Chiefs" in large letters and featured the team's logo on one sleeve.

She bought the sweatshirt from Westside Storey in Kansas City. The store's owner, Chris Harrington, told BI he initially thought her purchase was fraudulent.

Swift dressed up the casual sweatshirt by pairing it with a $2,100 leather miniskirt from Khaite, which she wore backward, Larroudé's $500 Kate Hi boots in black leather, and GANT 240 Mulberry Street's $1,700 tailored coat in black.

She also added Mejuri's Heirloom Ring, which costs $648, and Mazin Jewels Open Rivet Ring, a $64 piece.

Swift attended the playoff game in a custom red jacket made by Kristin Juszczyk, a designer married to San Francisco 49ers fullback Kyle Juszczyk.

Kristin made the oversize puffer jacket using one of Kelce's jerseys, as she documented in a TikTok, so it featured his number, 87, on the front and sleeve, as well as his name. She also embroidered "Chiefs Kingdom" onto the jacket.

Swift focused her look on the jacket, pairing it with a black top, Paige's $249 Gemma pants, and $1,395 Christian Louboutin combat boots.

She also wore Anine Bing's Waylon belt, which retails for $200 but is out of stock, and carried the $525 Ilda Bag from Manu Atelier.

Swift seemed to signal she was fully stepping into her WAG era at the season opener in September, arriving at Arrowhead Stadium in an all-denim look.

She paired a denim version of Versace's Medusa corset, which retails for $1,325, with $174 mom shorts from Grlfrnd.

Swift also wore Giuseppe Zanotti's $1,650 burgundy thigh-high Frannie boots. The pricey shoes were more affordable than her Louis Vuitton side trunk bag, retailing for $3,950.

An assortment of high-end jewelry completed Swift's ensemble, including her TNT bracelet and a 1970s-inspired coin necklace from For Future Reference. The brand's founder, Randi Molofsky, previously told BI that the brand collaborated with Swift's stylist on the look.

"We were so lucky to work directly with Taylor's longtime stylist, Joseph Cassell Falconer, on last night's look for Taylor," he said. "He came to us specifically for the vintage coin necklace because he really had a vision of that bold, glam '70s style to pair with the denim-on-denim and over-the-thigh boot."

The priciest element of her outfit was a $29,100 ring from Retrouvai, which she paired with Howl's $4,800 Ruby Cocoon ring. Lizzie Mandler's $13,200 three-row Cleo bracelet sat on her wrist while she wore EF Collection's $895 diamond and prong chain earrings and the $590 Love Explosion Starburst Charm earrings from Three Stories Jewelry in her ears.

Swift wore $66,970 worth of jewelry for the look.

Swift then arrived at a Chiefs home game in a red-and-black checked Versace blazer and skirt that cost $3,350 and $1,695, respectively.

The blazer sat on her shoulders, showing off the $34.99 Victoria's Secret corset Swift wore as a top.

She also chose Versace accessories for the look, including the $1,650 Medusa 95 Leather Knee High Boots and the $2,190 Medusa 95 Small Tote Bag.

Swift's standout jewelry piece for the game was the gold Tambour Watch from Louis Vuitton she wore on her wrist. It retails for $54,000, and Kelce has a coordinating timepiece.

But the Ruby and Diamond Heirloom Bezel Ring from Retrouvai she wore on her hand was nearly as pricey at $32,970. She complemented the ring with Effy Jewelry's $2,167 Ruby Royale Ruby and Diamond Crossover Ring.

The luxurious look was stylish and sleek, making her stand out in the stadium filled with sports fans.

There was no missing Swift when she arrived at Arrowhead Stadium over the weekend.

She wore a vibrant red coat with a faux fur lining from Charlotte Simone, plaid Sheertex tights, and a vintage Chanel bucket hat in black.

Her outfit also included $1,595 Manolo Blahnik boots and a red Tods handbag.

The outfit was fashionable, festive, and perfect for a winter game.

Estella Struck founded Viviene New York, a marketing agency that promotes sustainable businesses. She's also a rising star of influencer management.

The 23-year-old told BI that she's "not a perfume maximalist" — but there are two scents she loves.

"I really like Aesop. I think they have an amazing line of fragrances, and they're unisex," she said.

She's purchased the Tacit scent for herself, which costs $160 or $220 depending on the bottle you buy, and the $200 Karst scent for her boyfriend.

"I'll use his Aesop scent depending on my mood," she added.

Struck told BI that she loves the scent of Gucci Bloom but doesn't find it to be the most sustainable and skin-friendly option on the market.

It's also priced pretty high, between $110 and $128 each for full-sized bottles.

So, the marketing professional turned to Dossier, a brand known for selling clean, inexpensive fragrances inspired by designer products.

Struck said the brand's Floral Honeysuckle perfume smells exactly like Gucci's, and the bottle costs $39.

Abby Carlos has spent the past two years working as a media strategist for Warner Bros. Discovery.

So far, she's worn the same perfume each day on the job: Victoria's Secret Bombshell.

She prefers the brand's original scent, which is sold as a body mist, lotion, and perfume (though the latter is sold out).

Other variations of the fragrance — including Bombshell Intense — are still available on the Victoria's Secret website for upward of $60.

Carlos told BI she likes to wear a limited-edition Carolina Herrera scent called Good Girl Fantastic Pink for nights out.

"It's packaged in a sparkly pink bottle, and I get so many compliments on that one," she said.

She also previously enjoyed the brand's Very Good Girl scent, packaged in a red, heel-shaped bottle. But over time, she thinks it's become a bit overrated.

"It felt like everyone started wearing it," she said of the perfume. "I was like, 'Oh my God. Now I've got to find a new scent.'"

Bottles of the latter fragrance — and others in Carolina Herrera's Good Girl line — range in price between $94 and $192 per bottle. The brand no longer sells the Fantastic Pink line, but it can be purchased on fragrance websites and Amazon.

Sabrina Guler, 31, is an author and entrepreneur who cofounded the real-estate investment company Techvestor, which landed her on BI's rising stars of real estate list.

"I love Viktor & Rolf's Tiger Lily," she said. "That's been my go-to, and I always get complimented on it."

She describes the scent as floral, feminine, and "very sexy."

"I'm someone who wears fragrance when I want to enhance my self-love," she said. "If I want to feel better about myself, if my mood is kind of off, or if I just want to feel more connected to me, I'll add a little bit of perfume."

Asia Gousse found herself on BI's list of rising stars in influencer talent management thanks to her work with Slash Management. She works with an all-female client roster that she discovered on TikTok.

Even when her job is busy, the 28-year-old makes time for a thorough fragrance routine.

Gousse always begins by applying unscented body oil to help her perfume last longer. She then uses the $14.99 Being Frenshe body spray in Cashmere Vanilla as a base layer for a rotating perfume.

Sometimes, she sprays Valentino's Born in Roma Intense, which costs between $110 and $140. On other days, she chooses Maison Margiela's Replica Afternoon Delight ($35 to $165) or Viktor & Rolf's Flower Bomb Ruby Orchid ($38 to $225).

Finally, she uses a niche fragrance from Idult Paris called Tiholta, which she says is the "truest vanilla" scent she can find. It costs 180 euros, or about $187.

"I want to always walk around smelling like a vanilla cupcake. It's my pride and joy," she said.

Anna Molinari is a 26-year-old content creator and sustainable fashion designer. She's also a newly cemented fragrance fan.

"I never used to be a fragrance person, but now I've been learning about them as I receive them in PR packages," she told BI. "My favorite is the YSL Black Opium Over Red."

In addition to the YSL scent, which costs between $35 and $160 per bottle, Molinari enjoys the Mugler Alien scent, which retails for around $150 per bottle.

"My issue with perfumes is that, to me, they can smell like old ladies," she said. "So what I like about the YSL cherry scent specifically is that it does smell very fruity. Same thing with Mugler Alien. I can wear them every day."

The musician attended the 2018 ASCAP Country Music Awards in a two-piece suit printed with a brown snakeskin pattern.

She paired the set with a sparkling button-up top, an assortment of rings, and a delicate necklace.

The outfit was eye-catching but pretty different from the styles Wilson would gravitate toward in the following years.

She wore a pair at the 2021 CMT Music Awards. They were crafted from a metallic, mustard-yellow fabric and decorated with silver studs in star prints at the ankles.

Still, the "Yellowstone" star remained loyal to snakeskin. She wore a top designed with the print that had long sleeves and was tied at the waist.

For accessories, she layered gold and silver necklaces.

For the iHeartRadio Music Awards that year, Wilson donned a black, corseted bodysuit beneath see-through bell bottoms.

She also wore a sheer duster decorated with silver fringe, which matched her statement metallic jewelry.

The outfit showed the more daring side of Wilson's style and the progression of her glamour.

Wilson stepped onto the CMA Awards red carpet that year looking like a Hollywood star.

She wore a standout Carolina Herrera catsuit with a wrapped, strapless bodice and layered ruffles down each pant leg.

The high-fashion piece was also accessorized with statement jewels from Haybelle Co., which made the ensemble even more exciting.

Just look at the Roberto Cavalli suit she wore to the 2024 MusiCares Person of the Year event.

Its turquoise color stood out on the red carpet, and its opened button-up blouse added a surprising, skin-baring edge.

Wilson also wore a statement belt from Lela Rose, jewels from Jacquie Aiche, and a black, wide-brimmed hat.

For example, she didn't wear her signature bottoms at Charlize Theron's 2024 Africa Outreach Project party.

Instead, Wilson sported straight-leg, high-waist trousers in a red shade that matched her high-neck crop top.

She stayed true to her favorite accessories: oversize jewelry, a belt with a large buckle, and a white cowboy hat.

She wore a customized version of a Chloé runway piece at the recent Variety Hitmakers Brunch.

Her designer top was sheer, covered in ruffles, and split at the waist by a large cutout. The musician wore it with black bell bottoms covering her shoes and a hat that was the same color as her blouse.

The overall style of the outfit was in line with Wilson's signature looks, while its designer tags showed just how far the musician's fashion has come.

She attended the Maison Margiela runway show and was photographed outside wearing a sleeveless design from the fashion house.

Her black dress — which hugged Kardashian's body and had round cutouts from top to bottom — was paired with Tabi shoes and a statement silver necklace that covered her neck.

The outfit was fashion-forward and memorable.

For a Balenciaga show, Kardashian wore a black lace gown that was form-fitting and backless.

The gown's silhouette was stunning, thanks to a short train, waterfall sleeves, and a high neckline. However, one small detail distracted from the look.

Attached to the back of the dress was a long string and Balenciaga tag, intended to look like Kardashian bought the dress and forgot to remove its price label.

Unfortunately, the feature was too gimmicky for the chic look.

She was photographed leaving a Margiela exhibit in Paris while wearing a fuzzy, jaguar-print coat from Balenciaga. It had an oversize collar, thick sleeves, and a leather belt wrapped around the waist.

The coat was a standout on its own, but Kardashian elevated the piece with the rest of her look.

She wore sheer black tights, pointed heels, and glowing, smoky makeup. She also carried a black leather purse and tied her hair in a slicked ponytail.

For one occasion, Kardashian stepped out wearing an oversize Balenciaga bomber coat and $3,590 leggings that covered an attached pair of pointed heels.

The outfit was overly simple and looked as if it were missing a piece, such as a skirt or shorts.

Kardashian also wore black sunglasses and an updo hairstyle that worked with the streetwear look but didn't add any extra style.

She attended the 2024 Vanity Fair Oscars after-party in yet another Balenciaga design. Her off-white dress was strapless, with a floor-length skirt, short train, and a neckline pointing toward her face.

Not only did the gown's shining fabric complement Kardashian's glowing makeup, but it also looked luxurious when paired with diamond jewels.

She wore a statement ring and large stud earrings, and her hair was styled sleekly to cover one side of her face.

For the Breakthrough Prize ceremony this year, Kardashian donned a white Alaïa gown with a daring bodice.

Its halter top had a triangle cutout across the chest and thin slits at the waist, both of which were more reminiscent of Y2K designs than anything modern.

The tight gown's best feature was its stark white color, which looked great on Kardashian. However, the crocodile-embossed leather looked a bit strange from far away, almost like the dress was made from a towel material.

Kardashian completed the look with shining lip gloss, dark eye makeup, and straight hair styled to appear wet.

The brand founder stepped out of her hotel in a $94 Skims dress in a custom color. It had long sleeves, a layered skirt, and a high neckline.

She wore the simple piece with a tan pair of Balenciaga's Pantaleggings and a $1,850 shearling bag from ERL.

Kardashian's tan outfit matched her signature neutral aesthetic, and her fuzzy, butter-yellow purse added a fun, fashionable touch.

She was photographed in New York City wearing a strapless Miu Miu tank top made from vibrant yellow leather and tan pants that were wide at the ankles.

The latter garment was unfortunately too neutral in color and washed Kardashian out. A darker shade could have made all the difference.

The TV star completed the outfit with tan sandals, a Birkin bag, and a wavy hairstyle.

This year, she sported a John Galliano creation at the Met Gala. It was strapless with a tightly corseted waist and metal floral pieces that created its skirt.

The gown was like a work of art and matched the night's theme: "Sleeping Beauties: Reawakening Fashion."

Kardashian truly looked like a princess who had just awoken, especially thanks to her small gray cardigan that she carried around her arms.

Thierry Mugler designed the white ensemble Kardashian wore that night. It included a corseted leotard with a plunging neckline and hip padding and a thin overcoat that reached the floor.

The two pieces looked too casual for the prestigious event, as did her see-through heels.

However, her wavy hair, pink makeup, and diamond necklace were picture-perfect.

She arrived in a white Gucci gown with two thin straps acting as a bodice, which created a deep V-neckline that reached her stomach.

The skin-hugging dress was complemented by an off-white overcoat, which Kardashian carried across her back, and thick necklaces from Garrard.

The one shaped like a cross was previously worn by Princess Diana. Kardashian purchased it at an auction in 2023 for nearly $200,000.

The star wore an Elie Saab gown that had a semi-sheer bodice made of crisscross red designs atop see-through lace fabric.

The bright red skirt contrasted with the patterned bodice.

The Kaufmanfranco minidress had quarter-length sleeves and a high collar.

A plunging neckline flowed from Swift's neck to her navel.

The flowing J. Mendel dress had a low neckline that was accented by silver straps on the front, back, and side.

A slit in the skirt added to the look.

The singer chose another Elie Saab dress for the 2013 awards ceremony.

The black gown had sheer cutouts on the shoulders and legs, and a gold belt broke up the column style.

The navy Hervé Léger by Max Azria gown had a plunging neckline with a sparkly trim.

The Reem Acra dress had a simple white skirt, but it was offset by an intricately designed off-the-shoulder bodice.

The elegant gold and sheer patterned top scooped into a low neckline. 

Swift sparkled in the black minidress, which was designed by Zuhair Murad. 

Black gems sat atop sheer fabric, and a fringed trim completed the gown.

The bright red dress, created by Swift's costume designer Marina Toybina, had a low neckline and a flowing cape. 

Sparkly, built-in shorts gave the look a performance flare.

The polka-dot bra top had a small cutout in the center and coordinated with the high-waisted pencil skirt.

The skirt featured a slit up the center.

The Sass & Bide ensemble consisted of a white skirt and a peplum birdcage top.

The neckline of the top was low-cut, and it was connected by two black strips of fabric.

The halter neckline of the Balmain jumpsuit mirrored two cutouts in the center of the garment.

The wide-legged pants gave the ensemble a retro look.

Swift paired the low-cut nightgown with a matching, lace-trimmed robe.

Swift, pictured with her model and then-close friend Karlie Kloss, stunned in a sparkly black bra and matching high-waisted underwear.

She wore a black, lace nightgown that had a long train over the look with high heels.

The Zuhair Murad dress consisted of a white skirt and one white sleeve, while the bodice and one sleeve were made of sheer fabric with sparkly, silver patterns on it.

Jimmy Choo pumps completed the ensemble.

A zipper ran down the lace-covered Julien Macdonald dress, creating a dramatic slit.

The neckline featured zig-zag straps.

At BBC Radio 1's Big Weekend in 2015, Swift wore a silver bodysuit with sheer panels.

Silver tassels flowed from the trim and from her wrists.

The top of the gold dress, designed by Jessica Jones, was made of sheer fabric. Gold sparkles sat atop it, creating a deep V that flowed all the way to Swift's navel.

The layers of gold tulle in the skirt moved as Swift danced. 

The bodysuit Swift wore while she performed alongside Tove Lo had sheer cutouts on the stomach and chest.

Sparkle-covered fabric made up the rest of the garment, which was trimmed with tassels.

The Versace two-piece consisted of a strapless orange crop top and a high-waisted, hot-pink skirt.

The skirt had a waist-high slit that revealed built-in pink underwear.

She stunned in a black Alexandre Vauthier Haute Couture gown that had a plunging halter neckline and a thigh-high slit.

A gold Jimmy Choo purse, a gold choker, and gold Giuseppe Zanetti heels completed the outfit. 

The black Saint Laurent jumpsuit had a halter neckline, semi-open back, and it was entirely covered in sequins. 

The custom Louis Vuitton minidress was made of silver snakeskin fabric and had leather accents on the top of the dress.

The center of the dress had daring cutouts, while the trim of the skirt had tiers of ruffled fabric.

Louis Vuitton gladiator heels completed the ensemble.

The Julien MacDonald dress was almost completely transparent, with only thin stripes of sparkly, black fabric providing coverage.

A cutout in the stomach and dramatic slit in the center of the dress added to the daring look.

The black Atelier Versace bodysuit had long sleeves and was covered in intricate, geometric patterns.

She paired the look with a black bra, high-waisted black underwear, and a fringed skirt.

The star's custom Versace dress took over 800 hours to make.

The gown had a dramatic cape, feather detailing, and a striking thigh-high slit.

While walking in New York City in 2018, Swift paired a sheer black top with an exposed sports bra, short printed skirt, and heels.

The Balmain dress had a disco-ball effect, as it was made of small panels of shiny silver fabric.

Matching thigh-high boots complemented the short dress.

The star wore an off-the-shoulder black Versace dress to celebrate the 2019 Golden Globes.

The sparkly dress was made of sheer fabric, had tie detailing on the bodice, and featured a daring thigh-high slit.

While performing songs from "Lover," Swift wore a gold corset top with sparkly purple bottoms that showed off her legs.

She paired the look with gold boots.

The sparkly green Julien Macdonald dress was asymmetrical, as one side had a skirt that flowed all the way to the floor while the other exposed a shorter layer of fabric. 

Dramatic thigh-high boots completed the look.

The bodysuit was covered in gold sparkles and coordinating tassels flowed from Swift's waist. 

She wore matching boots with the look.

Swift performed in a see-through Sarah Regensburger catsuit, which she gave a shiny edge by wearing a silver Greta Constantine bodysuit beneath it. 

She paired the form-fitting look with Black Louis Vuitton boots.

Oscar de la Renta designed her halter minidress, which had strings of diamonds hanging loosely across her arms, and more rows of jewels swooped across her body.

She paired the look — which is one of her most daring of all time — with red lipstick and sparkling sandals.

The sleeveless garment had a V-shaped neckline embellished with diamonds and a crystal star print across its bodice.

Swift's outerwear — a feathered cardigan — was also daring.

The Michael Kors dress stood out with asymmetrical detailing.

The sparkly, black gown had a high neckline, one long sleeve, and a long skirt.

A diamond-shaped cutout added dimension to the bodice, as did a daring slit on the skirt. 

Sparkly Aquazzura shoes tied it all together.

The black ensemble consisted of a low-cut bodysuit and a high-waisted chainmail skirt.

Sparkly gems made up the chainmail pattern, and the large holes between them showed off Swift's legs.

She paired the statement gown with black open-toe Giuseppe Zanotti shoes and an updo.

The set was custom-designed by Michael Schmidt Studios for the video, which featured Swift performing as a burlesque dancer.

A bikini-style top and high-waisted bottoms made up the bulk of the ensemble, and both were bejeweled with gems in shades of blue.

The outfit also featured sparkly arm pieces that acted as cape.

The gold jumpsuit from The Blonds had a plunging, halter neckline and fitted pants, as well as a belt that cinched at the waist and gave way to the eye-catching open back.

Subtle sparkles embroidered into the fabric accentuated the ensemble's red-carpet feel.

Gold Giuseppe Zanotti shoes completed the look.

Roberto Cavalli designed the deep-blue set Swift wore to the 2023 Grammy's.

The long-sleeve, high-neck top was cropped high on Swift's chest, while the high-waisted skirt hugged her figure before flowing into a train. Both the top and skirt were adorned with sparkles that shimmered as she walked the red carpet. 

The asymmetrical piece has one mesh sleeve, one pant leg, and a sparkling red snake design from top to bottom.

The form-fitting piece is covered in sequins and beaded fringe. She wears it with fishnet tights, a matching garter, and Louboutin boots.

Swift's Versace dress for the VMAs had an asymmetrical, halter neckline.

A curved stripe adorned with gold hardware split the form-fitting bodice and framed a slit on the skirt, which cut all the way up her thigh. 

The gown also featured an open back, and Swift paired the look with layers of necklaces and strappy black shoes. 

After the VMAs ceremony, Swift swapped her Versace ball gown for EB Denim's Polka dress. 

The scoop-necked dress had a corset bodice made of panels of different hued denim. The pattern continued on the short skirt, which had a frayed hem. 

Sparkly heels and a coordinating purse completed Swift's after-party ensemble. 

Swift and Kelce attended a taping of "Saturday Night Live" in October 2023, where Swift introduced her friend Ice Spice as a performer on the show.

Swift donned a black corset top from Versace for the evening. It featured gold detailing on the thin straps and cut up on the sides, revealing a hint of Swift's midriff.

She paired the daring top with black trousers and a checked coat from Gant.

Swift paired the Stella McCartney top, which had long sleeves, a white collar, and a gold patch, with knee-high boots from Prada.

Swift attended the London premiere of Beyoncé's film alongside a slew of other celebrities. She wore a custom Balmain gown for the event.

Silver, reflective embellishments adorned the dress from head to toe, and a floral appliqué sat on the side of the bodice. A dramatic slit on the skirt completed the glamorous gown, which Swift wore with black heels. 

To celebrate turning 34, Swift wore a black minidress from Clio Peppiatt. 

The entire dress had sparkles on it, and it was embroidered with the iconography of a night sky in silver thread, including a moon, clouds, and stars. 

Open-toe black pumps, a faux fur jacket from Anine Bing, and a bejeweled silver bag completed the celebratory ensemble.

In January, Swift attended the Golden Globes in a form-fitting green dress made of a metallic fabric. Gucci designed the piece.

The gown's subtle sweetheart neckline added a hint of drama, while the back was open aside from thin strips of fabric connecting the two sides of the bodice.

Swift became the first artist to win album of the year at the Grammys four times at the 2024 ceremony, and she did it wearing a custom Schiaparelli dress. 

The white dress had a strapless, straight neckline. Ruching on the bodice gathered on Swift's hip, contrasting with the thigh-high slit just below it.

A sweeping train flowed out behind her, and Swift accessorized the look with black shoes and gloves. 

Swift donned a Dion Lee corset top to support Kelce at the Super Bowl. The top was crocheted, and it had an open weave on the lower portion of the top, creating a see-through pattern.

She paired the semi-sheer top with black jeans from Area, which had a slit on each leg encrusted with gems. 

A Chiefs jacket and jewelry that nodded to Kelce completed the look. 

Swift kicked off the Europe leg of her Eras Tour on Thursday in Paris. 

She updated her setlist to incorporate songs from "The Tortured Poets Department" and revealed new designer outfits for most of the show.

Swift completed "The Tortured Poets Department" section with a performance of "I Can Do It With a Broken Heart" in a custom, two-piece set designed by Vivienne Westwood. 

On Sunday, Swift wore a sparkly bra top, which Vivienne Westwood said was "gunmetal"-colored on Instagram, with matching high-waisted briefs. Swift paired the set with a shiny tuxedo jacket with tails and custom Christian Louboutin shoes that she changed into onstage.

Swift also wore black, white, and silver versions of the set during her Paris shows.

Swift returned to Arrowhead Stadium on September 5 to support Kelce as the Chiefs took on the Baltimore Ravens. 

She attended the game in another Versace Medusa corset top, donning a denim version of the look she first wore in the fall of 2023 that scalloped on the sides to reveal a panel of Swift's skin. 

Swift paired the corset with Grlfrnd's denim shorts, thigh-high maroon boots designed by Giuseppe Zanotti, and Louis Vuitton's Side Trunk bag. 

Over $60,000 in jewelry elevated Swift's glamorous WAG look, including the TNT bracelet she has often been spotted wearing in recent months. 

Swift arrived at the VMAs in a Dior dress, which featured a form-fitting bodice and open skirt in a yellow and black plaid pattern. 

The bodice's straight neckline was accented by black straps and a zipper that cut down the center of the garment. A choker made of the same patterned fabric complemented the ensemble. 

The skirt belted at Swift's waist was open, revealing black shorts.

She also opted for black accessories, pairing the dress with over-the-knee boots from Stuart Weitzman and open-finger gloves that flowed past her elbows and featured crisscrossed cutouts. 

Vivienne Westwood designed the Sunday corset and Meghan kilt Swift wore to the Chiefs game on October 7.

The corset top had off-the-shoulder sleeves, while the ruched mini-skirt featured a slit on one thigh. 

Swift paired the maroon and gray set with Vivienne Westwood's Grace boots, which were black and hit just below her knee. 

She also wore $46,000 worth of jewelry with the look and carried a Belle Heart-Frame Jacquard bag from Vivienne Westwood. Faux, sparkly freckles from Fazit tied the glamorous look together.

Swift chose a $1,700 lace corset top from Gucci for her date night with Kelce. The top featured a sweetheart neckline and a tan base.

The corset's black detailing coordinated with her $195 RTA mini-skirt and her $1,720 Louis Vuitton ankle boots.

A $2,498 Ralph Lauren trench coat and a $4,400 Dior Saddle bag completed her daring but elegant ensemble.

Gomez, 32, might have entered the Hollywood scene as a young Disney Channel star in jeans and T-shirts.

Eventually, however, she swapped her casual looks for metallic gowns, bold cutouts, and fun, colorful minidresses.

Her style often merged classic pieces with edgy trends and crossed a wide range of aesthetics. Still, Gomez's fashion always steadily evolved with her and her career.

She began working with stylist Erin Walsh that year. Together, the duo experimented with flashy, skin-baring gowns, pops of red, and chic business attire.

Gomez hasn't flaunted her wealth with her style — but she has embraced luxury.

In May, she attended the Cannes Film Festival to promote her film "Emilia Pérez," and she looked like a classic Hollywood star on the red carpet.

Gomez wore a black Saint Laurent gown with white, off-the-shoulder sleeves, Santoni heels, and statement diamonds from Bulgari.

At the August premiere of "Only Murders in the Building," Gomez sported a $555 halter dress from Self-Portrait.

It had a lace neckline with a silver bow attached and black sparkles from top to bottom.

The chic design was an elevated version of the youthful minidresses she's worn throughout her career. Gomez completed the look with $3,264 Roger Vivier heels and Marli jewels.

For the Toronto International Film Festival in September, Gomez donned a sparkling Rodarte gown with a halter neckline, peplum waist, and rose appliqué.

It was her jewelry, however, that stole the show. She wore a variety of Tiffany and Co. rings and dangling earrings.

Walsh described Gomez's look on Instagram as "the divine feminine."

At the 2024 Emmy Awards, she wore a black velvet gown with glitter-covered halter straps. The Ralph Lauren design, which was made specifically for Gomez, also had a mermaid-style skirt that pooled around her feet.

The actor amplified the classic gown with Tiffany and Co. jewels and Ralph Lauren heels.

In September, Gomez attended the New York Film Festival. As has become customary for the actor, she wore all black.

Vera Wang custom-made the halter, scoop-neck gown for Gomez. It featured a floor-length skirt, a form-fitting bodice, and a large bow attached at the back. There were also matching over-the-elbow gloves.

Gomez wore the dress with an assortment of rings and earrings from Tiffany and Co.

Just look at the Schiaparelli gown she wore to the 2024 London Film Festival in October.

The velvet dress extended to the floor and had a gold-encrusted keyhole in the center of its bodice.

Baublebar jewelry and Louboutin heels completed the luxurious look.

For the 2024 Academy Museum Gala, the Rare Beauty founder wore a custom piece from Alaïa. It had a leather bralette beneath a blue velvet gown with a deep, scooped neckline.

The fabric looked rich and timeless but also fashion-forward when paired with leather detailing and chunky silver accessories from Tiffany and Co.

She recently attended The Hollywood Reporter's Women in Entertainment Gala while wearing a $585 midi dress from Self-Portrait.

The elegant piece had white ruffles across its sleeves and an off-the-shoulder neckline, which added a feminine touch to its dark fabric.

For accessories, Walsh dressed Gomez in Chopard jewels and Manolo Blahnik heels.