Season four of "Abbott Elementary" picks up with Janine (Quinta Brunson) and Gregory (Tyler James Williams) officially dating after their slow-burn romance played in the show's previous seasons. At the start of this season, the pair are unsuccessfully trying to keep their relationship a secret from their Abbott Elementary coworkers when they return to school.

The writing of "Abbott Elementary" remains as sharp and culturally relevant as ever, and the latest season sprinkles in new characters that keep the show fresh and exciting — from Jacob's younger brother Caleb (Tyler Perez) and an IT guy named O'Shon (Matthew Law) whom the staff have a crush on to a lovable guinea pig named Sweet Cheeks who breaks through Melissa's (Lisa Ann Walter) tough exterior. — Olivia Singh

Netflix and Riot Games' "Arcane" is one of the most impressive and ambitious animated works of the past decade — and while it doesn't always find its footing, the end result is still so spectacular.

The series is adapted from Riot Games' massively popular video game "League of Legends," honing in on a small cast of characters who live in Piltover, the gleaming city of progress, and Zaun, its less-than-scintillating undercity. The conflict between the two cities has reached a critical point by season two. Unfortunately for all parties, so has the evolution of Hextech, a magic-powered technology that has spiraled out of control and turned one of its developers into a misguided messiah. Oops!

Season two is nothing if not ambitious and widens its scope while leveling up its already excellent animation, courtesy of the French studio Fortiche. In the process, it loses some of the intimate character work and tight focus that made its first season truly extraordinary. Still, the second season serves as a fitting conclusion and is a harbinger of good things to come from Riot's entertainment arm. — Palmer Haasch

Read Haasch's interview with "Arcane" showrunner Christian Linke.

Few shows caused as much of a stir this year as "Baby Reindeer," starring and written by comedian Richard Gadd. Netflix and the creator himself billed the series as a true story based on Gadd's real-life experience of being stalked by an older woman. Unfortunately, the show's stalker character, Martha Scott, was quickly outed as Fiona Harvey, who took legal action against the streamer.

Despite all the behind-the-scenes controversy, "Baby Reindeer" is a work of art. Gadd lays himself bare as Donny, who's loosely based on himself. He's a powerhouse in episode four, which flashes back to explain the source of Donny's trauma before meeting Martha.

It's an engrossing watch with equally powerful performances from Jessica Gunning, who plays the disturbed but deeply sad Martha, and Nava Mau, who plays Donny's girlfriend, Teri. — Caralynn Matassa

Read about the legal drama behind "Baby Reindeer.'

If "The Boys" is Prime Video's NSFW answer to superhero fare like the Marvel Cinematic Universe, then season four feels like the equivalent of "Avengers: Infinity War" — minus a snap from a villain that wipes out half the universe.

Season four of "The Boys" is darker than past seasons, as the characters confront deep-seated traumas. For an aging Homelander (Anthony Starr), this means grappling with the legacy he'll leave behind for his son Ryan. For his nemesis Billy Butcher (Karl Urban), it means coming to terms with his looming death and trying to prevent Ryan from succumbing to Homelander's darkness.

It's a season filled with even more gory, jaw-dropping scenes and yet another Emmy-worthy performance by Starr, particularly in Homelander's gory homecoming episode.

The endgame is nearing, with a fifth and final season of "The Boys" likely premiering in 2026. Season four ends with the perfect foundation for all hell to break loose one last time. — OS

It's astounding that it took this long for Brian Jordan Alvarez to get a series order after the release of his excellent 2016 web series "The Gay and Wondrous Life of Caleb Gallo" — but thankfully, "English Teacher" premiered this year.

The series stars Alvarez as Evan Marquez, a beleaguered but idealistic Texas high school teacher who comes under fire at work when a parent complains about him kissing his ex-boyfriend in front of the students.

While "English Teacher" embraces the thorny politics of being an American educator in 2024, it doesn't spin them into saccharine teaching moments or cheap jokes. It mines them for character threads and comedy. — PH

With "Fallout," Jonathan Nolan proved that prestige-y video game adaptations weren't exclusive to HBO. Rather than directly adapting one of the multiple games in the postapocalyptic "Fallout" universe, Nolan instead leverages the style, humor, and striking visual identity of the games to show us something new.

"Fallout" stars Ella Purnell as Lucy, a naive resident who grew up in an underground bunker known as a Vault, established to protect humanity from nuclear armageddon. However, after tragedy befalls her home, she ventures to the surface, only to learn it isn't as deserted or unsurvivable as she was led to believe.

The series features stellar performances from Purnell and Walton Goggins, who spends most of the season admirably noseless. And while it's set in the grim aftermath of a nuclear apocalypse, it's also irreverently funny and endearing. — PH

Read Eammon Jacobs' review of "Fallout" and Jason Guerrasio's interview with Walton Goggins.

The Max original "Hacks" has only gotten better with age, and in season three, it feels like the show has hit its stride.

The show follows veteran stand-up comedian Deborah Vance, who, on the coattails of a successful comedy special, is gunning for her dream: a late-night hosting gig. After cutting her young writer, Ava Daniels, loose at the end of season two, Deborah realizes that she needs Ava — and Ava craves working with Deborah again, too.

This central relationship — and all the ways Deobrah and Ava support, encourage, and mess each other up — is constantly in flux. Season three not only succeeded in being funnier and more resonant than its predecessors but also in shifting Deborah and Ava's power dynamic into something new and a bit dangerous ahead of season four. — PH

Read Haasch's interview with "Hacks" stars Carl Clemons-Hopkins and Mark Indelicato.

Move over, "Succession" — there's another contender for the best HBO show about horny, psychopathic capitalists. "Industry," the show about London's most dedicated and depraved bankers, finally broke through to the mainstream with its third season.

Seasons one and two delivered well-written, well-acted, character-driven drama about the highs and lows of a group of young bankers trading stocks (and spit). Still, season three upped the ante, spending more time away from the office in lavish locations, such as the English countryside, a yacht in the Mediterranean, and a Davos-like conference in Switzerland.

The change in scenery enhanced the story and deepened our understanding of the series' core group of complicated characters, most of whom have greatly evolved since we first saw them sitting and sweating at their Pierpoint desks.

All of it leads to an explosive finale that's massive in both budget and sheer plot, effectively wiping the slate clean for a now-confirmed season four. It's an appropriately daring move for a show confident in its vision. It's peak TV at its peak. — Samantha Rollins

Read Rollins' interview with "Industry" showrunners Mickey Down and Konrad Kay.

There were many (many) reality dating shows that aired in 2024. Having regrettably watched most of them, I can confirm that the latest installment of "Love Island USA" blew them all out of the water.

The franchise, which spun off of the UK edition, has the secret sauce that makes this genre sing. It's largely thanks to a format that other shows have tried — and failed — to replicate, wherein participants must constantly recouple to find true love (and win a cash prize).

Season six had a particularly explosive set of personalities among its cast, leading to some serious drama, shocking betrayals, truly memorable moments, and fan-favorite standouts, including Serena Page, Leah Kateb, and Jana Craig. — CM

"A Man on the Inside" is initially presented as a spy mystery series as Charles Nieuwendyk (Ted Danson), a widower who recently lost his wife, accepts a job to go undercover in a retirement home.

That's all background noise to the main event, which follows the lives of a kooky gang of residents who find community with each other after being left behind by their loved ones.

Anyone who has seen Danson in any of his other many roles would not be surprised that he is an incredible leading man. However, the show's real strength is the supporting cast, especially Margaret Avery, Stephen McKinley Henderson, and Sally Struthers, who provide so much humor and heart that they may make you shed tears.

"A Man on the Inside" proves we really need more TV shows centered on older characters, and there's ample talent out there to make those stories worth watching. — Ayomikun Adekaiyero

Read Rollins' interview with "A Man on the Inside" creator Mike Schur.

Prime Video's "Mr. and Mrs. Smith," a reboot of Brad Pitt and Angelina Jolie's 2005 film (mostly in name only), is deeply funny, emotionally stirring, and clever.

Sure, both titles share a similar premise — a husband and wife who are both assassins — but the television series flips it on its head to create something much better.

Donald Glover and Maya Erskine play two strangers who, upon taking a new job as shady agents for a mysterious boss, are paired together as a cover story.

The 10-episode season features a laundry list of guest stars, ranging from Ron Perlman to Micaela Coel. — PH

Read Haasch's review of "Mr. and Mrs. Smith" and Jacobs' interview with guest star Ron Perlman.

Rom-coms are so back.

Six years after Netflix was credited with a rom-com renaissance thanks to hits like "Set It Up" and "To All the Boys I've Loved Before," the streamer struck gold again with "Nobody Wants This," a comedy series starring Kristen Bell and Adam Brody. The show became an instant hit, proving audiences yearn for more high-quality modern rom-coms.

"Nobody Wants This," created by Erin Foster and loosely inspired by her love story, follows Noah (Brody), an attractive and newly single rabbi, and Joanne (Kristen Bell), the outspoken agnostic host of a sex podcast. Despite their different views on religion and lifestyle, they pursue a relationship.

Noah and Joanne's swoon-worthy first kiss scene went viral, people realized that Brody had been leading man material all along, and the show jumped to the No. 2 slot on the streamer's Top 10 list for English-language TV in the week of its debut. Unsurprisingly, "Nobody Wants This" will be returning for a second season, which begins filming in February. — OS

The second attempt at bringing David Nicholls' bestselling novel "One Day" to the screen (after a 2011 film adaptation) is a rousing success.

The novel of the same name is already beautifully tragic, relatable, and perspective-altering, but the Netflix show amplifies all these strengths with gut-punching performances from leads Leo Woodall and Ambika Mod, who play destined lovers Dexter and Emma.

With each episode set in a different year, "One Day" takes audiences on a 14-year journey as the two grow into adults and fall in love with other people and each other, but never at the right time. For romantics or young people worried about the future, this is the show to watch from 2024. — AA

Colin Farrell leads the spinoff sequel to the 2022 film "The Batman," playing the titular comic book villain Oz "Penguin" Cobb. It was fascinating how quickly it became apparent that the show had more in common with "The Sopranos" than nearly anything DC Studios has released.

Farrell utterly transforms as Cobb, the mobster clawing to the top in Gotham after the death of crime boss Carmine Falcone in "The Batman" left a power vacuum. Still, Cristin Milioti is the real standout as Sofia Falcone, Carmine's daughter and accused psychopathic serial killer, fresh out of a stay in Arkham State Hospital. — CM

Read Jacobs' interview with "The Penguin" showrunner Lauren LeFranc.

On its surface, "The Secret Lives of Mormon Wives" was a show greenlit solely because of a TikTok scandal where several couples in a Mormon community were implicated in an alleged swinging scandal. That premise didn't seem like it'd carry far, but turns out the swinging was possibly the least dramatic thing about these women.

After a moderately slow start, "Secret Lives" turns the dial up to 11 in episode four, a group birthday vacation where all hell breaks loose as the group of friends and frenemies start calling one another out. (Shout out to the truth box, the real MVP.)

It was hard not to root for Taylor Frankie Paul and follow her tumultuous relationship with Dakota Mortensen or to root against the deeply annoying Whitney Leavitt, who became the sleeper villain of season one. We're dying to see what becomes of MomTok when the show returns in 2025. — CM

Read Haasch's interview with Taylor Frankie Paul and Mayci Neeley.

There was no stopping "Shōgun" at the 2024 Emmys, and for good reason. Based on James Clavell's 1975 novel, the stunning historical epic focuses on an English sailor who finds himself shipwrecked in Japan and crosses paths with Lord Toranga, a powerful warlord.

With incredible performances, sweeping visuals, and mesmerizing battle sequences, it's no wonder the show set a record for the most Emmys won by a single season of television and that the creators decided to rethink their limited series plan and continue the show with second and third seasons. — CM

They were the words heard 'round the reality TV-loving world: "Oh lord, not Ekin-Su."

Few shows were as memed as "The Traitors," the US iteration of the international competition series where reality stars and celebrities try to deceive one another to claim a cash prize.

Season one, which aired in 2023, was entertaining, but season two reached new heights, largely thanks to compulsively watchable characters like meme factory Phaedra Parks and "Shahs of Sunset" star MJ Javid, who gave us one of the best reaction shots of the year. — CM

Read Matassa's interview with "Big Brother" alum Dan Gheesling, who tried and failed to extend his gaming skills to "The Traitors."

Not only did "X-Men '97" expertly capture the spirit of the original animated "X-Men" series, but it also made it feel modern and relevant to the 2020s amid some gorgeously animated action.

The performances are seamless with the original show, adding new dimensions to the Marvel Universe that fans, new and old, will appreciate.

It deserves all of the praise for easily navigating the messy Jean Grey/Madelyne Prior clone saga from the comics. Season two can't come quickly enough. — Eammon Jacobs

Almost twenty years after director James Mangold gave us the Johnny Cash biopic "Walk the Line," he's returned to the space with a look at Bob Dylan's transition from acoustic to electric.

As much as the music will dazzle Dylan fans, it's the acting that's the highlight. Timothée Chalamet delivers one of the best performances burgeoning career, getting Dylan's voice and mannerisms down perfectly. — Jason Guerrasio

Sebastian Stan gives one of two standout performances this year in "A Different Man." The surreal, twisty psychological thriller follows Stan as Edward, an introverted, struggling actor with neurofibromatosis (a disorder causing facial differences) who is cured through an experimental procedure. Reinventing himself as "Guy" doesn't quite give him the dream life he'd hoped for, though.

The darkly comic film from writer-director Aaron Schimberg also features great supporting performances from Renate Reinsve (who had her breakthrough in 2021's "The Worst Person in the World") and Adam Pearson as Oswald, a confident and charismatic man who also has neurofibromatosis. — Caralynn Matassa

For this latest trek back into the sci-fi world of "Alien," director Fede Álvarez takes full advantage of the IP by weaving a story that touches on the original movie and the world of "Prometheus." The result is a thrill ride that will satisfy fans of the franchise and scare the hell out of the newbies who have never seen an "Alien" movie. — JG

Sean Baker made a name for himself as one of the most acclaimed independent filmmakers, and for good reason. He excels at slice-of-life movies (2017's "The Florida Project" and 2021's criminally underrated "Red Rocket") that spotlight marginalized communities.

His latest, "Anora," centers on the titular sex worker played by "Scream 5" standout Mikey Madison. The film landed the Palme d'Or, the Cannes Film Festival's highest honor, thanks to Madison's subtly powerful performance and Baker's propulsive script. — CM

It shouldn't come as a shock that the most polarizing movie of the year was one about Donald Trump's rise to power as a New York City real estate tycoon.

But take away your political views and opinions on Trump (which, I know, is hard), and this movie from director Ali Abbasi is a fascinating exploration of how those with power and influence move through the world.

And then there are the performances by Sebastian Stan as Trump and Jeremy Strong as Trump's fixer and mentor Roy Cohn, both of which should be recognized during award season. — JG

Nicole Kidman gives one of the best and boldest performances of her decadeslong career in "Babygirl." The erotic thriller, written and directed by "Bodies Bodies Bodies" filmmaker Halina Reijn, puts the female gaze on a distinctly male, often-problematic genre, tackling female sexuality, gender, and power dynamics as Kidman's Romy Mathis, a high-powered CEO, pursues a secret affair with her intern (Harris Dickinson). — CM

I wasn't expecting a "Beverly Hills Cop" sequel made on Netflix to give me some of the biggest laugh-out-loud moments this year, but that's exactly what happened.

Director Mark Molloy certainly understood the assignment: lean in to what made the first two movies so beloved (let's not talk about the third one).

Focusing on Eddie Murphy's jokes, big action sequences, and that memorable soundtrack, the fourth movie in the franchise became one of the surprise delights at the movies this year. — JG

One of the boldest epics made in some time, this three-and-a-half-hour drama shot on VistaVision is an exquisite exploration of one immigrant's drive for the American Dream in post-World War II America.

Directed and co-written by Brady Corbet ("Vox Lux"), "The Brutalist" follows fictional character László Tóth (Adrien Brody), a Hungarian-born Jew who survives the Holocaust and emigrates to the US in the late 1940s. Over three decades, Tóth, a talented architect, struggles to make a living and get his wife (Felicity Jones) to the States. Then a wealthy man (Guy Pearce) changes his life.

With masterful production design, photography, score, and performances, this is a movie that will stay with you long after you've seen it. — JG

Zendaya dazzles in Luca Guadagnino's sporty, steamy drama.

As a former tennis great thrust into a love triangle with two other players, her now-husband Art (Mike Faist) and her ex-boyfriend Patrick (Josh O'Connor), Zendaya delivers one of the most layered performances of her career as she navigates love, lust, and mind games. — JG

Alex Garland's latest showcases a United States that has been ravaged by civil unrest.

Kirsten Dunst is magnificent as a hardened war journalist in an existential crisis who travels from New York City to Washington, D.C. to cover the story. The war scenes are brutal and devastating, but that's the point. — JG

Ralph Fiennes leads a drama filled with Shakespearian-level mystery, backstabbing, and intrigue as the Cardinal-Dean in charge of the papal conclave. In the process, he finds himself investigating scandals and secrets as the choices narrow for who will become the next pope.

Stanley Tucci, John Lithgow, and Isabella Rossellini are also outstanding in supporting roles. — JG

After a bevy of delays that included Fox being bought by Disney, COVID, and the strikes by the writers and actors in Hollywood, we finally got the third "Deadpool" movie. And it was worth the wait.

From the brawls with Wolverine (Hugh Jackman), the endless Disney IP jokes, and a fight with countless Deadpools, the movie is the rare payoff for fans of superhero movies in the post-"Endgame" era of the MCU. — JG

Denis Villeneuve's continuation of his adaptation of Frank Herbert's beloved sci-fi novel takes us back to Arrakis, where Paul (Timothée Chalamet) goes from the hunted to the hunter as he teams with the Fremen to fight his enemies and becomes a Messiah in the process.

Like the first movie, the visuals are stunning, but the sequel also features more Zendaya as Paul's love interest, heightening the stakes by the end. — JG

Though "The Fall Guy" underperformed at the box office, David Leitch's love letter to stunt performers is one of the most enjoyable movie-watching experiences of the year.

A big reason for that is the performances from Ryan Gosling and Emily Blunt, whose chemistry as they navigate an on-and-off relationship while coping with movie-making madness is off the charts. — JG

George Miller's latest trek into the Wasteland may not be as jaw-dropping as his magnum opus "Mad Max: Fury Road," but the auteur of action still dazzles with breathtaking shots of desolate sandy vistas and ultra-violent car chases.

The major highlight is Anya Taylor-Joy as Imperator Furiosa (originally played by Charlize Theron in "Fury Road"). With very little dialogue, Taylor-Joy must use facial expressions and a multitude of stunts to convey her character's origin story and complex emotional arc. It's well worth the ride. — JG

Twenty-four years after the Oscar-winning original, Ridley Scott returns to the Coliseum with a new star (Paul Mescal) and bigger fights. The result is an enjoyable mix of blockbuster thrills and nostalgic callbacks to the first movie.

But what sets "Gladiator II" apart is Denzel Washington, whose devilish, scenery-chewing performance as a gladiator owner with plans of getting his hooks into the Roman Senate elevates the movie whenever he's on the screen. — JG

The song "We Are The World" brought together the greatest musicians in pop and rock, but the story of how it came together makes the song even more remarkable.

This Netflix documentary from Bao Nguyen features never-before-seen footage and candid interviews recounting a single evening in Los Angeles that would become a defining moment for pop culture in the 1980s.

The documentary is replete with fascinating details about how the song and its ensuing celebrity spectacle came to be. From seeing how Michael Jackson created the hook to watching musicians like Cyndi Lauper and Huey Lewis give it their all recording long into the night, "The Greatest Night in Pop" is a must-see for anyone who lived through or loved the '80s music scene. — JG

On a surface level, Pansy Deacon, the lead character of "Hard Truths," isn't someone you'd root for. She's a deeply depressed, angry middle-aged British woman who takes her fury out on anyone and everyone around her, from fellow shoppers at the supermarket to her own browbeaten husband and adult son.

The film starts out almost comically, as Pansy finds every imaginable reason to rant and rave at everything from babies with pockets (what do babies need pockets for anyway?) to the salesperson attempting to help her buy a couch. Marianne Jean-Baptiste infuses Pansy with so much heart and deep-seated pain that you can't help but feel for her, even as you're horrified by her behavior.

Writer-director Mike Leigh's unique filmmaking process (he and his cast start off without a script and collaboratively develop the characters) results in one of the most stunning performances of the year. — CM

Hollywood is still trying to perfect this generation's high school movie. "Incoming" gets pretty close.

Following a group of friends who are the only freshmen invited to a party thrown by a senior, this raunchy comedy uses staples from the high school genre and mixes them with today's culture to concoct a hilarious movie. — JG

After a lot of confusion and frustration within the walls of Pixar over its COVID-era release strategy, the beloved animation house is having a much-deserved big-screen resurgence thanks to "Inside Out 2."

In the sequel to the Oscar-winning 2015 original, we catch up with Riley's key emotions like Joy (Amy Poehler) and Sadness (Phyllis Smith) right when Riley hits puberty. And just like that, new emotions like Anxiety (Maya Hawke) and Embarrassment (Paul Walter Hauser) show up wanting to be in control of Riley's feelings.

The movie is a funny and emotionally charged journey that highlights those impressionable years when we can no longer lean on our parents to make the right choices; it's now on us. — JG

Beyond having the most brilliant marketing campaign of the year, "Longlegs" is also genuinely freaky.

Osgood Perkins channels "Silence of the Lambs," mixed with devil worship and possessed dolls for good measure, for a crazy genre mashup: a police procedural horror movie. Maika Monroe gives an understated performance as traumatized FBI agent Lee Harker, who's investigating a series of murder-suicides that all point back to one mysterious figure: Longlegs.

The eventual reveal of what's going on — and the physical reveal of Nicolas Cage's Longlegs, a noteworthy entry in the actor's list of batshit roles — is disturbing and memorable. — CM

Pamela Anderson gives a career best performance as an aging Las Vegas showgirl who must come to terms with losing her job when her revue abruptly closes.

Anderson holds nothing back as she plays a character who still is intoxicated by the glitz and glamour of the strip of yesteryear but comes to the harsh realization that show business has nothing left for a woman her age.

Ironically, after decades in the limelight, this is the role that is finally getting Anderson the recognition for her acting that she deserves. — JG

Originally planned as a TV series, Disney made the right move by turning this instead into a feature-length sequel to the beloved 2016 original.

This time, Moana (Auli'i Cravalho) must defeat an evil God who controls an island so that all islands across the sea can be reconnected.

The higher stakes, new characters, and catchy songs make the movie a worthwhile continuation of a story audiences couldn't wait to return to. — JG

Some viewers criticized RaMell Ross's bold decision to shoot "Nickel Boys," an adaptation of Colson Whitehead's 2019 novel, in a first-person point-of-view, where we see through the eyes of the character speaking. To that, I politely say: You're wrong, sorry.

The immersive filming style works perfectly to put the audience right in the mix as Elwood and Turner, two Black boys sent to a reform school called the Nickel Academy (based on an actual school in Florida), struggle to survive amid the racist institution's many often deadly abuses.

Ethan Herisse and Brandon Wilson give a pair of breakout performances as Elwood and Turner, and Aunjanue Ellis-Taylor is devastating as Hattie, Elwood's devoted grandmother. It's a tough watch, but a worthy one. — CM

Looking back on the work of Robert Eggers, his obsession with telling stories set long ago has led up to this: an adaptation of the iconic gothic vampire tale.

With exquisite production design, makeup, and effects to transform Bill Skarsgård into the creature of the night, and a tour-de-force performance by Lily-Rose Depp as a woman overcome by a spell that fills her with desire and fear, this is Eggers' masterwork. — JG

Yep, both of Luca Guadagnino's 2024 releases made this list. "Queer" is a very different film from "Challengers" in many ways, but both cement Guadagnino as a filmmaker with an innate understanding of desire and a master at evoking it onscreen.

Based on William S. Burroughs' 1985 novella, the movie follows William Lee, a gay American expat living in 1950s Mexico City, who becomes obsessively infatuated with the much younger Eugene Allerton. Daniel Craig's no-holds-barred performance as Lee, a stand-in for Burroughs himself, establishes him as one of the most talented and versatile working actors today. It's also gorgeously shot, courtesy of Guadagnino's go-to cinematographer Sayombhu Mukdeeprom. — CM

There's always one Netflix movie that comes out of the blue every year and grabs attention. This year, it was "Rebel Ridge."

Written and directed by Jeremy Saulnier ("Blue Ruin"), this impressive action movie gives a jolt to the genre with its gritty take. It's also a showcase for Aaron Pierre, who is on his way to big-screen stardom (he also voiced the title character in Disney's end-of-year release, "Mufasa.") — JG

JT Mollner's thriller "Strange Darling" flew under the radar this year, but boy, is it a trip.

The story is told in a destabilizing nonlinear format; it's a clever narrative trick to make you think the movie is something it's not. Willa Fitzgerald and Kyle Gallner are knockouts as the two leads, keeping viewers transfixed and with our hearts in our throats. It's also beautifully shot by Giovanni Ribisi (yes, the actor) in his feature debut as a cinematographer. — CM

"The Substance" is not for the faint of heart. French filmmaker Coralie Fargeat established herself as a genius of phantasmagoria with her debut feature, 2017's "Revenge," but she takes things up several notches in her follow-up.

The satirical feminist body-horror movie is completely insane, in the best way. It's a disgusting, disturbing, and extremely real fable of female self-hatred that goes off the rails (complimentary) like few movies I've seen before.

Demi Moore grounds it all as Elisabeth Sparkle, a washed-up middle-aged celebrity who's driven to try the mysterious drug dubbed The Substance after being fired from her aerobics show on her 50th birthday. Margaret Qualley is positively demonic as Elisabeth's younger and more perfect self Sue, the product of that black market serum fated to be Elisabeth's downfall. — CM

This summer, we learned that if you mix Glen Powell and tornadoes, you've got yourself a hit.

This sequel to the 1996 hit "Twister" features more GGI-fueled storms and chemistry so hot between Powell and Daisy Edgar-Jones that audiences were bummed they didn't kiss at the end — everything you need from a hit summer blockbuster. — JG

I was prepared to be a hater heading into "Wicked." After all, how could someone successfully adapt one of the most successful Broadway musicals of all time? After being blown away by Cynthia Erivo and Ariana Grande's performances, I'll gladly admit I was wrong.

As the movie's seemingly endless press tour has demonstrated, Erivo and Grande have incredible chemistry as Elphaba and Glinda, two witches who were once best friends before their paths diverged. Erivo is devastating as the lost, deeply lonely but resolute Elphaba, while Grande imbues so many layers into her performance as Glinda. The result is a thoroughly enjoyable movie experience with a showstopping finale, even if it's not the most technically impressive film on this list. — CM

Based on Peter Brown's popular books, "The Wild Robot" weaves one of the most emotional yarns of the year. The movie tells the story of Roz (Lupita Nyong'o), a robot who washes up on a deserted island and learns the ways of the wildlife that inhabits it, leading to her becoming the guardian of an orphaned gosling.

Beautiful to look at, with animation that has a watercolor quality, it's the uplifting story that elevates this movie from an impressive fantasy tale to a work that will be cherished by audiences for years to come. — JG

1. "The Wild Robot"
2. "The Apprentice"
3. "The Brutalist"
4. "The Substance"
5. "Conclave"

1. "The Substance"
2. "Hard Truths"
3. "Queer"
4. "Anora"
5. "Nickel Boys"

The future of "Yellowstone" is unclear. Unconfirmed reports are swirling that fan-favorite characters Rip and Beth might get their own spinoff (or take over as the leads of the flagship series).

One thing is certain: The season five finale airs on Sunday. Whether it's also a series finale is TBD.

Here's where to watch "Yellowstone" season 5, part 2.

If you've been on social media over the last few months, you've probably seen at least one post about "Conclave."

On its surface, the drama, which focuses on a group of cardinals meeting to choose the new pope, doesn't seem like it would be prime meme fodder. The reality is that the film is one of the most thrilling movies of the year, with plenty of iconic moments. Case in point: That vape hit.

Streaming on: Peacock

The "Joker" sequel was getting memed a lot, too, but not in a fun way.

Todd Phillips' long-awaited follow-up was largely trashed by fans when it was released in theaters in October. Despite appreciation for the lead performances from Lady Gaga and Joaquin Phoenix, who had won an Oscar for playing the title character in the first movie, "Folie à Deux" made some bold choices that unfortunately didn't land with the general audience.

Streaming on: Max

North Pole's Head of Security, Dwayne Johnson, is forced to team up with bounty hunter Chris Evans after Santa Claus (J.K. Simmons) — code name "Red One" — is kidnapped. There's also a buff anthropomorphic polar bear.

Streaming on: Prime Video

The beloved classic of magical realism literature was long considered unadaptable, even by its author, Gabriel Garcia Marquez.

Netflix brought it to life for the first time in a visually stunning new series that works hard to capture the sprawling multi-generational epic about the Buendía family.

Streaming on: Netflix

"No Good Deed" is another dark comedy from "Dead to Me" creator Liz Feldman.

It has an impressive ensemble cast that includes Lisa Kudrow, Linda Cardellini, and Luke Wilson, among others. The story focuses on a couple who's attempting to sell their home after a family tragedy. Of course, there are plenty of twists and turns along the way.

Streaming on: Netflix

Almost 40 years ago, Richard Ramirez terrorized LA as the Night Stalker, one of the most infamous serial killers in American history. This new docuseries features audio interviews with Ramirez while he was on death row, as well as never-before-seen interviews with his family, friends, and wife.

Streaming on: Peacock

"Kings of Tupelo," much like "Tiger King," focuses on a bizarre crime. In this case, it centers on Paul Kevin Curtis, an Elvis impersonator who was framed for plotting to kill former US president Barack Obama.

Streaming on: Netflix

Angelina Jolie stars as opera singer Maria Callas in a new biopic that's getting some awards buzz for her performance. And yes, she's really singing in the movie.

Streaming on: Netflix

"Paris & Nicole: The Encore" brings together the two stars of "The Simple Life," which ran from 2003 to 2005, for a new series.

Streaming on: Peacock

The "Dexter" revival, which aired from 2021 to 2022, didn't get an entirely positive reception, but that didn't stop Showtime from ordering another new series within the hit drama's universal.

"Dexter: Original Sin" focuses on serial killer Dexter Morgan's early years, with Patrick Gibson playing a young Dexter and original actor Michael C. Hall voicing Dexter's inner thoughts.

Streaming on: Paramount+

Elton John is the latest legendary music artist to get the documentary treatment. "Never Too Late" profiles the singer during his "Farewell Yellow Brick Road" tour.

Streaming on: Disney+

Taron Egerton plays a young TSA agent who gets blackmailed by a mysterious traveler (Jason Bateman) into allowing a mysterious package to slip through security.

Streaming on: Netflix

Plaza de Coco's dining tables surround a stage, creating a dinner-and-a-show experience.

The venue hosts two different performances depending on the day, so there is no need to fear repeating a show if you go twice.

(BI previewed one of the shows and can confirm it's pretty entertaining for kids and adults.)

If you've seen "Zootopia," you might remember store owner Jerry Jumbeaux Jr. and his Jumbeaux Cafe.

On Disney Treasure, the talking elephant's ice cream parlor comes to life with Jumbeaux's Sweets, a dessert shop with various treats and more than 31 ice cream and gelato flavors.

Disney is best known for being a family-friendly brand. That doesn't mean adults must be surrounded by children throughout their vacation.

For example, "The Lion King"-inspired Sarabi lounge has a variety of family activities during the day. At night, it becomes an adult-only venue with live shows.

Palo Steakhouse, also available on Disney Wish, features Italian fare and a design inspired by "Beauty and the Beast"'s Cogsworth.

Disney bills the Enchanté, a "Beauty and the Beast"-inspired French restaurant, as the most luxurious dining experience on board. Its menu was created by Arnaud Lallement, the chef and owner of the three-Michelin-starred restaurant L'Assiette Champenoise in Paris.

The two restaurants meet at The Rose, another adult-only lounge.

The thematic lounge serves light snacks and beverages. Foliage hangs from the ceiling, and themed drinks (like the non-alcoholic Jungle Juice or the boozy Piranha Punch) can be enjoyed at the bar or private booths.

The watering hole is a first for the cruise line, inspired by the 1954 Disney flick "20,000 Leagues Under the Sea" and the Disney Parks ride that shut down in 1994.

Here, guests can again eat, drink, and catch up on the news and sports.

The full menu includes burgers and wings, specialty cocktails, and several beers on tap.

Interior staterooms make up more than 120 of these accommodations.

For a more luxurious option, pick one of the 76 premium concierge cabins, which includes access to an exclusive sun deck.

The ultra-luxe Tomorrow Tower Suite sleeps up to eight people across its four bedrooms, one of which has a specialty bunk bed designed for children.

The atrium has its own stage. For a mid-show pick-me-up, head to the Heihei or Jade Cricket cafés.

The former is inspired by "Moana's" fictional island of Montuni, named after the title character's rooster sidekick, while the latter is a callback to "Mulan."

The two-person AquaMouse: Curse of the Golden Egg water ride brings travelers through 760 feet of tubes on a quest to follow Mickey and Minnie Mouse into an "ancient temple."

Both vessels offer Worlds of Marvel, an interactive Marvel-themed restaurant, and Wonderland and Never Land Cinemas, a luxurious theater where guests can watch recently released movies.

Like other Disney cruises, travelers on Treasure can see their favorite movies adapted in live theater.

Other Disney ships feature a live production of "Beauty and the Beast" — Treasure's new show is based on "Moana."

If life at sea with Disney is calling out to you, sailings on the Treasure start at $3,931 for its seven-night itineraries in 2025.

The long-awaited Tim Burton sequel was a big hit in theaters earlier this year, arriving 36 years after the first movie.

Catherine O'Hara and Winona Ryder reprise their roles from the original, with Jenna Ortega joining as Astrid Deetz, the daughter of Ryder's character Lydia Deetz.

Streaming on: Max

Keira Knightley plays Helen Webb, a spy whose cover is threatened after her secret lover is murdered. The show is a quick six-episode binge, but it is already set to return for a second season.

Streaming on: Netflix

If you want another flavor of spy thriller, good news: Michael Fassbender is also leading one. He plays a covert CIA agent who's called back to London.

Streaming on: Paramount+ with Showtime

Yes, a third new thriller!

This one stars "Sing Sing" star Colman Domingo as Muncie Daniels, a writer who's forced to go on the run after being framed for killing a well-known white supremacist.

Streaming on: Netflix

Scoot McNairy and James McAvoy shine in this remake of the 2022 Sundance horror hit "Speak No Evil." And yes, it does make some significant diversions from the original.

Streaming on: Peacock

"Smile" was one of the most successful horror films of 2022 — and even more impressive, it was an original story, not a reboot or something based on existing IP.

Writer-director Parker Finn returned to helm the sequel about troubled pop star Skye Riley, which leveled up in almost every way. Prepare yourself for an absolutely bonkers ending.

Streaming on: Paramount+

Ben Stiller stars as a man who's unexpectedly thrust into a caregiver role for his four nephews after his sister and her husband die.

Streaming on: Hulu

Lindsay Lohan's latest Christmas movie will scratch that itch if you're looking for something of the more light-and-fluffy holiday romcom variety. She plays Avery, a woman who's unexpectedly reunited with her ex 10 years after their breakup when they realize their new significant others are siblings.

Streaming on: Netflix

Oscar-nominated documentarian Joe Berlinger takes a fresh look at the infamous murder of 6-year-old pageant queen JonBenét Ramsey.

Streaming on: Netflix

After the success of "The Golden Bachelor" and "The Golden Bachelorette," Netflix is also hopping on the older-daters bandwagon. "The Later Daters" focuses on six baby boomers looking for love, with some help from their family, friends, and dating expert Logan Ury.

Streaming on: Netflix

If you prefer your reality dating more traditionally messy, there's also "The Ultimatum," arguably the streamer's messiest dating show — and that's saying something.

The series, now in its third season, focuses on couples who disagree about whether to get married. They each get the opportunity to undergo a trial marriage with a new partner while they decide if their original partner is their forever person.

Streaming on: Netflix

The new documentary, released theatrically earlier this year, recounts the "Superman" star's life story from his early success through the near-fatal horseback riding accident that paralyzed him to his death.

Streaming on: Max

"A Nonsense Christmas with Sabrina Carpenter" features special musical guests like Chappell Roan. This one's for the pop girlies.

Streaming on: Netflix

The latest sequel in the long-running "Alien" movie franchise was a hit in theaters earlier this year. Now, it's finally available to stream at home.

Brace yourself for a gnarly birth scene and an incredible new creature design that arguably blows the Xenomorph out of the water.

Streaming on: Hulu

The beloved Starz historical fantasy drama premieres the second half of its seventh season over a year after we last saw Jamie and Claire Fraser on our screens. (Here's a refresher on where we left off with every "Outlander" character.)

Streaming on: Starz+, Hulu with Starz, or Prime Video with Starz

The comedic thriller stars Kaley Cuoco and Chris Messina as married true-crime enthusiasts who find themselves tangled up in a new series of murders in the second season.

Streaming on: Peacock

The comedy about four college students returns for its third season. We'll see how Renee Rapp's character is written off after the singer revealed she'd be exiting the show.

Streaming on: Max

Netflix's latest Christmas movie stars Chad Michael Murray as a small-town handyman who joins an all-male dance revue to help save his love interest's family bar. And yes, there's lots of shirtless dancing.

Streaming on: Netflix

Showrunner Charles Yu adapted the action-comedy series from his own 2020 novel. The show centers on Willis Wu (Jimmy O. Yang), a background character stuck in a police procedural.

Streaming on: Hulu

"The Good Place" creator Mike Schur re-teams with Ted Danson for this series about a widowed and retired professor turned amateur detective.

Streaming on: Netflix

The new HBO documentary follows The New Yorker journalist Ronan Farrow as he investigates the espionage cybertechnology industry.

Streaming on: Max

Saoirse Ronan plays a single mother in World War II-era London who makes the difficult choice to send away her 9-year-old son (Elliott Heffernan) during the German bombing campaign against the city.

Streaming on: Apple TV+

Based on August Wilson's 1987 play about a family and their heirloom piano, the new adaptation marks the feature directorial and writing debut of Malcolm Washington (Denzel Washington's son) and stars his brother, John David Washington.

Streaming on: Netflix

The new docuseries explores the kidnapping of Anabel Segura, who was held captive for 900 days in Spain.

Streaming on: Netflix

The new movie from "Shrek" director Vicky Jenson features a star-studded voice cast, including Rachel Zegler as a heroic princess who sets out to save her parents (Nicole Kidman and Javier Bardem) after a spell turns them into monsters.

Streaming on: Netflix

This coming-of-age drama is about Melody Brooks, a sixth-grader who uses a wheelchair and has cerebral palsy. Melody develops more independence with help from supportive adults and friends around her.

Streaming on: Disney+

"Joy" tells the story behind the birth of the first IVF baby, Louise Brown, focusing on the three British medical professionals who pioneered the groundbreaking technology.

Streaming on: Netflix

The historical drama starring Jude Law and Alicia Vikander tells the story of Henry VIII's final and least-chronicled wife, Katherine Parr.

Streaming on: Hulu