Archaeologists excavating a paleolithic cave site in Galilee, Israel, have found evidence that a deep-cave compound at the site may have been used for ritualistic gatherings, according to a new paper published in the Proceedings of the National Academy of Sciences (PNAS). That evidence includes the presence of a symbolically carved boulder in a prominent placement, and well as the remains of what may have been torches used to light the interior. And the acoustics would have been conducive to communal gatherings.

Dating back to the Early Upper Paleolithic period, Manot Cave was found accidentally when a bulldozer broke open its roof during construction in 2008. Archaeologists soon swooped in and recovered such artifacts as stone tools, bits of charcoal, remains of various animals, and a nearly complete human skull.

The latter proved to be especially significant, as subsequent analysis showed that the skull (dubbed Manot 1) had both Neanderthal and modern features and was estimated to be about 54,700 years old. That lent support to the hypothesis that modern humans co-existed and possibly interbred with Neanderthals during a crucial transition period in the region, further bolstered by genome sequencing.

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© Assaf Peretz, Israel Antiquities Authority

The duck-billed dinosaur Parasaurolophus is distinctive for its prominent crest, which some scientists have suggested served as a kind of resonating chamber to produce low-frequency sounds. Nobody really knows what Parasaurolophus sounded like, however. Hongjun Lin of New York University is trying to change that by constructing his own model of the dinosaur's crest and its acoustical characteristics. Lin has not yet reproduced the call of Parasaurolophus, but he talked about his progress thus far at a virtual meeting of the Acoustical Society of America.

Lin was inspired in part by the dinosaur sounds featured in the Jurassic Park film franchise, which were a combination of sounds from other animals like baby whales and crocodiles. “I’ve been fascinated by giant animals ever since I was a kid. I’d spend hours reading books, watching movies, and imagining what it would be like if dinosaurs were still around today,” he said during a press briefing. “It wasn’t until college that I realized the sounds we hear in movies and shows—while mesmerizing—are completely fabricated using sounds from modern animals. That’s when I decided to dive deeper and explore what dinosaurs might have actually sounded like.”

A skull and partial skeleton of Parasaurolophus were first discovered in 1920 along the Red Deer River in Alberta, Canada, and another partial skull was discovered the following year in New Mexico. There are now three known species of Parasaurolophus; the name means "near crested lizard." While no complete skeleton has yet been found, paleontologists have concluded that the adult dinosaur likely stood about 16 feet tall and weighed between 6,000 to 8,000 pounds. Parasaurolophus was an herbivore that could walk on all four legs while foraging for food but may have run on two legs.

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© Hongjun Lin

The US Capitol building in Washington, DC, is adorned with multiple lavish murals created in the 19th century by Italian artist Constantino Brumidi. These include panels in the Senate first-floor corridors, Room H-144, and the rotunda. The crowning glory is The Apotheosis of Washington on the dome of the rotunda, 180 feet above the floor.

Brumidi worked in various mediums, including frescoes. Among the issues facing conservators charged with maintaining the Capitol building frescoes is delamination. Artists apply dry pigments to wet plaster to create a fresco, and a good fresco can last for centuries. Over time, though, the decorative plaster layers can separate from the underlying masonry, introducing air gaps. Knowing precisely where such delaminated areas are, and their exact shape, is crucial to conservation efforts, yet the damage might not be obvious to the naked eye.

Acoustician Nicholas Gangemi is part of a research group led by Joseph Vignola at the Catholic University of America that has been using laser Doppler vibrometry to pinpoint delaminated areas of the Capitol building frescoes. It's a non-invasive method that zaps the frescoes with sound waves and measures the vibrational signatures that reflect back to learn about the structural conditions. This in turn enables conservators to make very precise repairs to preserve the frescoes for future generations.

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© Nick Gangemi

Archaeologists have discovered numerous ceramic or clay whistles at Aztec sites, dubbed "death whistles" because of their distinctive skull shapes. A new paper published in the journal Communications Psychology examines the acoustical elements of the unique shrieking sounds produced by those whistles, as well as how human listeners are emotionally affected by the sounds. The findings support the hypothesis that such whistles may have been used in Aztec religious rituals or perhaps as mythological symbols.

Archaeologists unearthed the first Aztec death whistles, also known as ehecachichtlis, in 1999 while excavating the Tlatelolco site in Mexico City. They found the body of a sacrificial victim, a 20-year-old male who had been beheaded, at the base of the main stairway of a temple dedicated to the wind god Ehecatl. The skeleton was clutching two ceramic skull-shaped whistles, one in each hand, along with other artifacts. More skull whistles were subsequently found, and they've found their way into popular culture. For instance, in Ghostbusters: Afterlife (2021), Egon Spengler had such a whistle in his secret laboratory collection.

Scholars have puzzled over the purpose of the skull whistles, although given the dearth of concrete evidence, most suggestions are highly speculative. One hypothesis is that it was used in battle, with hundreds of warriors blowing their whistles simultaneously as a battle cry. Music archaeologist Arnd Adje Both has dismissed that idea, suggesting instead that the whistle's purpose was more likely tied to ceremonial or religious practices, like human sacrifice. Yet another hypothesis proposes that the whistles were intended as symbols of a deity. The skull shape, for instance, might allude to the Aztec god of the underworld, Mictlantecuhtli.

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© Sascha Frühholz

A solo traveler off the coast of Denmark is apparently screaming into the void, revealing the importance of social interactions for dolphins.