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The 50 greatest TV episodes of all time, from This is England to I May Destroy You

A brilliant episode can refine the essence of the best shows into a single, self-contained moment. Here are our favourites from over the decades

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The Sundays were the dream-pop greats who disappeared without trace

Thirty-five years after the release of their debut album, which housed their seminal break-up song ‘Here’s Where the Story Ends’, the band behind a number of pretty, ethereal earworms still inspire adoration – and questions over their decision to drop out of the limelight three records into their career, writes Adam White

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Marianne Jean-Baptiste: ‘People were following a narrative that had been created to explain me’

‘Secrets & Lies’ made her the first Black British woman to be nominated for an Oscar. Now, nearly 30 years and 160 episodes of the ‘factory-like’ US cop drama ‘Without a Trace’ later, she has reunited with Mike Leigh for the blistering ‘Hard Truths’ – it’s earned her a Bafta nomination, and could send her back to the Academy Awards, too. She speaks to Adam White

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Wallace and Gromit’s makers on the terrifying return of Feathers McGraw: ‘People genuinely hate him’

Aardman has produced its first feature-length ‘Wallace & Gromit’ since 2008, and finds an old foe plotting revenge. Adam White speaks to the film’s cast and crew about Britishness, artificial intelligence, and moving forward after the death of the original Wallace, actor Peter Sallis

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Inside the wild Robbie Williams biopic: ‘It’s sad seeing the monkey do cocaine’

The unexpectedly brilliant ‘Better Man’ dives into the rise, fall and rise again of one of Britain’s greatest pop stars… who is depicted as an anthropomorphic chimpanzee. Adam White speaks to its director Michael Gracey about monkeys, mayhem and why Robbie was nervous about Gary Barlow seeing the script

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