Estella Struck founded Viviene New York, a marketing agency that promotes sustainable businesses. She's also a rising star of influencer management.

The 23-year-old told BI that she's "not a perfume maximalist" — but there are two scents she loves.

"I really like Aesop. I think they have an amazing line of fragrances, and they're unisex," she said.

She's purchased the Tacit scent for herself, which costs $160 or $220 depending on the bottle you buy, and the $200 Karst scent for her boyfriend.

"I'll use his Aesop scent depending on my mood," she added.

Struck told BI that she loves the scent of Gucci Bloom but doesn't find it to be the most sustainable and skin-friendly option on the market.

It's also priced pretty high, between $110 and $128 each for full-sized bottles.

So, the marketing professional turned to Dossier, a brand known for selling clean, inexpensive fragrances inspired by designer products.

Struck said the brand's Floral Honeysuckle perfume smells exactly like Gucci's, and the bottle costs $39.

Abby Carlos has spent the past two years working as a media strategist for Warner Bros. Discovery.

So far, she's worn the same perfume each day on the job: Victoria's Secret Bombshell.

She prefers the brand's original scent, which is sold as a body mist, lotion, and perfume (though the latter is sold out).

Other variations of the fragrance — including Bombshell Intense — are still available on the Victoria's Secret website for upward of $60.

Carlos told BI she likes to wear a limited-edition Carolina Herrera scent called Good Girl Fantastic Pink for nights out.

"It's packaged in a sparkly pink bottle, and I get so many compliments on that one," she said.

She also previously enjoyed the brand's Very Good Girl scent, packaged in a red, heel-shaped bottle. But over time, she thinks it's become a bit overrated.

"It felt like everyone started wearing it," she said of the perfume. "I was like, 'Oh my God. Now I've got to find a new scent.'"

Bottles of the latter fragrance — and others in Carolina Herrera's Good Girl line — range in price between $94 and $192 per bottle. The brand no longer sells the Fantastic Pink line, but it can be purchased on fragrance websites and Amazon.

Sabrina Guler, 31, is an author and entrepreneur who cofounded the real-estate investment company Techvestor, which landed her on BI's rising stars of real estate list.

"I love Viktor & Rolf's Tiger Lily," she said. "That's been my go-to, and I always get complimented on it."

She describes the scent as floral, feminine, and "very sexy."

"I'm someone who wears fragrance when I want to enhance my self-love," she said. "If I want to feel better about myself, if my mood is kind of off, or if I just want to feel more connected to me, I'll add a little bit of perfume."

Asia Gousse found herself on BI's list of rising stars in influencer talent management thanks to her work with Slash Management. She works with an all-female client roster that she discovered on TikTok.

Even when her job is busy, the 28-year-old makes time for a thorough fragrance routine.

Gousse always begins by applying unscented body oil to help her perfume last longer. She then uses the $14.99 Being Frenshe body spray in Cashmere Vanilla as a base layer for a rotating perfume.

Sometimes, she sprays Valentino's Born in Roma Intense, which costs between $110 and $140. On other days, she chooses Maison Margiela's Replica Afternoon Delight ($35 to $165) or Viktor & Rolf's Flower Bomb Ruby Orchid ($38 to $225).

Finally, she uses a niche fragrance from Idult Paris called Tiholta, which she says is the "truest vanilla" scent she can find. It costs 180 euros, or about $187.

"I want to always walk around smelling like a vanilla cupcake. It's my pride and joy," she said.

Anna Molinari is a 26-year-old content creator and sustainable fashion designer. She's also a newly cemented fragrance fan.

"I never used to be a fragrance person, but now I've been learning about them as I receive them in PR packages," she told BI. "My favorite is the YSL Black Opium Over Red."

In addition to the YSL scent, which costs between $35 and $160 per bottle, Molinari enjoys the Mugler Alien scent, which retails for around $150 per bottle.

"My issue with perfumes is that, to me, they can smell like old ladies," she said. "So what I like about the YSL cherry scent specifically is that it does smell very fruity. Same thing with Mugler Alien. I can wear them every day."

The musician attended the 2018 ASCAP Country Music Awards in a two-piece suit printed with a brown snakeskin pattern.

She paired the set with a sparkling button-up top, an assortment of rings, and a delicate necklace.

The outfit was eye-catching but pretty different from the styles Wilson would gravitate toward in the following years.

She wore a pair at the 2021 CMT Music Awards. They were crafted from a metallic, mustard-yellow fabric and decorated with silver studs in star prints at the ankles.

Still, the "Yellowstone" star remained loyal to snakeskin. She wore a top designed with the print that had long sleeves and was tied at the waist.

For accessories, she layered gold and silver necklaces.

For the iHeartRadio Music Awards that year, Wilson donned a black, corseted bodysuit beneath see-through bell bottoms.

She also wore a sheer duster decorated with silver fringe, which matched her statement metallic jewelry.

The outfit showed the more daring side of Wilson's style and the progression of her glamour.

Wilson stepped onto the CMA Awards red carpet that year looking like a Hollywood star.

She wore a standout Carolina Herrera catsuit with a wrapped, strapless bodice and layered ruffles down each pant leg.

The high-fashion piece was also accessorized with statement jewels from Haybelle Co., which made the ensemble even more exciting.

Just look at the Roberto Cavalli suit she wore to the 2024 MusiCares Person of the Year event.

Its turquoise color stood out on the red carpet, and its opened button-up blouse added a surprising, skin-baring edge.

Wilson also wore a statement belt from Lela Rose, jewels from Jacquie Aiche, and a black, wide-brimmed hat.

For example, she didn't wear her signature bottoms at Charlize Theron's 2024 Africa Outreach Project party.

Instead, Wilson sported straight-leg, high-waist trousers in a red shade that matched her high-neck crop top.

She stayed true to her favorite accessories: oversize jewelry, a belt with a large buckle, and a white cowboy hat.

She wore a customized version of a Chloé runway piece at the recent Variety Hitmakers Brunch.

Her designer top was sheer, covered in ruffles, and split at the waist by a large cutout. The musician wore it with black bell bottoms covering her shoes and a hat that was the same color as her blouse.

The overall style of the outfit was in line with Wilson's signature looks, while its designer tags showed just how far the musician's fashion has come.

She attended the Maison Margiela runway show and was photographed outside wearing a sleeveless design from the fashion house.

Her black dress — which hugged Kardashian's body and had round cutouts from top to bottom — was paired with Tabi shoes and a statement silver necklace that covered her neck.

The outfit was fashion-forward and memorable.

For a Balenciaga show, Kardashian wore a black lace gown that was form-fitting and backless.

The gown's silhouette was stunning, thanks to a short train, waterfall sleeves, and a high neckline. However, one small detail distracted from the look.

Attached to the back of the dress was a long string and Balenciaga tag, intended to look like Kardashian bought the dress and forgot to remove its price label.

Unfortunately, the feature was too gimmicky for the chic look.

She was photographed leaving a Margiela exhibit in Paris while wearing a fuzzy, jaguar-print coat from Balenciaga. It had an oversize collar, thick sleeves, and a leather belt wrapped around the waist.

The coat was a standout on its own, but Kardashian elevated the piece with the rest of her look.

She wore sheer black tights, pointed heels, and glowing, smoky makeup. She also carried a black leather purse and tied her hair in a slicked ponytail.

For one occasion, Kardashian stepped out wearing an oversize Balenciaga bomber coat and $3,590 leggings that covered an attached pair of pointed heels.

The outfit was overly simple and looked as if it were missing a piece, such as a skirt or shorts.

Kardashian also wore black sunglasses and an updo hairstyle that worked with the streetwear look but didn't add any extra style.

She attended the 2024 Vanity Fair Oscars after-party in yet another Balenciaga design. Her off-white dress was strapless, with a floor-length skirt, short train, and a neckline pointing toward her face.

Not only did the gown's shining fabric complement Kardashian's glowing makeup, but it also looked luxurious when paired with diamond jewels.

She wore a statement ring and large stud earrings, and her hair was styled sleekly to cover one side of her face.

For the Breakthrough Prize ceremony this year, Kardashian donned a white Alaïa gown with a daring bodice.

Its halter top had a triangle cutout across the chest and thin slits at the waist, both of which were more reminiscent of Y2K designs than anything modern.

The tight gown's best feature was its stark white color, which looked great on Kardashian. However, the crocodile-embossed leather looked a bit strange from far away, almost like the dress was made from a towel material.

Kardashian completed the look with shining lip gloss, dark eye makeup, and straight hair styled to appear wet.

The brand founder stepped out of her hotel in a $94 Skims dress in a custom color. It had long sleeves, a layered skirt, and a high neckline.

She wore the simple piece with a tan pair of Balenciaga's Pantaleggings and a $1,850 shearling bag from ERL.

Kardashian's tan outfit matched her signature neutral aesthetic, and her fuzzy, butter-yellow purse added a fun, fashionable touch.

She was photographed in New York City wearing a strapless Miu Miu tank top made from vibrant yellow leather and tan pants that were wide at the ankles.

The latter garment was unfortunately too neutral in color and washed Kardashian out. A darker shade could have made all the difference.

The TV star completed the outfit with tan sandals, a Birkin bag, and a wavy hairstyle.

This year, she sported a John Galliano creation at the Met Gala. It was strapless with a tightly corseted waist and metal floral pieces that created its skirt.

The gown was like a work of art and matched the night's theme: "Sleeping Beauties: Reawakening Fashion."

Kardashian truly looked like a princess who had just awoken, especially thanks to her small gray cardigan that she carried around her arms.

Thierry Mugler designed the white ensemble Kardashian wore that night. It included a corseted leotard with a plunging neckline and hip padding and a thin overcoat that reached the floor.

The two pieces looked too casual for the prestigious event, as did her see-through heels.

However, her wavy hair, pink makeup, and diamond necklace were picture-perfect.

She arrived in a white Gucci gown with two thin straps acting as a bodice, which created a deep V-neckline that reached her stomach.

The skin-hugging dress was complemented by an off-white overcoat, which Kardashian carried across her back, and thick necklaces from Garrard.

The one shaped like a cross was previously worn by Princess Diana. Kardashian purchased it at an auction in 2023 for nearly $200,000.

The star wore an Elie Saab gown that had a semi-sheer bodice made of crisscross red designs atop see-through lace fabric.

The bright red skirt contrasted with the patterned bodice.

The Kaufmanfranco minidress had quarter-length sleeves and a high collar.

A plunging neckline flowed from Swift's neck to her navel.

The flowing J. Mendel dress had a low neckline that was accented by silver straps on the front, back, and side.

A slit in the skirt added to the look.

The singer chose another Elie Saab dress for the 2013 awards ceremony.

The black gown had sheer cutouts on the shoulders and legs, and a gold belt broke up the column style.

The navy Hervé Léger by Max Azria gown had a plunging neckline with a sparkly trim.

The Reem Acra dress had a simple white skirt, but it was offset by an intricately designed off-the-shoulder bodice.

The elegant gold and sheer patterned top scooped into a low neckline. 

Swift sparkled in the black minidress, which was designed by Zuhair Murad. 

Black gems sat atop sheer fabric, and a fringed trim completed the gown.

The bright red dress, created by Swift's costume designer Marina Toybina, had a low neckline and a flowing cape. 

Sparkly, built-in shorts gave the look a performance flare.

The polka-dot bra top had a small cutout in the center and coordinated with the high-waisted pencil skirt.

The skirt featured a slit up the center.

The Sass & Bide ensemble consisted of a white skirt and a peplum birdcage top.

The neckline of the top was low-cut, and it was connected by two black strips of fabric.

The halter neckline of the Balmain jumpsuit mirrored two cutouts in the center of the garment.

The wide-legged pants gave the ensemble a retro look.

Swift paired the low-cut nightgown with a matching, lace-trimmed robe.

Swift, pictured with her model and then-close friend Karlie Kloss, stunned in a sparkly black bra and matching high-waisted underwear.

She wore a black, lace nightgown that had a long train over the look with high heels.

The Zuhair Murad dress consisted of a white skirt and one white sleeve, while the bodice and one sleeve were made of sheer fabric with sparkly, silver patterns on it.

Jimmy Choo pumps completed the ensemble.

A zipper ran down the lace-covered Julien Macdonald dress, creating a dramatic slit.

The neckline featured zig-zag straps.

At BBC Radio 1's Big Weekend in 2015, Swift wore a silver bodysuit with sheer panels.

Silver tassels flowed from the trim and from her wrists.

The top of the gold dress, designed by Jessica Jones, was made of sheer fabric. Gold sparkles sat atop it, creating a deep V that flowed all the way to Swift's navel.

The layers of gold tulle in the skirt moved as Swift danced. 

The bodysuit Swift wore while she performed alongside Tove Lo had sheer cutouts on the stomach and chest.

Sparkle-covered fabric made up the rest of the garment, which was trimmed with tassels.

The Versace two-piece consisted of a strapless orange crop top and a high-waisted, hot-pink skirt.

The skirt had a waist-high slit that revealed built-in pink underwear.

She stunned in a black Alexandre Vauthier Haute Couture gown that had a plunging halter neckline and a thigh-high slit.

A gold Jimmy Choo purse, a gold choker, and gold Giuseppe Zanetti heels completed the outfit. 

The black Saint Laurent jumpsuit had a halter neckline, semi-open back, and it was entirely covered in sequins. 

The custom Louis Vuitton minidress was made of silver snakeskin fabric and had leather accents on the top of the dress.

The center of the dress had daring cutouts, while the trim of the skirt had tiers of ruffled fabric.

Louis Vuitton gladiator heels completed the ensemble.

The Julien MacDonald dress was almost completely transparent, with only thin stripes of sparkly, black fabric providing coverage.

A cutout in the stomach and dramatic slit in the center of the dress added to the daring look.

The black Atelier Versace bodysuit had long sleeves and was covered in intricate, geometric patterns.

She paired the look with a black bra, high-waisted black underwear, and a fringed skirt.

The star's custom Versace dress took over 800 hours to make.

The gown had a dramatic cape, feather detailing, and a striking thigh-high slit.

While walking in New York City in 2018, Swift paired a sheer black top with an exposed sports bra, short printed skirt, and heels.

The Balmain dress had a disco-ball effect, as it was made of small panels of shiny silver fabric.

Matching thigh-high boots complemented the short dress.

The star wore an off-the-shoulder black Versace dress to celebrate the 2019 Golden Globes.

The sparkly dress was made of sheer fabric, had tie detailing on the bodice, and featured a daring thigh-high slit.

While performing songs from "Lover," Swift wore a gold corset top with sparkly purple bottoms that showed off her legs.

She paired the look with gold boots.

The sparkly green Julien Macdonald dress was asymmetrical, as one side had a skirt that flowed all the way to the floor while the other exposed a shorter layer of fabric. 

Dramatic thigh-high boots completed the look.

The bodysuit was covered in gold sparkles and coordinating tassels flowed from Swift's waist. 

She wore matching boots with the look.

Swift performed in a see-through Sarah Regensburger catsuit, which she gave a shiny edge by wearing a silver Greta Constantine bodysuit beneath it. 

She paired the form-fitting look with Black Louis Vuitton boots.

Oscar de la Renta designed her halter minidress, which had strings of diamonds hanging loosely across her arms, and more rows of jewels swooped across her body.

She paired the look — which is one of her most daring of all time — with red lipstick and sparkling sandals.

The sleeveless garment had a V-shaped neckline embellished with diamonds and a crystal star print across its bodice.

Swift's outerwear — a feathered cardigan — was also daring.

The Michael Kors dress stood out with asymmetrical detailing.

The sparkly, black gown had a high neckline, one long sleeve, and a long skirt.

A diamond-shaped cutout added dimension to the bodice, as did a daring slit on the skirt. 

Sparkly Aquazzura shoes tied it all together.

The black ensemble consisted of a low-cut bodysuit and a high-waisted chainmail skirt.

Sparkly gems made up the chainmail pattern, and the large holes between them showed off Swift's legs.

She paired the statement gown with black open-toe Giuseppe Zanotti shoes and an updo.

The set was custom-designed by Michael Schmidt Studios for the video, which featured Swift performing as a burlesque dancer.

A bikini-style top and high-waisted bottoms made up the bulk of the ensemble, and both were bejeweled with gems in shades of blue.

The outfit also featured sparkly arm pieces that acted as cape.

The gold jumpsuit from The Blonds had a plunging, halter neckline and fitted pants, as well as a belt that cinched at the waist and gave way to the eye-catching open back.

Subtle sparkles embroidered into the fabric accentuated the ensemble's red-carpet feel.

Gold Giuseppe Zanotti shoes completed the look.

Roberto Cavalli designed the deep-blue set Swift wore to the 2023 Grammy's.

The long-sleeve, high-neck top was cropped high on Swift's chest, while the high-waisted skirt hugged her figure before flowing into a train. Both the top and skirt were adorned with sparkles that shimmered as she walked the red carpet. 

The asymmetrical piece has one mesh sleeve, one pant leg, and a sparkling red snake design from top to bottom.

The form-fitting piece is covered in sequins and beaded fringe. She wears it with fishnet tights, a matching garter, and Louboutin boots.

Swift's Versace dress for the VMAs had an asymmetrical, halter neckline.

A curved stripe adorned with gold hardware split the form-fitting bodice and framed a slit on the skirt, which cut all the way up her thigh. 

The gown also featured an open back, and Swift paired the look with layers of necklaces and strappy black shoes. 

After the VMAs ceremony, Swift swapped her Versace ball gown for EB Denim's Polka dress. 

The scoop-necked dress had a corset bodice made of panels of different hued denim. The pattern continued on the short skirt, which had a frayed hem. 

Sparkly heels and a coordinating purse completed Swift's after-party ensemble. 

Swift and Kelce attended a taping of "Saturday Night Live" in October 2023, where Swift introduced her friend Ice Spice as a performer on the show.

Swift donned a black corset top from Versace for the evening. It featured gold detailing on the thin straps and cut up on the sides, revealing a hint of Swift's midriff.

She paired the daring top with black trousers and a checked coat from Gant.

Swift paired the Stella McCartney top, which had long sleeves, a white collar, and a gold patch, with knee-high boots from Prada.

Swift attended the London premiere of Beyoncé's film alongside a slew of other celebrities. She wore a custom Balmain gown for the event.

Silver, reflective embellishments adorned the dress from head to toe, and a floral appliqué sat on the side of the bodice. A dramatic slit on the skirt completed the glamorous gown, which Swift wore with black heels. 

To celebrate turning 34, Swift wore a black minidress from Clio Peppiatt. 

The entire dress had sparkles on it, and it was embroidered with the iconography of a night sky in silver thread, including a moon, clouds, and stars. 

Open-toe black pumps, a faux fur jacket from Anine Bing, and a bejeweled silver bag completed the celebratory ensemble.

In January, Swift attended the Golden Globes in a form-fitting green dress made of a metallic fabric. Gucci designed the piece.

The gown's subtle sweetheart neckline added a hint of drama, while the back was open aside from thin strips of fabric connecting the two sides of the bodice.

Swift became the first artist to win album of the year at the Grammys four times at the 2024 ceremony, and she did it wearing a custom Schiaparelli dress. 

The white dress had a strapless, straight neckline. Ruching on the bodice gathered on Swift's hip, contrasting with the thigh-high slit just below it.

A sweeping train flowed out behind her, and Swift accessorized the look with black shoes and gloves. 

Swift donned a Dion Lee corset top to support Kelce at the Super Bowl. The top was crocheted, and it had an open weave on the lower portion of the top, creating a see-through pattern.

She paired the semi-sheer top with black jeans from Area, which had a slit on each leg encrusted with gems. 

A Chiefs jacket and jewelry that nodded to Kelce completed the look. 

Swift kicked off the Europe leg of her Eras Tour on Thursday in Paris. 

She updated her setlist to incorporate songs from "The Tortured Poets Department" and revealed new designer outfits for most of the show.

Swift completed "The Tortured Poets Department" section with a performance of "I Can Do It With a Broken Heart" in a custom, two-piece set designed by Vivienne Westwood. 

On Sunday, Swift wore a sparkly bra top, which Vivienne Westwood said was "gunmetal"-colored on Instagram, with matching high-waisted briefs. Swift paired the set with a shiny tuxedo jacket with tails and custom Christian Louboutin shoes that she changed into onstage.

Swift also wore black, white, and silver versions of the set during her Paris shows.

Swift returned to Arrowhead Stadium on September 5 to support Kelce as the Chiefs took on the Baltimore Ravens. 

She attended the game in another Versace Medusa corset top, donning a denim version of the look she first wore in the fall of 2023 that scalloped on the sides to reveal a panel of Swift's skin. 

Swift paired the corset with Grlfrnd's denim shorts, thigh-high maroon boots designed by Giuseppe Zanotti, and Louis Vuitton's Side Trunk bag. 

Over $60,000 in jewelry elevated Swift's glamorous WAG look, including the TNT bracelet she has often been spotted wearing in recent months. 

Swift arrived at the VMAs in a Dior dress, which featured a form-fitting bodice and open skirt in a yellow and black plaid pattern. 

The bodice's straight neckline was accented by black straps and a zipper that cut down the center of the garment. A choker made of the same patterned fabric complemented the ensemble. 

The skirt belted at Swift's waist was open, revealing black shorts.

She also opted for black accessories, pairing the dress with over-the-knee boots from Stuart Weitzman and open-finger gloves that flowed past her elbows and featured crisscrossed cutouts. 

Vivienne Westwood designed the Sunday corset and Meghan kilt Swift wore to the Chiefs game on October 7.

The corset top had off-the-shoulder sleeves, while the ruched mini-skirt featured a slit on one thigh. 

Swift paired the maroon and gray set with Vivienne Westwood's Grace boots, which were black and hit just below her knee. 

She also wore $46,000 worth of jewelry with the look and carried a Belle Heart-Frame Jacquard bag from Vivienne Westwood. Faux, sparkly freckles from Fazit tied the glamorous look together.

Swift chose a $1,700 lace corset top from Gucci for her date night with Kelce. The top featured a sweetheart neckline and a tan base.

The corset's black detailing coordinated with her $195 RTA mini-skirt and her $1,720 Louis Vuitton ankle boots.

A $2,498 Ralph Lauren trench coat and a $4,400 Dior Saddle bag completed her daring but elegant ensemble.

Gomez, 32, might have entered the Hollywood scene as a young Disney Channel star in jeans and T-shirts.

Eventually, however, she swapped her casual looks for metallic gowns, bold cutouts, and fun, colorful minidresses.

Her style often merged classic pieces with edgy trends and crossed a wide range of aesthetics. Still, Gomez's fashion always steadily evolved with her and her career.

She began working with stylist Erin Walsh that year. Together, the duo experimented with flashy, skin-baring gowns, pops of red, and chic business attire.

Gomez hasn't flaunted her wealth with her style — but she has embraced luxury.

In May, she attended the Cannes Film Festival to promote her film "Emilia Pérez," and she looked like a classic Hollywood star on the red carpet.

Gomez wore a black Saint Laurent gown with white, off-the-shoulder sleeves, Santoni heels, and statement diamonds from Bulgari.

At the August premiere of "Only Murders in the Building," Gomez sported a $555 halter dress from Self-Portrait.

It had a lace neckline with a silver bow attached and black sparkles from top to bottom.

The chic design was an elevated version of the youthful minidresses she's worn throughout her career. Gomez completed the look with $3,264 Roger Vivier heels and Marli jewels.

For the Toronto International Film Festival in September, Gomez donned a sparkling Rodarte gown with a halter neckline, peplum waist, and rose appliqué.

It was her jewelry, however, that stole the show. She wore a variety of Tiffany and Co. rings and dangling earrings.

Walsh described Gomez's look on Instagram as "the divine feminine."

At the 2024 Emmy Awards, she wore a black velvet gown with glitter-covered halter straps. The Ralph Lauren design, which was made specifically for Gomez, also had a mermaid-style skirt that pooled around her feet.

The actor amplified the classic gown with Tiffany and Co. jewels and Ralph Lauren heels.

In September, Gomez attended the New York Film Festival. As has become customary for the actor, she wore all black.

Vera Wang custom-made the halter, scoop-neck gown for Gomez. It featured a floor-length skirt, a form-fitting bodice, and a large bow attached at the back. There were also matching over-the-elbow gloves.

Gomez wore the dress with an assortment of rings and earrings from Tiffany and Co.

Just look at the Schiaparelli gown she wore to the 2024 London Film Festival in October.

The velvet dress extended to the floor and had a gold-encrusted keyhole in the center of its bodice.

Baublebar jewelry and Louboutin heels completed the luxurious look.

For the 2024 Academy Museum Gala, the Rare Beauty founder wore a custom piece from Alaïa. It had a leather bralette beneath a blue velvet gown with a deep, scooped neckline.

The fabric looked rich and timeless but also fashion-forward when paired with leather detailing and chunky silver accessories from Tiffany and Co.

She recently attended The Hollywood Reporter's Women in Entertainment Gala while wearing a $585 midi dress from Self-Portrait.

The elegant piece had white ruffles across its sleeves and an off-the-shoulder neckline, which added a feminine touch to its dark fabric.

For accessories, Walsh dressed Gomez in Chopard jewels and Manolo Blahnik heels.

Designed by Balmain, the form-fitting piece was strapless, floor-length, and decorated with reflective circle pieces.

The daring gown also featured an above-the-thigh slit down one side of its skirt.

The outfit's bold design stood out on the red carpet, and its golden hues complemented the movie premiere's yellow and orange decor.

Beyoncé's wavy blonde hair completed the look.

She donned a white halter piece from Manish Malhotra that was covered from top to bottom in more than 100,000 pearls and crystals, as the designer said on Instagram.

The dress was stunning and would have been perfect for a holiday event.

However, its stark white color didn't match the event's aesthetic, making Klum's outfit appear out of place.

She walked the red carpet in a strapless, shimmering gown crafted from sparkling blue fabric. The material was ruched across its bodice and extended into a floor-length skirt with a train.

Not only was the gown's shape flattering on Bailey, but its color was also a sweet nod to Blue Ivy, Beyoncé's 12-year-old daughter who made her voice-acting debut in the new Disney film.

"Blue for Blue 💙 i cried like a baby in my seat… loved this movie 🦁," Bailey wrote on Instagram after the premiere.

Her custom dress from Minna Fashion had a single strap, a slit across its bodice, and a floor-length skirt with another cut that revealed her legs.

Her fuzzy coat was arguably the best part of her look. It added a few neutral shades and a contrasting texture to her sparkling dress.

The gown itself, however, was too light in color to stand out on the red carpet.

Rousteing, the creative director of Balmain, was photographed at the event wearing a black blazer with sharp shoulder pads, a white button-up blouse, and baggy pants tucked into leather boots.

The outfit was memorable and perfectly represented both the fashion house and Rousteing's personal style.

It also blended classic menswear styles with fashion-forward accessory designs.

The comedian stepped onto the carpet wearing an all-black ensemble comprised of trousers, a blazer, a T-shirt, and boots.

From afar, the outfit wasn't so bad, but Eichner's suit was subtly decorated with an animal print — leopard, to be exact.

The pattern didn't make perfect sense, considering "Mufasa" focuses on lions.

Balmain created the red, yellow, and blue gown, which had a strapless neckline that extended above Boone's chest.

It was undoubtedly one of the most memorable outfits of the night.

The actor perfected her outfit with blue earrings, vibrant red lipstick, and a long ponytail that extended past her thighs.

Bratyshkin, a 28-year-old engineer who's the chief technology officer of Housing.Cloud, a platform he cofounded to help students find housing, told BI that after he leaves work, he loves to read.

Still, Bratyshkin works late hours and doesn't want to wake his partner with a reading light or glowing Kindle.

So the former Facebook employee uses $399 glasses from Sol Reader that privately display book pages in each lens.

"It's the most gadgety gadget of all time — but it's how I get most of my reading done these days," Bratyshkin said.

"It's amazing to wake up to a cup of coffee," Bratyshkin said of the gadget that makes a cup of coffee timed to your alarm. "You just program it and then wake up to the fresh scent. It also looks really cool. Even when I'm not using it, I'm like, look at that thing! It looks so cute."

The $516 Barisieur machine can make up to two cups of coffee or tea, depending on the model. It has storage for grounds, a built-in mini fridge to keep milk cold, multiple alarm settings, and solid-wood detailing.

Eames lounge chairs from Herman Miller have been a staple of the designer brand since 1956 and one of the most popular home status symbols for men throughout 2024.

The expensive furniture pieces are made from wood and leather. They cost between $6,895 and $10,000 each.

Bratyshkin, who sits at his desk for up to 12 hours daily, says the back support the luxury item provides "is indispensable."

When he's not studying or working, Grandison, 27, a former real-estate analyst now studying to become a licensed real-estate agent in Georgia, relaxes with his biggest splurge of the year: an 85-inch television from Sony.

"My wife and I love to catch up, watch TV shows, and hang out on the couch," he said, adding that he also loves to watch football and basketball on the massive screen. "As much as work and business are important, it's also really important for you to take care of yourself, relax, and have a good balance."

Sony sells a wide range of 85-inch TVs that cost between $1,499 and $7,999 each.

When Grandison, who was previously named one of BI's rising stars of the real-estate industry, wakes up each morning, he does so with the help of his Hatch.

The $169 alarm clocks can be customized (via an app) to mimic a sunrise each morning, display different colors, and play various nature-inspired sounds to help you sleep.

"Our evening routine starts off with our Hatch playing waves with red light, setting a good atmosphere to go to sleep," he said. "When we wake up, we've programmed the Hatch to have ambient lighting and birds chirping."

He says he prefers the calm, slow wake-up routine the clock provides, especially as opposed to a normal phone alarm that jolts you out of bed.

Paul Hill, the 25-year-old founder of the art-tech company Strada, enjoys Sony's WH-1000XM5 headphones.

As he told BI, music is deeply important to him. He often listens to it via Sony's $399 over-the-ear headphones, which are said to have a 30-hour battery life and noise-canceling capabilities.

"I am very, very passionate about and tied to these headphones," he said with a laugh.

Reid Waldman, a 30-year-old dermatologist and CEO of biopharmaceutical company Veradermics, told BI comfortable seating is essential to his daily routine.

Waldman is a fan of Humanscale chairs. They might look like basic office furniture, but they're actually ergonomic seats that cost between $258 and $5,062 each.

"For someone who sits in a chair 14 hours a day, it's totally worth it," he said of the chairs. "And then I do an astounding amount of work sitting on my Lovesac Sactional."

The famously fluffy pieces cost over $2,700 and can be customized to your living space.

She arrived at the ACM Awards wearing a black Roberto Cavalli gown that was both elegant and slightly daring. It had a halter neckline with a deep bodice slit, a matching cut across its floor-length skirt, and a short train that extended beside her.

The dress was also embellished with a silver collar and turquoise-studded belt, adding a Western touch to the overall look.

Lambert completed her outfit with strappy silver sandals, a metallic clutch, and statement earrings.

The Grammy winner also wore Roberto Cavalli in the form of a leopard-print catsuit — one of the night's most daring looks.

Her outfit included a string halter top with a keyhole cutout at the chest and flowing bell-bottom pants. However, the latter portion was too long for the musician, making her outfit look ill-fitting as she walked the teal carpet.

Her suit also needed some metallic accessories, like a gold belt at the waist or cuff bracelets across her wrists.

At the 2024 iHeartRadio Music Awards, Beyoncé made an appearance in a strong Versace ensemble.

It included a few leather pieces adorned with gold hardware and fringe, from her black button-up top to her high-waisted pants.

The music icon also wore a gold-studded belt, black sunglasses, hoop earrings, and a Versace cowboy hat, making her outfit one of the best of the night.

Twain has defended her daring fashion of recent years, saying in April 2023 that "life is too short to wear boring clothes."

That might be true, but the Christian Siriano suit she sported at the 2024 pre-Grammy gala didn't reach its potential.

She wore the gold, textured two-piece with its jacket buttoned up to her collarbones, making the top look stiff. Instead, she should have worn it open with a bralette or crop top beneath it, as shown on the designer's runway.

T.J. looked cool in powder blue, wearing a colorful tuxedo adorned with a pearl brooch over a red shirt. John, on the other hand, went full country in a paisley blouse, a burnt-orange suede jacket, and a cowboy hat.

Their outfits were just coordinated enough to work together but also representative of their individual styles.

His outfit that night included a plaid top with gradient shading, dark skinny jeans that were baggy at the bottom, and chunky black boots with white soles.

The ensemble might have worked for a casual concert or a day out, but it was arguably too laid back for an awards ceremony.

Ballerini quickly became one of the best-dressed stars of the 2024 Fashion Trust US Awards when she arrived in a lace Zuhair Murad dress.

The long-sleeved garment had a high neckline, a corset bodice that hugged her body, and a see-through skirt that reached the floor.

The daring outfit choice stood out on the pink carpet and showed how drastically Ballerini's style has evolved over the years.

The country legend was in attendance that night wearing a fun pair of lace pants with black fringe and sparkles. And her blazer was equally eye-catching thanks to its all-over rhinestones.

But McEntire's overall look missed the mark because of her turquoise jewelry. Her statement necklace and rings were a bold choice that took away from the chic suit.

Brown looked dapper in his two-piece outfit, including black trousers with sparkling stripes and a matching jacket over a satin blouse.

He also accessorized perfectly with dress shoes, a black cowboy hat, and minimal jewelry.

He arrived on the red carpet wearing a standard black tuxedo, as well as an undershirt and bow tie in the same dark shade.

The solid shade made Bryan blend into the background during much of the event, and didn't highlight his new star power.

A different-colored jacket or one with a print could have worked better.

She wore a Georges Hobeika midi dress made from light-wash denim and embellished with teardrop crystals.

The form-fitting piece also had a sweetheart neckline and long, feathered sleeves, adding Hollywood glamour to the classic Western fabric.

Her Dolce & Gabbana frock was shapeless and floor length, with large silver sequins decorating its white fabric.

While its metallic shine complemented Ballerini, the gown's bodice had too much fabric. The excess created odd shapes as she walked and distracted from the overall look.

His custom three-piece from La Roxx included a black, sparkling button-up, a beaded jacket with his name painted across the back, and trousers with rose prints down each leg.

But the most memorable piece of Shaboozey's showstopping look that night was his footwear.

He wore a black pair of Crocs covered in sparkles, which made them look more like dressy loafers than rubber shoes.

She first chatted with the talk-show host in a black Balmain dress. It had white, rose-shaped buttons down its bodice and a short circle skirt.

Though Grande's outfit was classic, especially paired with sheer tights and white Jimmy Choo heels, the garment was altered drastically from its runway state, which made it less unique.

The musician later changed into a black, asymmetrical Mugler outfit, which was more interesting in shape and style.

Unfortunately, the lace cat mask she wore across her face made the outfit look too much like a costume.

Grande was photographed wearing a $1,555 pink minidress from The Vampire's Wife and darker satin heels. She also carried a $460 Vivienne Westwood purse.

Her dress was aptly named "I'll Get You, My Pretty" — a nod to the Wicked Witch of the West's quote from the 1939 "Wizard of Oz" film.

But its light-pink color washed Grande out, and its shapeless style aged her.

The actor filmed promotional videos alongside Bowen Yang and Stevie Nicks, wearing a brown leather dress from JW Anderson and semi-sheer tights.

The sleeveless piece had a scooped neckline and a wide-brimmed miniskirt, which made for a fun silhouette.

But because of the piece's neutral color and Grande's minimal accessories, the understated outfit didn't stand out from the rest of her wardrobe that night.

Grande sported a Versace outfit, including a cream asymmetrical vest, pleated skirt, and a $1,995 purse from the Italian brand. She completed the outfit with white pumps.

She looked classy and chic, but her outfit didn't raise the bar like others she wore at prior "Wicked" events.

The same top paired with a more interesting skirt or pants, especially in a different color, could have helped the outfit.

Vivienne Westwood designed her strapless dress, which had a corseted bodice, a short tutu skirt, and a longer overlay with floral details.

Grande also wore white Gianvito Rossi heels and statement Swarovski jewelry.

The "Wicked" star looked stunning, and her outfit was beyond glamorous. But because of its white color and mesh fabric, the garment had a bridal feel that didn't fit the movie's vibe.

She arrived on the black carpet wearing a custom ensemble from Thom Browne. It comprised a strapless dress, a matching shawl, and short gloves — all of which featured a pink-and-white checked pattern.

Not only was the dress sweet and subtly reminiscent of her "Wicked" character but it was also tailored to perfection.

Grande completed the look with sparkling silver heels, pearl earrings, and a pink bow in her hair.

She was photographed at the photocall wearing a white strapless top with pink bow details and a matching pleated skirt from Bode. She also wore $925 heels from Manolo Blahnik.

The outfit was cute, themed to her character, and just casual enough for the event.

She attended CinemaCon in a $6,990 minidress from Oscar de la Renta. Made from organza and floral appliqué, the dress looked like one big flower blooming from the center of her waist.

The dress was youthful, fun, and perfectly suited Grande's bright demeanor. She wore it with $975 Jimmy Choo heels.

She embraced the glamour of old-school Hollywood and acting legends like Hepburn with a white polka-dot gown from Balmain.

The vintage piece was strapless with a band of black mesh across the neckline and a large bow beneath it. It also featured a black belt around the waist.

The gown's style was classic rather than outdated. And its timeless aesthetic worked for her.

Thom Browne made the A-line dress custom for Grande. It had a structured and sleeveless bodice, as well as a full pleated skirt with a small bow attached at the waist.

The dress looked pretty and chic, but Grande's accessories took the overall outfit to another level.

She added pink-and-white heels, gloves that extended past her wrists, small earrings, and a delicate bow to hold her hair back.

For the Oscars in March, the superstar donned one of her first Glinda-inspired looks of the year: a two-piece Giambattista Valli set.

The fun outfit featured a strapless, floor-length gown ruched from top to bottom and a puffy shawl wrapped around her waist.

With the statement-making outfit, Grande proved she knows how to fashionably kick off a press tour.

The "Wicked" star wore Loewe to the 2024 Met Gala, mixing the magic of Glinda's style with Grande's red-carpet shine.

Her strapless gown had a corset bodice with a mother-of-pearl finish and an iridescent skirt designed with pleats and varying shades to mirror the iridescence of pearls.

The off-white shades suited Grande, and her petal eye makeup made her ensemble look even more whimsical.

She walked the red carpet — or the yellow brick road, in this case — wearing a custom Vivienne Westwood dress.

The corseted piece was pink, decorated with silver sparkles across its bodice and puffed sleeves, and covered in frills down its full skirt. And Grande added more glitz with statement jewels from Lorraine Schwartz.

The feminine ensemble showed Grande's dedication to her "Wicked" role and her high-fashion take on the beloved character.

She was photographed at the event wearing an opalescent gown from Versace.

Its strapless corset had a V-shaped plunge down its center, while its full skirt was elegantly ruffled. But most impressive was the white gown's pink shine, making it look much like Glinda's famous bubble.

The outfit was fun, memorable, and undoubtedly Grande's best look of the year so far.

The "Deeper Well" musician walked the red carpet in a Georges Hobeika midi dress made from light-wash denim.

It had a sweetheart neckline, a structured waist that extended into its form-fitting skirt, and teardrop crystals attached from top to bottom.

And that's not to mention its long, feathered sleeves, which added a dramatic touch to the statement piece.

Dolce & Gabbana designed her sparkling number, which was sleeveless, shapeless, and covered entirely in silver sequins.

Though its metallic color suited Ballerini, too much fabric at the top of the dress created odd shapes and distracted from the overall look.

His three-piece suit included trousers with rose prints down each leg, a beaded jacket with his name painted across the back, and a black, sparkling button-up with a short bolo tie on top.

The best part of his already showstopping look was his shoes: a black pair of Crocs covered in sparkles.

They helped make his fashion statement fun, unique, and perfect for the celebratory event.

The country legend arrived wearing casual black pants, a matching T-shirt, and a fleece-lined jacket in the same dark hue.

His chunky boots were a bit more fun, with thick soles and structured tops, and Urban did wear a few pieces of silver jewelry.

Overall, the outfit lacked color and texture and was too casual for a glamorous awards ceremony.

The rising country star walked the carpet in a strapless gown with two cutouts across its bodice.

Its purple fabric — which sparkled in the light — was also ruched toward the waist, which added shape to the flowing garment.

Dasha completed the outfit with strappy sandals and diamond jewelry.

Her silver dress had a floor-length skirt, a tight bodice, and two asymmetrical straps. One sat across her shoulder while the other wrapped around her arm.

The metallic hue looked dazzling on Biles, and would have worked perfectly if the dress was shaped differently.

The Olympian also wore her hair in a bob, which aged the young athlete.

She wore a sharp blazer embellished with black sparkles and shoulder pads, as well as a satin top accessorized with a silver bolo tie.

Wilson added sheer, flowing pants, black heels, a tall cowboy hat, and diamond jewelry.

The outfit glistened and stood out on the red carpet but was also casual enough to match the musician's laid-back aesthetic.

Lambert walked the red carpet in a black, off-the-shoulder gown with a floor-length skirt that pooled around her feet.

Though the silhouette was elegant and flattering on the country star — as were her turquoise accessories — the gown's solid black color left something to be desired.