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Why It Took 248 Years for the Bald Eagle to Become America's National Bird
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Bald eagle officially U.S. national bird after Biden signs bill into law
The bald eagle is now officially the national bird of the U.S. after President Biden signed into law legislation amending a code to formally recognize the previously unofficial American emblem.
Why it matters: "The Bald Eagle has symbolized American ideals since its placement on the Great Seal in 1782," per a statement from Preston Cook, co-chair of the National Bird Initiative for the National Eagle Center after Congress passed earlier this month the bill that was sent to Biden's desk.
- "With this legislation, we honor its historic role and solidify its place as our national bird and an emblem of our national identity," added Cook, who spearheaded the legislative effort with Minnesota Reps. Brad Finstad (R) and Angie Craig (D) and Sens. Amy Klobuchar (D-Minn.) and Cynthia Lummis (R-Wyo.).
Zoom out: The bill officially recognizing the bird of prey was among some 50 bills Biden signed into law on Christmas Eve.
The big picture: The bald eagle has unofficially been the national bird since its appearance on the Great Seal, which symbolizes the sovereignty of the U.S. as a nation.
- The bird also features on the president's flag, the mace of the House of Representatives, military insignia and "billions of one-dollar bills," per a Department of Veterans Affairs post.
- However, it had never been legally designated as the country's national bird until now.
Fun fact: Founding father Benjamin Franklin objected to the bald eagle's appearance in a letter to his daughter describing it as "a bird of bad moral character," per the Franklin Institute.
Go deeper: U.S. bald eagle population has quadrupled since 2009
Christmas Eve jackpot hits $1 billion in largest ever December Mega Millions prize
- The Mega Millions jackpot climbed to $1 billion ahead of a Christmas Eve drawing.
- If someone wins on Tuesday, they will score the seventh-largest prize in the game's history.
- The lump sum cash option is about $448.8 million, according to the Mega Millions website.
One lucky lotto player could wake up to a billion-dollar Christmas morning this year.
The Mega Millions jackpot hit an estimated $1 billion on Tuesday ahead of the Christmas Eve drawing, according to the Mega Millions website.
If someone does score a six-number winning ticket on Tuesday, the jackpot would be the largest prize ever won in December and the seventh-largest in the game's history.
Choosing the lump sum cash option would cut the prize money in half to about $448.8 million, according to the Mega Millions website. Winners can also choose annual payments over time. Mega Millions winnings are subject to state and federal income taxes.
Nobody has won the jackpot since September, when a Texan nabbed $810 million. The pot has continued to climb in the previous 29 drawings.
Several of the largest-ever lotto jackpots have happened in recent years.
A California man won a whopping $2.04 billion Powerball β the largest-ever lotto prize β in 2022. Earlier this year, a different California man claimed a $1.7 billion Powerball prize.
The largest Mega Millions prize, meanwhile, went to a Florida winner last year who won a $1.6 billion jackpot.
The odds of winning the Mega Millions jackpot are about one in 302,575,350, according to the Lotto website.
If someone wins on Tuesday, they wouldn't be the first Christmas Eve Mega Millions winner. A $68 million jackpot was won in 2022, but nobody ever claimed the prize, ABC News reported.
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Justin Baldoni's ex-publicist says smear campaign against Blake Lively happened behind her back
- A new lawsuit filed Tuesday by publicist Stephanie Jones alleges that Justin Baldoni and his PR reps tried to smear Blake Lively.
- Jones, a former employer of Baldoni's PR rep Jennifer Abel, alleges in the suit that Abel ran an operation in secret while she was working for Jones.
- Abel disparaged Jones and tried to steal clients for a competing firm, the lawsuit alleges.
A publicist who previously represented Justin Baldoni says one of her former employees orchestrated a smear campaign against Blake Lively without the public relations firm's knowledge β and then stole Baldoni and other celebrities as clients.
In a civil lawsuit filed in Manhattan state court Tuesday, Stephanie Jones said the ex-employee, Jennifer Abel, ran a secret operation with Melissa Nathan, a communications professional with her own firm.
The lawsuit alleges that the goal was to "destroy" Lively, Baldoni's co-star in "It Ends With Us," to cover up Baldoni's own misconduct on set.
"Their plan was covert, deliberately concealed from Jones, and went far beyond the legitimate scope of Abel's employment," Tuesday's lawsuit says.
Abel and Nathan used the same tactics to wreck Jones's own reputation in order to siphon clients from her public relations company, Jonesworks, the lawsuit alleges.
The lawsuit from Jones β a powerful Hollywood publicist who has represented Jeff Bezos, Tom Brady, and Dwayne "The Rock" Johnson β is the second legal salvo against Baldoni, Abel, and Nathan this past week.
On Friday, Lively filed a complaint against the same group with the California Civil Rights Department, a possible precursor to a lawsuit.
Lively alleges in the complaint that Baldoni β who also directed "It Ends With Us" β created a hostile workplace by frequently talking about pornography, adding sexually explicit scenes between their characters into the script, pressuring her to lose weight, and walking into her trailer unannounced while she was undressed and breastfeeding, among other offenses.
Bryan Freedman, an attorney representing Baldini, Abel, Nathan, and their companies, previously called Lively's allegations "completely false, outrageous and intentionally salacious." Freedman didn't respond to Business Insider's request for comment Tuesday.
Lively's complaint β wielding numerous text messages and emails her lawyers obtained β also alleged Baldoni worked with Abel and Nathan on a sophisticated public relations campaign through manipulated social media activity and stories published in tabloids.
"You know we can bury anyone," Nathan wrote to Abel in a February text message included in Lively's complaint as they discussed how to propose the communications strategy to Baldoni.
Lively's complaint alleges the campaign on behalf of Baldoni unfolded in secret alongside the public relations campaign for the movie, which was released in theaters in August and grossed over $350 million worldwide.
Jones said in her lawsuit she fired Abel in August after she had "stolen more than 70 proprietary and sensitive business documents" as well as client information. Abel also tried to poach employees for a competing public relations firm, RWA Communications, the lawsuit alleges.
Nathan didn't respond to Business Insider's request for comment Tuesday.
In an email Tuesday, Abel provided a different account of how she left Jonesworks. She sent BI an email and text messages showing she submitted her resignation in July with plans to start her own public relations firm.
Jones's attorney Kristin Tahler said she filed the lawsuit "to stop defendants' continuing misconduct and for Steph to recover the reputation."
"For months, this group has gaslit and disparaged Stephanie Jones and her company for financial gain, to settle personal scores and most recently to distract from their disgraceful smearing of Blake Lively," Tahler, an attorney at Quinn, Emmanuel, said in a statement Tuesday.
Lively's complaint doesn't indicate how her lawyers obtained the purported campaign plan or the texts between Abel and Nathan.
Jones's lawsuit offers a possible explanation: It says Abel's company-issued phone from Jonesworks was forensically preserved and examined after Jonesworks received a subpoena. On the phone, "Abel and Nathan's covert take down and smear campaigns were revealed in black and white," Jones alleges.
"Jones discovered the breadth and intensity of Abel and Nathan's duplicity from these records, including that Abel was actively encouraging other Jonesworks clients and employees to leave Jonesworks while Abel was still employed there," Jones's lawsuit alleges.
On her way out the door from Jonesworks, Abel tried to turn Jones's clients against her so she and Nathan could steal them for her own firms, Jones's lawsuit says.
Jones's lawsuit alleges that, as part of a smear campaign, the two spoke with a reporter at Business Insider, which published an article in August about Jones and the workplace culture at Jonesworks.
While Abel waged an intense publicity campaign on Baldoni's behalf, text messages show she held him in "extremely low regard," Jones's lawsuit alleges.
"He may fire us because even if we put together an amazing campaign, it's not going to change the fact that he's so unlikable and unrealistic as a leading man," Abel wrote in one text message included in the lawsuit. "there's no chemistry with him and Blake."
4 telltale signs of a fake Van Cleef & Arpels piece, according to a secondhand luxury retailer
- A luxury jewelry authenticator said there are some telltale signs of a fake Van Cleef & Arpels piece.
- The real deal is made with precision and quality, and counterfeiters often miss the small details.
- Here's what to look out for, from thickness to shape.
This as-told-to essay is based on a conversation with Ng Yong Shen, the vice president of Re-Loved Luxury, a Dubai-based secondhand luxury retailer. It has been edited for length and clarity.
I got into the business of authenticating luxury goods during the pandemic when I was hired as a purchaser for a secondhand luxury goods company.
In that role, I was exposed to a large volume of luxury items on a daily basis. Bags, watches, and jewelry have become my strong suits when it comes to authentication.
I went on to pursue similar roles, first as anΒ authenticator for Carousell Group, an online marketplace similar to Craigslist, and later as a commercial manager at Luxehouze, a marketplace focused on pre-owned luxury goods.
Now, after four years in the industry, my day involves procuring secondhand pieces from online marketplaces or vintage shops, authenticating pieces for corporate clients at midday, and then working as Re-Loved Luxury's vice president, trying to scale up its business.
I also buy and trade vintage luxury pieces for my personal collection.
One question I get asked a lot as an authenticator is: How can I distinguish a real Van Cleef & Arpels piece from a fake?
For me, the fakes are easy to spot. A friend recently asked me to look at a piece, and just eyeballing it was enough to tell it wasn't authentic.
But to the untrained eye, I can see how it wouldn't be so straightforward. So here are four things to look out for when checking if the Van Cleef piece you're interested in is the real deal.
1. Shape of the clover prongs
The first thing to check is the shape of the four prongs.
The prongs that make up the clover pattern of Van Cleef & Arpels' pieces are very distinct and round, but the fake ones have a more elongated shape.
The fake ones often look almost teardrop-shaped, while an authentic piece has a more even and rounded profile.
2. The spheres surrounding the center stone
Then, look at the small spheres that outline the clover stone.
If you look closely at the fake ones, you can see that the spheres surrounding the stone are not very uniform.
Van Cleef & Arpels is a high-end jewelry brand, so the workmanship is premium. But with replicas, counterfeiters often work faster and may skimp on these small details.
The spheres are often either too big or too small on fakes. Whereas on the real ones, you can see that they are very fine, and very easy on the eyes.
3. Hallmark on the jump ring
One crucial telltale sign is the clasp. You can open and close the clasp, and then you loop it into the jump ring.
Look at the jump ring closely. It has a small dent in it. If you flip it around and look under the loop, you will find that the dent on an authentic piece has a very small hallmark pressed into it.
Upon closer inspection, you will see that the jump ring is imprinted with an eagle's head, the French hallmark for 18-karat gold jewelry.
That's a detail that a lot of counterfeiters tend to miss out on.
4. Neatness of the side profile
Finally, turn the piece to examine its side profile. The rounded area on a fake bracelet is often messier compared to a real one, which is a lot crisper and sharper.
There is also a certain thickness to the center stone itself. You will notice that the fake ones are often thin, which can be another dead giveaway.