Apple finally brought RCS support to the iPhone this year, but the company has to manually approve each carrier that supports it. In the latest iOS update, Apple is expanding RCS support to more carriers, but iPhone users on Google Fi are still left waiting.

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According to the latest report out of Korea, Samsung’s Galaxy S25 series will see a release date of February 7.

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Ray-Ban Meta have been the most successful smart glasses to date, offering an appealing mix of features in a form factor which is visually indistinguishable from normal sunglasses.

So far, all of the AI functionality, notifications, and messaging features have relied on the glasses reading things to you through integrated speakers, but a new report says a future model will get a display, and that it could launch as early as next year …

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You can't go wrong with a new Mac Mini, and this M2-powered machine can handle just about everything.

Smart rings are an excellent way to track your stats passively, though you still have to think about how long to keep it on or take it off.

Cameras can offer peace of mind, but choose carefully when you’re inviting one into your home.

Beleaguered automaker Nissan is going to throw its lot in with Honda. The two Japanese OEMs want to merge by 2026, creating the world's third-largest car company in the process. In fact, earlier this year the two signed memorandums of understanding to create a strategic partnership focused on software and electrification. Now, the changing business environment calls for deeper integration, they say.

"Today marks a pivotal moment as we begin discussions on business integration that has the potential to shape our future. If realized, I believe that by uniting the strengths of both companies, we can deliver unparalleled value to customers worldwide who appreciate our respective brands. Together, we can create a unique way for them to enjoy cars that neither company could achieve alone," said Makoto Uchida, Nissan's president and CEO.

"Creation of new mobility value by bringing together the resources including knowledge, talents, and technologies that Honda and Nissan have been developing over the long years is essential to overcome challenging environmental shifts that the auto industry is facing" said Honda director Toshihiro Mibe. "Honda and Nissan are two companies with distinctive strengths. We are still at the stage of starting our review, and we have not decided on a business integration yet, but in order to find a direction for the possibility of business integration by the end of January 2025, we strive to be the one and only leading company that creates new mobility value through chemical reaction that can only be driven through synthesis of the two teams."

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Performance upgrades and screen improvements make the new Paperwhite’s minor updates feel more substantial.

Three years have passed since Amazon last updated its flagship e-reader, and while this year’s Kindle lineup seemed focused on Amazon’s first color offering, the Paperwhite still got some welcome improvements. With a higher-contrast screen and snappier performance, the 12th-generation Kindle Paperwhite remains the best e-reader on the market.

I tested the $199.99 Kindle Paperwhite Signature Edition, which is $40 more than the $159.99 basic Paperwhite. The screen and internals are the same, but the Signature Edition includes an ambient light sensor for automatic brightness adjustments, 32GB of storage rather than 16GB, no lockscreen ads, wireless charging, and a metallic finish on the back. The metallic jade version I was sent looked great (metallic black and raspberry are also options) but felt slightly less grippy than the plastic of the base Paperwhite.

The new Paperwhite features a 300ppi screen with a small bump in size from 6.8 to seven inches — not really enough to be noticeable, but enough to let you squeeze a few extra lines of text on a page. Thanks to smaller bezels, the new Paperwhite is just a few millimeters larger than the previous version while managing to be slightly thinner; in use, it feels nearly identical. This year’s model also brings the display flush with the bezels, although it’s another subtle improvement.

What is noticeable is the increased contrast. Thanks to the use of an oxide thin-film transistor on the screen, the new Paperwhite has the highest contrast ratio of any e-reader I’ve ever tested. The benefits aren’t immediately obvious when you’re reading plain text, but the deeper blacks make the screen look closer to an actual printed page. It gives illustrations, pictures, and book covers more pop and presence, and makes comics and manga panels look sharper. The new screen occasionally made some of the fine text in Jonathan Hickman and Marco Checchetto’s Ultimate Spider-Man: Married with Children appear bolder and easier to read without zooming in.

It’s not a feature that’s as flashy as a color E Ink screen, but it’s easily the new model’s best upgrade, and it’s going to make it hard to return to my Kobo Libra 2.

Amazon has also improved the new Paperwhite’s lighting, giving the screen a more neutral tone at its default settings. The last generation Paperwhite’s screen skews a little cooler, but with both Paperwhite models’ warmth sliders turned up, the differences are indistinguishable.

This is also the first Paperwhite to use a dual-core processor (the Oasis, rest in peace, had a dual-core processor back in 2017). The 1GHz Mediatek CPU would be painfully slow for a device with an LCD screen, but it makes a big difference on an e-reader. Amazon’s claims of 25 percent faster page turns weren’t noticeable when I was reading text — the refresh rate of the E Ink screen is the limiting factor there — but I was genuinely surprised at how much faster it opened half-gigabyte, image-heavy PDF files I sideloaded. On the 11th-generation Paperwhite there’s a pause that makes me wonder if the device is going to choke on the files, but the new Paperwhite opens them instantaneously and flips through the pages nearly as fast as it does with plain text.

The user interface also feels faster. It’s still not as fast or responsive as a smartphone or tablet, and zooming in and out of comics and photos can still feel sluggish, but scrolling through book lists, navigating Amazon’s book store, and popping in and out of various menus is satisfyingly speedy. Or at least as speedy as it can be with the limitations of E Ink.

Amazon claims the new Paperwhite can be used for up to 12 weeks between charges, but that’s when limiting your reading to just 30 minutes a day at half screen brightness and wireless features turned off. After an hour reading, jumping back and forth between books and PDFs, and browsing other titles on Amazon’s online store with screen brightness set to 75 percent, the new Paperwhite lost five percent of its charge. With that daily routine I’d expect to squeeze about three weeks out of the Paperwhite’s battery, and potentially even longer if I wasn’t so indecisive about what I was reading.

If you’re a Kindle user who’s upgraded in the past few years, the new Paperwhite’s functionality will feel familiar. If you’re switching from competitors like Kobo, you may find yourself running into some frustrating limitations. Sideloading documents like PDFs or ePUB files is harder than it needs to be, since Kindle devices no longer connect to computers as external drives. You need to use Amazon’s online services or desktop apps to get e-books and other documents onto the Paperwhite, and both options are clunky.

Text customization is also limited in the Kindle OS compared to Kobo devices, which offer finer adjustments for font size, line spacing, and margins. Although I find the Paperwhite’s formatting options too simplified, I can see the appeal for those wanting a device that’s very easy to use. I like that you can save your adjustments as custom themes — it’s a feature I wish Kobo would add — but I can’t understand why Amazon limits each device to just five custom themes.

Borrowing library books is also easier on a Kobo. The new Paperwhite still requires you to use the Libby app or website on a separate device to browse and borrow titles. Kobo’s e-readers have Overdrive built-in, and while they do obfuscate the borrowing process, you don’t need to pull out your phone to do so.

But Kobo seems to be focusing on color e-readers and larger E Ink note-taking devices these days, and its black-and-white e-reader options are now limited. The $129.99 Kobo Clara BW uses the same E Ink Carta 1300 screen as the new Paperwhite, but it’s only six inches, and its contrast doesn’t look as good. Its all-plastic body and sunken screen also feel cheaper than the new Paperwhite’s. And while the $269.99 Kobo Sage has page turn buttons and stylus support, it’s more of a hybrid e-reader and note-taking device; I find that the eight-inch screen makes it too big to be a take-anywhere e-reader.

Although it’s not a significant upgrade, the new Kindle Paperwhite remains the best e-reader you can buy, with a beautiful black-and-white screen that feels closer to printed paper than any e-reader I’ve tested and a UI that’s faster and more responsive than the previous version. If you’re on the hunt for your first e-reader, the new Paperwhite should be at the top of your list.

Although the basic Amazon Kindle is cheaper at $109.99, the better screen, adjustable warmth lighting, and waterproofing — extra insurance if you read in the bath or at the beach — make the new Paperwhite worth the extra money.

Is the Signature Edition worth an extra $40? Wireless charging isn’t necessary given the Paperwhite’s battery life, and it can be frustrating to align properly. But the ambient light sensor can save you the swipe and tap needed to adjust screen brightness manually if you take your Kindle everywhere (warmth settings don’t automatically adjust) and extra storage is always welcome on a device with no memory card slot. When you factor in the $20 Amazon charges to remove lockscreen ads from the basic Paperwhite, the Signature Edition is the way to go.

Unless you read a lot of large PDF files and are frustrated by laggy performance, the new Paperwhite isn’t a necessary upgrade over the 2021 model. But it’s a different story if you’ve got an even older Paperwhite model or other aging Kindle. When you add up the past six years of improvements — including USB-C, color-temp-adjustable lighting, a larger screen with better contrast, and better performance — it’s probably time to consider an upgrade.

Photography by Andrew Liszewski / The Verge

After thousands of votes, we now have an outright winner for the best Android phone of 2024 – here are the results of our public vote.

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One of the key elements of Apple’s A-series and M-series chips is the System-on-a-Chip (SoC) design which tightly integrates all the components within a single package. This includes both CPU and GPU.

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Save 44% on the Alexa-enabled Amazon Echo Spot during the holiday season.

The super-sized episode 'The High-Handed Enemy' also leaves a lot of questions unanswered as it carves a path ahead for season two.

Honda and Nissan have officially confirmed rumors that they're pursuing a merger, the companies wrote in a joint press release. Each would continue to operate under its own brand, but with a new joint holding company as parent. If Nissan-controlled Mitsubishi also came on board, the combined group would become the world's third largest automaker by sales volume and have a net worth of up to $50 billion. 

"Today marks a pivotal moment as we begin discussions on business integration that has the potential to shape our future," said Nissan CEO Makoto Uchida.

Integration talks are still preliminary, but the companies are pressing forward. "We are still at the stage of starting our review and we have not decided on a business integration yet," said Honda director Toshihiro Mibe. However, he added that the companies aim "to find a direction for the possibility of business integration by the end of January 2025." After that, they hope to have a "definitive agreement" concerning business integration by June 2025. Approval must come from each company's shareholders and is subject to Nissan executing a turnaround. 

Nissan and Honda previously announced plans to work together on EV components and software development, but the joint company would be far more integrated. According to the press release, the plan includes: standardizing vehicle platforms; unifying research and development teams; and optimizing manufacturing systems and facilities. All of that is usually designed to cut costs, so it could spell significant layoffs in Japan and elsewhere. 

Nissan

Though the two companies sell comparable vehicles like Nissan's Rogue and the Honda CR-V, some synergy seems possible. Nissan sells large pickup trucks and SUVs in the US that Honda doesn't offer and also has more experience in EVs and plug-in electric vehicles. On the other side, Honda has relatively stable financials while Nissan has been struggling in the market, particularly at home. 

Of course, Nissan is already in the Renault-Nissan-Misubishi Alliance. Nissan and Renault hold a 15 percent voting stake in the other, and all three sold a combined 10.6 million vehicles worldwide in 2017, more than any other light vehicle manufacturer at the time. The Alliance is also one of the largest EV makers in the world, with over 1 million units sold since 2009. If Nissan and Honda merged, it's not clear what would become of the Alliance. 

This article originally appeared on Engadget at https://www.engadget.com/transportation/nissan-and-honda-officially-announce-plans-to-merge-143834962.html?src=rss

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© Tomohiro Ohsumi via Getty Images

Although the details remain in flux, the transition team reviewing NASA and its activities has begun to draft potential executive orders for changes to space policy under the Trump Administration.

Sources familiar with the five people on the team, who have spent the last six weeks assessing the space agency and its exploration plans, were careful to note that such teams are advisory in nature. They do not formally set policy nor is their work always indicative of the direction an incoming presidential administration will move toward.

Nevertheless, in trying to set clear goals for NASA and civil space policy, the ideas under consideration reflect the Trump administration's desire for "big changes" at NASA, both in terms of increasing the effectiveness and velocity of its programs.

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In a pair of Truth Social posts on Sunday, Donald Trump announced a set of picks for his administration’s tech policy team that will report to David Sacks, Trump’s “AI and crypto czar.” The picks include Michael Kratsios, who will lead the Office of Science and Technology Policy (OSTP) if confirmed by the Senate.

Kratsios, who served in Trump’s first term as the White House chief technology officer, also briefly held an acting undersecretary role at the Department of Defense near the end of the term. He later became a managing director at Scale AI and has been helping lead Trump’s tech policy transition team.

The President-elect also picked his former deputy CTO, Dr. Lynne Parker, as Executive Director of the Presidential Council of Advisors for Science and Technology. Directing the Presidential Council of Advisers for Digital Assets (AKA the “Crypto Council”) will be former college football player and unsuccessful Republican congressional candidate Bo Hines. Advising Trump on AI policy as part of the OSTP will be Sriram Krishnan, who has extensive Silicon Valley experience, with roles at Andreessen Horowitz, X, Meta, and Snap.

Sacks is close with Elon Musk, who Trump has charged with gutting the US government as part of the not-yet-established Department of Government Efficiency — and who recently helped send Congress into chaos by posting relentlessly to stop a US spending bill.

There have been consistent reports that we can expect a future iPhone to offer a variable aperture lens within a year or two, but there’s been disagreement about whether the new feature will launch in the iPhone 17 or iPhone 18.

Apple analyst Ming-Chi Kuo previously said the major camera upgrade was coming to the iPhone 18, while The Information pointed instead to the iPhone 17. Kuo has now doubled-down on his earlier prediction …

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The iconic Marshall amp comes to your home smaller and wireless but with the same killer sound, and it's back to an all-time low $200 at Amazon.

Save 42% on the TP-Link Tapo MagCam outdoor security camera at Amazon.

Robert Eggers’ Nosferatu gets at the heart of what makes vampires an eternally fascinating fixture in our sexual imaginations.

Even if you haven’t seen F.W. Murnau’s original Nosferatu or read Bram Stoker’s Dracula, those stories have undoubtedly shaped your ideas about vampires. They weren’t the first tales about undead ghouls rising from the grave to suck the blood out of the living. But by presenting their monsters in such wildly innovative ways, they became a blueprint from which countless subsequent tales took inspiration. Writer / director Robert Eggers knows that his Nosferatu remake would be hard-pressed to scare audiences who cut their teeth watching a multitude of Draculas and demon hunters menacing one another on the big and small screens.

But rather than trying to work around that obstacle with experimental riffs on vampire lore, the new film accepts it as fact while inviting you to imagine what it might have felt like to experience this kind of disturbing story for the first time when they were new. You can feel Eggers working to conjure an atmosphere of psychosexual dread, and you can see him using modern filmmaking techniques to create haunting visuals evocative of early 20th century cinema. Though it cleaves very close to the original while incorporating elements from other vampire classics, this Nosferatu puts far more focus on the interiority of its central heroine as she grapples with her deep-seated longing to be taken by an avatar of death.

“Vampire” is not a word that many people are familiar with in Nosferatu’s depiction of 19th century Wisborg, Germany, but after years of being tormented by psychic visions of a shadowy presence, Ellen Hutter (Lily-Rose Depp) is no stranger to living in fear of the supernatural. Despite her constant feeling of being misunderstood, Ellen’s days are filled with joy thanks to her realtor husband Thomas (Nicholas Hoult) and best friend Anna Harding (Emma Corrin). But Ellen’s nights of sleepwalking through her deathly quiet mansion are harrowing because of the way a mysterious voice from within beckons her to give in to her darkest, most unsettling desires.

Even when Ellen is awake, she can sense that somehow, somewhere, something is watching and waiting for an opportunity to make her its own. No matter how much Ellen insists that danger is afoot, though, all her loved ones can see is a woman on the brink of a mental breakdown. It’s much easier for Thomas and Anna’s husband, Friedrich (Aaron Taylor-Johnson), to dismiss her fears as symptoms of a wandering uterus rather than consider whether there might be more to her premonitions. It’s even hard for Anna — a mother to two young girls — not to assume that Ellen’s troubles are rooted in the fact that she and Thomas have no children of their own. But Ellen and the sinister voice in her head both know that, while sex is definitely on her mind, having kids is not.

Nosferatu’s depiction of Ellen is one of the clearer examples of Eggers combining aspects of the 1922 film and Stoker’s novel to create a new take on the character that feels both true to the source materials and deeper than the sum of its parts. The movie presents Ellen as the kind of woman who, even without her visions, would still feel smothered by the misogynistic social norms of her era. Ellen’s powers are an innate part of who she is, as is the way they often send her into fits of moaning that, to onlookers, read as explicitly orgasmic.

Ellen struggles to remember or articulate much of what she experiences during her nocturnal premonitions. But Nosferatu spells it out plainly as it first shows you how Transylvanian Count Orlok (Bill Skarsgård) is the one calling out to her through their seemingly inexplicable telepathic connection. The mechanics of Ellen and Orlok’s bond is another detail that Eggers has retooled just enough to make it work as a point of intrigue. It’s obvious that this is a film about a vampire who wants to sink his teeth into an unsuspecting woman’s flesh. But Nosferatu cleverly leaves you wondering how, exactly, Orlok first came to know about his latest target.

Establishing that link early on adds a delicious layer of dread to Nosferatu’s story as Thomas’ presence is requested in Transylvania, where he’s meant to assist an “eccentric” nobleman purchase a new home. We can see that Orlok is orchestrating some kind of elaborate plan to insert himself into Ellen’s life, but what’s fun is the way none of the film’s characters have any frame of reference cluing them in to the fact that they’re dancing through the motions of a classic Dracula period piece like Tod Browning’s 1931 adaptation.

Contemporary horror movies about people who don’t know standard horror movie beats are frustrating because they pull you out of the fantasy. Eggers previously worked around that by focusing his films on characters planted firmly in times when their fears of the surrounding world and their own feelings could give rise to creatures they had never seen before. This Nosferatu is doing something similar, but because its story stays so true to the original, it also feels like Eggers is encouraging you to appreciate it as a thoughtful remake rather than a film trying to reinvent vampires.

This becomes clearer as Nosferatu shows you more of Orlok’s ability to project his shadow across Europe to menace Ellen with promises of untold pleasure. On a technical level, it’s clear that Eggers is creating scenes that Murnau could have only dreamed of, but you also get the sense that this is exactly the kind of alarming energy that made Max Schreck’s Orlok so frightening when he first appeared onscreen. To that end, this Nosferatu works hard to make you feel Orlok’s presence more than it actually tries to show you what he looks like as his plans begin taking shape. He’s lurking in Ellen’s mind but also in Thomas’ fears that he might not be able to satisfy his wife’s needs.

Skarsgård’s Orlok is skincrawling once the film gets around to fixing the camera squarely on his face, but much of the count’s essence is channeled through the way Depp and Hoult inhabit Ellen and Thomas. Ellen vacillates between terror, shame, and arousal to make you feel exactly what kinds of designs Orlok has. And Thomas’ guileless confusion when he encounters clearly supernatural things speaks volumes to Orlok’s ability to misdirect his unsuspecting victims.

While Nosferatu isn’t trying to shock you with its plot or gory deaths, it does want to impress you with its arresting visuals. We’ve seen Eggers work in black and white before, but the way Nosferatu frequently shifts into a near-monochromatic palette of blacks and blues is a brilliantly artful trick evocative of blood draining out of a face in fear. Those moments help make Nosferatu feel like a uniquely inspired presentation of vampires as beings of darkness. But beyond their aesthetic beauty, they also highlight the extent to which Eggers has crafted Nosferatu as a tribute to films from Murnau and Browning.

It’s rare to see a remake that so effectively celebrates its predecessors while also realizing its own distinct vision, but that’s what is going to make Nosferatu an instant horror classic when it hits theaters on December 25th.

Nosferatu also stars Willem Dafoe, Ralph Ineson, and Simon McBurney.

A lawyer defending an alleged distributor of Anom, the encrypted phone company for criminals that the FBI secretly ran and backdoored to intercept tens of millions of messages, is pushing to learn the identity of the confidential human source (CHS) who first created Anom and provided it to the FBI starting the largest sting operation in history, according to recently filed court records. The government says it will provide that identity under discovery, but the CHS may also be revealed in open court if they testify.

The move is significant in that the CHS, who used the pseudonym Afgoo while running Anom, is a likely target for retaliation from violent criminals caught in Anom’s net. The Anom case, called Operation Trojan Shield, implicated hundreds of criminal syndicates in more than 100 countries. That includes South American cocaine traffickers, Australian biker gangs, and kingpins hiding in Dubai. Anom also snagged specific significant drug traffickers like Hakan Ayik, who authorities say heads the Aussie Cartel which brought in more than a billion Australian dollars in profit annually.

Court records say, however, that if this defendant’s case goes to trial, the lawyer believes Afgoo will be the “government’s key witness.”

“Given the CHS’s central role in the investigation and relevance to the prosecution, the government is obligated to provide his identity and particularized information about him,” the motion to compel discovery, filed by defense attorney Patrick M. Griffin in November, reads. Griffin is representing Alexander Dmitrienko, who prosecutors indicted along with 16 others. Lawyers for three other defendants also joined the motion. Those defendants are Seyyed Hossein Hosseini, Aurangzeb Ayub, and Shane Ngakuru.

In 2018 Afgoo, who had previously sold phones from companies popular with organized criminals such as Phantom Secure and Sky, approached the FBI with a proposition: Would the agency like to take control of Anom, an embryonic encrypted phone company Afgoo was developing, for use in its own investigations? In exchange Afgoo received $120,000 and nearly $60,000 for expenses, and the possibility of a reduced sentence for charges they were facing, according to an affidavit written by Nicholas Cheviron, one of the FBI agents that spearheaded the Anom operation.

The opportunity for law enforcement was staggering. They could put a backdoor into Anom to read all of its users’ messages, and once criminals started using the devices, observe and disrupt drug trafficking, weapons smuggling, public corruption, and assassinations all over the globe. Anom eventually grew to more than 12,000 devices and collected more than 27 million messages.

“The CHS was an active participant in the alleged conspiracy; indeed, acting on behalf of the government, he was its principal organizer, promoter, and technician. In fact, it appears he worked closely with the government when it created the Anom device. As such, he is a percipient witness with first-hand knowledge of many of the relevant facts and a participant in numerous forms of communication with one or more of the defendants,” the motion continues. Pointing to previous precedent, Griffin adds information about the CHS is required for the defense to fulfill its obligations under the Fifth and Sixth Amendments.

“As to timing, trial is fast approaching, and given the worldwide scope of this case, the defense needs time to adequately prepare, including developing impeachment material for the CHS, who undoubtedly will be the government’s key witness,” Griffin writes. That trial is slated for March.

Griffin is seeking Afgoo’s real name; any aliases; their full criminal background including arrests, charges, and convictions; details on any compensation or benefits they received as part of being a CHS; any promises, agreements, or understandings between them and the government, including immunity, immigration benefits, or sentencing recommendations; records showing whether they’ve ever been untruthful or unreliable in any case; information about any psychological or substance abuse history that could impact their reliability as a witness; and all communications between the government and the CHS, among other things.

The reason for seeking this information, Griffin says, is that the defense “is entitled to investigate his background and prepare a vigorous cross examination.”

According to Griffin, in an October meeting the government indicated it would provide the CHS’s name and other details, but did not provide a date at which it would do so. Hence the motion for discovery, which also requests other information about Anom’s operations. A government response filed shortly after said “the government has already advised Dmitrienko that it will be providing discovery relating to the CHS. The government will identify the CHS in advance of trial.” On December 13, the court granted the motion for discovery in part.

Joshua Mellor, one of the main prosecutors on the Anom cases, told 404 Media in an email that “if the case does go to trial, we will have to reveal the identity of the CHS.”

“It would first be revealed in discovery and then in public court if the CHS testifies,” he added.

The defense has already obtained significant discovery, including technical documents on how the Anom system worked and a massive trove of Anom messages, according to other court records.

The motion for discovery also explicitly mentions my book DARK WIRE, which revealed many new details about the Anom operation. “Mr. Dmitrienko is informed and believes the government secured a private jet to deliver a large shipment of Anom phones from the United States to Western Europe to fulfill demand it created after shutting down the Sky system of encrypted devices. (Discussed in the book Dark Wire and raised at our last motion hearing; the government did not dispute undersigned counsel’s recitation of this incident and presumably would have if it were untrue.),” the court record reads. That scene of the book was based on my conversations with FBI officials.