She wore a custom piece from Schiaparelli that was tan, covered in sequins, and sleeveless with a scooped neckline.

It was glamorous and called back to old Hollywood with its matching gloves. Still, the outfit also honored Beyoncé and her latest body of work, "Cowboy Carter."

The dress was beaded with small white Bs and a larger paisley print, which gave the gown a subtle Western vibe.

She walked the red carpet that year wearing a Stéphane Rolland gown crafted from a satin fabric.

The neutral-colored dress had short puffed sleeves, a plunging neckline with a zipper detail, and textured shapes from top to bottom.

The same design would have looked cool on a top or skirt individually. However, the pattern was overwhelming on a dress and too strong for such a delicate shade and fabric.

Beyoncé also wore gold hair tinsel and statement earrings that clashed with the gown's color.

Beyoncé changed into a metallic number from Armani Privé during the awards ceremony. The short dress had statement short sleeves, a deep-V neckline, and loose chains that intentionally hung from the garment.

The outfit was eye-catching, glamorous, and perfectly accessorized.

She wore it with gold platform sandals, statement hoop earrings, and an assortment of bracelets and rings.

Giorgio Armani designed her dress, which was strapless and made from silk.

Its silver color looked stunning on Beyoncé, but the dress didn't seem to fit her right. Its neckline flap was uneven, and its wrapped skirt was just a touch too long, making it appear to have excess fabric.

The dress was also embellished with large crystal pieces at the waist and neckline, so Beyoncé didn't need the oversize jewelry to elevate the outfit.

Beyoncé wore three different outfits throughout the 2023 Grammys, and her final look — a black velvet Schiaparelli gown — was one of her best.

The strapless dress featured an angular, square-shaped neckline, hugging her figure and cinching at the waist.

She paired the dress with matching gloves for an elegant and fashionable look.

Beyoncé arrived at the awards show in an Osman jumpsuit with short sleeves and a high neckline. Most of the look was black, though one sleeve and half the bodice were white.

The ensemble wasn't as exciting or high-fashion as some of her other outfits, and it appeared more professional than red-carpet ready.

The gown, designed by Beyoncé's mother, Tina Knowles, hugged her figure and featured ruching on the bodice and waist, forming a pleat down the center of the skirt.

Bejeweled netting created a halter neckline, and gems ran down the center of the bodice.

Gold earrings and shoes completed the gilded look, which was perfect for an evening on which she won five Grammys.

She accepted a Grammy onstage that year in a Schiaparelli minidress. The leather garment had off-the-shoulder sleeves, a V-shaped neckline, and ruched fabric that made the piece edgier.

While the sheer tights she wore pulled the look together, her black gloves did the opposite. The leather pieces with gold nails distracted from her outfit and made it look more like a costume.

By removing the gloves, fans could have appreciated her statement earrings and stunning hairstyle better.

Middleton wore a black, military-esque coat by Catherine Walker with buttons down its bodice and epaulettes on its shoulders.

She completed the look with a black hat, semi-sheer tights, leather heels, and the late Queen's pearl earrings from her Silver Jubilee.

Her Alexander McQueen coat had a high neckline, multiple pockets, and a long pleated skirt.

She wore it with a handful of accessories in rich tones and textured fabrics, like dark velvet boots, brown leather gloves, and a green, wide-brimmed hat adorned with ribbon.

She wore a burgundy pantsuit designed by Roland Mouret with matching pumps and a baby-pink blouse. The shirt's long bow added a feminine flair to her outfit.

The Prince of Wales wore a blue suit with a red tie, which matched Kate's vibrant red suit.

Alexander McQueen designed her asymmetrical blazer and pleated pants, which she wore with red heels, a matching clutch, and geometric earrings from Chalk.

Her houndstooth-print Catherine Walker coat was red and white, mirroring the colors of both rugby teams.

The BBC reported that, on the day of the match, the Prince of Wales described his wife's attire as "diplomatic," though she was rooting for England. Her team went on to win the game.

Designed by Erdem, her navy-blue outfit included a fitted blazer top with peplum detailing at the waist, and a mermaid-style skirt that flared just above her ankles.

She wore the outfit with velvet pumps and a wide hat.

Rather than wearing true green as most do on St. Patrick's Day, the Princess of Wales opted for a Catherine Walker coatdress in a shade of teal often referred to as "St. Patrick's Blue," as People reported.

The color also matched the plumes the 1st Battalion of Irish Guards wore in their hats. It was a fitting choice for Kate as she inherited the title of Colonel of the battalion from William in December 2022.

She paired the look with coordinating shoes from Gianvito Rossi and a hat designed by Jane Taylor London.

The Waleses marked the full family appearance with coordinating blue ensembles, and Kate chose another Catherine Walker coatdress for the occasion. It had a two-toned lapel and pocket detailing.

A matching hat and nude heels tied the look together.

Kate's emerald dress was designed by Suzannah London. She wore it with white-and-black shoes from Alessandra Rich.

The gown's detailing and slightly puffy sleeves created a more relaxed but still professional look.

Designed by Elie Saab, the powder-blue dress had a sheer overlay and was covered in velvet embellishments.

An oversize bow sat on her neck, and a coordinating hat with a large flower completed the ensemble.

Even better, the look was recycled. Kate previously wore it to the 2019 Royal Ascot.

Puffy sleeves and a ruffled neckline gave the navy polka-dot dress from Alessandra Rich a feminine feel. 

She paired the look with a white clutch and black-and-white heels.

First worn by the princess to Wimbledon in 2021, the Beulah London dress had short sleeves. Buttons lined the bodice, and it belted at the waist.

White shoes accented the summery outfit, just one of the pink looks she wore over the summer.

The white dress was designed by her go-to designer, Alessandra Rich. Polka dots covered the form-fitting, long-sleeved dress, which cinched at the waist.

A black hat with polka-dot feathering and black-and-white shoes completed the ensemble.

Kate also showed off her curtsying skills at the event.

Kate chose another Beulah London dress for the polo game, which William played in, this time in pale blue.

The long-sleeve dress flowed to Kate's ankles, and it was covered in stripes of floral print. 

She paired it with nude heels.

The dress from Self-Portrait had a shirt-like bodice, with a collar, large buttons down the center, and pocket detailing.

It cinched at the waist with a belt, creating a peplum silhouette, while the ruched skirt flowed to Kate's ankles.

She paired the dress with a purple brooch and nude heels.

Kate wore a green suit from Burberry to visit the textile company, AW Hainsworth.

The jacket was slim-fitted while the pants were slightly wider, giving her a long look. A white blouse and gold jewelry completed the professional ensemble. 

The cream ensemble was designed by Sézane, consisting of a sweater with button detailing on the sleeves and a pencil skirt.

The sweater material of the ensemble made it feel perfect for fall. Kate paired the effortless ensemble with cream shoes and a matching purse. 

During a visit to Moray, Scotland, Kate paired a checked Burberry jacket with flared jeans and boots, and she added a red flower to her lapel.

Her jacket subtly matched William's green outerwear, and the pattern was the perfect fit for a visit to Scotland. 

The princess turned to Catherine Walker for her dress in November, when she was ceremonially welcomed by the president and first lady of the Republic of Korea. 

The red coatdress flowed past her knee, draping over her arms almost like a wrap. An asymmetrical bow on the gown's collar acted as a modern touch, and coordinating red shoes, a red purse, and a red hat tied the look together. 

Kate tapped menswear bespoke tailor Chris Kerr for her cream coat, which flowed to her ankles.

She paired the structured coat with a white blouse, matching high-waisted trousers, nude shoes, and a mini-purse. The outfit looked both trendy and timeless. 

Jenny Packham designed the knee-length dress Kate donned for Trooping the Colour 2024, which marked her first public appearance of the year. The Princess of Wales announced she was undergoing chemotherapy in March 2024.

The dress was upcycled, as Kate was previously seen wearing it at a luncheon before King Charles' coronation in May 2023. But Packham added a black-and-white bow and altered the belt to give it a second stripe for Trooping the Colour, making it look new.

She paired the dress with a coordinating white hat, pointed-toe heels, and the Irish Guards Regimental Brooch on her lapel to highlight her role as Colonel of the Irish Guards.

Kate attended the men's final of Wimbledon 2024 with Princess Charlotte at her side.

She arrived in a purple dress designed by Safiyaa London. The dress featured cap sleeves, a cinched waist, and a tea-length skirt with pleats. Ruching on the bodice added dynamism to the boatneck bodice, as did a navy brooch shaped like a bow.

Nude shoes and a pair of sunglasses completed the ensemble. 

Alexander McQueen designed the double-breasted burgundy coatdress Kate wore to the ceremony, which was the first she attended in 2024.

Her coordinating hat was from Sahar Millinery, and Kate played up the autumnal vibes of her look with brown gloves, a brown Chanel clutch, and brown knee-high boots from Gianvito Rossi.

She chose pearly jewelry to complete the ensemble, including a four-strand choker Queen Elizabeth and Princess Diana both wore in the past.
 

The Prince and Princess of Wales participated in the royal family's annual walk through Sandringham on Christmas with their children, and Prince William, Prince George, Prince Louis, and Princess Charlotte all wore navy ensembles. 

Instead of matching her family, Kate donned an emerald green coat from Alexander McQueen with a matching beret from Gina Foster. She wore black boots and gloves with the look, but the standout accessory of her ensemble was her navy and green tartan scarf, which connected her look to her family members' outfits. 

It complemented Charlotte's look in particular, as Charlotte's blue coat featured a checked pattern.

Moore walked the red carpet in a custom Armani Privé gown, which was strapless and crafted from a metallic fabric that shifted between silver and gold.

Unfortunately, the blended shades washed Moore out, and its mermaid-style skirt distracted from its unique, asymmetrical bodice.

Less would have been more for Wong's Golden Globes ensemble this year.

She wore a red Balenciaga gown covered in curled frills and embellished with a satin bow around the waist. Black, over-the-elbow gloves and thick plastic glasses completed the look.

The comedian could have improved her overall outfit by eliminating her arm accessories and swapping her chunky glasses for more delicate ones.

You couldn't miss Scott when he arrived on the red carpet. The "Ripley" star wore a Vivienne Westwood suit in a vibrant blue shade, a matching tie, and black dress shoes.

His fashion risk was appreciated, and he did stand out among other male celebrities at the event. That said, its color was a bit too bold and reminiscent of a Tiffany and Co. jewelry box.

The black long-sleeved top, yellow pleated skirt, and gold buckle belt Hahn wore would have been great for a date or dinner with friends.

However, the outfit was too casual for the prestigious awards ceremony. The same shirt made from shiny silk, a different belt, and a slightly shorter skirt could have elevated the look.

Christian Siriano designed McCarthy's two-piece outfit, which included a hot-pink pantsuit and an oversize, ruffled cape.

The baby-pink shade on the latter piece complemented McCarthy and would have looked stunning in the form of a gown. However, the pantsuit and cape combination she wore overpowered the actor.

Ramos arrived in a gray suit that was sharply tailored and looked chic. But there was one thing he could have changed: the non-functional belt that sat wrapped around his waist.

Instead, it would have been fun to see the actor embellish his outfit with a statement brooch, a unique tie, or even a more interesting shirt.

Klum brought her signature, sultry style to the Golden Globes with a strapless green gown. It had a deep neckline, ruched fabric, and diamond-shaped cutouts across its bodice.

Still, the model has worn many similar dresses in the past. It would have been fun to see Klum experiment with something even bolder and more high-fashion this time around.

Stéphane Rolland designed Russell's cream dress to look like a suit, with a plunging neckline and a slit in the center of the skirt mimicking the look of a jacket and pants. Lapel detailing and an oversize belt completed the illusion.

The look was fun, but a layer of straight fabric flowed down from the back, making the dress look boxy and unnaturally stiff. Without the additional fabric on the back, it would have been stronger.

Hayek chose a burgundy Gucci dress for the Golden Globes. Sequins covered the halter bodice, and the sparkles reappeared on the train, flowing from the form-fitting skirt. She wore a green necklace with the look.

The dress felt disjointed and would have been more cohesive if there were any sparkles on the skirt to connect the bodice and train.

The star wore an Elie Saab gown that had a semi-sheer bodice made of crisscross red designs atop see-through lace fabric.

The bright red skirt contrasted with the patterned bodice.

The Kaufmanfranco minidress had quarter-length sleeves and a high collar.

A plunging neckline flowed from Swift's neck to her navel.

The flowing J. Mendel dress had a low neckline that was accented by silver straps on the front, back, and side.

A slit in the skirt added to the look.

The singer chose another Elie Saab dress for the 2013 awards ceremony.

The black gown had sheer cutouts on the shoulders and legs, and a gold belt broke up the column style.

The navy Hervé Léger by Max Azria gown had a plunging neckline with a sparkly trim.

The Reem Acra dress had a simple white skirt, but it was offset by an intricately designed off-the-shoulder bodice.

The elegant gold and sheer patterned top scooped into a low neckline. 

Swift sparkled in the black minidress, which was designed by Zuhair Murad. 

Black gems sat atop sheer fabric, and a fringed trim completed the gown.

The bright red dress, created by Swift's costume designer Marina Toybina, had a low neckline and a flowing cape. 

Sparkly, built-in shorts gave the look a performance flare.

The polka-dot bra top had a small cutout in the center and coordinated with the high-waisted pencil skirt.

The skirt featured a slit up the center.

The Sass & Bide ensemble consisted of a white skirt and a peplum birdcage top.

The neckline of the top was low-cut, and it was connected by two black strips of fabric.

The halter neckline of the Balmain jumpsuit mirrored two cutouts in the center of the garment.

The wide-legged pants gave the ensemble a retro look.

Swift paired the low-cut nightgown with a matching, lace-trimmed robe.

Swift, pictured with her model and then-close friend Karlie Kloss, stunned in a sparkly black bra and matching high-waisted underwear.

She wore a black, lace nightgown that had a long train over the look with high heels.

The Zuhair Murad dress consisted of a white skirt and one white sleeve, while the bodice and one sleeve were made of sheer fabric with sparkly, silver patterns on it.

Jimmy Choo pumps completed the ensemble.

A zipper ran down the lace-covered Julien Macdonald dress, creating a dramatic slit.

The neckline featured zig-zag straps.

At BBC Radio 1's Big Weekend in 2015, Swift wore a silver bodysuit with sheer panels.

Silver tassels flowed from the trim and from her wrists.

The top of the gold dress, designed by Jessica Jones, was made of sheer fabric. Gold sparkles sat atop it, creating a deep V that flowed all the way to Swift's navel.

The layers of gold tulle in the skirt moved as Swift danced. 

The bodysuit Swift wore while she performed alongside Tove Lo had sheer cutouts on the stomach and chest.

Sparkle-covered fabric made up the rest of the garment, which was trimmed with tassels.

The Versace two-piece consisted of a strapless orange crop top and a high-waisted, hot-pink skirt.

The skirt had a waist-high slit that revealed built-in pink underwear.

She stunned in a black Alexandre Vauthier Haute Couture gown that had a plunging halter neckline and a thigh-high slit.

A gold Jimmy Choo purse, a gold choker, and gold Giuseppe Zanetti heels completed the outfit. 

The black Saint Laurent jumpsuit had a halter neckline, semi-open back, and it was entirely covered in sequins. 

The custom Louis Vuitton minidress was made of silver snakeskin fabric and had leather accents on the top of the dress.

The center of the dress had daring cutouts, while the trim of the skirt had tiers of ruffled fabric.

Louis Vuitton gladiator heels completed the ensemble.

The Julien MacDonald dress was almost completely transparent, with only thin stripes of sparkly, black fabric providing coverage.

A cutout in the stomach and dramatic slit in the center of the dress added to the daring look.

The black Atelier Versace bodysuit had long sleeves and was covered in intricate, geometric patterns.

She paired the look with a black bra, high-waisted black underwear, and a fringed skirt.

The star's custom Versace dress took over 800 hours to make.

The gown had a dramatic cape, feather detailing, and a striking thigh-high slit.

While walking in New York City in 2018, Swift paired a sheer black top with an exposed sports bra, short printed skirt, and heels.

The Balmain dress had a disco-ball effect, as it was made of small panels of shiny silver fabric.

Matching thigh-high boots complemented the short dress.

The star wore an off-the-shoulder black Versace dress to celebrate the 2019 Golden Globes.

The sparkly dress was made of sheer fabric, had tie detailing on the bodice, and featured a daring thigh-high slit.

While performing songs from "Lover," Swift wore a gold corset top with sparkly purple bottoms that showed off her legs.

She paired the look with gold boots.

The sparkly green Julien Macdonald dress was asymmetrical, as one side had a skirt that flowed all the way to the floor while the other exposed a shorter layer of fabric. 

Dramatic thigh-high boots completed the look.

The bodysuit was covered in gold sparkles and coordinating tassels flowed from Swift's waist. 

She wore matching boots with the look.

Swift performed in a see-through Sarah Regensburger catsuit, which she gave a shiny edge by wearing a silver Greta Constantine bodysuit beneath it. 

She paired the form-fitting look with Black Louis Vuitton boots.

Oscar de la Renta designed her halter minidress, which had strings of diamonds hanging loosely across her arms, and more rows of jewels swooped across her body.

She paired the look — which is one of her most daring of all time — with red lipstick and sparkling sandals.

The sleeveless garment had a V-shaped neckline embellished with diamonds and a crystal star print across its bodice.

Swift's outerwear — a feathered cardigan — was also daring.

The Michael Kors dress stood out with asymmetrical detailing.

The sparkly, black gown had a high neckline, one long sleeve, and a long skirt.

A diamond-shaped cutout added dimension to the bodice, as did a daring slit on the skirt. 

Sparkly Aquazzura shoes tied it all together.

The black ensemble consisted of a low-cut bodysuit and a high-waisted chainmail skirt.

Sparkly gems made up the chainmail pattern, and the large holes between them showed off Swift's legs.

She paired the statement gown with black open-toe Giuseppe Zanotti shoes and an updo.

The set was custom-designed by Michael Schmidt Studios for the video, which featured Swift performing as a burlesque dancer.

A bikini-style top and high-waisted bottoms made up the bulk of the ensemble, and both were bejeweled with gems in shades of blue.

The outfit also featured sparkly arm pieces that acted as cape.

The gold jumpsuit from The Blonds had a plunging, halter neckline and fitted pants, as well as a belt that cinched at the waist and gave way to the eye-catching open back.

Subtle sparkles embroidered into the fabric accentuated the ensemble's red-carpet feel.

Gold Giuseppe Zanotti shoes completed the look.

Roberto Cavalli designed the deep-blue set Swift wore to the 2023 Grammy's.

The long-sleeve, high-neck top was cropped high on Swift's chest, while the high-waisted skirt hugged her figure before flowing into a train. Both the top and skirt were adorned with sparkles that shimmered as she walked the red carpet. 

The asymmetrical piece has one mesh sleeve, one pant leg, and a sparkling red snake design from top to bottom.

The form-fitting piece is covered in sequins and beaded fringe. She wears it with fishnet tights, a matching garter, and Louboutin boots.

Swift's Versace dress for the VMAs had an asymmetrical, halter neckline.

A curved stripe adorned with gold hardware split the form-fitting bodice and framed a slit on the skirt, which cut all the way up her thigh. 

The gown also featured an open back, and Swift paired the look with layers of necklaces and strappy black shoes. 

After the VMAs ceremony, Swift swapped her Versace ball gown for EB Denim's Polka dress. 

The scoop-necked dress had a corset bodice made of panels of different hued denim. The pattern continued on the short skirt, which had a frayed hem. 

Sparkly heels and a coordinating purse completed Swift's after-party ensemble. 

Swift and Kelce attended a taping of "Saturday Night Live" in October 2023, where Swift introduced her friend Ice Spice as a performer on the show.

Swift donned a black corset top from Versace for the evening. It featured gold detailing on the thin straps and cut up on the sides, revealing a hint of Swift's midriff.

She paired the daring top with black trousers and a checked coat from Gant.

Swift paired the Stella McCartney top, which had long sleeves, a white collar, and a gold patch, with knee-high boots from Prada.

Swift attended the London premiere of Beyoncé's film alongside a slew of other celebrities. She wore a custom Balmain gown for the event.

Silver, reflective embellishments adorned the dress from head to toe, and a floral appliqué sat on the side of the bodice. A dramatic slit on the skirt completed the glamorous gown, which Swift wore with black heels. 

To celebrate turning 34, Swift wore a black minidress from Clio Peppiatt. 

The entire dress had sparkles on it, and it was embroidered with the iconography of a night sky in silver thread, including a moon, clouds, and stars. 

Open-toe black pumps, a faux fur jacket from Anine Bing, and a bejeweled silver bag completed the celebratory ensemble.

In January, Swift attended the Golden Globes in a form-fitting green dress made of a metallic fabric. Gucci designed the piece.

The gown's subtle sweetheart neckline added a hint of drama, while the back was open aside from thin strips of fabric connecting the two sides of the bodice.

Swift became the first artist to win album of the year at the Grammys four times at the 2024 ceremony, and she did it wearing a custom Schiaparelli dress. 

The white dress had a strapless, straight neckline. Ruching on the bodice gathered on Swift's hip, contrasting with the thigh-high slit just below it.

A sweeping train flowed out behind her, and Swift accessorized the look with black shoes and gloves. 

Swift donned a Dion Lee corset top to support Kelce at the Super Bowl. The top was crocheted, and it had an open weave on the lower portion of the top, creating a see-through pattern.

She paired the semi-sheer top with black jeans from Area, which had a slit on each leg encrusted with gems. 

A Chiefs jacket and jewelry that nodded to Kelce completed the look. 

Swift kicked off the Europe leg of her Eras Tour on Thursday in Paris. 

She updated her setlist to incorporate songs from "The Tortured Poets Department" and revealed new designer outfits for most of the show.

Swift completed "The Tortured Poets Department" section with a performance of "I Can Do It With a Broken Heart" in a custom, two-piece set designed by Vivienne Westwood. 

On Sunday, Swift wore a sparkly bra top, which Vivienne Westwood said was "gunmetal"-colored on Instagram, with matching high-waisted briefs. Swift paired the set with a shiny tuxedo jacket with tails and custom Christian Louboutin shoes that she changed into onstage.

Swift also wore black, white, and silver versions of the set during her Paris shows.

Swift returned to Arrowhead Stadium on September 5 to support Kelce as the Chiefs took on the Baltimore Ravens. 

She attended the game in another Versace Medusa corset top, donning a denim version of the look she first wore in the fall of 2023 that scalloped on the sides to reveal a panel of Swift's skin. 

Swift paired the corset with Grlfrnd's denim shorts, thigh-high maroon boots designed by Giuseppe Zanotti, and Louis Vuitton's Side Trunk bag. 

Over $60,000 in jewelry elevated Swift's glamorous WAG look, including the TNT bracelet she has often been spotted wearing in recent months. 

Swift arrived at the VMAs in a Dior dress, which featured a form-fitting bodice and open skirt in a yellow and black plaid pattern. 

The bodice's straight neckline was accented by black straps and a zipper that cut down the center of the garment. A choker made of the same patterned fabric complemented the ensemble. 

The skirt belted at Swift's waist was open, revealing black shorts.

She also opted for black accessories, pairing the dress with over-the-knee boots from Stuart Weitzman and open-finger gloves that flowed past her elbows and featured crisscrossed cutouts. 

Vivienne Westwood designed the Sunday corset and Meghan kilt Swift wore to the Chiefs game on October 7.

The corset top had off-the-shoulder sleeves, while the ruched mini-skirt featured a slit on one thigh. 

Swift paired the maroon and gray set with Vivienne Westwood's Grace boots, which were black and hit just below her knee. 

She also wore $46,000 worth of jewelry with the look and carried a Belle Heart-Frame Jacquard bag from Vivienne Westwood. Faux, sparkly freckles from Fazit tied the glamorous look together.

Swift chose a $1,700 lace corset top from Gucci for her date night with Kelce. The top featured a sweetheart neckline and a tan base.

The corset's black detailing coordinated with her $195 RTA mini-skirt and her $1,720 Louis Vuitton ankle boots.

A $2,498 Ralph Lauren trench coat and a $4,400 Dior Saddle bag completed her daring but elegant ensemble.