Roger Goodell allowed Kendrick Lamar to exploit his spotlight not to entertain the Super Bowl audience but to renew one of those rapper beefs with Drake.
To a large degree, if you’ve seen one Super Bowl during the Roger Goodell Football-As-Pop-Prop Era, you’ve seen ’em all. And how much can you do every year with onion dip?
For all the on- and off-field rot and the reliably compliant silence of media, it becomes a legit question whether Roger Goodell gives a rat’s rotator cuff about the condition of pro football.
As a matter of educated fact, the last time either show made any worth-hearing noise was when CBS’ version was off the air. After a 1980 show, Brent Musburger and Jimmy “The Greek” Snyder went at it in a Manhattan bar.
You see it all game, every game. It’s like the thanks-for-nothing, “They move the chains,” replacing the useful “first down” and the yardage gained. It’s tired, repetitive and poorly designed to sound hip.